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Lot 1882
After JAMES ALPHEGE BREWER (1882-1938); a pair of aqua tinted etchings, "Rheims Cathedral" and "The Rose Window, Rheims Cathedral", signed in pencil to lower right and titled to lower left, both 59 x 40cm; after LELY, and JOHN OGBORNE; an oval tinted etching of Eleanor Gwynne (Nell), 27 x 23cm, all framed and glazed (3).
Lot 313
Two trays of blue and white willow pattern dinnerware including meat plates, tureens and sauce boats also an etching of Shrewsbury School, a view of Oldhams Hall, Shrewsbury School by Dennis Alexander, signed print; two photographs of Shrewsbury School XI 1921 and Mr Oldham's House XI 1921 and a small watercolour of fishing boats.
Lot 82
Francis B. Tighe (1885-1926) "Winter evening, the cross Leighton Buzzard" signed and dated 1903, also inscribed verso by a later hand, watercolour, 29.5 x 45 cm, together with a further example, Market Place with figures, initialled, also an oil painting possibly after Barker of Bath, two children with a dog, on metal, and an etching of "Sienna" by Sidney Tushingham, various sizes, (4)*
Lot 88
C**H**Baskett (20th century) Signed and inscribed proof, black and white etching, 24 x 36 cm, together with a companion, "Sunrise at Whitstable", together with various other decorative furnishing watercolours and prints, including, Leo Hunter, "Old Mine Works, Honister, Cumbria", watercolour of a bridge over a river, a pair of oval engravings after Angelica Kauffman by Francesco Bartolozzi, "Psyche at the bath", "Psyche going to dress", and an engraving of figures in a woodland setting, also a print entitled, "The City of London Lying in Hospital", various sizes, (8)
Lot 733
Sale Item: JACKSON SIMPSON ETCHING Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Lot 742
Sale Item: ETCHING QUARTER POOL ON THE SPEY BY W MUNRO Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 15% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 3% of the hammer price plus VAT @ 20%
Lot 721
Two early 20th century coloured etchings by Tatton Winter, one showing a street scene in Avignon, signed bottom right, with label verso from the Museum Galleries ""Entraigues"", 28 x 35 cm approx, the other showing a street scene in Tours, signed bottom right, also with Museum Galleries label verso, 43 x 25 cm together with a set of four coloured etchings of continental city views including a canal scene in Venice, view of Bruges, Amiens, etc, all signed bottom right, all with Museum Galleries label verso inscribed ""Original etching by Dr D Donald"", 32 x 17 cm approx all in simple black frames
Lot 731
A collection of 19th century and other black and white etchings including a pair of signed black and white etchings of continental river scenes, signed bottom right Henri G Rich (?), 21 x 12 cm, a pair of 17th century black and white engravings of a hunting scene and a further sporting scene inscribed ""Callot"", probably for Jacques Callot, 12 x 25 cm, a black and white engraving, portrait of a 17th century Dutch gentleman after Mierevelt, inscribed ""Pieter Corneliszoon Hooft"", 32 x 22 cm, an etching of horses, etc (all framed)
Lot 733
A black and white etching showing the sailing ship The Golden Hind, signed bottom right Artistic and titled ""The Golden Hind"", 25 x 17 cm in simple black frame together with a 19th century coloured engraving showing Admiral Sir Chas Napier after D J Pound, 25 x 18 cm in black and gilt frame, also together with an early 20th century coloured print showing the vessel City of Chicago at high seas, 67 x 32 cm in oak frame with gilt slip
Lot 747
A collection of various etchings and engravings, etc, including black and white etching showing the interior of a workshop, signed J E Clutterbuck, view of the Castle Esplanade, Edinburgh, signed F Stenton, early 19th century coloured engraving of Colonel Thornton dressed as a jockey, a limited edition black and white etching of cattle grazing, signed in pencil bottom right Gael P, a coloured print of a still life with wine bottle, stilton, etc, (all framed)
Lot 773
Two sepia coloured etchings after Jean Francois Millet, one showing a woman churning butter and accompanied by a cat, with inscription within plate ""Aug Delatre, Rue St Jacques"", 19 x 13 cm approx together with a further etching by Millet showing a seated seamstress at a window, 11 x 8 cm approx together with a further black and white etching after Millet showing The Gleaners, with pencil signature bottom right E Borizot, 20 x 26 cm all in dark coloured gilt frames
Lot 782
An early 19th century coloured engraving showing the section and rigging of a First Rate Man of War with the names of all its several parts, also showing the internal parts of a ship carrying 96 guns, published by Bowles & Carver, London, 55 x 62 cm in simple black frame together with a black and white etching of HMS Vernon, 60 guns, signed in pencil bottom right W A Jefferies and dated 1938, 10 x 14 cm in simple black frame
Lot 204
Rembrandt Harmensz van Rijn (Dutch, 1606-1669)SAINT JEROME KNEELING IN PRAYER, LOOKING DOWN(Bartsch, Hol. 102; H. 140)Etching, 1635, only state, signed and dated in the plate 114 x 80mmCONDITION REPORT: FROM THE EVA WEININGER COLLECTION.Not viewed out of glazed frame.Trimmed.Appears to be stuck down, but loose along lower edge.Paper discoloured with rectangular marks impressed into top corners suggesting adhesive tape below.We believe it is period.
Lot 672
Isabel de Bohun Lockyer, British 1895-1980- "Saint'Abbondio"; linocut, signed, titled and numbered 2/10 in pencil, 13.4x19.8cm:(may be subject to Droit de Suite) Note: Isabel de Bohun Lockyer was one of the few artists outside the Grosvenor School to use linocut for colour printmaking in England during the 1920s. Printing in water-based inks, her linocuts have the appearance of colour woodcuts. She exhibited regularly with the Society of Painter-Gravers in Colour from 1925 to 1938 and showed her work alongside that of Claude Flight at his annual exhibitions during the 1930s: Henry Macbeth-Raeburn RA RE, British 1860-1947- "Padstow, Cornwall"; etching, signed in pencil, signed with initials within the plate, 26.5x40cm: together with a large quantity of 19th century and later prints by and after various hands, various techniques, various sizes, (a lot) (unframed) (may be subject to Droit de Suite) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 673
Samuel William Reynolds II, British 1794-1892- "Jacob's Dream" after Salvator Rosa, publ. June 1. 1838, by Ackermann / Co. 96, Strand, Printsellers to Her Majesty & H.R.H. the Duchess of Kent, and by W. Walker, 64, Margaret Street, Cavendish Square; mezzotint and etching with hand-colouring, 49.5x69.5cm: Charles George Lewis, British 1808-1880- "The Melton Breakfast" after Francis Grant, publ. by Hodgson & Graves, London 1839; mezzotint, 46x71.5cm: William Ward, British 1766-1826- "Hay Makers" after James Ward, publ. Jan. 1. 1793, by W. Ward, Warren Place, Hampstead Road; mezzotint with hand-colouring, 46x60.2cm: William Say, British 1768-1834- "The Captive", after Ryder, after Joseph Wright, publ. Oct. 1, 1786, by John & Josiah Boydell, No 90, Cheapside, London: stipple engraving with hand-colouring, 43.5x51cm: together with a quantity of 19th century and later prints, by and after various hands, various techniques, various sizes, (a lot), (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 674
Robert Williams, British fl.1680-1704- "The Duke and Duchess of Lauderdale" after Sir Peter Lely, publ. Richard Tompson; mezzotint, 33.5x39.5cm: Francis Kyte, British c.1710-1745- "Mr John Sturges" after John Vanderbank; mezzotint, 35x25cm: Captain William Baillie, British 1723-1810- "From a Painting by Molinaer in the Collection of William Baillie Esq", publ. May the 3d. 1774; mezzotint, 41x32.2cm: Henry Dawe, British 1790-1848- "The Battle of the Standard" after Edelink after Leonardo De Vinci, No. 55, Publ. Jan. 1 1831, 6, Bartholomew Place Kentish Town, R. Ackerman, Strand, & C. Tilt, Fleet Street; mezzotint with etching, 12x16.5cm: Henry Dawe, British 1790-1848- "Mount St Michel"; mezzotint with etching, 10.3x14cm: together with a quantity of 18th century and later mezzotints, by and after various hands, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 675
John Raphael Smith, British 1751-1812- "African Hospitality" after George Morland, publ. March, 24. 1814 by S Morgan, No. 32, Clipstone Street, Fitzroy Square; mezzotint, 48x65cm: Charles Robertson RWS, British 1844-1891- An oriental man feeding pigeons; dry-point etching, signed within the plate, 35.5x25cm: Thomas Sinclair, British 1805-1881- "Priest in Full Dress Simoda" after a daguerreotype by E Brown; lithograph printed in colours, 29x22.7cm: Sidney Tushingham ARE, British 1884-1968- Riding out from the city walls; etching, signed in pencil, 22.5x36.3cm: together with a quantity of 19th and later prints, by and after various hands, examples to include prints depicting scenes from St Helena, Turky, South America, India and Egypt, various techniques, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 676
William Holman Hunt PRB OM RWS ARSA, 1827-1910- "The Abundance of Egypt"; etching with drypoint, signed and inscribed 20 on the plate, 15.5x12cm: William Scott, British fl.1876-1897- "Rome, View from the Ponte Sisto"; dry-point etching, signed and titled in pencil, signed, titled and dated 1880 within the plate, 14.5x21.5cm: Attributed to Henry Lamb RA, British 1883-1960- Cows resting in a field on a blustery day- dry-point, inscribed H.L. to F.D in pencil, inscribed Given to Francis Dodd RA on the reverse of the mount in blue pen, 12.5x17.8cm: together with a quantity of 19th century and later prints, by and after various hands, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 677
Captain William Baillie, British 1723-1810- "Rembrandt, 1646" 1761, after Rembrandt': dry-point with etching, titled and inscribed agli dilitanti che anno il sapere pregiudizio luesta e dedicata within the plate 29x24cm: Hubert Von Herkomer, German/British 1849-1914- "Souvenir de Rembrandt" 1879; dry-point with aquatint printed in brown ink, signed, titled, dated and inscribed op:7 within the plate, 31.5x25cm: together with a quantity of 19th century and later prints, depicting landscapes and architectural scenes, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 679
William Bell Scott, British 1811-1890- "The Norns Watering the Tree of Life" 1876; etching, signed and dated within the plate, 25.5x17cm: Dante Gabriel Rossetti, British 1828-1882- "A Sonnet"; wood-engraving, inscribed within the plate DG Rossetti pro matre fecit Apr: 27. 1880 and ANIMA, 9.5x15cm: Hubert Von Herkomer, German/British 1849-1914- "Caller Herrin" after John Everett Millais, publ. August 1st 1882 by The Fine Art Society Limited, 148 New Bond Street, London; mezzotint and etching, inscribed with the artists and remarques of their profile, 68x53cm: Robert Bowyer Parkes, British 1830-1904- "Sing Birdie Sing" publ. July 8th, 1870, by Henry Graves & Co, the Proprietors, Publishers to H.M. the Queen, and T.R.H. the Prince & Princess of Wales, 6 Pall Mall, London; etching and mixed technique with hand-colouring, 71x52.5xm: together with a quantity of 19th century prints, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd
Lot 692
Samuel Palmer RWS, British 1805-1881- "The Bellman" publ. by the Fine Art Society, 1879; etching, signed and inscribed within the plate S.PALMER. INV. ET. FEC. MEAD. VALE. REDHILL 1879, lettered The Bellman from "Il Penseroso." Published by the Fine Art Society 148, New Bond Street, London, 1879, 18.7x25cm Provenance: exhibited at Goldsmiths' Gallery, London, 'Graham Sutherland Exhibition', according to label attached to the reverse Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London. CONDITION REPORT: mounted in a glazed wooden frame bearing label for Goldsmiths Gallery on the backing boards' reverse inspection out of the frame: the back mount card has been stuck down with tape along each edge to the window mount the print has become loose from its upper hinge mount from the reverse the sheet is browned throughout from a previous mount bearing remnants of parcel tape along all edges of the sheet with large brown spotting throughout there is an irregular line of the original sheet colour where the paper has not discoloured there is an area of green discolouration in the lower left corner recto: the sheet is browned from a previous mount in a rectangular shape extending to approx 1cm around the plate edge with a tear in the top left corner of the sheet approx. 1.5cm in length with two circular marks of discolouration in the top left corner with a horizontal crease 1cm from the top edge of the sheet running across from left to right with a green area of discolouration in the lower right corner with an irregular line of the original sheet colour running from the lower right edge of the plate to the level of the cows horn on the right this line divides two sections of discolouration, the top section being darker than the lower section there is a small circular area of original sheet colour 5mm dia. outside the plate mark in the top central margin bearing pencil inscription in the lower left corner of the sheet '2nd published state /7357' and in the lower right corner of the sheet 'SX' the sheet is slightly ruckled throughout overall in fair-good condition
Lot 812
Anne Claude de Tubieres, comte de Caylus, French 1692-1765- Landscape, after Albrecht Dürer; etching, inscribed Cab du Roy, C. Scul and with the monogram of Albrecht Dürer, 19.5x25.5cm: together with two further etchings by the same artist depicting landscape & village scenes, inscribed, 14.5x20.5cm and 23x33.5cm, (3)
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