*Both (Jan, 1615-1652). The Large Tree (from the set of Upright Italian Landscapes), etching on laid paper, trimmed to plate margins, sheet size 260 x 204 mm (10.25 x 8.05 ins), together with a collection of 350 various Old Master prints and engravings, mostly 17th and 18th century, mainly Dutch and Flemish Schools, including Hollar, Jan Collaert, Ostade, Crispijn de Passe, Sadeler, Saenredam, Christoffel van Sichem, Lucas Vorsterman, Esaias van de Velde, Ruisdale, Coryn Boel, Callot, Waterloo, etc., many with signs of removal from previous albums, condition variable, all loosely contained in 2 modern ring binders (approx. 350)
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*Goya (Francisco de, 1746-1828). Que Guerrero!, etching, burnished aquatint and drypoint on laid paper from the edition of 300, printed by Francois Li‚nard, Paris, in 1877, plate size 245 x 355 mm, with margins, small waterstain to upper left corner, generally in very good condition, framed and glazed, with Waddington Graphics label to verso Delteil 220, ii. Harris 266, iii. (1)
*Nicholson (Ben, 1894-1982). Still life with blue, 1968, a reproduction of the original etching, issued sometime in the late 1980s or 1990s with the agreement of the estate of the artist, and issued in an edition of 300, on thick handmade paper, signed and dated in pencil, a few minor marks, plate size 266 x 122 mm (10.5 x 4.75 ins), sheet size 357 x 213 mm (14 x 8.4 ins) (1)
*Piranesi (Giovanni Battista). Veduta de Palazzo Odescalchi, from Vedute di Roma, 1753, etching on laid paper with double ring fleur-de-lis watermark, a few minor worm holes to margins and occasionally to image, repaired to verso, closed tear to left margin repaired, just touching image, plate size 410 x 620 mm (16 x 24.5 ins) Hind 26. Wilton-Ely 178. Ficacci 916. (1)
*Griggs (Frederick Landseer, 1876-1938). Meppershall Chapel, 1915, etching on laid paper, one of 30 impressions of the third state, signed in pencil, some light toning, sheet edges with some tears and loss to edges (caused by previous mounting and glue), encroaching particularly to the lower right corner of the image (but with some margin on all sides), plate size 131 x 116 mm (5.2 x 4.5 ins), sheet size 210 x 185 mm (8.3 x 7.2 ins), with margins shorter in several places Comstock 13, iii/iii. (1)
*Bessant (Don, 1941-1993). Cotswold Spring, & August Morning, 1977, together two colour lithographs on handmade paper, published by Christie's Contemporary Art, both signed, dated, titled and numbered 123 and 51 from editions of 150 respectively, sheet size 470 x 400 mm (18.5 x 15.75 ins), matching gilt frames, glazed, with CCA certificate of authenticity to verso, together with Daniel (Valerie, 20th/21st century), Cottage Window, etching with aquatint, signed, titled, and numbered 65/100, plate size 540 x 400 mm (21.25 x 15.75 ins), with margins, framed and glazed (unexamined out of frame) (3)
*Griggs (Frederick Landseer, 1876-1938). Lone-End, 1930, etching on pale cream laid paper, signed in pencil, and inscribed in black ink to verso D.H.P. for Dove's House Press, and numbered 18, from the published edition of 90 impressions, some pale discoloration and light spotting and surface marks, 182 x 260 mm (7.15 x 10.25 ins), sheet size 246 x 320 mm (9.7 x 12.5 ins) Comstock 43, iii/iii. (1)
*Daniel (Valerie, 20th/21st century). Anemones, & Tulips, two large mixed method engravings, limited edition 64/100 and 33/100 respectively, each approximately 55 x 40.5 cm (21.5 x 16 in), together with Partridge (Eleanor), View from marbled wall, 1981, aquatint etching, signed in pencil, limited edition 13/50, 56.5 x 43 cm (22 x 17 in), with Stokoe (Michael), Summer Vines, late 20th century, mixed method engraving, signed in pencil by artist below image, limited edition 10/50, 46 x 32.5 cm (18 x 12.75 in), plus Jones (Olwen), House Plants, colour screenprint, signed in pencil, limited edition 61/100, 44 x 32 cm (17.25 x 12.5 in), together with other 20th century prints and etchings, various sizes and condition (43)
*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (from the Vollard Suite), March 20 1933 [printed 1939], etching on watermarked paper, one of 50 copies printed on Montval paper, dated in the plate 'Paris 20 Mars XXXIII', signed in pencil to lower margin, pale mount stain, plate size 193 x 266mm (7.5 x 10.5ins), sheet size 340 x 403mm (13.4 x 15.75ins), framed and glazed Bloch 149; Geiser 301. 313 impressions printed from each plate. 260 copies watermarked either "Picasso" or "Vollard" were printed on Montval paper. There were also 50 copies printed on a Montval paper about 2" larger in both directions and those were watermarked "Papeterie Montgolfier … Montval". This etching is from the edition of 50 with wider margins on Montval paper. (1)
*Monk (William, 1863-1937). Castellated house by a river, etching, signed in pencil by artist to lower right, plate size 18 x 25 cm (7 x 9.75 in), mounted, together with Davies (Linda), Ballet dancer tying her shoes, late 20th century, etching, signed by artist in pencil to lower left, limited edition 3/12, plate size 31 x 22.5 cm (12 x 9 in), with another thirty etchings, mostly 20th century, including some signed in pencil, with examples by Robertson, Bayly, McFadden, Andrews, Parker, Walker, Roux and Ball, various sizes and condition (32)
*Rembrandt (Harmensz van Rijn, 1606-1669). The Death of the Virgin, 1639, a later restrike etching on laid paper, probably 18th or 19th century, a strong well-inked impression, trimmed to image, laid down on card, sheet size 390 x 315 mm (15.3 x 12.4 ins), together with The Bathers, 1651, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont in Paris), trimmed to plate mark, sheet size 109 x 138 mm (4.25 x 5.4 ins), plus Holy Family with the Cat and Snake, 1654, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont, Paris), trimmed to plate mark, sheet size 96 x 146 mm (3.75 x 5.75 ins), together with 8 other etchings by Rembrandt, all later reprints, including Jan Uytenbogaert, The Baptism of the Eunuch, Jesus amongst the Doctors, etc. (11)
*Lumsden (Ernest, 1883-1945). A Toledo Inn, 1923, original etching on laid, signed in ink & pencil to lower margin, 300 x 164mm (11.75 x 6.5ins), limited edition of 50 copies, together with six other original signed etchings, seven black chalk & nine pencil drawings by Lumsden, including portraits, views & scenes, plus an oil on canvas portrait of a gentleman (24)
*Goya (Francisco de, 1746-1828). El famoso Martincho poniendo banderillas al quiebro (The famous Martincho playing the bull with the movement of his body), 1816, etching, drypoint burin and burnished aquatint on laid paper, with partial watermark 'AN', numbered 15 to top right, plate size 257 x 352 mm (9.7 x 13.8 ins), one or two surface marks and light diagonal crease towards left hand side, sheet size 313 x 475 mm (12.3 x 18.7 ins), tab-mounted Delteil 238. Harris 218. (1)
William Henry Vernon, (1820-1909) Mother and child, tent and figures on camels in an extensive desert landscape watercolour and gouache, signed 24 x 19.5 cm together with a watercolour of an Elder and camel a coloured etching after Edgar Pattison 'Return of the Caravan', and a print of a Middle Eastern city (4)
James Abbott McNeil Whistler (1834-1903), The Little Pool, etching dated in plate 1861 and inscribed 'the Works of James Whistler: Etchings and Drypoints are on view at 39 Old Bond Street, E Thomas Publisher', published in the Thames Set, 1871, 10.5cm x 12.5cm, framed Note: examples of this etching are included in the collections of the the National Portrait Gallery, London, the Victoria and Albert Museum, British Museum and other international art galleries.
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71082 item(s)/page