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Lot 432

*Both (Jan, 1615-1652). The Large Tree (from the set of Upright Italian Landscapes), etching on laid paper, trimmed to plate margins, sheet size 260 x 204 mm (10.25 x 8.05 ins), together with a collection of 350 various Old Master prints and engravings, mostly 17th and 18th century, mainly Dutch and Flemish Schools, including Hollar, Jan Collaert, Ostade, Crispijn de Passe, Sadeler, Saenredam, Christoffel van Sichem, Lucas Vorsterman, Esaias van de Velde, Ruisdale, Coryn Boel, Callot, Waterloo, etc., many with signs of removal from previous albums, condition variable, all loosely contained in 2 modern ring binders (approx. 350)

Lot 398

*Millais (John Everett, 1829-1896). Self Portrait, etching on wove paper by Charles Waltner, artist's and etcher's signature in plate, printsellers association blindstamp to lower margin, plate size 31 x 23cm (12 x 9ins), framed and glazed (1)

Lot 441

*Goya (Francisco de, 1746-1828). ­Que Guerrero!, etching, burnished aquatint and drypoint on laid paper from the edition of 300, printed by Francois Li‚nard, Paris, in 1877, plate size 245 x 355 mm, with margins, small waterstain to upper left corner, generally in very good condition, framed and glazed, with Waddington Graphics label to verso Delteil 220, ii. Harris 266, iii. (1)

Lot 635

*Nicholson (Ben, 1894-1982). Still life with blue, 1968, a reproduction of the original etching, issued sometime in the late 1980s or 1990s with the agreement of the estate of the artist, and issued in an edition of 300, on thick handmade paper, signed and dated in pencil, a few minor marks, plate size 266 x 122 mm (10.5 x 4.75 ins), sheet size 357 x 213 mm (14 x 8.4 ins) (1)

Lot 453

*Piranesi (Giovanni Battista). Veduta de Palazzo Odescalchi, from Vedute di Roma, 1753, etching on laid paper with double ring fleur-de-lis watermark, a few minor worm holes to margins and occasionally to image, repaired to verso, closed tear to left margin repaired, just touching image, plate size 410 x 620 mm (16 x 24.5 ins) Hind 26. Wilton-Ely 178. Ficacci 916. (1)

Lot 609

*Griggs (Frederick Landseer, 1876-1938). Meppershall Chapel, 1915, etching on laid paper, one of 30 impressions of the third state, signed in pencil, some light toning, sheet edges with some tears and loss to edges (caused by previous mounting and glue), encroaching particularly to the lower right corner of the image (but with some margin on all sides), plate size 131 x 116 mm (5.2 x 4.5 ins), sheet size 210 x 185 mm (8.3 x 7.2 ins), with margins shorter in several places Comstock 13, iii/iii. (1)

Lot 652

*Signac (Paul, 1863-1935). Le Pont des Arts avec Remorqueurs, 1927, etching and aquatint on japan, from the edition of 250 published in Dix Peintres au XX Siecle, Paris, 1927, plate size 125 x 190 mm (5 x 7.5 ins), with margins, some light overall toning, framed and glazed Kornfeld 24. (1)

Lot 655

*Walcot (William, 1874-1943). Venetian Festival, etching with drypoint on Whatman watermarked paper (dated 1926), signed and captioned in pencil to lower margin, plate size 18.5 x 52cm (7.25 x 20.5ins), sheet size 37 x 57cm (14.5 x 22.5ins) (1)

Lot 592

*Bessant (Don, 1941-1993). Cotswold Spring, & August Morning, 1977, together two colour lithographs on handmade paper, published by Christie's Contemporary Art, both signed, dated, titled and numbered 123 and 51 from editions of 150 respectively, sheet size 470 x 400 mm (18.5 x 15.75 ins), matching gilt frames, glazed, with CCA certificate of authenticity to verso, together with Daniel (Valerie, 20th/21st century), Cottage Window, etching with aquatint, signed, titled, and numbered 65/100, plate size 540 x 400 mm (21.25 x 15.75 ins), with margins, framed and glazed (unexamined out of frame) (3)

Lot 608

*Griggs (Frederick Landseer, 1876-1938). Lone-End, 1930, etching on pale cream laid paper, signed in pencil, and inscribed in black ink to verso D.H.P. for Dove's House Press, and numbered 18, from the published edition of 90 impressions, some pale discoloration and light spotting and surface marks, 182 x 260 mm (7.15 x 10.25 ins), sheet size 246 x 320 mm (9.7 x 12.5 ins) Comstock 43, iii/iii. (1)

Lot 599

*Daniel (Valerie, 20th/21st century). Anemones, & Tulips, two large mixed method engravings, limited edition 64/100 and 33/100 respectively, each approximately 55 x 40.5 cm (21.5 x 16 in), together with Partridge (Eleanor), View from marbled wall, 1981, aquatint etching, signed in pencil, limited edition 13/50, 56.5 x 43 cm (22 x 17 in), with Stokoe (Michael), Summer Vines, late 20th century, mixed method engraving, signed in pencil by artist below image, limited edition 10/50, 46 x 32.5 cm (18 x 12.75 in), plus Jones (Olwen), House Plants, colour screenprint, signed in pencil, limited edition 61/100, 44 x 32 cm (17.25 x 12.5 in), together with other 20th century prints and etchings, various sizes and condition (43)

Lot 638

*@Picasso (Pablo, 1881-1973). Sculpteurs, ModŠles et Sculpture (from the Vollard Suite), March 20 1933 [printed 1939], etching on watermarked paper, one of 50 copies printed on Montval paper, dated in the plate 'Paris 20 Mars XXXIII', signed in pencil to lower margin, pale mount stain, plate size 193 x 266mm (7.5 x 10.5ins), sheet size 340 x 403mm (13.4 x 15.75ins), framed and glazed Bloch 149; Geiser 301. 313 impressions printed from each plate. 260 copies watermarked either "Picasso" or "Vollard" were printed on Montval paper. There were also 50 copies printed on a Montval paper about 2" larger in both directions and those were watermarked "Papeterie Montgolfier … Montval". This etching is from the edition of 50 with wider margins on Montval paper. (1)

Lot 632

*Monk (William, 1863-1937). Castellated house by a river, etching, signed in pencil by artist to lower right, plate size 18 x 25 cm (7 x 9.75 in), mounted, together with Davies (Linda), Ballet dancer tying her shoes, late 20th century, etching, signed by artist in pencil to lower left, limited edition 3/12, plate size 31 x 22.5 cm (12 x 9 in), with another thirty etchings, mostly 20th century, including some signed in pencil, with examples by Robertson, Bayly, McFadden, Andrews, Parker, Walker, Roux and Ball, various sizes and condition (32)

Lot 627

*Mathews (Richard George, 1870-1955). Cathedral interior, etching on paper, 40 x 25.5cm (15.75 x 10ins) mount aperture, signed and numbered 49/100, framed and glazed (1)

Lot 600

*Drury (Paul, 1903-1987). Head of a Young Woman, 1930, etching and engraving on wove paper, published in an edition of 100 impressions by the Print Collector's Club, 1930, signed in pencil, plate size 145 x 120 mm (5.7 x 4.7 ins) with margins Garton 26, viii/viii. (1)

Lot 593

*Boyd (Arthur, 1920-1999). Nude with shark-headed beast (Diana & Actaeon), 1962/63, etching with drypoint on thick wove paper, signed and marked in pencil Artist Proof, plate size 250 x 300 mm (9.85 x 11.8 ins), with margins, framed and glazed, unexamined out of frame (1)

Lot 610

*Gross (Anthony, 1905-1984). Mississippi, or Rocky Pool, [1966], etching, numbered 2/50, titled, and signed in pencil to lower margin, plate size 36.5 x 51cm (14.25 x 20ins), sheet size 46.5 x 62cm (18.25 x 24.5ins) (1)

Lot 455

*Rembrandt (Harmensz van Rijn, 1606-1669). The Death of the Virgin, 1639, a later restrike etching on laid paper, probably 18th or 19th century, a strong well-inked impression, trimmed to image, laid down on card, sheet size 390 x 315 mm (15.3 x 12.4 ins), together with The Bathers, 1651, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont in Paris), trimmed to plate mark, sheet size 109 x 138 mm (4.25 x 5.4 ins), plus Holy Family with the Cat and Snake, 1654, etching on laid paper, printed by Donald Shaw MacLaughlan in 1907 from the original plate (then in the possession of the art dealer and collector Alvin-Beaumont, Paris), trimmed to plate mark, sheet size 96 x 146 mm (3.75 x 5.75 ins), together with 8 other etchings by Rembrandt, all later reprints, including Jan Uytenbogaert, The Baptism of the Eunuch, Jesus amongst the Doctors, etc. (11)

Lot 624

*Lumsden (Ernest, 1883-1945). A Toledo Inn, 1923, original etching on laid, signed in ink & pencil to lower margin, 300 x 164mm (11.75 x 6.5ins), limited edition of 50 copies, together with six other original signed etchings, seven black chalk & nine pencil drawings by Lumsden, including portraits, views & scenes, plus an oil on canvas portrait of a gentleman (24)

Lot 440

*Goya (Francisco de, 1746-1828). El famoso Martincho poniendo banderillas al quiebro (The famous Martincho playing the bull with the movement of his body), 1816, etching, drypoint burin and burnished aquatint on laid paper, with partial watermark 'AN', numbered 15 to top right, plate size 257 x 352 mm (9.7 x 13.8 ins), one or two surface marks and light diagonal crease towards left hand side, sheet size 313 x 475 mm (12.3 x 18.7 ins), tab-mounted Delteil 238. Harris 218. (1)

Lot 941

JOSEPH F PIMM, OLD JOSIAH MASON COLLEGE, EDMUND ST, etching, artists proof, titled and signed in pencil, approximately 31cm x 20cm

Lot 471

A. K. Gross, 'Winter Grasses', uncoloured etching, a limited edition, 5/75, signed in pencil by the artist. Framed and glazed.

Lot 198

An Archibald Thorburn coloured print, of sea birds, signed, F M Hayman, a bombed street scene, pencil, signed, 21.5 x 27 cm, another by the same, and a Corot etching (4)

Lot 257

After Henri Boutet Apres la Pluie a drypoint etching, pencil signed and numbered 53 x 29 cm Ferrers label verso

Lot 248

After Fred Slocombe, A horse and cart on a rural path between mature trees etching, signed in pencil together with an etching of King's College Chapel Cambridge after K. Vernon, and two other works, various sizes (4)

Lot 261

William Henry Vernon, (1820-1909) Mother and child, tent and figures on camels in an extensive desert landscape watercolour and gouache, signed 24 x 19.5 cm together with a watercolour of an Elder and camel a coloured etching after Edgar Pattison 'Return of the Caravan', and a print of a Middle Eastern city (4)

Lot 83

CARL F HODGSON limited edition (3/3) etching 'The Fabrication Shop', monogrammed, 31 x 26 cms

Lot 577

BRITON RIVIERE R.A. 'The Last Spoonful', etching, old gallery label to the reverse

Lot 571

AN ETCHING BY A P HOWARTH: A framed set of Lambert & Butler winter Sports 1914 cigarette cards, two Baxter prints, a framed certificate, and a 'Chamonix' poster

Lot 112

William Crozier HRHA, 1930-2011 DARK ORCHARD Etching, 8 1/4" x 9 1/2" (21 x 24 cm), signed, inscribed and dated 1998, ed. 21/30

Lot 113

William Crozier HRHA, 1930-2011 TWO JUGS Etching, (21 x 24 cm), signed, inscribed and dated 1998, ed. 20/30

Lot 146

Micael Cullen, Contemporary INFANTA, AFTER VELAZQUEZ Coloured etching. 8" x 9 3/4" (20 x 25cm), signed, inscribed and dated 2010, artists proof.

Lot 438

GEORGE BELCHER (1875-1947, BRITISH) "Two veterans of the National Sporting Club taken from life" hand coloured etching, signed in pencil to lower margin 13 x 9 1/2 ins

Lot 247

After Rembrandt Harmensz van Rijn (Dutch, 1606-1669): Self portrait, etching

Lot 229

Paul César Helleu (1859-1927): Mother & child studies, etching, hand signed to margin

Lot 271

English School (19th century): Two watercolours depicting coastal landscapes, possibly West Country; together with a hand signed etching of similar subject, 'Plymouth Sound' by Robert Linnell Armitage (b. 1898) (3)

Lot 407

Sir Frank Brangwyn RA (1867-1956), The Tannery, etching, signed in pencil, 15.5cm x 28cm, framed

Lot 392

James Abbott McNeil Whistler (1834-1903), The Little Pool, etching dated in plate 1861 and inscribed 'the Works of James Whistler: Etchings and Drypoints are on view at 39 Old Bond Street, E Thomas Publisher', published in the Thames Set, 1871, 10.5cm x 12.5cm, framed Note: examples of this etching are included in the collections of the the National Portrait Gallery, London, the Victoria and Albert Museum, British Museum and other international art galleries.

Lot 389

Antony Gormley (b.1950), Untitled, etching, number 21 of 110, signed in pencil, 69cm x 49cm, unframed Note: Artists Resale Rights may apply

Lot 395

Sir Frank Short RA (1857-1945), Low Tide and the Evening Star and Rye's Long Peer Deserted, etching, 1888, Hardie 219, signed in pencil, 20cm x 27cm, framed

Lot 388

Antony Gormley (b.1950), Untitled, etching, number 75 of 110, signed in pencil, 69cm x 49cm, unframed Note: Artists Resale Rights may apply

Lot 498

An etching after Haig, Chateau, signed and a portfolio including pencil sketch

Lot 594

A selection of pictures including block print after Taylor, etching, watercolour etc

Lot 154

Etching of Bury grammar school together with Anthony Orme picture

Lot 149

Cecil Aldin (1870-1935) Harrow School, artist's proof original colour etching, signed in pencil with Fine Art Trade Guild (FATG) blind stamp, framed, mounted and glazed, 39 x 32 cm approx with Phillipson & Golder, Chester label verso.

Lot 136

'Hampton Court' with Rowing Boat on the Thames, 19th/20th century etching by M Antigue 22cm x 32cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 282

A rummer with etching finish, engraved A W Jacobi, small chip.

Lot 182

J. Brown Gibson Boats Moored on the River Etching, signed in pencil, in a glazed ebonised frame, 31 x 25cm

Lot 197

Two Figures and a Dog overlooking a Coastal Scene, etching, together with two small ink drawings of a Man O' War and another of a Fishing Boat, largest 23 x 15cm (2)

Lot 1053

After R Havell - pheasant shooting and partridge shooting, pair colour engravings after Dendy Sadler - a flaw in the title etching coastal scene, oil, with companion frame (5)

Lot 593A

Framed and Glazed Sir Frank Short Aquatint ' Twixt Dawn & Day ' signed in pencil to margin, Framed and Glazed G Crosby Etching ' The Empty Barn ' signed in pencil to the margin together with two other prints

Lot 735

Frank Paton Etching 'The Good Old Days' dated 1888 signed in pencil framed & glazed and Hand coloured French etching 'Le Repas Du Chat'

Lot 765

Etching/Aquatint view from Stanpit Marches signed Margaret EZ Marckes

Lot 815

Watercolour 'Puglia '86' indistinctly signed JE Putaway (?) framed & glazed, Watercolour of woodland scene with cottage indistinctly signed Roy ...(?) 86 and Original colour etching by Henry G Walker 'Trawlers at Home, Brixham' signed in pencil framed & glazed

Lot 607

John Brunsdon, (British, 1933-) Bay, a limited edition coloured etching, signed in pencil to margin, numbered 11/100.

Lot 81

Mabel Oliver Parker, Gresham's School, Holt, signed etching, 17cm x 25cm; two other etchings of Gresham's School and another etching, (4)

Lot 15

John Rickert, Edinburgh Castle, signed etching, 18cm x 32cm

Lot 192

ETCHING BY WILLIAM WALKER of a harbour scene, signed to the mount, mounted, framed and under glass; together with another picture of a similar subject (2)

Lot 199

An Albany E Howarth etching, Craigmillar Castle, signed in pencil to the margin, and three others by the same

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