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Lot 279

Gabriel White (1902-1988) etching, Woman with turkey in Spanish landscape, 39.5 x 49.5cm, in glazed frame

Lot 73

William Heath (1794-1840) hand coloured etching, Opera Reminiscences 1829, 25 x 35cm, glazed frame. Provenance: From the Estate of David Tron, Kings Road Antiques dealer

Lot 46d

Latvian British Artist Vineta Dzervite-Sayer Limited Edition Etching of a Dalmation

Lot 100

AFTER HENRI MATISSE, L'Espagnole, aquatint and roulette with etching in colours 1925, engraved by Jacques Villon on Velin D'Arches paper, printers proof, engraved notice 'Grave par Jacques Villon 1925' upper left, lower left 'H. Matisse Pinxt' and lower right ' Jacques Villon Sci', 65cm x 50cm.

Lot 179

William Strang RA 1859 - 1921 Scottish Artist etching on paper signed in Pencil 'Mother feeding a Child' signed in Pencil

Lot 507

Charles Henry Baskett (1872-1953) Etching of Horses and Wagons driving through a Copse, signed in pencil lower right, 31cm x 43cm, framed and glazed

Lot 969

RALPH STEADMAN, (born 1936) British, The Poor Mouth, signed limited edition etching, signed to the margin and numbered 142/150. 20 x 25 cm overall.

Lot 1050

William Russell Flint (1880-1969) - Aragonese string-makers, etching, 24 x 36cm; and one other by the artist (2)

Lot 1078

Alfred Blundell (1883-1968) - The Pigsty, etching; together with various other Blundell etchings; John F Greenwood - The Doorway, etching; sundry prints etc

Lot 224

After John Crome (1768-1821)"At Bawburgh"Etching, 16.5cm by 20cm From the first edition by Mrs Crome Provenance: William Weston Gallery Ltd., London

Lot 225

After John Crome (1768-1821)"Hall Moor Road, near Hingham"Etching, together with a further etching after Crome depicting a rural landscape with windmill, 19cm by 23.5cm and 17.5cm by 25.5cm respectively (2)Hall Moor Road as left by Crome and published by Mrs CromeProvenance: William Weston Gallery Ltd., LondonDear Mr Raine, Please see below the condition report for Lot 225, the last of your requests. Id anything is unclear or you have any further questions then please do give me a call and I'd be happy to discuss with you.Hall Moor Road - Large tear to upper left corner with a section of the paper missing. Approx 1cm across by 3cm high. Heavy yellowing and time staining to sheet. Sporadic small to medium sized foxing spots. The odd handling mark. Not examined out of the frame. Second example - Time staining and general fading to sheet overall. Cluster of foxing spots to lower right corner, approx 1cm by 3cm patch. Dirt and debris trapped under glass. Crease from bottom of sheet centre left lower edge extending into the sheet towards base of tree, approx. 3cm. Not examined out of the frame. Kind regardsGuy

Lot 226

After John Crome (1768-1821)"Landscape with a Wooden Bridge""Farm Buildings by a Pool"Etching, together with three further etchings after Crome, "At Woodrising", "Rustic Road with Thatched Barn", "At Scoutton", 17cm by 20.5cm and 20.5cm by 21.5cm (five executed on two sheets)Provenance: William Weston Gallery Ltd., London

Lot 228

After John Sell Cotman (1782-1848)"Duncomb Park, Yorkshire"Etching, together with a further etching after the same hand "Kirkstall Abbey, Yorkshire", 23.5cm by 16.5cm and 31cm by 23cm respectively (2)

Lot 231

After Thomas Bewick (1753-1828)"The Remarkable Kyloe Ox"Etching, 26.5cm by 34cm

Lot 222

After John Crome (1768-1821) "Mousehold Heath"Etching, 23cm by 31cm Impression from Dawson Turner edition c.1840Provenance: William Weston Gallery Ltd., London

Lot 319

A pair of watercolours and a monochrome etching: W.W. HODGES - a pair, river scenes, signed watercolours (12 x 18 cm). (Gilt frames 33 x 45 cm) ALFRED BRUNET-DEBAINES (French 1845-1939) - 'Oxford Castle', circa 1880 etching (18 x 14 cm). (Glazed gilt fame 31 x 26 cm)

Lot 5531

Two Medici Society prints after Pieter de Hooch, drypoint etching of Clovelly by M Lustleigh, French coloured etching (unframed), Vernon Ward print, and an Edwardian First Communion print (6)

Lot 238

Joseph Pennell (American 1857-1926) On the River, etching, glazed silver mounted frame, (21.5cm x 16cm) paper label verso

Lot 63

William Douglas Macleod (Scottish,1892-1963), ploughing scene, drypoint etching, signed and dated 1919 in pencil, 7x9ins, framed and glazed.

Lot 1341

Ox-Tail DAO Decorative Chinese Broad Sword, manufactured by Wilkinson Sword, Dragon etching to double fullered steel blade, 93cm long, with carry case.

Lot 1450

After Georges Grellet (French 1869 - 1959) Art Deco Period Ladies Greeting at Boudoir Door, coloured etching, oval, pencil signed and numbered 249 to margin, 39 x 29cm.

Lot 1460

After Georges Grellet (French 1869 - 1959) Art Deco Period Lady Admiring Herself in a Mirror held by a Monkey in Garden, coloured etching, pencil signed and numbered 275 to margin, 39 x 29cm.

Lot 391

Ana Maria Pacheco (Brazilian b1943) - a carved wooden and gesso sculpture of a seated nude, 64cms high; together with a drypoint etching of a seated nude, signed in pencil to the margin, framed, image 20cms by 14cms (2).

Lot 279

After Honor Dobbs (1902-1987) - Red Sail - artist's proof coloured etching, signed and titled in pencil to the margin, framed & glazed, 37 by 32cms.

Lot 265

Reginald Edgar Jams Bush (1869-1934) - the Fish Pond - etching, signed & dated 1911 in pencil to the margin, framed & glazed, 35 by 23cms.

Lot 3135

(ca. 1510 Hertogenbosch - 1555 Groeningen) Der Triumph des Bacchus und des SilenusKupferstich/Bütten, 1543. R. u. in der Platte sign. u. dat.; Druck von 3 Platten auf 3 aneinander montierten Blättern. Sammlungsstempel (Lugt 1304). Ger. Läsuren. Blatt (gesamt) 31,3 cm x 87 cm.Uneinigkeit herrscht über die Quelle dieser Komposition. Sune Schéle vermutet, dass die Komposition auf einer Zeichnung von Marten van Heemskerk (1498-1574) basiert, während Stefania Massari nahelegt, dass die Komposition ursprünglich von Giulio Romano (c.1499-1546) stammt, inspiriert von einem Flachrelief im Palazzo del Te.Provenienz: Sammlung Baron Henri de Triqueti (1803 Conflans-sur-Loing - 1874 Paris).Etching on laid paper, 1543. Signed, dated and inscribed in the plate. Collection stamp of Henri de Triqueti (Lugt 1304). Minor flaws.

Lot 3139

(1606 Leiden - 1669 Amsterdam)"The Death of the Virgin" (Der Tod Mariä). OriginaltitelRadierung und Kaltnadel/Papier, um 1639. R. u. in der Platte sign. u. dat.; IV. Zustand von V (nach New Hollstein 173 IV/V) mit stark schattiertem Stuhl. Wasserzeichen Weintrauben und Text-Gegenmarke. Verso diverse Bez. sowie Sammlungsstempel in Blau (Lugt 5818). Vereinzelt stockfleckig. Bis zur Einfassungslinie beschnitten. Blatt 39,3 cm x 31,3 cm. Rahmen. Provenienz: Sammlung des Wiener Pharmazeuts Richard Herrlinger (1881-1971) (Lugt 5818).Etching and drypoint  on paper, circa 1639. Signed and dated 1639 in the plate. Fourth state of five (after New Hollstein 173 IV/V). Bunch of Grapes watermark and text-based countermark. Collector's stamp Richard Herrlinger (Lugt 5818) on the reverse. Trimmed to border line. Minor fox stains.

Lot 3141

(1607 Leiden - 1674 Amsterdam)"Bust of an old man with a large white Beard" (Büste eines alten Mannes mit langem, weißem Bart). OriginaltitelRadierung/Papier, um 1640. In der Platte monogr., mit Verlegervermerk. Erschienen bei Salomon Savery (Amsterdam 1594 - 1678). Verso mit verschiedenen, handschriftlichen Bezeichnungen sowie einem Sammlungshinweis. Hollstein 78 (XI). Beschnitten bis knapp vor den Plattenrand. Platte 18,6 cm x 14 cm. Blatt 18,9 cm x 14,3 cm. Rahmen.Etching on paper, circa 1640. Inscribed with initials and publisher's note in the plate. Published by Salomon Savery (1594 - 1678). Trimmed almost to platemark.

Lot 3143

(1640 Weil a. R. - 1710 Paris)BacchanalieRadierung/Bütten (Wasserzeichen), 1689. In der Platte auf einer Banderole bez. sowie mit typografischem Vermerk. Nach einer Vorlage von Raymond Lafage (1656 - 1707). Erschienen bei van der Bruggen in Paris. Ger. stockfleckig. Platte 31,8 cm x 46,7 cm. Blatt 37,1 cm x 50,5 cm. Etching on laid paper (watermark) by Franz Ertinger after Raymond Lafage, published by van der Bruggen in Paris, 1689. Minor foxing.

Lot 3145

(1685 Erfurt - 1752 Dresden)"Prospect der Chur Sächsischen Bergvestung Königstein und der umliegenden Gegend, von der abend Seite". OriginaltitelRadierung/Papier, 1726. Unterhalb sign. dat. und deutsch-französisch betitelt sowie mit Dedikation an August den Starken, Kurfürst von Sachsen und König von Polen. Blatt Nr. 2 aus der sechsteiligen Folge "Ansichten aus der sächsischen Schweiz". Gebräunt. Plattenmaß ca. 36 cm x 55 cm. Rahmen.Etching on paper, 1726. Signed, dated and titled. Major light toning.

Lot 3160

(1746 Fuendetodos/Aragón - 1828 Bordeaux)"El Caballo Raptor" (Das Pferd als Entführer). OriginaltitelRadierung/Bütten, um 1820. Blatt 10 aus der Folge "Los Disparates". Platte 24 cm x 35 cm. Blatt 31 cm x 43,5 cm. Etching on laid paper, circa 1820. Plate no. 10 from the suite "Los Disparates".

Lot 3190

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Am Quell". OriginaltitelRadierung in Grün/Papier, 1894. Wvz. Rief 1 IIb oder c. R. u. in der Platte monogr.; Plattenmaß 25 cm x 15 cm.Die Platte für diese erste Radierung Vogelers wurde 1924 zerstört.Etching in green on paper, 1894. Signed with monogram on the plate.

Lot 3191

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Am Quell". OriginaltitelRadierung in Grün/Bütten, 1894. R. u. sign.; In der Platte monogr.; Wvz. Rief 1 IIb oder c. Ger. fleckig u. gebräunt. Platte 24,7 cm x 15 cm. Blatt 36,5 cm x 25,1 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in green on laid paper, 1894. Hand-signed. Slightly stained and darkened.

Lot 3192

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Verkündigung". OriginaltitelRadierung in Blaugrün/Papier, 1895. R. u. sign. mit Worpsweder Wappenschild u. betitelt. Zusätzlich r. u. in der Platte sign.; Überdies l. u. sign. vom Drucker Otto Felsing, Berlin. Wvz. Rief 10 IId. Ger. nachgedunkelt. Platte 24,8 cm x 20 cm. Blatt 31,5 cm x 24,6 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in blue-green on paper, 1895. Hand-signed and inscribed with title. Also hand-signed by the printer O. Felsing, Berlin. Slightly darkened.

Lot 3193

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Die Hexe II". OriginaltitelRadierung/Papier, 1895. R. u. sowie in der Platte sign.; Wvz. Rief 8b. Leicht fleckig und lichtrandig. Platte 21,5 cm x 15,7 cm. Blatt 31,2 cm x 20 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching on paper, 1895. Hand-signed. Minor stains.

Lot 3195

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Die Nacht". OriginaltitelRadierung in Dunkelblau/Papier, 1897. R. u. ligiert sign. u. in der Platte sign. mit Worpsweder Wappenschild. Überdies l. u. sign. vom Drucker Otto Felsing, Berlin. Verso betitelt, dat. u. mehrfach bez.; Wvz. Rief 21 IIc. Leicht fleckig u. knickfaltig. Platte 24 cm x 18 cm. Blatt 30 cm x 23,2 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in dark blue on paper, 1897. Hand-signed and signed with coat of arms in the plate. Inscribed and dated on the reverse. Minor staining and creasing.

Lot 3196

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Tod und Alte". OriginaltitelRadierung in Blaugrün/Bütten, 1896. In der Platte sign. mit Worpsweder Wappenschild. Wvz. Rief 11d. Min. lichtrandig. Darstellung 14,4 cm x 7,8 cm. Blatt 24,5 cm x 16,6 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in blue-green on laid paper, 1896. Signed with coat of arms in the plate. Very slight staining to the cut-outs of the passepartout.

Lot 3197

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Dornröschen". OriginaltitelRadierung in Braun/Bütten, 1897. R. u. sign.; In der Platte betitelt. Wvz. Rief 20 II d oder e. Leicht nachgedunkelt. Platte 27 cm x 25 cm. Blatt 36,4 cm x 32,9 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in brown on laid paper, 1897. Hand-signed. Inscribed with title in the plate. Slightly darkened.

Lot 3198

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Ex Libris Martha Vogeler". OriginaltitelRadierung und Aquatinta/Papier, 1906. In der Platte monogr. mit Worpsweder Wappenschild sowie bez. "Kupferdruck O. Felsing, Berlin S. W.". Wvz. Rief 110. Ger. lichtrandig. Kl. Einriss am Rand. Platte ca. 13,6 cm x 8,8 cm. Blatt 15,2 cm x 10,5 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching and aquatint on paper, 1906. Monogrammed with initials in the plate, coat of arms and inscribed. Light staining to the cut-out of the passepartout. Small rim tear.

Lot 3199

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Die Nymphe". OriginaltitelRadierung in Grün/Bütten, 1907. R. u. sign. sowie in der Platte monogr. mit Worpsweder Wappenschild. Verso betitelt, dat. und mehrfach bez.; Wvz. Rief 41 IIc. Leicht fleckig und lichtrandig. Platte 13,5 cm x 8,5 cm. Blatt 31,5 cm x 22,5 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in green on laid paper, 1907. Hand-signed. Minor stains.

Lot 3201

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Ex Libris Victor Singer". OriginaltitelRadierung/Papier, 1904. In der Platte r. u. sign. sowie oben mittig monogr. mit "W" und Worpsweder Wappenschild. Handschriftlich betitelt. Verso zusätzlich betitelt "Tod bricht Rosen". Wvz. Rief 104 u. 37. Ger. lichtrandig. Platte ca. 11,2 cm x 15,2 cm. Blatt 13,4 cm x 17,5 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching on paper, 1904. Signed and monogrammed with initials in the plate, coat of arms and inscribed with title twice. Light staining to the cut-outs of the passepartout.

Lot 3202

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Frühlingsmärchen". OriginaltitelRadierung in Braun/Papier, 1912. R. u. sign. sowie in der Platte monogr. mit Worpsweder Wappenschild. Wvz. Rief 47 IId. Lichtrandig. Platte 33,2 cm x 23 cm. Blatt 40,4 cm x 28,6 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in brown on paper, 1912. Hand-signed. Light staining to the cut-outs of the passepartout.

Lot 3203

(1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Die sieben Schalen des Zorns / Offenbarung Johannis". OriginaltitelRadierung in Braun/Bütten, 1918. R. u. sign. sowie in der Platte monogr.mit Worpsweder Wappenschild u. Stern. Wvz. Rief 50 IIb. Leicht lichtrandig. Darstellung 27,8 cm x 19,4 cm. Blatt 35,4 cm x 24,8 cm. Provenienz: Sammlung Hans und Emmi Hackmack, Hamburg/Bremen.Etching in brown on laid paper, 1918. Hand-signed. Slightly darkened to the cut-outs of the passepartout.

Lot 3252

(1905 Altenbögge in Westf. - 1976 Herrsching am Ammersee)Ohne TitelFarbaquatintaradierung/Velin, 1967. R. u. sign. u. dat. L. u. nummeriert 17/100. Minim. Läsur. Platte 19,5 cm x 18 cm. Passepartoutausschnitt 39 cm x 29 cm. Rahmen. Aquatint and etching in colours on wove paper. Hand-signed, dated (19)67 and numbered 17/100. Minor flaws.

Lot 44

Napoleon Bonaparte.- Marryat (Captain Frederick), after. The Funeral Procession of Bonaparte, etching and aquatint with hand-colouring, by Alken and Sutherland, on wove paper, sheet 240 x 570 mm (9 1/2 x 22 1/2 in), affixed onto board, glue stains to extremities from previous mount, spotting, browning and surface dirt, unframed, S.& I. Fuller, 1821.

Lot 419

**Draper (20th/21st century) - View of Willow House, Biddestone, with a vehicle parked in a sunlit lane nearby, signed Draper, pencil and watercolour, 10" x 9.25"; together with a small etching entitled 'Dartington Hart', indistinctly signed and numbered 4/50, black and white etching, 4" x 4.25", each framed (2)

Lot 461

John Piper CH., (1903-1992) - 'Ivychurch, Romney Marsh', signed also numbered 19/100, etching and aquatint, 21.25" x 29.5"; framed

Lot 211

William Westley Manning (1868-1954) moored fishing boatssigned 'Westley Manning' (below right) etching28 x 38cm; with a signed colour print by John Allin, 61 x 59cm (2)

Lot 212

A collection of four pictures, to include; Study of a Chestnut Cob at Tom Parker's dairy, Fareham, Hants, signed and dated 'Bouverie / 1908' (lower right), gouache and ink on paper; together with A pair of Norwegian watercolour landscapes, one inscribed 'The River Rosan, Korgen near Hemnes', Norway, both signed 'Arthur Murphy' dated 1918; with an etching of a butcher's shopfront (4)

Lot 288

Richard Beer (1928-2017) San Marco, Venicesigned 'Richard Beer' (Lower right); artist's proofetching and aquatint, unframed79 x 57cm

Lot 309

James Gillray (1756-1815) A double-sided caricature study depicting: 'Corporeal stamina', 'Symptoms of Deep Thinking', 'Pen-etration', and 'A Prince of the Old School' amongst othersetching on paper64 x 47cm

Lot 831

An early 20th century Sidney Tushingham Venetian Scene Wooden framed etching, depicting a courtyard with donkeys and fruit seller. Frame measures 53cm x 50cm. 

Lot 1033

Eugene Till - etching of Richmond Bridge after Edward King, 28 x 36cm and another etching, 26 x 34cm

Lot 1040

Roland Langmaid - etching marine scene with yachts, 18 x 24cm

Lot 1053

Van Ostade - etching carol singers at a window, 22 x 18cm

Lot 2880

18th century monogram etching, an original design of an illumination and transparency part of which was executed by command of the Queen in June 1762, published 1775, 62cm x 75cm overall, framed

Lot 2895

Edna Arthur, etching, Stonycombe, Newton Abbot, dated 1934, watercolour and wash, Continental figures in a cart (3)

Lot 2925

Frank Brangwyn (1867-1956), an etching of St Nicholas church, Furnes, signed, 33cm x 32cmFrame is unglazed, picture has scratches across surface, signature is smudged, some foxing under mount and to edges

Lot 2936

After Henry Le Keux, coloured engraving, the City of Venice, published by FG Moon, 74cm x 89cm overall, framed, after Basil Bradley, coloured engraving, May-time on the Thames, and another coloured etching by a different hand of Eton from the Thames, both framed

Lot 3101

Säbel à garde de bataille für Offiziere der Kavallerie Kräftige, minimal gekrümmte, beidseitig doppelt gekehlte Klinge (partiell etwas fleckig/narbig) mit rundem Rücken, zweischneidige Spitze in Rückenlinie, im oberen Klingendrittel beidseitig vergoldete Zierätzungen mit Trophäen, Ranken und Kränzen auf gebläutem Grund (berieben). Schweres Buntmetall-Bügelgefäß mit vier Terzspangen und durchbrochen gearbeitetem Knöchelschild in Muschelform, belederte Hilze mit Kupferdrahtwicklung. Schwarze Lederscheide (berieben, Naht teils offen, Risse) mit vergoldeten Buntmetallbeschlägen (Dellen, kleine Risse, Halteklammern fehlen), eisernes Schleppblech, zwei bewegliche Trageringe, Trageknopf am Mundblech. Roter Pompon an Klingenwurzel ergänzt. Teilweise leicht beschädigt, Altersspuren. Länge 108 cm. Sehr repräsentativ. A sabre à garde de bataille for officers of the cavalry A sabre à garde de bataille for officers of the cavalrySturdy, minimally curved blade with double fullers on both sides (somewhat stained/pitted in places), round back, upswept double-edged point, both sides of the upper third of the blade decorated with gilt etching depicting trophies, tendrils and wreaths on a blued ground (rubbed). Heavy knuckle-bow hilt of non-ferrous metal with four bars on the obverse and openwork shell-shaped knuckle guard, leather-covered grip with copper wire wrap. Black leather scabbard (rubbed, stitching partly loosened, tears) with gilt fittings of non-ferrous metal (dents, minor tears, fastening clips missing), iron drag, two movable suspension rings, frog stud at the locket. Replaced red pompon at the base of the blade. Slightly damaged in places, traces of age. Length 108 cm.Very representative.Condition: II

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