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Paul-Adolphe Rajon (1843-1888) after Sir Lawrence Alma-Tadema OM RA (1836-1912) A garland maker, etching, signed by both artist and engraver, published May 1876 by Edward S. Palmer, unframed, plate 14 x 25.5 cm (5 1/2 x 10 in) together with the same engraver`s portrait of Alma-Tadema and a lithograph by Alma-Tadema
Achille Isidore Gilbert (1828-1899) after Sir Frederic (later Lord) Leighton PRA, `The Athlete Wresting with a Python`, etching, published 1881 by The British and Foreign Artists` Association, unframed, plate 30.5 x 22 cm (12 x 8 1/2 in) together with `The Arts of War` by and after the same hands, an etching of `Widdop as Siegfried` by E. H. Lacey, one after Albert Moore and a lithograph of Paganini by Walter Crane
Sir Frank Brangwyn GUILD HOUSES, GHENT, BELGIUM hardground etching with plate tone, signed in pencil in the margin not examined out of the frame, mount staining visible, atmospheric discolouration of the paper 1 plate size: 37 by 37cm not examined out of the frame, mount staining visible, atmospheric discolouration of the paper
François Krige HORSES hardground etching with plate tone, signed and dated 1936 in pencil in the margin taped at the top two edges with gum tape to the backing mount, mount staining, cockling 1 sheet size: 29,5 by 38cm taped at the top two edges with gum tape to the backing mount, mount staining, cockling
Dorothy Kay BASOTHO BLANKET hardground etching with aquatint, signed and inscribed with the title in pencil in the margin partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good 1 sheet size: 32 by 25,5cm partially taped along the top edge to the window mount with acid free tape, mount staining, otherwise appears good
Albrecht Durer (1471-1528), "St. Jerome in his Study", engraving, image size 24 x 18.5cm.; 9.5 x 7.25in, together with another after Rembrandt Harmensz van. Rijn (1606-1669), Rural landscape with windmill, etching, image size 14.5 x 21cm.; 5.75 x 8.25in; and three other etchings and engravings (5).
British School, late 20th century- Still life of lamp and books on a table; oil on board, 25x31cm: British School, late 20th/early 21st century- Figure study of a woman; watercolour, signed with initials `MQ`, 44x34.5cm: William Topley, British b.1959- "Study for Pride"; pencil, signed with initials and dated `88, Albemarle Gallery, London label to verso of frame, 34x29cm: together with an etching entitled `Mother and Daughter` by the same hand: together with three further late 20th/early 21st century British pictures by various hands, (8) (may be subject to Droit de Suite)
Kimio Tschiya, Japanese b.1955- "Collage on Blue 2"; etching with aquatint and collage on paper, signed, inscribed `AP`, 56x57cm Note: Born Fukui Japan. A renowned Japanese sculptor, he was awarded a commission in Japan for a Peace Memorial which was unveiled by the Emperor in March 2001. In Japan, Kiyoshi Oshima, Head Curator of Setagaya Museum placed the artist along side Miyajima, Kawamata, Morimura and Yanagi within a list of the 100 Japanese with the power to compete internationally
Jonathan Gibbs, British b.1953- `Untitled`; etching, signed and dated 84, inscribed `AP`, 56x71.5cm Note: Jonathan Gibbs trained at Central School of Art and Design and the Slade School of Fine Art and is currently a lecturer in illustration at the Edinburgh College of Art. (may be subject to Droit de Suite)
After John Edmund Mace RBA, British b.1889 exh 1920-1938- Still life of flowers in a blue vase; pochoir printed in colours, 22x17cm: David Young Cameron RE RA, Scottish, 1865-1945- "Perth Bridge"; etching, 17.5x26cm: Paul Geissler, German 1881-1965- Cathedral; etching, signed and inscribed in pencil, 28x19cm: together with a small quantity of further etchings and prints, (a lot) (may be subject to Droit de Suite)
Keiko Minami, Japanese b.1911- Fish with coral; etching printed in colours on paper, signed in pencil, 5.6x5.6cm: F Lara, French, 20th century- Abstract, Untitled; gouache on board, signed and dated 12/4/69 (verso) and inscribed `Pour Anne-Marie`, 23.7x33cm., (2) (may be subject to Droit de Suite)
Continental School, mid 20th century- Untitled organic abstract composition; etching with aquatint, signed, numbered 73/95 in pencil, publishers blindstamp, bears label for JJ Patrickson & Son Ltd, Chelsea attached to the reverse of the frame, 60x42cm Note: There are similarities that can be drawn between the technique and style of this print and that of the artist`s of Atelier 17 in Paris, founded by Stanley William Hayter in 1927.
Hermann Daur, German 1870-1925- Windmill and wind swept trees; etching, signed within the plate and signed in pencil, 19.5x31cm: together with six other etchings by the same hand, four signed in pencil, all signed within the plate, various subject to include landscape and rural themes, to include a catalogue on the artist`s work, Hermann Daur, von Hermann Eris Busse, publ by Verlag E F Muller, Karlsruhe, 1924, 19.5x30cm (largest) (7)
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71174 item(s)/page