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Lot 320
Henry Scott TUKE (1858-1929) Black and white etching Portrait of Willie Tuke (Henry Scott Tuke’s eldest brother who died in 1883) Signed within the plate and dated 1878 7.75” x 6.25” plate size (19.7cm x 16cm) wide margins Note: This etching was done at the Slade and is probably taken from a drawing of Tuke’s elder brother William Tuke (who died 1883) which is illustrated in the biography of Tuke by Maria Tuke Sainsbury.: ‘Henry Scott Tuke – Paintings from Cornwall’ by Catherine Wallace, page 16 & ‘Catching the Light – The Art & Life of Henry Scott Tuke, by Catherine Wallace, page 21 Provenance: Geoffrey Sainsbury, B.D. Price to the present owner.
Lot 321
Henry Scott TUKE (1858-1929) Black and white etching La Belle Dame Sans Merci – (illustrating Keats famous poem) Signed within the plate and dated 1879 6.25” x 8.25” (16cm x 21cm) Note: This etching was part of a project began at Slade with his close friend Thomas Cooper Gotch. The project was to complete a set of etchings by illustrating verses of the poem of Keats. ‘Henry Scott Tuke – Paintings from Cornwall’ by Catherine Wallace, page 18 Provenance: Geoffrey Sainsbury, B.D. Price to the present owner.
Lot 323
Thomas Cooper GOTCH (1854-1931) Black and white etching La Belle Dame Sans Merci (illustrating Keats famous poem) Inscribed ‘CBY from T C Gotch’ (i.e. Caroline Burland Yates from Thomas Cooper Gotch) Signed within the plate and dated 1879 9.75” x 7.25” (24.8cm x 19.7cm) Provenance: Mrs D. McClellan, B.D. Price to the present owner
Lot 423
ERNEST HEMINGWAY, a mid-20th century engraving, by L. Hecking, 'Heavy Destroyer - World War II', 1944. Inscribed and signed in brown ink by Ernest Hemingway "(Cojimar) - 1951, To Capt. Milauss, Ernest Hemingway. In 1951". Hemingway spent time in Cojimar Cuba, and it is where he was inspired to write The Old Man and The Sea. Included with this lot is a copy of The Old Man and The Sea, 1954, with dust cover. The etching framed and glazed. (2)
Lot 916
Jean Nicoll, etching, "Westmorland". 8.25 ins x 12 ins, signed and dated June (19)53. CONDITION REPORT: This picture has recently been re-framed but could do with being taken out and remounted due to a slight ripple in the paper. There are also a number of white specks which appears to be a splattering of paint to the centre and right hand side. You will see this from our website image. Otherwise it is in good order.
Lot 2
AFTER DENNIS FLANDERS Keble College, Oxford, Limited Edition colour print, pencil signed by the artist and numbered 262/350, 29.5 x 45cm; and four further various items to include: J Lewis Stand - 'Magdalen Tower', etching; engraved view of Oxford from Headington Hill; a monochrome photograph of Magdalen Tower; and a portrait of a girl amongst honeysuckle (5)
Lot 35
FRANK HENRY MASON (1876-1965) Dutch scene with windmills, etching, pencil signed in the margin, 20 x 26cm; and six further etchings to include: M.C. Robinson - River Bridge; Henry G Walker - London Bridge; R.J. King - Loch Achray; Oswald Fletcher - 'Westminster' and 'St Dunstan's in the West' and The Church Corner High Wycombe after F Robson (7)
Lot 40
DAVID ROBERTSON (1834-1925) A continental fountain, possibly Italy, etching, pencil signed in the margin and numbered 38/75, 27.5 x 19cm; together with five further prints or engravings to include: Henry Macbeth-Raeburn; R Thompson after Lely - 'The Countess of Stamford'; Henry Scott Bridgwater after Corot etc (6)
Lot 55
AFTER I DONOWELL 'A View of Queen's College, University College, All Souls College, The Steeple of St Mary's Church, etc in the University of Oxford', hand-coloured engraving printed for Sayer, Bowles & Carington Bowles, 29 x 43cm; and four further prints or engravings to include: Boydell - 'A View of the High Lodge in Blenheim Park in the County of Oxford; Charles W Cain - 'The Great Bridge, Blenheim Palace, etching, numbered 6/30; After Turner - 'Oxford from North Hinksey Hill' and William Nicholson - 'View of Worcester College' (5)
Lot 68
FREDERICK ARTHUR FARRELL (1882-1935) A continental town from across the river, etching, pencil signed in the margin, 23.5 x 21.5cm; together with a 19th Century leather bound scrapbook containing assorted engravings; and three etchings from the Edinburgh Etching Club Portfolio by H. Raeburn Macbeth, J.B. Abercromby and R. Paton Reid (3)
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78388 item(s)/page