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Lot 587
TWO BOXES AND LOOSE PICTURES AND PRINTS ETC, to include a William Monk (1863-1937) etching signed to the lower margin, approximate size 20cm x 30cm, a watercolour a harvesting scene against a hilly backdrop signed and dated H.J.B. Brown 1941, a winter watercolour landscape signed D Adamson, together with a John Downman mezzotint print 'Mrs Payne', topographical prints, reprints of Vanity Fair and Cries of London prints, picture frames etc
Lot 590
A SMALL QUANTITY OF ETCHINGS AND BOOK ILLUSTRATIONS ETC, to include Reichsdruck etchings by Albrecht Durer - Melencolia I, Sea Monster bearing away a Princess, St Jerome in his study, The Lamentation of Christ, Barthel Beham - Mary with child on breast and skull, Martin Schongaur - Madonna and Child, together with early 20th century Rembrandt etchings - The flight into Egypt, Landscape with cottage and large tree, Sacrifice of Isaac and a version of The Hundred Guilder print, an signed Oswald Von Krobshofer etching of a 'Lottie'54/100, signed Earnst Ascher portrait etching and a quantity of disbound 'Seymour's Sketches' by Alfred Crowquill etc
Lot 608
CLAIRE SPENCER (BRITISH 1937-) 'WILD FLOWERS', a still life study of wild flowers in a terracotta vase, signed bottom right, pastel on paper, approximate size 80cm x 57cm, together with an etching depicting canal lock gates 'Approach' 95/100 signed Mills, approximate size18cm x 13cm including margins, a pen and ink drawing with watercolour wash 'On the beach - Aberdovey July 1986' signed Pike, a painting on silk depicting a tree by Kathy Cumming, a limited edition coastal landscape print 'Estuary Cottage' signed Miles, a limited edition print by Chris Smith and two William Russell Flint prints 'The Basket Makers' and 'The Swing in the Chateau' (8)
Lot 586
A QUANTITY OF PRINTS AND ETCHINGS ETC, to comprising Isobel Ellis artist proof print 'Fishnet II', signed, numbered and titled to lower margin, approximate size 23cm x 18cm, two Jean Joseph Chabridon aquatint landscape etchings, signed to lower margins, approximate sizes 64cm x 20cm, an indistinctly signed drypoint etching 'The Red Lion Corner, Weobley', an indistinctly signed dry point etching depicting a continental town, monogrammed VK, an indistinctly signed wood block print depicting a continental town scene, Ilana Richardson silk screen print 'Honeysuckle' 77/175, a indistinctly signed limited edition print depicting a figure on a horse 19/30 and three Stuart Macdonald Powell photographic prints
Lot 338
FRANK BRANGWYN (1867-1956) AN ETCHING OF A MAN WITH A HAND WRITTEN PERSONAL INSCRIPTION, the etching depicts a bearded man wearing a head covering, possibly Jewish, signed beneath the etching and again beneath the inscription, image size 5cm x 5cm size of paper 39cm x 28cm, some of the inscription is indistinct - 'Dear Mr Janson?, herewith a few prints one of two - Indistinct - I will send you some better ones before long, hope all is well with you, all good wishes, Sincerely', Condition Report: two creases and dirty marks to top right corner, small creases to bottom right corner (artist resale rights apply)
Lot 585
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two etchings after Albrecht Durer 'Three peasants in conversation' stain to the margin and 'Saint Jerome in his study', an Abu Bakar Ibrahim coastal landscape watercolour, Kathleen G Jefferies etching depicting St John the Baptist church in Bristol, assorted prints, selection of butterflies in a glazed case - glass cracked, unsigned oil on canvas depicting a landscape - varnish cloudy in places (Qty)
Lot 50
Brilliant clear crystal figurine of a butterfly on a frosted leaf with round crystal adornment. Swarovski factory etching on butterfly. This item has its original box: 4"H x 5"D. Dimensions: 3"L x 1.5†W x 2.25†HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Lot 548
Etching on paper of the Guild Hall in London, by Edward Sharland (English, 1884-1967). Signed in pencil on lower right. Stamp on lower left. Sight size: 6"L x 21.65†H. Frame size: 17.55"L x 21.65"H x 0.75"W. Artist: Edward SharlandIssued: c. 1920Country of Origin: EnglandCondition: Age related wear.
Lot 186
Anglo Japanese School Buildings Etching, Seal mark and indistinct monogram, dated '35, 10x14cm plate size Together with a second etching, indistinct inscriptions, 10x13cm plate size. Lay's Auctioneers are able to offer in-house postage on this lot from £19.76. For more information contact postage@davidlay.co.uk
Lot 208
David HISCOK (1957) Seven Ages Of Man, No 1 (1990) Etching, signed and dated '90, numbered 17/50, image size 20 x 24.5cm. Together with a print and graphite by Patrick Lowry. Lay's Auctioneers are able to offer in-house postage on this lot from £32.50. For more information contact postage@davidlay.co.uk
Lot 88
Bianca CORK (XX-XXI, Falmouth School of Art) Two works Photographic etching Limited edition and each signed 63 x 93cm Born in Essex, Cork has studied at Glasgow School of Art, Brighton University and University College Falmouth, mainly specialising in printmaking. She manages her creative ideas with the alchemy print process, mixing traditional and new methods using resistant materials. The art of printmaking is a central theme in her work, blurring boundaries between the process and finished artwork. Cork's work often examines the artist's position in relation to contemporary image making. The act of printmaking becomes a performance in itself. We are unable to offer in-house postage on this lot. Please contact our postage department for more information postage@davidlay.co.uk
Lot 1260
Tom Carr (1912 - 1977) "Forward Away!!", a dynamic study of a hunt leader and mount jumping a ditch following the pack, watercolour tinted dry point etching with body colour, limited edition 26/75, signed, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 1257
Tom Carr (1912 - 1977) "The Whipper - in", a study of the huntsman's assistant calling the pack, watercolour tinted dry point etching with body colour, limited edition 49/75, signed within print and in graphite, in pen lined card mount and ebonised frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 1258
Tom Carr (1912 - 1977) "The end of forty minutes", a study of a hunting party gathered after the hunt, watercolour tinted dry point etching with body colour, limited edition 3/75, signed within print and in graphite, in pen lined card mount and wooden frame under glass, 57 cm x 47 cm overall [Carr originally trained as a blacksmith before turning his hand to painting. He graduated King's College, Newcastle with a certificate in Fine Art.]
Lot 406
A Pattern 1912 cavalry officer's sword, having a leather-covered guard khaki-painted pommel, sword knot, leather Field Service scabbard and saddle frog / horseshoe pouch, retailed by Wilkinson of Pall Mall and numbered 48745, the blade etching incorporating the monogram ARF, the pouch dated 1906, together with research documents. [Per the Wilkinson archive the sword was supplied to A A [sic] Ferguson of the Scottish Horse, 10 April 1915. 2nd Lieutenant Alexander Robert Ferguson, 1st/3rd Scottish Horse, born Glasgow, killed (accd.) 14 June 1916, interred at Kantara War Memorial Cemetery, Egypt]
Lot 1280
Jane Gardiner (Scottish, Contemporary) "The Profile", portrait of a young woman with plaited hair, draped in white, oil on canvas, in gilt slip and wooden frame under glass, 45 cm x 45 cm overall, with artist's receipt [Gardiner is a Glasgow based figurative artist with an interest in the human visage. She produces works in both oils and etching and has exhibited at the Paisley Art Institute and Royal Glasgow Institute of the Fine Arts annual shows. https://www.janegardiner.co.uk/]
Lot 208
Hodgson (John) A History of Northumberland, 3 parts in 6 vol. only (lacking part 2 vol. 3), plates and illustrations, occasional foxing and light soiling, contemporary half morocco, vol. 7 with shelf-lean, rubbed, Newcastle, 1820-58 § Young (John) A Catalogue of the Collection of Pictures, of the Most Noble the Marquess of Stafford, at Cleveland House, London, containing an Etching of Every Picture, and accompanied with Historical and Biographical Notices, 2 vol., engraved plates on india paper, plate-guards, occasional foxing, contemporary red straight-grain morocco, gilt, a little scuffed, extremities rubbed, g.e., 1825; and 13 others, illustrated, v.s. (21)
Lot 228
Giovanni Battista PIRANESI (1720-1778) 'Veduta del Tempio di Cible a Piazza della Bocca della Verita (The Temple of Portunus (?))' Late 18th/early 19th-c. century b+w etching, plate mark visible, horizontal lines of dark shading added in sky near centre upper margin (Hind, 47), some toning to margins, framed and glazed measures 52cm x 68cm
Lot 109
Anita Pegles (20th/21st century) - "Snowdrops", signed artist proof, black and white etching, 6.75" x 4.75" together with three further prints one depicting two Hornbill's, another coloured etching of two puppies, indistinctly signed, also inscribed on a label verso Franz Hanfstengl, Munich, another street scene etching of York depicting the Shambles, by Herbert G. Hampton, and finally a watercolour of a bird on a branch signed Ray Styles and dated 84 (1984), various sizes (5)
Lot 108
Dorothy Sweet (20th century) - "The Monument", signed artist proof, also inscribed with the title, black and white etching, unframed, 10.75" x 6.25" together with further etchings by L. Dorothy Greenwood, title of the work Bristol, another etching by A. Dirksen van Angersen Dutch landscape with windmills, another etching by Andrew Watson Turnbull depicting the university in Bristol, a further etching related to Bristol entitled Clifton College, Bristol by W. A. Donald, various sizes (5)
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71174 item(s)/page