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Wotton Auction Rooms
Lot 721

Two early 20th century coloured etchings by Tatton Winter, one showing a street scene in Avignon, signed bottom right, with label verso from the Museum Galleries ""Entraigues"", 28 x 35 cm approx, the other showing a street scene in Tours, signed bottom right, also with Museum Galleries label verso, 43 x 25 cm together with a set of four coloured etchings of continental city views including a canal scene in Venice, view of Bruges, Amiens, etc, all signed bottom right, all with Museum Galleries label verso inscribed ""Original etching by Dr D Donald"", 32 x 17 cm approx all in simple black frames

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Wotton Auction Rooms
Lot 725

A signed coloured limited edition etching by Henry Wilkinson showing a brown and white spaniel seated in a landscape setting, signed bottom right Henry Wilkinson, edition 26/150, 30 x 24 cm in gilt frame

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Wotton Auction Rooms
Lot 731

A collection of 19th century and other black and white etchings including a pair of signed black and white etchings of continental river scenes, signed bottom right Henri G Rich (?), 21 x 12 cm, a pair of 17th century black and white engravings of a hunting scene and a further sporting scene inscribed ""Callot"", probably for Jacques Callot, 12 x 25 cm, a black and white engraving, portrait of a 17th century Dutch gentleman after Mierevelt, inscribed ""Pieter Corneliszoon Hooft"", 32 x 22 cm, an etching of horses, etc (all framed)

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Wotton Auction Rooms
Lot 733

A black and white etching showing the sailing ship The Golden Hind, signed bottom right Artistic and titled ""The Golden Hind"", 25 x 17 cm in simple black frame together with a 19th century coloured engraving showing Admiral Sir Chas Napier after D J Pound, 25 x 18 cm in black and gilt frame, also together with an early 20th century coloured print showing the vessel City of Chicago at high seas, 67 x 32 cm in oak frame with gilt slip

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Wotton Auction Rooms
Lot 747

A collection of various etchings and engravings, etc, including black and white etching showing the interior of a workshop, signed J E Clutterbuck, view of the Castle Esplanade, Edinburgh, signed F Stenton, early 19th century coloured engraving of Colonel Thornton dressed as a jockey, a limited edition black and white etching of cattle grazing, signed in pencil bottom right Gael P, a coloured print of a still life with wine bottle, stilton, etc, (all framed)

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Wotton Auction Rooms
Lot 773

Two sepia coloured etchings after Jean Francois Millet, one showing a woman churning butter and accompanied by a cat, with inscription within plate ""Aug Delatre, Rue St Jacques"", 19 x 13 cm approx together with a further etching by Millet showing a seated seamstress at a window, 11 x 8 cm approx together with a further black and white etching after Millet showing The Gleaners, with pencil signature bottom right E Borizot, 20 x 26 cm all in dark coloured gilt frames

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Wotton Auction Rooms
Lot 778

A black and white etching showing a London street scene with St Paul`s dome, signed bottom right K Vernon, inscribed ""St Paul`s from Watling Street"", 26 x 13 cm in simple black frame

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Wotton Auction Rooms
Lot 782

An early 19th century coloured engraving showing the section and rigging of a First Rate Man of War with the names of all its several parts, also showing the internal parts of a ship carrying 96 guns, published by Bowles & Carver, London, 55 x 62 cm in simple black frame together with a black and white etching of HMS Vernon, 60 guns, signed in pencil bottom right W A Jefferies and dated 1938, 10 x 14 cm in simple black frame

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Wotton Auction Rooms
Lot 785

A signed coloured limited edition etching of a French city scene with terrace of houses besides a river, signed bottom right Cuca Romley, inscribed ""Ile St Louis"", edition 33/125, 32 x 47 cm in wooden and gilt frame with linen mount

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Sworders
Lot 204

Rembrandt Harmensz van Rijn (Dutch, 1606-1669)SAINT JEROME KNEELING IN PRAYER, LOOKING DOWN(Bartsch, Hol. 102; H. 140)Etching, 1635, only state, signed and dated in the plate 114 x 80mmCONDITION REPORT: FROM THE EVA WEININGER COLLECTION.Not viewed out of glazed frame.Trimmed.Appears to be stuck down, but loose along lower edge.Paper discoloured with rectangular marks impressed into top corners suggesting adhesive tape below.We believe it is period.

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Roseberys London
Lot 649

Peter Mazell, Irish act 1761-1797- "The Magpie", after Barlow; hand-coloured etching, 39x25cm: together with two further hand-coloured etchings of ornithological subjects, entitled "The Female Cuckoo" and "The Big Legged Plover", 34x30cm and 48x31cm., (3)

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Roseberys London
Lot 672

Isabel de Bohun Lockyer, British 1895-1980- "Saint'Abbondio"; linocut, signed, titled and numbered 2/10 in pencil, 13.4x19.8cm:(may be subject to Droit de Suite) Note: Isabel de Bohun Lockyer was one of the few artists outside the Grosvenor School to use linocut for colour printmaking in England during the 1920s. Printing in water-based inks, her linocuts have the appearance of colour woodcuts. She exhibited regularly with the Society of Painter-Gravers in Colour from 1925 to 1938 and showed her work alongside that of Claude Flight at his annual exhibitions during the 1930s: Henry Macbeth-Raeburn RA RE, British 1860-1947- "Padstow, Cornwall"; etching, signed in pencil, signed with initials within the plate, 26.5x40cm: together with a large quantity of 19th century and later prints by and after various hands, various techniques, various sizes, (a lot) (unframed) (may be subject to Droit de Suite) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 673

Samuel William Reynolds II, British 1794-1892- "Jacob's Dream" after Salvator Rosa, publ. June 1. 1838, by Ackermann / Co. 96, Strand, Printsellers to Her Majesty & H.R.H. the Duchess of Kent, and by W. Walker, 64, Margaret Street, Cavendish Square; mezzotint and etching with hand-colouring, 49.5x69.5cm: Charles George Lewis, British 1808-1880- "The Melton Breakfast" after Francis Grant, publ. by Hodgson & Graves, London 1839; mezzotint, 46x71.5cm: William Ward, British 1766-1826- "Hay Makers" after James Ward, publ. Jan. 1. 1793, by W. Ward, Warren Place, Hampstead Road; mezzotint with hand-colouring, 46x60.2cm: William Say, British 1768-1834- "The Captive", after Ryder, after Joseph Wright, publ. Oct. 1, 1786, by John & Josiah Boydell, No 90, Cheapside, London: stipple engraving with hand-colouring, 43.5x51cm: together with a quantity of 19th century and later prints, by and after various hands, various techniques, various sizes, (a lot), (unframed) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 674

Robert Williams, British fl.1680-1704- "The Duke and Duchess of Lauderdale" after Sir Peter Lely, publ. Richard Tompson; mezzotint, 33.5x39.5cm: Francis Kyte, British c.1710-1745- "Mr John Sturges" after John Vanderbank; mezzotint, 35x25cm: Captain William Baillie, British 1723-1810- "From a Painting by Molinaer in the Collection of William Baillie Esq", publ. May the 3d. 1774; mezzotint, 41x32.2cm: Henry Dawe, British 1790-1848- "The Battle of the Standard" after Edelink after Leonardo De Vinci, No. 55, Publ. Jan. 1 1831, 6, Bartholomew Place Kentish Town, R. Ackerman, Strand, & C. Tilt, Fleet Street; mezzotint with etching, 12x16.5cm: Henry Dawe, British 1790-1848- "Mount St Michel"; mezzotint with etching, 10.3x14cm: together with a quantity of 18th century and later mezzotints, by and after various hands, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 675

John Raphael Smith, British 1751-1812- "African Hospitality" after George Morland, publ. March, 24. 1814 by S Morgan, No. 32, Clipstone Street, Fitzroy Square; mezzotint, 48x65cm: Charles Robertson RWS, British 1844-1891- An oriental man feeding pigeons; dry-point etching, signed within the plate, 35.5x25cm: Thomas Sinclair, British 1805-1881- "Priest in Full Dress Simoda" after a daguerreotype by E Brown; lithograph printed in colours, 29x22.7cm: Sidney Tushingham ARE, British 1884-1968- Riding out from the city walls; etching, signed in pencil, 22.5x36.3cm: together with a quantity of 19th and later prints, by and after various hands, examples to include prints depicting scenes from St Helena, Turky, South America, India and Egypt, various techniques, various sizes, (unframed) (a lot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 676

William Holman Hunt PRB OM RWS ARSA, 1827-1910- "The Abundance of Egypt"; etching with drypoint, signed and inscribed 20 on the plate, 15.5x12cm: William Scott, British fl.1876-1897- "Rome, View from the Ponte Sisto"; dry-point etching, signed and titled in pencil, signed, titled and dated 1880 within the plate, 14.5x21.5cm: Attributed to Henry Lamb RA, British 1883-1960- Cows resting in a field on a blustery day- dry-point, inscribed H.L. to F.D in pencil, inscribed Given to Francis Dodd RA on the reverse of the mount in blue pen, 12.5x17.8cm: together with a quantity of 19th century and later prints, by and after various hands, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 677

Captain William Baillie, British 1723-1810- "Rembrandt, 1646" 1761, after Rembrandt': dry-point with etching, titled and inscribed agli dilitanti che anno il sapere pregiudizio luesta e dedicata within the plate 29x24cm: Hubert Von Herkomer, German/British 1849-1914- "Souvenir de Rembrandt" 1879; dry-point with aquatint printed in brown ink, signed, titled, dated and inscribed op:7 within the plate, 31.5x25cm: together with a quantity of 19th century and later prints, depicting landscapes and architectural scenes, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 679

William Bell Scott, British 1811-1890- "The Norns Watering the Tree of Life" 1876; etching, signed and dated within the plate, 25.5x17cm: Dante Gabriel Rossetti, British 1828-1882- "A Sonnet"; wood-engraving, inscribed within the plate DG Rossetti pro matre fecit Apr: 27. 1880 and ANIMA, 9.5x15cm: Hubert Von Herkomer, German/British 1849-1914- "Caller Herrin" after John Everett Millais, publ. August 1st 1882 by The Fine Art Society Limited, 148 New Bond Street, London; mezzotint and etching, inscribed with the artists and remarques of their profile, 68x53cm: Robert Bowyer Parkes, British 1830-1904- "Sing Birdie Sing" publ. July 8th, 1870, by Henry Graves & Co, the Proprietors, Publishers to H.M. the Queen, and T.R.H. the Prince & Princess of Wales, 6 Pall Mall, London; etching and mixed technique with hand-colouring, 71x52.5xm: together with a quantity of 19th century prints, by and after various hands, various techniques, various sizes, (unframed) (alot) Provenance: From the collection of The Estate of the Hon Christopher Lennox-Boyd

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Roseberys London
Lot 692

Samuel Palmer RWS, British 1805-1881- "The Bellman" publ. by the Fine Art Society, 1879; etching, signed and inscribed within the plate S.PALMER. INV. ET. FEC. MEAD. VALE. REDHILL 1879, lettered The Bellman from "Il Penseroso." Published by the Fine Art Society 148, New Bond Street, London, 1879, 18.7x25cm Provenance: exhibited at Goldsmiths' Gallery, London, 'Graham Sutherland Exhibition', according to label attached to the reverse Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London. CONDITION REPORT: mounted in a glazed wooden frame bearing label for Goldsmiths Gallery on the backing boards' reverse inspection out of the frame: the back mount card has been stuck down with tape along each edge to the window mount the print has become loose from its upper hinge mount from the reverse the sheet is browned throughout from a previous mount bearing remnants of parcel tape along all edges of the sheet with large brown spotting throughout there is an irregular line of the original sheet colour where the paper has not discoloured there is an area of green discolouration in the lower left corner recto: the sheet is browned from a previous mount in a rectangular shape extending to approx 1cm around the plate edge with a tear in the top left corner of the sheet approx. 1.5cm in length with two circular marks of discolouration in the top left corner with a horizontal crease 1cm from the top edge of the sheet running across from left to right with a green area of discolouration in the lower right corner with an irregular line of the original sheet colour running from the lower right edge of the plate to the level of the cows horn on the right this line divides two sections of discolouration, the top section being darker than the lower section there is a small circular area of original sheet colour 5mm dia. outside the plate mark in the top central margin bearing pencil inscription in the lower left corner of the sheet '2nd published state /7357' and in the lower right corner of the sheet 'SX' the sheet is slightly ruckled throughout overall in fair-good condition

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Roseberys London
Lot 791

Mukul Dey, Indian 1895-1989- "On the Ganges, Calcutta", 1927; dry point etching, signed in pencil, 19.5x34cm Provenance: with Archer Gallery, Ahmedabad, according to label attached to the reverse of the frame

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Roseberys London
Lot 793

Mukul Dey, Indian 1895-1989- "The Boy Jesus give Life to Clay Birds", 1927; dry point etching, signed in pencil, 18x20cm Provenance: with Archer Gallery, Ahmedabad, according to label attached to the reverse of the frame

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Roseberys London
Lot 799

Anjolie Ela Menon, Indian b.1940- "Chair"; etching with aquatint, signed, titled, numbered 15/20 and dated 2001 in pencil, 24.5x24cm. (mounted) (unframed)

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Roseberys London
Lot 812

Anne Claude de Tubieres, comte de Caylus, French 1692-1765- Landscape, after Albrecht Dürer; etching, inscribed Cab du Roy, C. Scul and with the monogram of Albrecht Dürer, 19.5x25.5cm: together with two further etchings by the same artist depicting landscape & village scenes, inscribed, 14.5x20.5cm and 23x33.5cm, (3)

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Roseberys London
Lot 830

Mark Andrews Godwin, British b.1957- "Red Harbour"; acrylic and graphite with mixed technique, signed in pencil, 84x111cm: together with two further acrylics and graphite with mixed technique and one etching with aquatint printed in colours entitled "Pantheon XXXXV" by the same hand , ea. signed in pencil, one titled, two 42.5x54.5cm, one 58x75cm, (4) (may be subject to Droit de Suite)

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Roseberys London
Lot 839

Giovanni Battista Piranesi, Italian 1720-1778- "La Conocchia" from Vedute di Roma (Views of Rome), part II, c.1750-78; etching, 72x48cm Note: see Metropolitan Museum of Art, New York, Accession Number: 41.71.1.17(8), for related example Provenance: From the art collection at the former St Gabriel's College, Camberwell. St Gabriel's was a Church of England teacher training college, founded in 1899 and closed in 1978. Its Art Department attracted talented teachers and artists whose vocation was to inspire young teachers through studying and imitating the work of great artists. The paintings and drawings in this collection were collected by the College's staff through donations and purchases during the interwar and post-war periods. After the College's closure, the collection was transferred to the ownership of an educational trust and until recently loaned to Goldsmith's University of London.

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Stacey's Auctioneers & Valuers
Lot 1561

A framed etching depicting a figure fly fishing and a framed watercolour haymaking (2)

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Stacey's Auctioneers & Valuers
Lot 1570

An unframed etching showing washing in a courtyard, signed in pencil E.M Synge, attributed to Edward Millington Synge, damaged

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Stacey's Auctioneers & Valuers
Lot 1802

A small limited edition Mickey Mouse etching

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Sworders
Lot 204

Rembrandt Harmensz van Rijn (Dutch, 1606-1669)SAINT JEROME KNEELING IN PRAYER, LOOKING DOWN(Bartsch, Hol. 102; H. 140)Etching, 1635, only state, signed and dated in the plate 114 x 80mmCONDITION REPORT: FROM THE EVA WEININGER COLLECTION.Not viewed out of glazed frame.Trimmed.Appears to be stuck down, but loose along lower edge.Paper discoloured with rectangular marks impressed into top corners suggesting adhesive tape below.We believe it is period.

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Wotton Auction Rooms
Lot 725

A signed coloured limited edition etching by Henry Wilkinson showing a brown and white spaniel seated in a landscape setting, signed bottom right Henry Wilkinson, edition 26/150, 30 x 24 cm in gilt frame

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Wotton Auction Rooms
Lot 731

A collection of 19th century and other black and white etchings including a pair of signed black and white etchings of continental river scenes, signed bottom right Henri G Rich (?), 21 x 12 cm, a pair of 17th century black and white engravings of a hunting scene and a further sporting scene inscribed ""Callot"", probably for Jacques Callot, 12 x 25 cm, a black and white engraving, portrait of a 17th century Dutch gentleman after Mierevelt, inscribed ""Pieter Corneliszoon Hooft"", 32 x 22 cm, an etching of horses, etc (all framed)

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Wotton Auction Rooms
Lot 733

A black and white etching showing the sailing ship The Golden Hind, signed bottom right Artistic and titled ""The Golden Hind"", 25 x 17 cm in simple black frame together with a 19th century coloured engraving showing Admiral Sir Chas Napier after D J Pound, 25 x 18 cm in black and gilt frame, also together with an early 20th century coloured print showing the vessel City of Chicago at high seas, 67 x 32 cm in oak frame with gilt slip

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Wotton Auction Rooms
Lot 747

A collection of various etchings and engravings, etc, including black and white etching showing the interior of a workshop, signed J E Clutterbuck, view of the Castle Esplanade, Edinburgh, signed F Stenton, early 19th century coloured engraving of Colonel Thornton dressed as a jockey, a limited edition black and white etching of cattle grazing, signed in pencil bottom right Gael P, a coloured print of a still life with wine bottle, stilton, etc, (all framed)

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Wotton Auction Rooms
Lot 773

Two sepia coloured etchings after Jean Francois Millet, one showing a woman churning butter and accompanied by a cat, with inscription within plate ""Aug Delatre, Rue St Jacques"", 19 x 13 cm approx together with a further etching by Millet showing a seated seamstress at a window, 11 x 8 cm approx together with a further black and white etching after Millet showing The Gleaners, with pencil signature bottom right E Borizot, 20 x 26 cm all in dark coloured gilt frames

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Wotton Auction Rooms
Lot 778

A black and white etching showing a London street scene with St Paul`s dome, signed bottom right K Vernon, inscribed ""St Paul`s from Watling Street"", 26 x 13 cm in simple black frame

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Wotton Auction Rooms
Lot 782

An early 19th century coloured engraving showing the section and rigging of a First Rate Man of War with the names of all its several parts, also showing the internal parts of a ship carrying 96 guns, published by Bowles & Carver, London, 55 x 62 cm in simple black frame together with a black and white etching of HMS Vernon, 60 guns, signed in pencil bottom right W A Jefferies and dated 1938, 10 x 14 cm in simple black frame

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Wotton Auction Rooms
Lot 785

A signed coloured limited edition etching of a French city scene with terrace of houses besides a river, signed bottom right Cuca Romley, inscribed ""Ile St Louis"", edition 33/125, 32 x 47 cm in wooden and gilt frame with linen mount

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Holloway's
Lot 272

James Gillray (1756-1815) `A broad hint of not meaning to Dance` hand-coloured etching, published 1804 by Hannah Humphrey 26 x 29 cm (10 x 15 1/4 in) Provenance: Anne Campbell-Macinnes, Lantern Gallery, Bath

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David Duggleby Auctioneers & Valuers
Lot 131

Herbert Thomas Dicksee (British 1862-1942): The Cottage Doorway, etching signed in pencil impressed LC published Frost & Reed 1904, 46cm x 32.5cm

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David Duggleby Auctioneers & Valuers
Lot 145

Tom Carr (British 1912-1977): 'Riot !!', limited edition coloured hunting etching signed titled and numbered 46/75 in pencil 27cm x 32cm

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David Duggleby Auctioneers & Valuers
Lot 209

William Lionel Wyllie (British 1851-1931): Boats on the Foreshore Scarborough, artist's proof etching signed in pencil 14.5cm x 40cm

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David Duggleby Auctioneers & Valuers
Lot 272

Simo Hannula (Finish 1932-): 'Satellufti', limited edition artist's etching titled signed dated 1966 and numbered 37/40 in pencil 56cm x 47cm South African School (Contemporary): ' Operation Hunger', limited edition wood cut titled indistinctly signed dated '83 and numbered 3/10, 32cm x 77cm (both unfamed)

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David Duggleby
Lot 209

William Lionel Wyllie (British 1851-1931): Boats on the Foreshore Scarborough, artist's proof etching signed in pencil 14.5cm x 40cm

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David Duggleby
Lot 272

Simo Hannula (Finish 1932-): 'Satellufti', limited edition artist's etching titled signed dated 1966 and numbered 37/40 in pencil 56cm x 47cm South African School (Contemporary): ' Operation Hunger', limited edition wood cut titled indistinctly signed dated '83 and numbered 3/10, 32cm x 77cm (both unfamed)

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McTear's
Lot 25

SIMON FRASER, SALMON OF WISDOM colour etching on paper, signed, titled, numbered 16/30 and dated `85 in pencil 42cm x 22.5cm Mounted, framed and under glass

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McTear's
Lot 42

MARJ BOND, CHILDREN OF THE CONQUISTADORIS etching on paper, signed, titled, dated `93 and numbered 26/30 in pencil 28cm x 38cm Mounted, framed and under glass

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McTear's
Lot 92

J. ALPHEGE BREWER, YORK MINSTER drypoint etching on paper, signed, titled verso 22cm x 16cm Mounted, framed and under glass

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Lots Road Auctions
Lot 176

SALVADOR DALI (Spanish, 1904-1989), 'Triomphe de Venus', 1971, original etching on BFK Rives watermarked paper, edition: EA, 76cm x 56cm, signed lower right in pencil and framed, from the private collection of Madame Denise Rigal.

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Nigel Ward & Company
Lot 2142

A pair of framed and mounted W.H. Bartlett Etchings of Mary Port Pier and Mary Port and a K.B. Miles etching of St. Mary's, Cowbridge.

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Nigel Ward & Company
Lot 2142

A pair of framed and mounted W.H. Bartlett Etchings of Mary Port Pier and Mary Port and a K.B. Miles etching of St. Mary's, Cowbridge.

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Nigel Ward & Company
Lot 2152

A mounted, but unframed William Monk Etching dated 1909 of a Town Hall

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Whyte's
Lot 274

Chris Reid (b.1918) TOWARDS HOME etching; (no. 2 from an edition of 30) numbered, titled and signed in the margin; with inscribed artist`s label on reverse with title and studio address; also with David Hendricks Gallery framing label on reverse 10½ x 12½in. (26.67 x 31¾cm)

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David Duggleby
Lot 390T

19th century Chinese embroidered sleeve, another embroidered Oriental picture, limited edition etching and two prints

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Thomson Roddick Scottish Auctions
Lot 307

WILLIAM DOUGLAS MACLEOD (1892 - 1963) Beach scene with cockle gatherers Pencil signed etching, 14.5cm x 33cm.

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P.F. Windibank Auctioneers
Lot 233

William Longstaff Black and White Etching depicting Trafalgar Square, 18.8cm x 18cm, also A R Blundell signed black and white etching harbour scene at low tide signed in pencil in Hogarth frame (2)

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P.F. Windibank Auctioneers
Lot 234

Rowland Langmaid Signed Black and White Etching ""Tower Bridge"" signed in pencil and in black frame, 17.5cm x 24cm

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P.F. Windibank Auctioneers
Lot 319

Alex Buckels Signed Black and White Etching depicting boy in woodland signed and dated 1936 in black frame, 13.5cm x 11cm also George Ramsay signed black and white engraving depicting landscape, signed in pencil in black frame (2)

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P.F. Windibank Auctioneers
Lot 320

Alex Buckels Signed Black and White Etching "" St Catherine on the Hill"" signed in pencil and dated 1926 in black frame 17cm x 19.5cm

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P.F. Windibank Auctioneers
Lot 324

WL Wyllie Signed Black and White Etching depicting figures on shore at low tide, with various sailing boats, signed in pencil in gilt frame 25cm x 36.5cm

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Wessex Auction Rooms
Lot 682

A Limited Edition Henry Wilkinson Etching English Partridge No 13/150 signed in pencil

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