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Lot 1
Henry William Bunbury, 1750-1811- 'Patience in a punt', publ. May 1st 1792 by W Dickinson, No 24 Old Bond Street; hand-coloured stippler engraving, 29x40cm: I Cruikshank- 'The Disappointed King of Spain- or, the downfall of his Mucheron King Joe Bonaparte late pettifogging Attorneys Clerk!', publ. July 19th 1808 by Ackermann's Repository of Arts, 101 Strand; hand-coloured etching: together with a mixed folio of caricatures and cartoons by and after different hands, English, titled: 'The White Feather'd Donkey's Exaltation- A Civic Entertainment', 'The English Ladies Dandy Toy', 'The Battle of the Cataplasm', 'The Rats at Work- or How to get out of the Bag', and others, many hand-coloured, (a lot), (unframed)
Lot 1
After William Alexander, 1767-1816- A Chinese warrior standing with a fort and village beyond, publ. Jan 1st 1804 by W Miller, Old Bond Street, from the Earl of Macartney's expedition to China, 1792-94; soft-ground etching, 27x32.3cm: together with approximately 22 other prints from the same or related suite(s) after the same hand, (a lot), (unframed)
Lot 1
*Mel, 20th century- 'The Original Drawing Reproduced in The Tatler, Presented by Len Barry. Pop', 'Vaudeville Golfing Society Dinner By Mel'; original artwork for illustration, pen and black ink and wash, signed and dated 1935, 54.5x38cm: James Hamilton Hay- Landscape; etching, signed within the plate and in pencil, 16.8x25cm: English School 18th century- 'A View of London about the Year 1560'; engraved bird's eye view, 30x46cm: B. Cole- 'The East Prospect of the Abby(sic) of St Peter& of the Parish Church of St Margaret Westminster'; engraving, 31.2x42cm., (4), (unframed)
Lot 1
J.H. le Keux after William Henry Bartlett - St. Stephen’s Church, Vienna, steel engraving 7’ x 4.75’; after Rembrandt - The Spanish Gypsy, etching, 5’ x 4.5’; W. Finden after G. Sanders - Lord Byron at the age of nineteen, steel engraving, 9.5’ x 7.5’ and a group of fourteen French and English fashion plates from between 1826 and 1831, hand coloured engravings (17).
Lot 1
Whistler (James Abbott MacNeil, 1834-1903). The Gentle Art of Making Enemies , 1st authorised ed., 1890, ownership signature of Clementine Mitford [First Lady Redesdale] dated 1890 to front f.e.p., a little spotting, orig. cloth-backed boards gilt, slightly rubbed, 8vo, together with an autograph letter signed from Whistler to Lady Clementine, 28 Wimpole Street, Cavendish Square, n.d., but early March 1883, regretting that he cannot dine out tomorrow night, 'Today I went abroad on trial - and as an experiment rather failed - as I fancy my cold is not the better', telling how proud he is of his conquest of Mr Mitford and to tell him so and how delighted he is that she has chosen the etching for Bertie, continuing 'I am sure you all rejoice in my brilliant war against The Critics - it is brilliant isn't it?', telling her to make Bertie get The World that she may see his last shot and that she ought to have seen a long and capital article in last weeks World upon the catalogue, 'It was called Caviare to the Critics - I have published it as an appendix to the third edition [of the catalogue for 'Mr Whistlers Etchings', pub. Fine Art Society, 1883] and will send it to you', signed 'J. MacNeil Whistler, black etched paper, 3 pp., written laterally, 8vo The Mitfords were very friendly with Whistler at this time and Clementine Mitford bought one of Whistler's Venice etchings, 'The Doorway'. Later in 1885 Bertie was present at Whistler's delivery of his 'Ten O'Clock Lecture'. Caviare to the Critics was reprinted in the third to final editions of the catalogue. Whistler's 'An Apology' from 'The World' published on 28th February 1883 appears on p. 107 of the book herewith. (2)
Lot 1
Bosse (Abraham). Traicte des Manieres de Graver en taille douce sur l'airain , 1st ed., Paris, 1645, additional eng. title and frontis. plus sixteen numbered full-page engs. on eleven leaves, all bound before main title, eng. dedication leaf after title, some old light waterstaining to upper and outer margins, contemp. vellum, slightly rubbed and soiled, 8vo in 4s Bigmore and Wyman I, p.72. The first manual of engraving and etching and the first manual of the rolling press. (1)
Lot 1
WILLIAM LIONEL WYLLIE, R.A., R.E. (1853-1923) submarines, Portsmouth Harbour, etching, pencil signed (lower left), with some surface paper discolouration, a tear in the lower margin, and further tearing and rubbing on top plate edge pl. 9 x 14 1/2in (22.9 x 36.8cm) and a further etching by Wyllie depicting 'The Mauritania being towed into Liverpool' ,with extended tear along lower plate edge. (2).
Lot 1
HERBERT DICKSEE, R.E. (1862-1942) leopard and Jungle Fowl proof etching, pencil signed in lower margin, limited to 125 impressions signed by the artist, with minor surface paper yellowing, with blind stamp of the 'Fine Art Trade Guild' pl. 8 x 16 3/4in (20.3 x 42.7cm), and an etching by D. Kay depicting Seafield Tower, Fifeshire (2).
Lot 1
AN 18TH CENTURY MEZZOTINT ENGRAVING of George Frederick Handel, 7 1/2" x 6" oval (trimmed); a pencil study of a gentleman's head wearing wide brimmed hat; a wood engraving by Biddy Darlow and an etching by Angela Varga, figure study in the manner of Sir Henry Moore, pencil signed and dated 1961, numbered 4/15, 3" x 4" (4)
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78388 item(s)/page