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Lot 3029

Mixed folder of contemporary prints, including a screenprint by Yvaral (1934-2002) (Son of Victor Vasarely) signed and numbered 72/200 in pencil, 75 x 75cm; a print titled 'Colour-Change', numbered 57/100, indistinctly signed and dated 73, image size 59.5 x 29.5cm; Marie Arbaretez, 'L'Exploratia de Sa Maman', etching, signed and numbered 24/100, 46 x 58cm; Jean Sariano screenprint of a fireplace in moonlight, 58 x 41cm; a limited edition serigraph published by Matalon Luciana, Milan, signed 'L. Matapon' () and numbered 70/99, 12 x 18cm; Steph Cony, 'Eloge a Philippe Druillet', etching, signed, titled and numbered IIB, 25 x 17cm; and other prints, etchings and lithographs, approximately 28 in total

Lot 3031

Mixed folder of unframed vintage etchings and prints, including Edward J Cherry (1886-1960), etching of a courtyard with cathedral to background, signed in pencil, image size 12.5 x 7.5cm; lithograph of figures after Edouard Goerg, unsigned, 24 x 14.5cm; etching of sketches of Leith Hills, Dorking, after William Holmes May, signed to block,14.5 x 22cm; diptych etchings for Faust after Emeric Timar, 10 x 15cm and 12 x 15cm; an etching of fishermen pulling their catch onto a dock, indistinctly signed and inscribed to lower margin, 33 x 41cm; and other etchings of landscapes and townscapes (14 total)

Lot 3032

Kate Thomas (Contemporary), 'Crouched', limited edition etching, signed in pencil to lower margin, numbered 1/25, 40.5cm x 27.3cm, label for Curwen & New Academy Gallery verso

Lot 3034

A quantity of framed prints to include Bernard Myers (1925-2007), Bohun Gallery, pencil signed poster, framed, size of frame 67.5 x 82.5cm. Gilbert Browne (Scottish, b.1954). 'Mooring - Little Venice', etching, signed, marked H de C (hors de commerce - not for sale) and titled in pencil, 31 x 24cm, framed and glazed. Dieja Vatarun, Bangkok, limited edition etching, 1996, signed and numbered 77/300 in pencil, 20 x 27cm, framed and glazed. Carl March, two limited edition etchings of park scenes in Milan, each signed, titled and numbered 104/150 and 148/150, each 8.5 x 15.5cm. Framed and glazed. A reproduction still life print of flowers in a vase (unsigned), framed and glazed, size of frame 53.5 x 42cm. A watercolour depicting a Christmas scene, signed Paul B Davies, dated '99, framed and glazed, size of frame 48 x 38cm. A framed offset lithograph after Antoine Calbet of a reclining nude, 27 x 34cm, and a colour print of a house, signed lower right, 34 x 44cm, framed (9)

Lot 3049

Peter Kosowicz, 'Taking Flight', limited edition etching, signed in pencil to lower margin, numbered 42/50, 50 x 35cm Good condition. Only minor flecks of paint below signature. Very minor mark to top right of margin.

Lot 3055

Chelsea School of Art, two portfolios of prints, one by Students and Staff of the Printmaking Department 1992, solander box comprising Christine W. Marshall, Untitled, etching, signed and numbered 12/30, 39 x 37.5cm; Fernanda Santos, 'Trace of Time', etching, titled, signed and numbered 12/34, 38 x 37cm; Deirdre Leyden, 'Our Symbols, Our Signs', lithograph, signed and numbered 12/30, 37 x 38cm; and Morgan Doyle, 'A Shadow of My Former Self', screenprint and etching, signed, titled and numbered 12/30 (4); the other box containing portfolio of prints from Printmaking Department 1990, comprising James Read, 'Bauble', etching; Margaret Regan, 'Cock on Pedestal', lithograph; Stuart Jebbitt, 'God's Gift to Women', lithograph and woodblock; Alexandra Ashton, 'Garden of Oysters', screenprint; Katherine Frajbis', 'Sutton Hoo: East by North East, etching; Clare Hennessy, 'Blind Entanglement', lithograph; Amanda Lewis, 'Witloof, screenprint; Volker Schoenwart, 'Box Open/Closed', screenprint; and Christine Blackburn, 'Electric Avenue, Brixton', etching, each signed, titled and numbered 31/35,(9) 2 boxes, total 13 prints

Lot 3065

§ Paula Rego RA (British, b1935) Wild Duck (Rosenthal 72), etching and aquatint, 1990, signed and numbered '19/75' in pencil, printed by Culford Press, London, published by the National Art Collections Fund, London, with the printer's blindstamp, with full margins, 61 x 50cmPlease note that artist resale right maybe additionally payable on this lot, where above the threshold, up to a maximum of 4% on top of the hammer price, visit www.dacs.org for more information. § No damage to image.Minor smudge to paper at lower right corner. Possible minor creasing to border but not opened frame.

Lot 3084

Quantity of prints, original artworks and posters, to include Ryan Callanan (AKA RYCA) (British, b.1981), 'Bubblegirl', screenprint, signed in pencil, numbered 31/40, bearing Scrawl Collective blindstamp, 71 x 50cm; an etching of a dove by Leon De Bliquy (1943), signed and dated 81, numbered 79/100, 8 x 8cm; a poster for Grands Bal Ba-Ta-Clan, 65 x 50cm; a mixed media on cork by Aiva Kukulite, 81 x 54.5cm; and other original works and prints (16)

Lot 12

NO RESERVE Celestial.- Woodthorpe (V[incent]) The Horizon, doube-page map of the horizon from Woolsey's ' Cellestial Companion or projects in plano of the Starry', engraving, etching and aquatint, on laid paper without watermark, sheet 545 x 770 mm (21 3/4 x 30 1/4 in), several nicks and tears at edges, trimmed to or just within the plate edges at the left and right, upper right corner with restoration to loss into plate, central vertical fold with some splitting, unframed, Robert Woolsey, 1801 [but circa 1803].

Lot 54

France.- Baur (Johann Wilhelm, 1607-1641) [Siege of Valenciennes, then in the Hapsburg Netherlands], etching, 295 x 415 mm (11 3/4 x 16 1/4 in), lettered key at top, signed in the plate lower right, vertical centre crease, corner-mounted on support sheet with some minor associated creases, marginal tear in the lower left corner, unframed, [Hollstein, German, 13-23], issued in De Bello Gallica, Rome, 1632

Lot 160

RICHARD EARLOM (1743-1822) AFTER CLAUDE LORRAIN (c.1600-1682) 'Liber Veratis' A set of twenty-two prints from the collection of two hundred original designs in the Collection of the Duke of Devonshire, etching and mezzotints, each c. 21cm x 27cm (22) Plate 4 'Coast Scene'; Plate 22 'Landscape with river'; Plate 45 'Landscape with the flaying of Marsyas'; Plate 65 'Landscape with Tobias and the Angel'; Plate 87 'Pastoral Landscape'; Plate 90 'Pastoral landscape with the Ponte Molle'; Plate 91 'Landscape with Cephalus and Procris reunited by Diana'; Plate 93 'Pastoral landscape'; Plate 95 'Pastoral landscape with the story of Apollo and Marsyas'; Plate 99 'Coastal View with Apollo and the Cumean Sibyl'; Plate 100 'Landscape with the death of Procris'; Plate 105 'Landscape with buildings and cattle'; Plate 109 'Landscape with peasants and cattle'; Plate 110 'Landscape with peasants and cattle'; Plate 115 'Landscape with peasants and cattle, the Colosseum and arch of Septimus Severus visible to the distance'; Plate 117 'Landscape with peasants and cattle, enriched with buildings'; Plate 119 'View of Delphi with a procession'; Plate 159 'Landscape with Mercury and Battus'; Plate 162 'Landscape with Psyche and the Palace of Amor'; Plate 169 'Landscape with Jacob, Rachel and Leah at the well'; Plate 170 'Landscape with Apollo guarding the herds of Admetus and Mercury stealing them'; Plate 182 'View of Delphi with a procession' 

Lot 1043

John Hoyland R.A. (British, 1934-2011), Night Music, signed and dated 1981 l.r., H/C No.1/1, aquatint etching, 56 by 71cm, framed Provenance: a Corporate Art CollectionNote: Artist Resale Rights apply 

Lot 992

Sir Terry Frost R.A. (British, 1915-2003), Is it True, 1989, signed l.r., No.5/5, aquatint etching, 55 by 37cm, framedNote: from the series Eleven Poems by Federico Garcia Lorca (Spanish, 18998-1936)Provenance: a Corporate Art Collection Note: Artist Resale Rights apply  

Lot 300

AN ETCHING BY HENDRIKUS ELIAS ROODENBURG DEN HAAG, SIGNED AND NO 329 18.5X41CM

Lot 6

Antonio Canaletto (Italian, 1697-1768)The Wagon Passing Over a Bridge (Bromberg 32) Etching, on thick laid, the final second state, with narrow margins, 145 x 127mm (5 3/4 x 5in)(PL)(unframed)Footnotes:ProvenanceRudolph Phillip Goldschmidt, Berlin, 1840-1914 (Lugt 2926).Christie's 8 December 2009, lot 85.For further information on this lot please visit Bonhams.com

Lot 193

David Hockney R.A. (British, born 1937)Rapunzel Growing in the Garden, from 'Illustrations for Six Fairy Tales from the Brothers Grimm' (MCA Tokyo 78; Scottish Arts Council 81) Etching and aquatint printed in tone, 1969, on Hodgkinson handmade wove, signed and inscribed 'A.P. XIII', an artist's proof aside from the numbered edition of 100, printed by the Print Shop, Amsterdam, published by Petersburg Press Ltd., London, with margins, 440 x 327mm (17 3/4 x 12 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 57

Stanley William Hayter (British, 1901-1988)Familie Japonaise (Black & Moorhead 219) Engraving, soft-ground etching and scorper printed in colours, 1955, on Lauriat paper, signed, titled, dated and numbered 47/100 in pencil, printed by Hayter at Atelier 17, Paris, published by St. Georges Gallery, London, with wide margins, 395 × 299mm (14 1/8 × 9 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 21

James Abbott McNeill Whistler (American, 1834-1903)Billingsgate (Kennedy 47; Glasgow 51) Etching, 1859, on thick laid, Glasgow's eighth state of nine, 152 x 223mm (6 x 8 3/4in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 23

James Abbott McNeill Whistler (American, 1834-1903)Rotherhithe (Kennedy 66; Glasgow 70) Etching and drypoint, 1860, on cream laid, Glasgow's final sixth state, 275 x 200mm (10 7/8 x 7 7/8in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 215

Antony Gormley RA (British, born 1950)From the Cave Photogravure etching, 2010, on Fabriano paper, signed, titled, dated and numbered 28/50 in pencil verso, published by Ingleby Gallery, Edinburgh, with full margins, 383 x 450mm (15 1/8 x 17 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 51

Stanley William Hayter (British, 1901-1988)Witches' Sabbath (Black & Moorhead 239) Engraving, etching, soft-ground etching and scorper printed in colours, 1957-8, on BFK Rives, signed, titled, dated and inscribed '2/5' in pencil, one of five proofs aside from the numbered edition of 50, printed and published by the artist at Atelier 17, Paris, with margins, 493 x 643mm (19 3/8 x 25 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 63

Dame Elisabeth Frink R.A. (British, 1930-1993)Anthony and Cleopatra (Wiseman 128) Etching and aquatint printed in colours, 1982, on Arches, signed and inscribed 'AP III/XV' in pencil, an artist's proof aside from the numbered edition of 200, printed at Kelpra Studio, London, published by the Royal Shakespeare Company, London, with margins, 750 x 560mm (29 1/2in x 22in)(PL)Footnotes:This depicts Michael Gambon and Helen Mirren in their roles with the Royal Shakespeare Company in 1982.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 47

Stanley William Hayter (British, 1901-1988)Woman in a Net (Black & Moorhead 81) Engraving, scorper and soft-ground etching, 1934, on wove, signed, titled, dated, and numbered 22/30 in pencil, printed and published by the artist at Atelier 17, Paris, with wide margins, 215 x 290mm (8 1/2 x 11 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 239

Jim Dine (American, born 1935)The Hand-Coloured Viennese Hearts V and VII (Carpenter 34.5 and 34.7) Screenprints with soft-ground etching, aquatint and hand-colouring, 1990, on wove, each signed, dated and numbered 28/40 in pencil (there were also some proofs for each print), printed by Advanced Graphics, London and Werkstatt für Handgedruckte Original-Graphik, Vienna, published by Pace Prints, New York, the full sheets, 876 x 737mm (34 1/2 x 29in)(and smaller)(PL); 1194 x 919mm (47 x 36 1/8in)(SH)(2)Footnotes:ProvenanceWaddington Graphics in partnership with Pace Prints, Jim Dine: The Hand-Coloured Viennese Hearts 1987-90, London, 25 April - 19 May 1990; where acquired by the current owners.For further information on this lot please visit Bonhams.com

Lot 54

Stanley William Hayter (British, 1901-1988)Night and Day (Black & Moorhead 203) Engraving, soft-ground etching, scorper printed in colours, 1951-4, on BFK Rives, signed, titled, dated and numbered 18/50 in pencil, printed by Hayter at Atelier 17, Paris, with margins, 603 x 452mm (23 3/4 x 17 7/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 13

James Gillray (British, 1756-1815)The Gout Etching with hand-colouring, 1799, on wove, from the Bohn edition, with a black and white etching 'French Taylor' on the reverse, published in 1851 by Henry Bohn, London, with margins, 260 x 355mm (10 1/4 x 14in)(PL)For further information on this lot please visit Bonhams.com

Lot 50

Stanley William Hayter (British, 1901-1988)Cinq Personnages (Black & Moorhead 168) Engraving, soft-ground etching, scorper and screenprint in colours, 1946, signed, titled, dated and inscribed '4th state colour trial' in pencil, a proof aside from the numbered edition of 50, printed by Hayter and Frederick Becker, with margins, 510 x 665mm (20 1/8 x 26 1/8in)(SH)(unframed) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 58

Stanley William Hayter (British, 1901-1988)Icarus (Black & Moorhead 228) Engraving, soft-ground etching and scorper printed in colours, 1956, on BFK Rives, signed, titled, dated, and numbered 19/50 in pencil, printed by Hayter at Atelier 17, Paris, with margins, 340 x 245mm (13 3/8 x 9 5/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 27

Samuel Palmer (British, 1805-1881)The Early Ploughman or The Morning Spread upon the Mountains (Lister 9) Etching, 1861, on wove, signed in pencil, probably the sixth state of eight, printed by A.H. Palmer in 1879, with his blindstamp, with wide margins, 178 x 252mm (7 x 10in)(PL); 334 x 502mm (13 1/8 x 19 3/4in)(SH)For further information on this lot please visit Bonhams.com

Lot 117

After René Magritte (Belgian, 1898-1967)La Leçon de musique (Kaplan 15D) Etching in colours, 1968, on Japon nacré, stamp-signed and inscribed 'H.C.' in pencil, one of 25 hors commerce impressions on this paper aside from the numbered edition of 150, printed and published by Editions Georges Visat, Paris, with the artist's estate blindstamp, the full sheet, 280 x 227mm (11 x 8 7/8in)(SH)For further information on this lot please visit Bonhams.com

Lot 124

Pablo Picasso (Spanish, 1881-1973)Les Pauvres, from 'La Suite des Saltimbanques' (Bloch 3; Baer 4.II.b.2) Etching, 1905, on Van Gelder Zonen wove, from the edition of 250 on this paper, printed by Louis Fort, published in 1913 by Amboise Vollard, Paris, with wide margins, 236 x 180mm (9 1/4 x 7 1/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 12

James Gillray (British, 1756-1815)Temperance enjoying a Frugal Meal (BM 8117) Etching with hand-colouring, 1792, on wove, published by H. Humphrey, London, with trimmed margins, 365 x 293mm (14 3/8 x 11 1/2in)(PL)For further information on this lot please visit Bonhams.com

Lot 173

Ed Ruscha (American, born 1937)Other (Gemini 2022) Lithograph printed in red, 2004, on German etching paper, signed, dated and numbered 114/250 in pencil, published by Gemini G.E.L., Los Angeles, with their blindstamps, the full sheet, 286 x 375mm (11 1/4 x 14 3/4in)(SH)For further information on this lot please visit Bonhams.com

Lot 53

Stanley William Hayter (British, 1901-1988)Combat Sousmarin (Black & Moorhead 233) Engraving and soft-ground etching printed in colours, 1957, on BFK Rives, signed, titled, dated and numbered 2/50 in pencil, the full sheet, 495 x 280mm (19 1/2 x 11in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 123

Pablo Picasso (Spanish, 1881-1973)Le Saltimbanque au repos, from 'La Suite des Saltimbanques' (Bloch 10; Baer 12.b.2) Etching and drypoint, 1905, on van Gelder Zonen wove, from the edition of 250, printed by Louis Fort, published in 1913 by Ambroise Vollard, Paris, with wide margins, 120 x 85mm (4 3/4 x 3 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 66

Dame Elisabeth Frink R.A. (British, 1930-1993)Marsh Harrier, from 'Birds of Prey' (Wiseman 111) Etching with aquatint printed in colours, 1975, on J.Green paper, signed and numbered 26/50 in pencil, printed at White Ink with their blindstamp, published by Leslie Waddington Prints Ltd., London, with full margins, 920 x 648mm (36 1/4 x 25 1/2in)(PL)For further information on this lot please visit Bonhams.com

Lot 25

James Abbott McNeill Whistler (American, 1834-1903)Chelsea Bridge and Church (Kennedy 95; Glasgow 102) Etching, 1871, on cream laid, Glasgow's final seventh state, with small margins, 100 x 170mm (4 x 6 5/8in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 5

Various ArtistsA small collection of Old Master and Modern Prints Hollar etching 'Bust of a Negress', 1645, 75 x 55mm, together with Piranesi etching 'The Pier with Chains' (R42), plate 16 from 'Carceri', fifth state, on heavy laid, with central vertical fold, 405 x 552mm (PL), anonymous etching 'Head Studies', after Durer Rhinocerus, after Jacques Callot one etching from 'Balli Sfessania', Cezanne etching 'Guillaume Pendu', Elyse Ashe Lord 'Musician', etching with hand colouring, signed and numbered 38/75 in pencil, 405 x 550mm (15 7/8 x 21 5/8in)(and smaller)(7)For further information on this lot please visit Bonhams.com

Lot 28

Samuel Palmer (British, 1805-1881)Opening the Fold or Early Morning (Lister 13) Etching, 1880, on laid, the fourth state of ten, with the remarque of harebells lower left, published by the Fine Art Society, London, with wide margins, 163 x 230mm (6 1/2 x 9 1/4in)(PL), 275 x 343mm (10 7/8 x 13 1/2in)(SH)For further information on this lot please visit Bonhams.com

Lot 118

After René Magritte (Belgian, 1898-1967)La Folie Almayer (Kaplan 18A) Etching in colours, 1968, on Rives, stamp-signed and numbered 47/150 in pencil (there was also an edition of 150 on Japon nacré), printed and published by Editions Georges Visat, Paris, with the artist's estate blindstamp, the full sheet, 280 x 222mm (11 x 8 3/4in)(SH)For further information on this lot please visit Bonhams.com

Lot 55

Stanley William Hayter (British, 1901-1988)Paysage Lunaire (Black & Moorhead 220) Engraving and soft-ground etching with scorper printed in colours, 1956, on BFK Rives, signed, titled, dated and numbered 9/50 in pencil, with margins, 370 x 285mm (14 1/2 x 11 1/4in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 182

James Rosenquist (American, born 1933)Appearance, from 'The Glass Wishes' (Glenn 192) Drypoint-etching and aquatint printed in colours, 1981, on Somerset Satin, signed, titled, dated and numbered 55/59 in pencil, published by Gemini G.E.L., Los Angeles, with their blindstamps, with full margins, 851 x 673mm (33 1/2 x 26 1/2in)(SH)For further information on this lot please visit Bonhams.com

Lot 95

John Piper (British, 1903-1992)Late Summer Flowers (Levinson 419) Etching and aquatint printed in colours, 1989, on wove, signed and numbered 15/70 in pencil, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, with full margins, 405 x 545mm (16 x 21 1/2in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 125

Pablo Picasso (Spanish, 1881-1973)Femme au Turban, Vieux Gentilhomme, Borreau et Homme aux yeux fous, from 'Series 156' (Bloch 1878; Baer 1883.IV.Bb) Etching and aquatint, 1970, on Rives, with the artist's stamped signature as issued, numbered 43/50 in pencil, published by Galerie L.Leiris, Paris, 1978, with wide margins, 318 x 418mm (12 3/8 x 16 3/8in)(PL)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 19

James Gillray (British, 1756-1815)Tiddy-doll, the great French Gingerbread-Baker, drawing out a new Batch of Kings:- his Man Hopping Tally mixing up the Dough (BM 10518) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with margins, 255 x 380mm (10 x 14 3/4in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 111

Paul Signac (French, 1863-1935)Paris: Le Pont des Arts avec Remorqueuers (Kornfeld & Wick 24) Etching and aquatint, 1927, on wove, one of 250 impressions, printed and published by R. G. Michel, Paris, with margins, 125 x 190mm (4 7/8 x 7 1/2in)(PL)For further information on this lot please visit Bonhams.com

Lot 70

Henry Moore, R.A. (British, 1831-1895)One plate, from 'La Mysticité Charnelle de René Crevel' (Cramer 377) Etching and aquatint printed in tone, 1976, on wove, signed and numbered 60/100 in pencil, printed by Atelier Lacourière et Frélaut, Paris, published by Éditions Georges Visat, Paris, the full sheet, loose as issued on a double-page, 274 x 262mm (10 3/4 x 10 1/4in)(PL)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 147

Eduardo Chillida (Spanish, 1924-2002)Homenaje a Octavio Paz (Koelen 83005) Etching, 1983, on Rives BFK, signed and numbered 9/50 in pencil (there were also eight artist's proofs), printed by Taller Hatz, San Sebastián, published by Galería Galart, Geneva, the full sheet, 535 x 755mm (21 x 29 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 4

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669)Christ Crucified Between the Two Thieves: An Oval Plate (Bartsch 79; New Hollstein 196) Etching, circa 1641, on laid paper, a later impression, 140 x 105mm (5 1/2 x 4 1/4in)(PL); together with a Goya etching and aquatint 'Si quebro el Cantaro', plate 25 from 'Los Caprichos' (H60), 1799, on wove, a later edition, 208 x 155mm (8 1/8 x 6 1/8in)(PL)(2)For further information on this lot please visit Bonhams.com

Lot 3

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669)The Artist drawing from the Model (Bartsch 192; New Hollstein 176) Etching with drypoint and engraving, circa 1639, on laid, New Hollstein's third state of four, with thread margins, 235 x 187mm (9 1/4 x 7 3/8in)(PL)(unframed)For further information on this lot please visit Bonhams.com

Lot 146

Eduardo Chillida (Spanish, 1924-2002)Bikaina XV (Koelen 88001) Etching with aquatint, 1988, on Japanese paper, signed and numbered 'VII/X P.A.' in pencil, one of ten artist's proofs in Roman numerals aside from the edition of 50 (there were a further three artist's proofs), printed by Taller Hatz, San Sebastián, published by Galería Línea, Madrid, the full sheet, 570 x 350mm (22 3/8 x 13 3/4in)(SH) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 81

Victor Pasmore R.A. (British, 1908-1998)The Space Within Etching and aquatint printed in colours, 1982, on wove, signed with the initials, dated and numbered 47/90 in pencil, printed by Vigna Antoniniana, Rome, co-published by 2RC Edizioni d'Arte, Rome and Marlborough Fine Art Ltd., London, with the printer's and publisher's blindstamp, with full margins, 1200 x 2497mm (47 1/4 x 98 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Lot 188

* Daniell (William). An Elevated View of the New Docks & Warehouses now constructing on the Isle of Dogs near Limehouse for the reception & accommodation of Shipping in the West India Trade, representing the general appearance when finished, of that magnificent & truly national work, of which a great part, by the energy, spirit, & perseverance of the Directors appointed to superintend its execution, has been actually compleated in the short space of little more than two years from its commencement in Feby. 1800, insomuch that on the 27 of August 1802 the Thames was permitted to flow into the larger bason, which is 2600 feet in length containing an area of thirty acres; & two ships, the Henry Addington & Echo, being the first vessels admitted, were received amidst the shouts of an immense concourse of spectators assembled to behold a scene so highly interesting to every well-wisher to the prosperity & glory of his country. The Canal on the left, running parellel to the docks, is executing by the Corporation of London for the purpose of facilitating the navigation of the river, in affording an opportunity for Shipping to avoid its circuitous & dangerous course around the Isle of Dogs. A Work co-operating with the other in the same grand Object which is to give at once Activity & Security to the Commerce of the Metropolis, drawn, engraved and published by William Daniell, London, October 15th, 1802, soft-ground etching & aquatint with contemporary hand colouring, overall toning & minor spotting, 455 x 780 mm, together with: Brunswick Dock on the Thames at Blackwall. This noble bason was executed from the design & at the individual expense of John Perry Esq. & was chiefly intended for the accommodation & protection of the ships of the Honble. the East India Company. The whole excavation that contains about eight acres is divided into two parts (each having its distinct entrance) one of which is capable of receiving thirty of the largest East India ships, & the other an equal number of smaller vessels. This great & useful work was begun on the 2nd of March 1789 & the Dock was opened for the reception of Shipping on the 20th of Novr. 1790, drawn, engraved and published by William Daniell, London, October 20th, 1803, soft-ground etching & aquatint with contemporary hand colouring, overall toning & minor spotting, 455 x 780 mm, A View of the London Dock. This great national work, the primary object of which was to improve the port of London, besides affording extensive accommodation to shipping, provides equal security to the revenue & to commercial property. The space it occupies & enclosed by its boundary wall is upwards of forty-five acres. The Dock, containing twenty acres, is 1260 feet in length, & 960 in breadth, & three acres are covered by the entrance bason & locks. The Tobacco Warehouse at the east end of the Dock spreads over an area of four acres; beneath which, & consequently of the same extent are commodious vaults for the reception of Wine & Brandy, & the five stacks of Warehouses on the north side are objects no less striking from their magnitude & stability. The facility afforded to business by the spacious sheds & excellent Machinery, together with every requisite convenience, render this vast mercantile concern one of the most complete in respect to utility, as it is in appearance one of the noblest works of the kind in the World. This Dock, begun in June 1802, was opened for Shipping on the 29th of January 1805, & its expence, including the purchase of ground with a view to its future extension eastward, has been upwards of two millions sterling, drawn, engraved and published William Daniell, October 1st, 1808, soft-ground etching & aquatint with contemporary hand colouring, slight overall toning & minor spotting, 455 x 780 mm, A View of the East India Docks. The East India Docks are solely for the accommodation of Shipping employed by the English East India Company. They consist of two spacious basons; on the quays of the largest of which all the produce imported by the Company from the East is unloaded; & in the other all Vessels that are outward bound receive their cargoes. The dimensions of the former is 1410 feet in length, by 560 in breadth, & will contain eighty four Ships of eight hundred tons each; the latter is 780 feet in length, by 520 in breadth, & the depth of both is 26 feet: the whole superficial extent of water, including the entrance, being thirty acres & a half. The smaller bason is an enlargement of one formerly in the possession of Mr Perry, but the other was constructed by the East India Dock Company; & was begun in the month of August 1803 & Open'd in Augst. 1806. The East India Docks may be considered as placed at the eastern limits of the City of London. A chain of connected streets already extend to the Village of Blackwall, adjoining to which these great marine depots are situated. Many new streets are already begun in its vicinity, the whole plain is scattered with buildings, used either as Dwellings of Manufactories, & the several newly constructed roads leading to these & the West India Docks will doubtless at no distant period be the future chief streets of this part of the British Metropolis, drawn, engraved and published William Daniell, October 1st, 1808, soft-ground etching & aquatint with contemporary hand colouring, slight overall toning & minor spotting, 455 x 780 mm, each mounted, with matching frames, glazed, bearing the Armytage Clarke Gallery label to verso of eachQty: (4)NOTESTHE DAVID SMITH PRINT COLLECTION PART I CIVIL ENGINEERING, TRANSPORT & TOPOGRAPHICAL PANORAMAS Part of a fine set of six birds-eye views of London Docks produced by the English landscape artist William Daniell (1769–1837). The views show the new docks on the Thames, built from 1800 as part of a scheme to totally overhaul and modernise shipping in London. Trade imports, both domestic and foreign, dramatically increased over the 18th century and to accommodate this the docks of London needed to be expanded and upgraded. Architects and engineers bid to remodel the city’s docks, each of their designs featuring the latest technological developments.

Lot 276

* Gillray (James). Judge Thumb-or-Patent Sticks for Family Correction; Warranted Lawful!, W. Humphrey, Nov. 27th. 1782, uncoloured etching on laid, some spotting. slight staining and dust soiling, 350 x 250 mm, together with "Oh! that this too too solid flesh would melt, [1791] but a later impression by John Miller, London and William Blackwood, Edinburgh, [1824 - 27], etched caricature with contemporary hand colouring, slight mount staining, 210 x 240 mm, with Cruikshank (G. C.). The Wimbledon Hoax! or Waterloo Review!!! !!! June 18th 1816, etching with contemporary hand colouring, thread margins, old folds, 200 x 470 mm, plus Williams (Charles). Making a Compass at Sea - or the use of a Scotch Louse..., Thomas Tegg, circa 1815, etched caricature with bright contemporary hand colouring, one short closed tear affecting image, slight mount staining, 235 x 330 mm, with another four caricatures after Henry Alken and four others similar, various sizes and conditionQty: (12)NOTESThe first described item is an early Gillray caricature of Sir Francis Buller. Buller's conduct on the bench was often the subject of severe criticism, and he was accused of being very severe and prejudiced. He was the subject of controversy due to an alleged statement he made that "a husband could thrash his wife with impunity provided that he used a stick no bigger than his thumb" . This claim was widely circulated and led to Buller being caricatured as "Judge Thumb" and depicted carrying a bunch of 'rods'.

Lot 277

* Gillray (James). The Cabinetical-Balance. NB. The representation of, the astonishing strength & Influence of the Rays from the Rising-Sun, is taken from Sir Isaac Newtons Theory of Light, H. Humphrey, Feby. 16th. 1806, etched caricature with contemporary hand colouring, thread margins, slight toning, tipped on to later paper, 350 x 250 mm, mounted, framed and glazed, together with Rowlandson (Thomas). Dr Syntax Taking Possession of his Living, 1812, aquatint with contemporary hand colouring, slight staining, 120 x 190 mm, mounted, framed and glazed, with The Dance on Dun-Can, originally published in 'the Picturesque Beauties of Boswell', circa 1786 but later 19th-century impression, hand-coloured etching with explanatory text below image, 240 x 265 mm, mounted, framed and glazedQty: (3)NOTESThe first described caricature shows a pair of scales. Poised on the cross beam are Sidmouth and Ellenborough The former is depressing the balance with his foot whilst Ellenborough rides piggy-back on his shoulders. This lower scale contains the 'Broad-Bottomites' or New Opposition and the upper scale holds the 'No-Bottomites', the Foxites, or Old Opposition. Fox is the most prominent and is squeezed between Erskine and Grey with Moira, in a cocked hat and regimentals, stands stiffly behind. Fox and Grey have the revolutionary 'bonnets rouges' but do not wear them. The other bowl contains Grenville, one hand on his fat nephew Lord Temple and Windham waves his hat triumphantly. The scales are suspended above the curve of the globe on which Great Britain and Europe are mapped. On the distant horizon is a setting sun containing a royal crown through which the ghost of Pitt flies weeping. The setting sun's feeble rays are outshone by the heavy beams of the rising sun which are surmounted by the Prince of Wales's three feathers.

Lot 289

* Smith (John). The Honble. Dudley Woodbridg Esq. Director Genll. of ye Royal Assiento Company of England in Barbados, 1718, uncoloured half-length mezzotint on laid after G. Kneller, thread margins, slight marginal chipping, 335 x 250 mm, together with Dawe (H.). To Charles Kemble Esqre. This print of his Sister Mrs. Siddons as the Tragic Muse is most respectfully dedicated..., James Bulcock, 1st. January 1827, uncoloured mezzotint on wove after Sir Joshua Reynolds, slight spotting, 450 x 310 mm, with Dickinson (William). Richard Grenville Temple Earl Temple Viscount and Baron Cobham..., Wm. Dickinson, 1778, uncoloured mezzotint on laid after Sir Joshua Reynolds, slight creasing, lower right corner crudely strengthened on verso, torn with slight loss to the upper right corner, 510 x 360 mm, with another two mezzotints similar, plus 16 engravings of etching of classical and genre scenes, religion, portraits, marine and topographical scenes, with examples by or after Bartolozzi, Jowett, Bunbury, Agar and Porter, mostly large format, various sizes and conditionQty: (21)

Lot 392

Lorraine Bampton; pastel portrait of John Lennon, 83 x 58cm, framed and glazed and an unframed pastel of an interior scene, an etching of a map of Liverpool, 'River Mersey at High Water', a signed limited edition print by T Colyer, no3/50 and a quantity of promotional posters for 'Justice' (5).

Lot 78

After Boris O'Klein'Necessite Fait Loi!' and 'Comme nos Maitre'hand coloured etchingssigned and inscribed in pencil19 x 48 cm and another etching of Sacre-Coeur (3)

Lot 27

Signed German etching of a hop picking scene, script to margin indistinct, Spalter Hopfen and Shaft, 28 x 37cm

Lot 85

Kay Gray portrait miniature of a Cairn terrier dog, signed lower right, 6 x 4.5cm, together with an etching of a dog, possibly a Dandie Dinmont

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