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AFTER WALTER DENDY SADLER (1854-1923); a collection of prints to include a lady sat at breakfast table with glass of water, a gentleman sitting in garden having lunch after fishing and a gentleman sat at table having lunch, each pencil signed by the artist and the engraver, height of print between 42cm and 44cm, width of print between 32cm and 34cm, a large mono engraving print depicting a sitting room scene of a lady, possibly a widow, sat at a table in the presence of male friends and advisor, with a poster in the background referring to the freehold of the corn windmill auction to be held at the George Inn, signed in pencil by the artist and engraver, visible print size 40 x 58cm, framed and glazed, frame size 70 x 86cm, also a mono etching print titled 'As the Years Roll By', depicting a couple strolling in garden with set dinner table with guests and nanny and child, signed in pencil by the artist and engraver, the visible etching 46 x 61cm, framed and glazed, frame size 84 x 97cm (4).
George Edward Collins (1880-1967) Nesting Thrush, signed bottom left, numbered 6/75, etching, measurements 22.3 x 15 cm (PL), together with Song Thrush, numbered 2/75 and signed bottom left, initialled in the plate, etching, measurements 12.5 x 17.5 cm (PL), and Blue Tit, numbered 4/75, signed bottom left, initialled in plate, etching, measurements 15 x 10 cm (PL) (3)Consigned from a significant private collection of wildlife art
Frederick Landseer Griggs RA (1878-1938) Anstey Church, Hertfordshire, fifth impression, etching, measurements 18.7 x 12.7 cm (PL), frame 37 x 29 cm. Handwritten label verso 'this etching was given to me by the artist at the time he was living at Hitchin, Herts' Mucklows Gallery, Leicester Square, with the newspaper obituary cutting from 1938 for Griggs stuck to the verso. Together with a further etching attributed to Zaccaria dal Bo (Italian 1872-1935) Venetian Scene, signed Z.Dal.B(?) in pencil below right, measurements 22.5 x 13.5 cm (PL), with Italian labels verso (2)
Winifred Marie Louise Austen (1876-1964) The Dodman, signed bottom right, etching, measurements 22.5 x 22.5 cm (PL), frame 48 x 41.5 cm, together with a further etching of Shoveller ducks, signed bottom right and inscribed bottom left, measurements 17.3 x 25 cm (PL), frame 40.5 x 47 cm by the same hand (2)consigned from a significant private collection of wildlife artCondition report: The Dodman- framed under glazing- not examined external to the frame. The print has full margins and the paper is in good condition with no obvious signs of any foxing or deterioration, there is no evidence visible for rips, creasing or folds. The surface appears well preserved and stable. There is a pencil signature bottom right. The frame is in excellent condition with solid joints. The Shovellers- framed under glazing- not examined external to the frame. The print has full margins with a pencil signature bottom right and personal dedication bottom left. The sheet appears well preserved with no visible signs for rips, creasing or folds. There is some discolouration in the upper left area of the print by the branches and one faint spot in the centre-upper-right in the background (please refer to the photographs) I believe the vendor had the print restored to stabilise the condition. Some very minor cockling visible. The frame and mount are in excellent condition and the frame has solid joints.
After Sharland, French cathedrals, pair of etchings, together with an unknown watercolour, quayside, another small etching of a girl in an interior, a group of three lino cuts of Middle Eastern street scenes, together with another of a cliff top castle and a pair of lozenge shaped coloured prints of riverside properties. (10)(B.P. 21% + VAT)
Framed vintage photograph of an elderly gentleman sitting in a high back fireside chair cradling a double barrel percussion shotgun across his knee, together with another framed photograph of a military officer on his horse with a gentleman standing by and country house beyond (purported to be Hugh Edmund Elsden Everard, commissioned into the West Norfolk Militia 1872 joined 29th Worcestershire Regiment 1875, Captain in the 3rd Battalion Worcester Regiment 1882, 1st class certificate at school of Musketry 1876) and after Scotty Austin, framed etching. (3)(B.P. 21% + VAT)
Henry Pymm Drypoint Etching 'Bishop's Walk North Lambeth (from a rough sketch & description by contemporaries) the site of S.T Thomas's Hospital. Dost Thou Know the Difference (King Lear I.IV.)' Henry Pymm worked from Norwich England and produced this etchings 1880-1920's A working bookbinder of Drury Lane, and amateur draughtsman and etcher.
Keith Burtonshaw (British 1930-2008) - View of Ullswater, watercolour on paper, signed, 37 x 53cm, together with a further watercolour of Sheepscombe from Combe House, signed Kate Delhanty, dated 86, 31 x 41cm, a pastel study of a bluebell wood signed GH Littleford, a watercolour of Golden Valley from Edge by Harold Sayer, RWA, ARE, and a signed, coloured limited edition etching by Harold Sayer - Snow Bound Village, various sizes, all framed (5)
An interesting collection of 20th century school signed limited edition etchings and lithographs, artists including Birgit Bjerre - signed etching of a cat on a roof, dated 74, 27 x 29.5cm, signed etching of horse in a field with ducks in a stream, 30 x 39cm, a menagerie of animals and birds, 30 x 39cm, Kirk Newman - Woman with head in curlers, 28 x 21cm, men in silhouette (2) 37.5 x 27cm approx, etc, various sizes, all unframed (collection)
Valerie Thornton (British 1931-1991) a signed coloured etching of a Jacobean style house, signed, limited edition 9/75, 30 x 53.5 cm approx visible sheet size, together with a further monochrome limited edition etching by the same artist showing a college type building, 13/40, 38 x 53.5 cm, together with a 19th century coloured hunting engraving - The Death Of The Fox, published by W Stevens, 52 x 72.5 cm approximately, all framed (3)
Paul Drury (British 1903- 1987), view of a river scene, probably in France with stone bridge, figures, etc, black and white signed limited edition etching on paper, signed and dated 1974 inscribed III State edition 13/30, 26.5 x 33 cm approximate visible sheet size, together with R A Le Bas signed coloured limited edition etching - Bath Time In Venice, 32/75, 27.5 x 39 cm approximately, both framed, (2)
A collection of 19th century and later pictures including a map of Warwickshire published by Henry Teesdale, small collection of 19th century botanical engravings and topographical views including two engravings of Badminton, signed black and white etching by Anthony Hill - Babbicombe (sic), a 19th century framed invoice from Dauncey & Turner - Wickwar, dated 1880, etc, together with a mahogany framed mirror in the Georgian manner and a reproduction Thames Nauticalia brass cased clock/barometer/thermometer, on a wooden plaque (collection)
Ernst Fuchs (1930-2015), Daphne in Eva Mystica, galvanic etching on hallmarked silver plate, passpartout, glazed, framed, sheet dimensions: 40 x 29 cm. Ernst Fuchs (1930-2015), Daphne in Eva Mystica, galvanische Radierung auf punzierter Silberplatte, Passpartout, verglast, gerahmt, Blattmasze: 40 x 29 cm.
Art Nouveau miniature glass vase, Daum Nancy, with sailboats, signed Daum Nacy, the motifs are represented by etching the glass, which consists of several layers, dimensions: height 12.3 cm. Art Nouveau Miniatur Glasvase, Daum Nacy, mit Segelbooten, signiert mit Daum Nacy, die Darstellung der Motive erfolgt durch das aetzen des Glases, das aus mehreren Schichten besteht, Masze: Hoehe 12,3 cm.
NO RESERVE Prints & Drawings.- Various (Artists) Collection of 30 miscellaneous framed prints and original artworks, including an etching and aquatint horse portrait of "Canezou", several watercolour stained glass designs, botanical plates, reproductive facsimiles, and others similar, various sizes, all framed and glazed, 19th century and later (30)
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71174 item(s)/page