Pablo Picasso (Spanish, 1881 - 1973) Vollard Suite Etching. Sculptor and His Model with a Sculpted Group Representing a Centaur Embracing a Woman (Sculpteur et son modèle avec un groupe sculpté représentant un centaure embrassant une femme) Pencil signed lower margin. Watermarked in paper. The Vollard Suite is a set of 100 etchings in the neoclassical style by the Spanish artist Pablo Picasso, produced from 1930-1937. Named for the art dealer who commissioned them, Ambroise Vollard (1866-1939).Provenance: purchased by the consignor's grandfather from Anton Giulio Bragaglia who was famous in the 1920's and 30's for his gallery in Rome "Casa d'Arte Bragaglia".Image Size: 7.5 x 10.5 in. Sheet Size: 13.5 x 17.5 in. Unframed.
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After Rembrandt van Rijn (Dutch, 1606-1669), "Three Trees" etching, drypoint engraving. In The three trees, his largest landscape print, Rembrandt portrays a limitless view of Dutch scenery. REF: Peter Raissis, Prints & drawings Europe 1500?1900, 2014. PROVENANCE: A Charleston SC Private Estate. Image Size: 8.5 x 11 in. Overall Size: 17.75 in. Framed behind glass.
Joseph Pennell (1857 - 1926) "Hell Gate Bridge" New York. Pencil Signed and titled in lower margin. Pennell was a member of the New York Etching Club and author of "Lithography and Lithographers, 1900; The Authorized Life of J. McN. Whistler (with Mrs. Pennell, 1910; and Pictures of War Work in America, 1918. He also illustrated a great number of books and was a contributor to the leading magazines of his day. Image Size: 8.25 x 10.75 in. Overall Size: 16.25 x 20 in. Unframed.
"Mother's of Don Quixote" Etching, Anthony Michael Autorino (Pennsylvania, New Jersey, France, 1937 - 2015). Pencil signed, titled and numbered (33/100) in lower portion. Anthony exhibited at the National Academy of Design in New York City, the Salmagundi Club, the Allied Artists, the American Watercolor Society and the Philadelphia Sketch Club. He has received many awards and honors for his paintings, which are represented in numerous private, institutional and corporate collections internationally. Image Size: 7 x 9.5 in. Overall Size: 14 x 16 in. Framed behind glass.
Salvador Dali (Spanish,1904-1989) "Pegasus Bleu" Signed in color pencil lower right. E.A. lower left. Drypoint etching in blue ink. This etching by the Master Dali was print ed in 1973 at Ateliers Rigal in Paris where Dali made m any of his etchings. It shows Dali in his prime with the fine de tail he was known for. The etching is listed and picture d in "Salvador Dali, Catalogue Raissone of Prints I, Mixed Media Prints, 1924-1980, by Michler and Lopsinger, page 212, #589. Image Size: 10.25 x 8 in. Overall Size: 20 x 17 in. Framed behind glass.
Pablo Picasso (1881-1973) "Nestor's Tales of the Trojan War" Etching. Having gallery and authentication labels verso. A limited posthumous edition of 1800. This etching published by The Collector's Guild Ltd, New York. Sight Size: 12.25 x 9.25 in. Overall Size: 20.5 x 17 in. Framed behind glass.
Max Pollak (California, New York / Austria, 1886 - 1970) Etching Titled "New York: Wallstreet". Pencil signed and numbered (43/150) in lower margin. Pollak exhibited at the Golden Gate International Exposition in 1939 and the California Palace of the Legion of Honor in 1940. He won California Society of Etchers awards in 1942, 1944, and 1945, as well as a Chicago Society of Etchers award in 1942. He continued to travel nationally?to Cincinnati, New Orleans, Chicago, and the east coast?and abroad to Guatemala and Mexico. Finally, Pollak settled in Sausalito, CA. Max Pollak's artworks are held in a number of important collections, including the Achenbach Foundation for the Graphic Arts in San Francisco, the British Museum, the Fine Arts Museums of San Francisco, the Freud Museum in London, the Judah L. Magnes Museum, the Metropolitan Museum of Art, the New York Public Library, the Oakland Museum, Princeton University, and the Smithsonian American Art Museum.Image Size: 13.5 x 4.75 in. Overall Size: 23 x 16.25 in. Framed behind glass. (JR1)
Antique 19th century etching THE NEW WILL, EVERYTHING TO MY WIFE ABSOLUTELY by artist Walter Dendy Sadler (1854-1923), etched by James Dobie. It depicts a presumably newlywed couple reviewing the terms of the husbands will with a skeptical barrister. The work of Dendy Sadler was exhibited at the Royal Academy from 1873 through the 1890's. His subjects were usually set in the late 18th or early 19th-centuries with sentimental, romantic and humorous themes. Several of his paintings are in museum collections. Presented in a linen matte with gilt trim, and custom wood frame. Issued: ca. 1910Dimensions: 32"W x 27"L framedCondition: Some wear to frame, Not examined out of frame
A rare, early double-sided vellum figure depicting the infernal apparition Mephistopheles and the lovely Marguerite, who holds a prayer book and wears an ivory dress detailed in gilt. The inspiration was Henry Irving and Ellen Terry's roles of the same names in the play Faust. The figure may have in turn inspired a 1928 aquatint etching by the French artist Louis Icart (1880-1950), entitled Faust: Devil and Woman. The Vellum figures were made in limited quantities; all can be described as extremely rare. Gilt decoration throughout. Artist: Charles NokeIssued: c. 1890Dimensions: 12.5"H x 4"WManufacturer: Royal DoultonCountry of Origin: England Condition: Minor wear to gilt on Marguerite handbag and shoes, overall good
Pietro AQUILA (1650-1692), Eau Forte en 4 parties entièrement restaurée en 1989 (dossier complet de la restauration) Joint : In Aula Constantiniana, 1683 - Dimensions : 82 x 180 cm (72 x 172 cm)Pietro AQUILA (1650-1692), Etching in 4 parts completely restored in 1989 (complete file of the restoration attached): In Aula Constantiniana, 1683 - Size: 82 x 180 cm (72 x 172 cm)Pietro AQUILA (1650-1692), Gravur in 4 Teilen, 1989 vollständig restauriert (vollständige Dossier der Restauration) Dazu: In Aula Constantiniana, 1683 - Maße: 82 x 180 cm (72 x 172 cm)
Jutta VOTTELER (née en 1959), artiste allemande, Eau-forte (aquatinte couleur) : Blaue Villa, justifiée 51/90 et signée (joint une carte de vÅ“ux où est reproduite l'Å“uvre ayant été exposée à Mondorf Les Bains) - Dimensions : 76 x 55,5 cmJutta VOTTELER (born in 1959), German artist, etching (aquatint color): Blaue Villa, justified 51/90 and signed (attached a greeting card where the work is reproduced having been exhibited at Mondorf Les Bains) - Size : 76 x 55.5 cmJutta VOTTELER (* 1959), deutsche Künstlerin, Radierung (Aquatinta-Farbe): Blaue Villa,51/90, unterzeichnet (beigefügt eine Grußkarte, auf der das Werk nach einer Ausstellung in Mondorf Les Bains ausgestellt wurde) - Maße : 76 x 55,5 cm
Cream celluloid grip, with full wire wrap, rotating large symbol & oakleaf pommel, with eagle aluminium cross guard. Very good condition Clemen & Jung of Solingen marked 26 cm long blade, retaining leather washer. Blade shows etchings to both sides, showing foliate patterns, eagle & symbol, with für langjährige treue Dienste der Generalstab (remembrance time in the General Staff) inscription. In our opinions, this may be a post-war etching. Blade fits perfectly into the toned nickel-plated, pebbled scabbard.
Polished gilt lion’s head pommel, with mane backstrap, worn ray skin grip with wire wrap and gilt brass guard (period-straightened) showing the fouled anchor & crown, with folding/locking langet. 77 cm slightly curved nickel blade, shows etching to both sides of fouled anchors, royal crown, etc., in good condition, with the usual pitting wear, maker-marked for Matthews & Co. of Portsea. Leather scabbard shows twin brass lockets with twin suspension rings, with light service wear to fully stitched leather body. Overall length: 94 cm.
Du Maurier family: a large collection of ephemera relating to the family including photographs, postcards, press cuttings, leaflets, photograph album, etching and books. Including material relating to Mary Anne, a pamphlet 'Authentic and Interesting Memoirs of Mrs Clarke', a print of 'A Private Examination' and 'The Story of a Feather' illustrated by G. du Maurier.
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71174 item(s)/page