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Lot 1680
A GROUP OF ART BOOKS to comprise Cathedral Cities York, Lincoln, Beverley with etchings by R Farren, 1896; L`Eau-Forte en 1875 with numerous etchings, 1875; Four Masters of Etching by F. Wedmore, containing Whistler`s "Putney" and others, 1883; Passages from the Poems of Thomas Hood, with many etchings by the Junior Etching Club, 1858; About Etching by F. Seymour Haden, part 2 only, 1879; Stirling Castle and Other Poems by M. A. Richardson, etchings by D. Y. Cameron, 1934; Etchings for The Art Union of London by the Etching Club, n.d.; and The Mezzotints and Aquatints of Sir Frank Short, catalogue raisonne by Martin Hardie, 1939 (8 vols) *Not guaranteed complete; sold not subject to return ++ Generally good condition
Lot 1756
WILLEM JACOBUS BOOGAARD (1842-1887) FIGURE STUDIES; WOMAN WITH A EWER Two, pencil, the former with crayon 30 x 22.5cm. and 24 x 19.5cm.; with a watercolour of a sandpit near Oxford, by Dr. William Crotch, 13.5 x 19cm.; and an etching by F. Seymour Haden "On the Thames at Purfleet", 1870, 13 x 20cm. (4) ++ Each in good condition
Lot 69
Burton (John). An Essay Towards a Complete New System of Midwifery, Theoretical and Practical. Together with the Descriptions, Causes and Methods of Removing, or Relieving the Disorders Peculiar to Pregnant and Lying-in Women, and New-born Infants... in four parts, 1st edition, 1751, eighteen etched plates (17 folding) by George Stubbs, a few strengthened along folds to verso) light toning and offsetting, previous owner signature erased from title (with surface abrasion), library stamps, BMI presentation label from Dr Smallwood Savage, modern calf-backed boards, 8vo, together with A Letter to William Smellie, M.D. Containing Critical and Practical Remarks upon his Treatise on the Theory and Practice of Midwifery. Wherein the Various Gross Mistakes and Dangerous Methods of Practice Mentioned and Recommended by that Writer, are Fully Demonstrated and Generally Corrected, by John Burton, 1st edition, 1753, folding engraved plate, errata leaf at end, occasional light spotting and browning, previous owner signature of John Freer to title and front endpaper, his bookplate to front pastedown, modern calf-backed boards, 8vo. Burton was the first to suggest that puerperal fever is contagious, and the first to give a detailed discussion of Caesarean section` (G-M 6268). The plates are the earliest published engravings by George Stubbs and his first attempt at etching (he prepared for the illustrations by dissecting a female cadaver he had secretly kept in an attic). Burton`s rival, the eminent London man-midwife William Smellie, had published his warmly received Treatise on the Theory and Practice of Midwifery in 1751, with Burton reacting with his critical Letter to William Smellie above. Burton was satirized as `Dr. Slop` in Laurence Sterne`s Tristam Shandy, following political differences with York clergyman Dr Jacques Sterne (Laurence`s uncle and prominent Whig) and accused of treason during the Jacobite Rising of 1745. G-M 6268; Norman 380; Waller 1667. (2)
Lot 652
Nicolas Dorigny (1658-1746) THE MIRACULOUS DRAUGHT OF FISHES, an etching after Raphael, being a reverse of the cartoon from which its derived, etched by virtue circa 1720, coloured by later hand, bears Latin title and text to margin, within card mount and oak frame, under glass. 51cm(h) x 64cm(w)
Lot 17C
Salvador Dali Untitled - Man with Umbrella, from the series of engravings illustrating the poems of Tristan Corbiere, `Des Amours Jaunes` , Etching and gold glitter, Edition: CLXII/CC, edition 200/200Signed lower right, edition details lower left, Plate size 28 x 22cm, Sight size 33 x 24cmProvenance: Cory Galleries, San FranciscoThere were 10 engravings signed by Dali illustrating the poems by Tristan Corbiere, `des Amours Jaunes`Original copy of original receipt and edition details enclosed
Lot 180
Framed etching, The Frugal Repast (Le repas frugal), after Pablo Picasso (Spanish/French, 1881-1973), intaglio reproduction published by Graphophile in 1975, original published c. 1904, image: 18"h x 14.825"w, overall: 28.5"h x 22.5"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $50
Lot 181
(Lot of 2) Framed etching, "Jerusalem," by Daniela Barnea (Israeli, 20th century), pencil signed lower right, numbered edition of 50, and a framed pen and ink drawing, Jerusalem, largest overall: 18"h x 15"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 192
(lot of 2) Framed woodblock print, Arab Villagers, by Norbertine von Bresslern-Roth (German, 1891-1978), signed lower right, and framed color etching, Arab Village Scene, Continenal School (20th century), unsigned, largest overall: 17.5"h x 16.25"w. Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $250
Lot 264
(Lot of 2) Unframed lithograph and etching, "Moon Path" and Female Nude, 20th century, American School, signed lower right "Sapel Monk" and indistinct signature within etching lower left, largest overall: 13.75"h x 19.5"w Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 279
(Lot of 2) unframed hand colored etching, "The Hawking Party," after Edwin Landseer (British, 1802-1873), publication line lower center, and unframed etching, "Nathan der Weise," 19th century, German School, largest overall: 14.25"h x 11.5"w Provenance: Estate of Rebecca and Seymour Fromer (founder of the Judah Magnes Museum, Berkeley, CA) Start Price $20
Lot 286
(Lot of 5) Unframed lithograph, "Cobbled Street with Spire," 1933, by Ernest Exlund, inscribed, dated and signed in pencil "To Albert Bender from Ernest Exlund, 1933" lower left, unframed etching "La Bourse," circa 1935 by De Gasendi, signed in pencil lower right, edition 1/250, and three woodcuts, "Madelgabel," "Rue de Pera, Istanbul," and "Istanbul," circa 1935 by Margaret Dormann (Californian, b. 1910), each signed and titled in pencil, largest overall: 19"h x 14.5"w . Provenance: Deaccession San Francisco Museum of Modern Art, San Francisco, California, gift of Albert M. Bender (Albert M. Bender Collection) Start Price $150
Lot 402
After Louis Legrand, French 1863-1951- "Sportsmen", 1898; etching, 20.5x14.5cm: `Merkwaardige Kasteelen in Nederland`, by J. Van Lennep and W. J Hofdijk, publ. Amsterdam, G. W Tielkemeijer, 1854, 26 plates from vol. I & II, tinted lithographs, ea. 23.5x14.6cm: `Chateaux de la Vallee de la Loire`, after Victor Petit, publ. Ch. Boivin, Boulev. Poissonniere, 16 plates, tinted lithographs, ea. 57x40cm: `Petite galerie dramatique ou recueil des differentes costumes d`acteurs des theâtres de la capitale`, by Maleurvre, publ. Chez Hautecoeur-Martinet, Editeur, rue du Coq, No.15 a Paris, 18 plates, hand coloured engravings, from various volumes and editions, ea. 19.5x12.3cm (some sheets trimmed), (unframed), (a lot)
Lot 408
Balthasar Anton Dunker, German 1746-1807- Two boys with a tethered billy goat, after H Roos; etching, 17.5x24cm: After Francesco Bartolozzi, Italian 1727-1815- Portrait of a man head and shoulders; etching, 27x16.5cm: Peter Brown, British act.1766-1791- "The Great Ceylonese Eared Owl", from New Illustrations of Zoology, London 1776; hand coloured etching, 23.3x18.2cm: together with two other hand coloured etching by the same hand, one of Red Vented Cockatoo (Philippines) and a Pompadour Pigeon (Ceylon), 23.8x18.8cm and 23.5x18.5cm respectively, (5)
Lot 412
After Marc Chagall, Russian 1887-1985- "Abraham and Sarah", 1956, from the Bible Series; lithograph printed in colours, 35x26cm: After Auguste Renoir, French 1841-1919- "Le Fleuve Scamandre"; etching, bears printed signature, 23x18cm: After Henri Matisse, French 1869-1954- "Head of a woman" 1972, from "Poesies Antillaises"; lithograph printed in brown, 26.5x27.5cm: After Maurice Utrillo, French 1883-1955- Figures in a Parisian Square; reproduction print with pochoir, signed within the plate, bears number 4/20 in pencil, 34x26.5cm: together with another similar print with figures in a Parisian street, bears number 15/20 in pencil, 25x33cm: British School, late 20th century- "Couple-13"; hand coloured etching, signed, titled and dated 1987 in pencil, 30x37.5cm, (6)
Lot 429
Donald Hamilton Fraser RA, British 1929-2009- Ballerina warming up; lithograph printed in colours, signed and numbered 245/250 in pencil, CCA galleries blindstamp, 83x58.5cm: Eileen Cooper RA, British b.1953- Two women; etching printed in red, signed, numbered 21/40 and dated 1991 in pencil, 8x8cm, (2), (may be subject to Droit de Suite)
Lot 494
I Simes, British, early-mid 20th century- "La Condee, Sark"; etching, signed and titled in pencil, 14.7x20cm: Lilian Reynolds, British exh 1928- Coastal scene; watercolour, signed, 25x36.5cm: Arthur Bassett Waller, British 1882-1975 exh 1911-1928- Coastal landscape, possibly in Sark, Channel Islands; watercolour, signed, 18.5x26cm., (3) (may be subject to Droit de Suite)
Lot 560
Edgar Chahine, French 1874-1947- `Venice: Casin dei Spiriti` 1923; etching, drypoint, signed in pencil below plate, 21.8x31.6cm: European School, late 19th/early 20th- Normandy street scene; etching, drypoint, signed and inscribed in pencil, 33.7x18.5cm: Peter Von Halm, German 1854-1923- Venetian Canal; etching, signed in pencil below plate and numbered 88/100, 29x17cm: After Allart Van Everdingen, German 1621-1657- River Landscape; etching, signed with initials within the plate, 12.5x15.5cm: Auguste Louis Lepere, French 1849-1918- `La Vallée du Petit Morin près de Verdelot`; etching, signed, numbered 2/50, signed within plate, monogrammed, blindstamp `Ed Sagot, editeur, Paris`, 17x21.2cm: After Auguste Louis Lepere, French 1849-1918- `Amiens`; etching, signed within plate, dated 07, and titled, 20x26.5cm., (6) (mounted, unframed), (may be subject to Droit de Suite)
Lot 570
* Sheila Oliner, British b.1934- `Tulips and Dragon Vase`; aquatint in colours, signed and titled, AP viii/xv, 59.2x44.5cm: Nick Phillips, British, 20th century- Untitled; etching with aquatint, signed and numbered II/X: Rosalind Forster, British b.1948- `Acanthus`; linocut in colours, signed and dated 96, titled and numbered 13/20 in pencil, 30x35cm: Anthony Moore, British, 20th century- Untitled; serigraph in colours, signed and dated 1984, numbered 31/50 in pencil, 65.5x58.5cm (4) (unframed) (may be subject to Droit de Suite) Provenance: Paintings in Hospitals
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78388 item(s)/page