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Lot 129

Salvador Dali, Spanish (1904-1989) Drypoint Hand colored Etching "Tete de veau". Signed with Dali watermark as well as pencil signed and EA. Impression measures 12-1/2" x 9-1/4", sheet measures 15" x 11-1/4". Condition: Toning or in good condition. Estimate: $200.00 - $400.00 Domestic Shipping: $88.00

Lot 5

Joan Miro, Spanish/French (1893-1983) Etching with Aquatint and on Arches paper "Archipel Sauvage IV". Signed and numbered 41(?)/50 in crayon. Image measures 23-1/2" x 35-3/4", frame 41-1/4" x 53". Condition: Good condition. Estimate: $2000.00 - $4000.00 Domestic Shipping: Third party

Lot 168

Francisco Toledo, Mexican (born 1940) Etching on BFK Rives Paper, Figures with Animals, Signed in Pencil Lower and Marked "BA7". Unframed measuring 14-1/2" H x 11-1/8" W. Condition: Normal fraying along the edges, some spotting along the border Estimate: $300.00 - $400.00 Domestic Shipping: $78.00

Lot 130

Salvador Dali, Spanish (1904-1989) Drypoint Hand colored Etching "Faust Satyr". Signed with Dali watermark as well as pencil signed and EA. Impression measures 12-1/2" x 9-1/4", sheet measures 15" x 11-1/4". Condition: Toning or in good condition. Estimate: $200.00 - $400.00 Domestic Shipping: $88.00

Lot 3

Joan Miro, Spanish/French (1893-1983) Etching with Aquatint and Carborundum on Mandeure rag paper "Les Deux Amis". Signed and numbered 11/75. Image measures 28" x 41-1/2", full sheet with deckled edges 37-1/4" x 54-5/8", frame 42-3/4" x 56-3/4". Condition: Light toning or in Good condition. Estimate: $10000.00 - $15000.00 Domestic Shipping: Third party

Lot 1

Joan Miro, Spanish/French (1893-1983) Etching with Aquatint and Carborundum on Arches paper "El Gossos IX". Signed and numbered 18/30. Full sheet with deckled edges measures 45-1/2" x 28-1/2", framed 58" x 41". Condition: Good condition. Estimate: $7000.00 - $9000.00 Domestic Shipping: Third party

Lot 10

Rufino Tamayo, Mexican (1899-1991) Color Etching "Personaje en Fondo Negro". Signed and numbered HC 4/10 in crayon. Full margins, measures 22" x 29", framed 37" x 38". Condition: Good condition. Estimate: $1500.00 - $2500.00 Domestic Shipping: Third party

Lot 169

Luis Filcer, Mexican (1927 - 1998) Mixed Media Etching on Paper, Abstract Figue Standing at a Doorway, Pencil Signed Lower Right. Unframed and measures 35-3/4" H x 29-1/2" W. Condition: Good condition Estimate: $100.00 - $200.00 Domestic Shipping: Third Party

Lot 12

Rufino Tamayo, Mexican (1899-1991) Color etching "Perro" on wove Paper. Signed and numbered 88/99 in crayon. Full margins, measures 29-1/2" x 23-3/4", framed 36-1/4" x 44-1/4". Condition: Good condition. Estimate: $1500.00 - $2500.00 Domestic Shipping: Third party

Lot 192

Rembrandt van Rijn, Dutch (1609-1669) Etching on wove paper "Jan Lutma, Goldsmith, 1656". Unsigned. Paper measures 8" x 5-3/4", frame 17-5/8" x 14-7/8". Condition: Good condition. Estimate: $600.00 - $800.00 Domestic Shipping: $58.00

Lot 128

Salvador Dali, Spanish (1904-1989) Drypoint Hand colored Etching "Chevalier". Signed with Dali watermark as well as pencil signed and EA. Impression measures 12-1/2" x 9-1/4", sheet measures 15" x 11-1/4". Condition: Toning or in good condition. Estimate: $200.00 - $400.00 Domestic Shipping: $88.00

Lot 191

Rembrandt van Rijn, Dutch (1609-1669) Etching on wove paper "The Strolling Musicians 1635". Unsigned. Impression measures 5-1/2" x 4-5/8", frame 13-1/2" x 12-1/4". Condition: Good condition. Estimate: $600.00 - $800.00 Domestic Shipping: $58.00

Lot 6

Pablo Picasso, Spanish (1881-1973) "Le Portraitiste" Etching, 1966 on wove paper. Signed in pencil and numbered 19/50. Gallery label en verso: Gloria Luria Gallery, Miami, FL. Plate measures 12-1/4" x 16-1/2", frame measures 26-1/4" x 30-1/4". Condition: Lightly toned or in good condition. Estimate: $4000.00 - $6000.00 Domestic Shipping: Third party

Lot 9

Rufino Tamayo, Mexican (1899-1991) Color Etching "Cabeza en Amarillo". Signed and numbered 37/75 in crayon. Full margins, measures 29" x 22", framed 37-1/2" x 30-3/4". Condition: Good condition. Estimate: $1500.00 - $2500.00 Domestic Shipping: Third party

Lot 275

Herbert Thomas Dicksee (1862-1942), "Polar Bear", etching, plate size 21 x 27.5cm, 8.25 x 10.75in.

Lot 278

William Walcot (1874-1943) , "The Strand", signed in pencil in the margin, titled on gallery label verso, etching, plate size 11.5 x 18cm, 4.5 x 7in.

Lot 059

Robert Lenkiewicz (1941-2002) 'Etching of trees', framed and glazed, 17cm x 17cm.

Lot 172

Harry Becker (British, 1865-1928) Lunch break in the fields, etching, 26 x 32cm (10 x 12.5in); and Farm workers scything hay, lithograph, 32 x 49cm (12.5 x 19in) (2) Provenance: From the collection of the late Kenneth Green, who was a pupil of Harry Becker Unframed and one with numbered annotations by the artist. A little discolouration to the cream edges and creasing.

Lot 183

Harry Becker (British, 1865-1928) Two heavy horses with a plough, showing the artist's permutations over five stages etching heightened with white, various sizes (5) Provenance: From the collection of the late Kenneth Green, who was a pupil of Harry Becker All unframed, with some staining and discolouration to the cream edges, and a little creasing.

Lot 182

Harry Becker (British, 1865-1928) Heavy horse with cart, etching, 26 x 34cm (10 x 13.5in); and Heavy horse with cart, etching, 28 x 39cm (11 x 15.5in); and Men Scything, signed lower left "Harry Becker" and lower right within the print "Harry Becker / '09", lithograph on tissue paper, unframed (3) Provenance: From the collection of the late Kenneth Green, who was a pupil of Harry Becker Both unframed and cream edges are a little dirty. The Men Scything on tissue paper is very fragile with torn corners.

Lot 179

Harry Becker (British, 1865-1928) Heavy Horses at rest etching, unframed (3) 41 x 54cm (16 x 21in) Provenance: From the collection of the late Kenneth Green, who was a pupil of Harry Becker All unframed and with a little creasing to the corners and discolouration to the cream edges

Lot 341

DAVID OXTOBY THE BOY KING ELVIS ETCHING 1977. A limited edition print, hand signed and dated, of a 1977 work by David Oxtoby titled 'The Boy King'. Signed to lower border by artist David Oxtoby and numbered 15/15. Mounted and framed. Print measures 75 x 84.5cm. Frame measures 84 x 104 cm. Excellent condition. Sold with stapled info pack compiled by Guy Hilton of Commercial Street, London.

Lot 346

Morgan Dennis - a signed limited edition etching depicting a dog, entitled Zagar of Athea, numbered 93/100, 9" x 7", framed and glazed

Lot 75

* Gillray (James, 1756/57-1815). The Plum Pudding in Danger; - or - State Epicures taking un Petit Souper..., H. Humphrey, 1805 [but H. G. Bohn impression circa 1849], uncoloured etching, 265 x 380 mm, with another caricature to verso (Qty: 1)

Lot 97

Bird (Charles). Picturesque Old Bristol. A Series of Fifty-Two Etchings ... With Letterpress by John Taylor, 2 volumes, Bristol: Frost and Reed, 1885, 53 etched sepia plates including unnumbered frontispiece, tissue-guards, volume 2 with half-title, and index leaf and publisher's notice to rear, offsetting to tissue-guards, publisher's invoice mounted to front pastedown, top edges gilt, original black morocco gilt, rebacked with original spines laid down, large folio (47.6 x 33.4 cm) (Qty: 2)NOTESProvenance: R. G. Pittard (bookplates). Artist Proof Edition, number 6 of 25 copies printed on large paper, with each etching signed by the artist. There were also 125 unlettered proof copies on smaller paper, and 240 sets of etchings without letterpress; the publisher's notice in the second volume notes that many of the latter were sent to the colonies.

Lot 281

Henry Thomas Alken (1785-1851). Fores's Hunting Accomplishments, hand coloured engravings, plates 1 - 4 and 6, published by Messrs Fores, London 1851, 26cm x 33cm, and a further early 19thC cartoon hunting etching, 29cm x 37cm. (6)

Lot 114

Graham Evernden Two views of summer fields - A pair Etching and aquatint, signed, inscribed and numbered in pencil 30cm x 40cm (2)

Lot 966

Signed Etching by Edward W Sharland depicting Canterbury Catherdral. Framed and mounted behind glass. Also, print by John Atkinson Grimshaw titled 'Greenoch by Lamplight', framed and mounted behind glass.

Lot 416

Hixon(?) (19th century school) Etching "The Temple of Venus in Rome", 1/60 proofs, signed in pencil and another further etching (2)  Condition ReportSee attached images

Lot 561

Victor Pasmore (1908-98) - 'The Desert Sand', softground etching with aquatint on copper plate with collage of Japan paper, limited edition numbered 14/90, pencil signed with initials to lower right margin and dated '92, from Wiseman Originals, 60 x 54 cm (aperture)ARR may be applicableGood clean condition

Lot 511

William Lionel Wyllie (1851-1931) - 'Westminster from Lambeth Pier', drypoint etching, pencil signed to lower left margin, 20 x 40 cmSome discolouration to margins

Lot 501

Frank Brangwyn (1867-1956) - 'On London Bridge', etching, pencil signed to lower right margin, 10 x 12.5 cmGood clean condition

Lot 510

William Lionel Wyllie (1851-1931) - 'London Bridge and Southwark Cathedral', drypoint etching, pencil signed to lower left margin, 30.5 x 23 cm Some discolouration where mount meets paper

Lot 509

William Lionel Wyllie (1851-1931) - 'Tower Bridge', drypoint etching, pencil signed to lower left margin, 28 x 18.5 cmGood original condition

Lot 530

Julian Trevelyan (1910-1988) - 'Malta', a limited edition etching numbered 10/20, pencil signed to lower right margin, 38 x 50  cm, label for The Zwemmer Gallery, London, to reverseARR may be applicableGood original condition commensurate with age

Lot 1204

W.L. Wyllie, etching, various shipping on The Thames at Westminster, signed in pencil, 8ins x 16ins

Lot 1007

Sir William Russell Flint, signed etching, study of two figures, ' Allegro '

Lot 926

Ted French, signed etching, ' Dancer ', No. 2 of 10, 11.5ins x 8.5ins, framed

Lot 1009

Roland Langmaid, signed etching, sailing vessel on the open sea, 10ins x 7ins

Lot 1142

Graham Clark, Limited Edition, 189 of 350, black and white etching, ' Mullion Cove ', 11.5ins x 16ins, signed in pencil

Lot 1024

In the manner of Edmond Dulac, etching, figures in a landscape, with etched floral border, image size 5.5ins x 4.5insFramed. The mount appears to have been replaced. No visible damage or repair to the image.

Lot 712

Herbert Thomas Dicksee RE (1862-1942) WAITING, A RECUMBENT HOUND Etching, signed artist's proof, edition of 125, single state, plate destroyed, published by Frost & Reed, 1918, with blindstamps Pl. 21.5 x 42.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 738

Herbert Thomas Dicksee RE (1862-1942) AN AFRICAN MONARCH, A LION'S HEAD Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1915, with blindstamp Pl. 50 x 42cm

Lot 732

Herbert Thomas Dicksee RE (1862-1942) THE JUNGLE POOL, A TIGER Etching, signed artist's proof, edition of 150, single state, plate destroyed, published by Frost & Reed, 1924 Pl. 20 x 30cm Provenance: The Bryan and Valerie Steele Collection.

Lot 730

Herbert Thomas Dicksee RE (1862-1942) STEALTH, A LEOPARD Etching on vellum, signed artist's remarque proof (head of a vulture), edition of 300, published by Frost & Reed, 1914 Pl. 49.5 x 69cm Provenance: The Bryan and Valerie Steele Collection.

Lot 727

Herbert Thomas Dicksee RE (1862-1942) A POLAR BEAR Etching on wove, signed artist's proof, edition of 125, single state, plate destroyed, published by Frost & Reed, 1919/1920, with blindstamps Pl. 21.5 x 28cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 748

George Stubbs (1724-1806) A HORSE AFFRIGHTED AT A LION Etching with roulette work, with narrow margins, glued to mount I. 22.5 x 31.7cm

Lot 719

Herbert Thomas Dicksee RE (1862-1942) ANXIOUS HEARTS, A LADY AND A BLOODHOUND SEATED BY A WINDOW Drypoint etching on vellum, signed artist's proof, published by The Fine Art Society, 1899, with blindstamp Pl. 72.5 x 52.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson.

Lot 734

Herbert Thomas Dicksee RE (1862-1942) THE AMBUSH, A LION AND LIONESS Drypoint etching, signed artist's proof, edition of 200, single state, published by Frost & Reed, 1926, with blindstamp Pl. 56 x 32.5cm Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson.

Lot 736

Herbert Thomas Dicksee RE (1862-1942) A LIONESS Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed,1914, with blindstamp Pl. 18.5 x 49cm Provenance: The Bryan and Valerie Steele Collection.

Lot 724

Herbert Thomas Dicksee RE (1862-1942) THE BEND IN THE RIVER Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed, 1915, with blindstamps Pl. 40 x 50cm Provenance: The Bryan and Valerie Steele Collection.

Lot 739

Herbert Thomas Dicksee RE (1862-1942) IN THE ENEMY’S COUNTRY, A LION AND LIONESS Etching on vellum, signed artist's proof, edition of 500, published by Frost & Reed, 1900, with blindstamp I. 50.5 x 70.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 735

Herbert Thomas Dicksee RE (1862-1942) AGAINST THE SKY, A LION Drypoint etching, signed artist's proof, edition of 100, single state, published by Frost & Reed, 1929 Pl. 20.5 x 39.8cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 737

Herbert Thomas Dicksee RE (1862-1942) LIONESS ON ROCK Etching, signed artist's proof, edition of 100, single state, plate destroyed, published by Frost & Reed, 1919?, with blindstamps Pl. 16 x 25cm Provenance: The Bryan and Valerie Steele Collection.

Lot 718

Herbert Thomas Dicksee RE (1862-1942) SHOULD AULD ACQUAINTANCE BE FORGOT, A COLLIE AND PUPPY Etching on vellum, signed artist's proof, edition of 300, published by Frost & Reed, 1905, with blindstamp Pl. 66.5 x 49.5cm Provenance: The Bryan and Valerie Steele Collection.

Lot 713

Herbert Thomas Dicksee RE (1862-1942) HEAD OF A BLOODHOUND Etching on wove, signed artist's proof, possibly published by The Fine Art Society, London, 1894 Pl. 43.5 x 36.5cm, unframed Provenance: The Bryan and Valerie Steele Collection; from the artist's grandson.

Lot 728

Herbert Thomas Dicksee RE (1862-1942) EAGLE STANDING ON A ROCK Etching, signed artist's proof, not published Pl. 30 x 15cm Provenance: The Bryan and Valerie Steele Collection; purchased from the artist’s granddaughter.

Lot 720

Herbert Thomas Dicksee RE (1862-1942) RESCUED (REPRESENTING THE WORK OF THE RED CROSS DOG ON WW1 BATTLEFIELDS) Etching on vellum, signed artist's proof, one of 300 impressions, published by Frost & Reed, 1915 Pl. 49.5 x 61cm, unframed Provenance: The Bryan and Valerie Steele Collection.

Lot 726

Herbert Thomas Dicksee RE (1862-1942) THE LAST LOAD Etching on vellum, signed artist's proof, edition of 325, published by Frost & Reed, 1925 Pl. 32.5 x 56cm Provenance: The Bryan and Valerie Steele Collection.

Lot 740

Herbert Thomas Dicksee RE (1862-1942) THE SETTING SUN, A LIONESS AND HER CUB Etching, signed artist's proof Pl. 33 x 50.5cm, unframed Provenance: The Bryan and Valerie Steele Collection; from the artist’s grandson. This print was exhibited at The Royal Academy of Art, London, in 1895 (no. 1289) but not known to have been subsequently published.

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