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Lot 240
Isaac Cruikshank - 'French Happiness, English Misery', etching, published by S.W. Fores circa 1793, sheet size 25cm x 40cm, together with an aquatint, The Punishment of the Bastinado by William Alexander for 'The Costume of China', published by William Miller circa 1805, and eleven further engravings and lithographs by different hands.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 39
Charles Bartlett - 'Yachts at Pin Mill', 20th century soft ground colour etching with aquatint, signed, titled and editioned 48/75 in pencil, 41cm x 46cm, within a painted wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 44
Mieczyslaw Wejman - 'Przy Stole' (At the Table), etching, signed, titled and dated 1975 in pencil, sheet size 76cm x 54.5cm, within a brushed aluminium frame, together with two similar etchings by the same hand.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 63
Francesco Bartolozzi, after Angelica Kauffman - Rural Sport, etching with stipple, published circa 1784, 25.5cm x 27.5cm, within a carved gilt wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 53
Paula Rego - Sing a Song of Sixpence II, etching with aquatint, signed and editioned 41/50 in pencil, published for the portfolio 'Nursery Rhymes Paula Rego' circa 1989, sheet size 52cm x 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 28
Thomas Bowles, after Peter van Ryne - 'A General View of the City of Roterdam from the Mase' (View of Rotterdam, Netherlands), etching with engraving and later hand-colouring on laid paper, published by Robert Sayer circa 1752, 27cm x 40cm, within an ebonized frame, together with four further engravings from the same series.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 38
Michael Sandle - 'Rock Monument', etching with aquatint, signed, titled, dated 1976 and editioned 38/60 in pencil, 46.5cm x 56cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 66
Francesco Piranesi, after Ludovico Corazzari - 'Apollo…' (The Medici Apollo), etching with engraving on laid paper, published circa 1781, 53.5cm x 36.5cm, within an ebonized frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 34
James Gillray, after Loraine Smith - 'Posting in Ireland', etching with aquatint and later hand-colouring, published by Hannah Humphrey circa 1805, 30.5cm x 39.5cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
![Camille Pissarro [1830-1903]-Pere Pascal,:-drypoint etching, 188910 x 6cm.* Provenance. Folio Fine Art Ltd., Straford Place,](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/1b0c308a-e435-4a8d-8e49-ae050105c608/468x382.jpg)
![* William Lee Hankey [1869-1952]- Marie Helen,:- etching signed in pencil and artist's blind stamp in the margin sight size 2](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/d6e4b1aa-a431-46fd-987b-ae0500bc105a/468x382.jpg)
![* Robert Sargent Austin [1895-1973]- Study of Charles Austin playing the violin, 1925; Woman Praying; The Angelus, 1922,:- th](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/a1dfde59-1a37-4551-9e64-ae050105c944/468x382.jpg)
Lot 1066
* Robert Sargent Austin [1895-1973]- Study of Charles Austin playing the violin, 1925; Woman Praying; The Angelus, 1922,:- three etchings, all signed in pencil in the margins, the latter also inscribed and dated, 15 x 12cm to 17 x 24cm, together with one other etching of passengers on the deck of a sail ship. [4]
![* Edmund Blampied [1886-1966]- A Jersey vraic cart,:- etching, signed in pencil in the margin image 12.5 x 17.5cm.](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/c9b1bf8b-ff2d-405b-9911-ae050105d1be/468x382.jpg)
![* Edmund Blampied [1886-1966]- Figures on a cliff top,:- etching signed in pencil in the bottom margin image 14 x 20cm.](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/bd980cbd-e5cb-418c-8336-ae050105d299/468x382.jpg)
![* Wilfred R E Fairclough [1907-1996]- The Spanish Beggar,:- etching, signed and dated '37 in the margin plate size 15 x 12.5c](https://cdn.globalauctionplatform.com/90840369-e9b8-41cb-a134-ae00016422ae/d1049f8a-f2e5-42db-9219-ae050105d46f/468x382.jpg)
Lot 1638
Nelson Dawson (1859-1941), eight assorted etchings,1. 'S.S.Ansonia', 23 x 26cm, in folder inscribed 'Not to be disposed of...Dec/8/13, no prints for sale..2. 'Littlehampton Harbour', 1915, signed, 18.5 x 23.5cm.3. Fishing boats in harbour (Etaples?) coloured etching, 22 x 26cm 'reserve proof'4. Fishing boats in harbour (Etaples?) coloured etching, 22 x 26cm reserve proof dated 24 II 125. 'Codling Fishing - Sizewell Beach', signed, 23.5 x 32cm.6. Quayside scene, unsigned, 22.5 x 26cm.7. 'Fisherman's Haven', signed, 22 x 22cm.8. Fishermen retrieving a mast, signed, 'State', 25 x 34cm.
Lot 206
Romano (Bartolomeo Pinelli); 'Raccolta di cinquanta Costumi li piu interessanti d elle Citta, Terre, e Paesi, in Provincie diverse del Regno di Napoli' or 'Collection of fifty costumes, the most interesting of the cities, lands, and countries, in different provinces of the Kingdom of Naples', the plates bound in cloth boards, printed Rome 1817, together with a second similar publication 'new collection of fifty picturesque costumes engraved with etching, by Bartolomeo Pinelli Romano', Rome 1817, each print size, excluding border 16.5 x 10cm (2)
Lot 277
After Samuel John Lamorna Birch (1869-1955), River landscape at sunset, print in colours, blind stamped and signed in pencil, 45cm by 53cm, framed, together with a quantity of decorative prints, including Sheila Horton 'Pen-Gwannydd' signed etching, and Louise Elisabeth Vigee Le Brun, antique etching, framed (7)
Lot 510
Winifred Austen (1876-1964)"Over the Oak Tops"Signed in pencil, a black and white etching, together with two further signed black and white etchings by the same hand to include "Curlews" and "A Decoy Pool", 23.5cm by 20.5cm, 18cm by 24.5cm and 17.5cm by 25.5cm respectively (3)Condition report: Curlews and pheasant are in comparable condition to each other in that they have a degree of time staining to the sheet. Some slight cockling in evidence and the odd tiny sporadic foxing spot. Ducks have a cluster of more pronounced foxing spots mostly within the upper right-hand corner with the odd more sporadic spot elsewhere. General staining throughout the sheet, particularly along the upper section. More pronounced cockling in general, a small u shaped pair within margin towards the upper left-hand corner. A diagonal tear towards the right, approximately 2cm to the left of signature from lower edge and approximately 2.5cm in length. Would appear to have some kind of tape or supportive repair to reverse which is visible from the front. Not examined out of the frame. Two of the examples bear the artists monogram on the print having been etched into the plate.
Lot 589
Eric Gill ARA, RDI (1882-1940)"David"Signed and numbered 9/15, etching, together with two further signed etchings and a signed woodblock print, 10.5cm by 6.5cm and various other sizes (4) Condition report: "David" has extensive cockling to the paper and the odd handling crease. Slight time staining to paper with the odd minor foxing spot. Slight time staining to the mount with some light surface dirt and debris trapped under the glass. Not examined out of the frame.The other three works are in a similar condition to the former with less cockling. The two etchings have more sporadic tiny sized foxing throughout. Not examined out of the frames.
Lot 37
Quilter (Harry). Preferences in Art, Life, and Literature, 1st edition, number 169 of 280 copies signed by the author, London: Swan Sonnenschein, 1892. 4to, original vellum gilt, top edge gilt, others untrimmed, plates,Gibb (William). Naval and Military Trophies and Personal Relics of British Heroes. A Series of Water Colour Drawings, the Descriptive Notes by Richard R. Holmes, London: John C. Nimmo, 1896. Large 4to, original red pictorial cloth gilt, chromolithographic plates, Vierge (Daniel, illustrator). Pablo de Segovia. The Spanish Sharper. Translated from the Original of Francisco de Quevedo-Villegas, London: by Unwin Brothers at the Gresham Press for T. Fisher Unwin, 1892. Large 4to, original vellum, top edge gilt, others untrimmed, wood-engraved plates, McEvoy (Ambose). The Work of Ambrose McEvoy. [Born August 12th, 1878]. Compiled by Wigs, 1st edition, number 404 of 1500 copies only, London: Colour Magazine, 1923. 4to, original cloth-backed boards, Herkomer (Hubert). Etching and Mezzotint Engraving. Lectures delivered at Oxford, 1st edition, London: Macmillan and Co, 1892. 4to, original cloth, and 7 others similar, 4to and folio, the lot not fully collated and sold as seen (qty: 12)
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78408 item(s)/page