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Lot 3
JULIAN HARTNOLL. Two Christmas cards signed by Hartnoll and dated 1987 and 1984, one lithograph the other gold paint, together with a wood engraving by GEORGE MACKLEY. 'Coltsfoot', and etching of a squirrel on a branch, a little book of cats by alice and a coloured etching signed in pencil 'Journeys of Icarus I' 95 / 95 title page, smallest 7 x 10 cm, largest 48 x 48 cm
Lot 113
*Julian Trevelyan RA (1910-1988)'Wings of a Dove'etching with colour, signed, inscribed with title and numbered 4/50 in pencilplate 29.5 x 24cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Some grey marks in white margin to right, but this looks like it might have happened during print process, so generally in good condition,
Lot 115
*Dame Elisabeth Frink CH RA (1930-1993)'Tiger' (Wiseman: 130)etching and aquatint in colours, 1985, signed and numbered artist's proof 5/10 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, Londonimage 27 x 27cm*Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Appears to be in good condition.
Lot 120
*Paula Rego RA (Portuguese-British, b.1935)'Baa Baa Black Sheep', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. A couple of light dots of foxing in the margins. Thunderbugs under the glass. Not seen outside of glazed frame.
Lot 121
*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice I', from Nursery Rhymesetching and aquatint, 1989, signed in pencil and inscribed 'A/P', an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. Not seen outside of glazed frame.
Lot 122
*Paula Rego RA (Portuguese-British, b.1935)'Three Blind Mice II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21 x 22.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A few thunderbugs under the glass. Not seen outside of glazed frame.
Lot 123
*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 22.5 x 21.5cmProvenance: the collection of Germaine Greer.*Artist's Resale Right may apply to this lot.Condition report: A light wave to the paper. Some spots of foxing in the margins next to the signature, and a few further very dots in margins elsewhere. Not seen outside of glazed frame.
Lot 124
*Paula Rego RA (Portuguese-British, b.1935)'Little Miss Muffet III', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on woveplate 23 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: One or two tiny dots of foxing visible in the margin. A few thunderbugs under the glass. Not seen outside of glazed frame.
Lot 125
*Paula Rego RA (Portuguese-British, b.1935)'Hey, Diddle, Diddle', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'Proof' in pencil, a proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: There is a wave to the paper. There are some dots of brown foxing in the lower area of the print and one or two tiny dots elsewhere. Thunderbugs under the glass. Not seen outside of glazed frame.
Lot 126
*Paula Rego RA (Portuguese-British, b.1935)'Mary, Mary, Quite Contrary II', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, there were 14 artist's proofs, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 21.5 x 23cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A small brown stain in top left corner above the maid's head and by the edge of the plate. Not seen outside of glazed frame.
Lot 127
*Paula Rego RA (Portuguese-British, b.1935)'How many miles to Babylon?', from Nursery Rhymesetching and aquatint, 1989, signed and inscribed 'A/P' in pencil, an artist's proof aside from the edition of 50, printed by Culford Press, London, published by the artist and Marlborough Graphics, London, on wove plate 32.5 x 21.5cmProvenance: The Germaine Greer collection.*Artist's Resale Right may apply to this lot.Condition report: A very light wave to the paper, barely noticeable. Thunderbugs under the glass. A few very small dots of dark foxing visible in the margins. Not seen outside of glazed frame.
Lot 162
*Dame Elizabeth Blackadder RA RSA (b.1931)'Lily'etching, 1999, HC, with blind stampsheet 25 x 20cm, unframedThe print was made to accompany the special edition of Duncan Macmillan's book. It was included with the book in a slipcase in an edition of 100; this print is annotated 'HC' by the artist and was printed aside from the edition.*Artist's Resale Right may apply to this lot.Condition report: In original condition.
Lot 37
*Augustus John OM RA (1878-1961)'The Serving Maid, Lucy'etching, signed in pencil, limited edition 6/25, published by Chenil & Co., exhibited 1919plate 21.2 x 16.7cm*Artist's Resale Right may apply to this lot.Condition report: Some time staining however in otherwise good condition, unexamined out of frame and ready to hang.
Lot 99
*John Mills (b.1933)'Rembrandt Regardent IV'etching, signed, inscribed with title and numbered 10/25 in pencil56.5 x 34cm, unframedProvenance: Curwen Print Study Centre.*Artist's Resale Right may apply to this lot.Condition report: Some light brown staining to margins, image in good condition.
Lot 312
AFTER JOHAN CYRIAK HACKHOFER (1675-1731) BANQUET SCENES ON THE OCCASION OF EMPEROR JOSEPH I's OATH OF ALLEGIANCE Three engravings with etching (plates VI-VIII), by J. A. Pfeffel and C. Engelbrecht, published by Johann Jacob Kurner, Vienna, c.1705 32 x 46cm.; 50.5 x 38cm; and 27.5 x 48.5cm approx. (3) * Joseph I (1678-1711) was Holy Roman Emperor and ruler of the Austrian Habsburg monarchy from 1705 until his death at the age of 32.
Lot 39
* HARRY MAGEE, LAST OF THE LIGHT etching on paper, signed, titled, and numbered 7/10 13cm x 20cm Mounted, framed and under glass. Note: Harry Magee trained at Glasgow School of Architecture from 1960 to 1962 and then at Glasgow School of Art, 1962 to 1964. He took up printmaking when he joined Glasgow Print Studio in 1978, working in photo-etching and later in photopolymer gravure. He was elected a Professional Member of the Scottish Society of Artists in 1988 and served as Chair of Glasgow Print Studio from 1989 to 1993. He has had many solo exhibitions and taken part in numerous group and selected shows. His work is held in Public, Corporate and Private Collections.
Lot 1421
Arthur C Fare RWA (British 1876-1958) - Study of St Peter's Hospital Bristol, watercolour on paper, signed and inscribed with location - Destroyed by Enemy Action November 24th 1940, with Frost and Reed labels verso, dated 1943, 24 x 24cm approx in gilt frame, together with a black and white etching by E Sharland of the same subjects, signed and inscribed, 32.5 x 21.5 approx visible sheets size in black frames (2)
Lot 1438
P Bisson (British B.1938) - A collection of coloured etchings including Burn Farm, Mill on the River Kennet, Clarenton Mill, etc, max approx visible sheet size 35.5 x 45cm, all signed, together with further unsigned etchings probably by the same hand and a signed coloured limited edition etching - The Old Forge, signed Barbara Murray, etc, all frame (8)
Lot 1446
Frances St Clair Miller (British B.1947) - A collection of signed limited edition coloured etchings including Winter Swans, The Sultan Ahmet Mosque, Istanbul, the same subjects shown in the evening, a garden scene at Brobury, various sizes, 54 x 68cm max and all framed, together with a further unframed, signed coloured limited edition etching by the same artist - Spring on the River Wye II (5)
Lot 1460
Fermin Verhevic (Belgian 1874-1962) - Study of a wayside shrine in winter, watercolour and bodycolour on paper, signed, 49.5 x 34cm, together with a further watercolour by the same hand of a village street scene with thatched buildings, 32 x 39cm, and a further collection of watercolours and etchings of continental scenes including black and white etching of a river, with printed signature to plate P Flury, 12.5 x 28cm approx sheet size, a signed coloured limited edition etching of figures walking beside a tree lined canal, indistinctly signed Hebblinck? a framed German insurance policy dated 1911, etc, various sizes, all framed (12)
Lot 1490
Annie Brown (Early 20th century British school) - Still life with vase of white chrysanthemums, watercolour on paper, signed and dated 1909, 51 x 32cm, Winifred Pickard (British 1908-1996) - Hibiscus with Hummingbird, singed coloured limited edition etching, 36 x 28cm, together with further pictures and prints including early 20th century coloured engraving by Arthur Hogg after a 17th century Dutch genre scene, a further engraving by the same hand of a lady in 17th century style costume, etc, various sizes all framed (7)
Lot 1507
Vera Furneaux Harris RMS (British 1904 c 1995) full length study of a child in a blue romper suit, pencil and watercolour on paper, inscribed Martin and with label verso with name of artist, 24.5 x 14 cm, together with Romeo Dumoulin (Belgian 1883-1943) children walking in procession with their teacher, signed limited edition black and white etching, 15.5 cm x 19.5 cm approximate visible sheet size, also together with small oil painting on board of a little boy, signed Ch Dadd, a coloured print of drawings of children and heads, etc, all framed (5)
Lot 1527
Gillian Lawson (British 20th century school) - Village Pond - artists proof etching, 54 x 64.5cm approx sheet size, together with a machine woven textile panel with leaves, a 19th century Berlin style needlework panel of two continental style female characters, together with a quantity of further decorative pictures and prints of various sizes, all framed (collection)
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73307 item(s)/page