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Click here to subscribeDavid Hockney (b. 1937) An erotic (Scottish Arts Council 172) etching, 1975, on English handmade paper, signed and dedicated to 'Mike Rand', aside from the published edition of 100, printed by Maurice Payne and Michael Rand, published by Secker and Warburg, in good condition, S. 213 x 153 mm. together with two erotic etchings by John Buckland Wright and an erotic woodcut by Eric Gill (4) View on Christie's.com
David Hockney (b. 1937) The Poet, from The Blue Guitar (MCA Tokyo 190) etching in colours, 1976-77, on Inveresk paper, signed in pencil and numbered 86/200 (there were also 37 artist's proofs), published by Petersburg Press, New York, and London, the full sheet, very pale time staining to the extreme sheet edges, in very good condition P. 348 x 430 mm., S. 460 x 530 mm. View on Christie's.com
Robert Motherwell (1915-1991) French Revolution Bicentenniel Suite IV (Terenzio 352) etching and aquatint in colours with collage, 1987-88, signed in pencil, numbered 24/35 (there were also 7 artist's proofs), published by Waddington Graphics, London, with margins, apparently in excellent condition, unexamined out of the frame; together with one other from the same series (Terenzio 353), signed in pencil P. 249 x 350 mm. (2) View on Christie's.com
Antoni Tapies (b. 1923) Arc blau (Galfetti 288) etching and carborundum in colours, 1972, on Garro paper, signed in pencil, an hors commerce impression aside from the numbered edition of 75, published by La Poligrafa, Barcelona, time staining predominantly at sheet edges S. 589 x 770 mm. View on Christie's.com
Antoni Tapies (b. 1923) Camisa (Galfetti 301) etching and carborundum in colours, 1972, on wove paper, signed in pencil, an hors commerce impression aside from the standard edition of 75, published by Editions Poligrafa, Barcelona, time staining, stuck down at sheet edges S. 580 x 760 mm. View on Christie's.com
Antoni Tapies (b. 1923) Creu Decormada (Galfetti 713) etching, aquatint, resins and carborundum in colours, 1979, on Garro paper, signed in pencil, numbered 40/75, published by Editions Poligrafa, Barcelona, taped at sheet edges, handling creases in the margins, unexamined out of the frame S. 560 x 730 mm. View on Christie's.com
Antoni Tapies (b. 1923) 740 (Galfetti 715) etching with aquatint and carborundum in colours, 1979, on Guarro paper, signed in pencil, one of 10 hors commerce impressions (there were 75 numbered impressions and 10 artist's proofs), published by Editions Poligrafa, Barcelona, a few dirt spots right margin, remains of tape verso S. 560 x 730 mm. View on Christie's.com
After Max Beerbohm 1872-1956- "Rev P B Clayton", 1931, publ by Vincent Day & Son Ltd; lithograph printed in colours: together with five other colour lithographs after Max Beerbohm to include John Maresfield, Siegfried Sassoon and others: Jan Franz van Bloemen 17662-1749- View of an Obelisk, after Horizonti; etching, 23.5x18cm: Gottlieb Friedrich Riedel, German 1723-1791- Sheep on a hillside, after J Gradmann; etching, 19x23.5cm: I Clark, early 19th century- "View looking over George Town on the Queeda Coast", publ Black, Parry & Co and Nicol`s & Co 1814; hand-coloured aquatint, 20x25cm: Gaetano Zancon 1771-1816- Tribesmen; hand-coloured aquatint, 20.8x26cm: After Albrecht Dürer 1471-1528- "Christ in Limbo", from The Large Passion, 1510; woodcut, laid paper, Helios watermark, 40x29cm: together with a mixed quantity of prints and reproductions by and after different hands, 18th-20th centuries, (a lot) (unframed (box)
David Dodsworth b.1952- "Araso I"; carborundum in colours with embossing and gold printing on hand made paper, signed and numbered 121/250, 62x85cm: with three other similar smaller screenprints in colours on handmade paper by the same artist, all signed: Isaac Tarkay, Israeli b.1935- Women relaxing in a café; screenprint in colours, signed in pencil, numbered 283/350, 53x70cm: with four other similar prints by the same artist, all signed in pencil, various sizes: Warren Brandt 1918-2002- "Still Life I"; screenprint in colours, signed in pencil, numbered 122/325, 53.5x68cm: with another similar by the same artist entitled "Still Life II", signed in pencil, numbered 136/325, 53.5x68cm: Paul Bisson b.1938- "Smallman`s Wood"; etching and aquatint printed in colours, signed in pencil, numbered 15/250, 36x47.3cm: with two other similar works by the same artist, both signed in pencil: Hazel Soan, mid/late 20th century- "Tropical Gardens II"; screenprint in colours, signed in pencil, numbered 340/350, 56x69cm: with five other similar works by the same artist, all signed in pencil: Catlin Whiting, 20th century- "Clementine"; screenprint in colours, signed in pencil, numbered 255/350, 61x93cm: together with two other similar works by the same artist, both signed in pencil: Susan E Jameson b.1944- "Moon"; mezzotint printed in colours, arch shaped composition, signed in pencil, numbered 4/200, 38x29.3cm: with three other mezzotints by the same artist, all signed: A Ubanof, Russian, late 20th/early 21st- "Kapyceno" clown, surrounded by a fortress with a merry-go-round on his hat; hand coloured etching, signed and dated `93 in pencil, numbered 105/175, 29.7x28.3: with eight other similar works by the same artist, seven signed, one unsigned, various sizes: together with a number of prints and mixed technique works by and after various hands, (a lot) (unframed) (may be subject to Droit de Suite)
Robert Hammerstiel, Yugoslavian/Austrian b.1933- Two figures by a table; oil on canvas, signed with monogram, signed and dated 86 on the stretcher, 35x34.5cm: together with two other studies of figures by the same hand in oil on board, both signed with monogram, 23x21.5 and 17.5x12.5cm: Emil Orlik, Czech 1870-1942- Four figures in a theatre; etching, signed and numbered 25/100 in pencil, 12.5x20.5cm: Snehla, Slovakian, late 20th century- Untitled; oil on canvas, signed, dedicated on the reverse, 20.2x20.2cm: Eggermont, late 20th century- Landscape; watercolour, signed, inscribed and dated 78, 21x31cm: Zsuzsi Roboz, Hungarian b.1939- "Steppenwolf"; lithograph, signed, titled and dated 1974, 32x43.5cm: Alfred Manessier, French 1911-1993- Christmas card with abstract motif; lithograph, signed and numbered 32/200 and inscribed, 15x31cm: French School, early-mid 19th century- Royaume de Boheme, Royaume d`Hongrie; hand-coloured engraved map, in a hand-gilded frame, 31x46cm., (9) (part unframed) Provenance: Josef Paul Hodin 1905-1995 (may be subject to Droit de Suite)
Nora Davison fl.1881-c.1905- Eton College Gatehouse; watercolour, signed, 26x20.4cm: Ferdinand Giele 1867-1929- "Eton College-The Lower School", c.1918; etching, signed in pencil beneath the plate, 21.2x15cm: with another etching by the same artist of "Eton College-Stairs to the Chapel", c.1918, signed in pencil beneath the plate, 21.2x15cm, Note: Giele was born in Louvain and trained there as a graphic artist and printer, from 1916-1919 he lived in England and attended etching classes given by Sir Frank Short, he produced etchings of Oxford, Eton and Windsor during his time in England: British School, early 20th century- Eton College from across the water; watercolour, 24x32cm, (4)
British School, mid 19th century- A Tudor interior; pencil with touches of watercolour heightened with white, signed, inscribed and dated 1840, 33.5x50cm: Bartolomeo Pinelli, Italian 1781-1835- "Furio Cmmillo Libera Roma, dai Galli. Rollin Istoria Romana Tamo III", 1817; etching, 32x43cm: together with six other etchings of similar subjects by the same hand, 32x43cm., ea: Hansen, early-mid 20th century- Botanical study; hand-coloured etching, signed and inscribed, 25.3x9cm: The London Illustrated News, publ.- "Interior of The Crystal Palace Hyde Park 1851"; hand-coloured wood engraving, paper mounted on linen, folded 79x112cm., (10) (part unframed)
§ TSELKOV, OLEG B. 1934 Demonstration Series, two works both signed twice and dated 1976, also titled in Cyrillic "Demonstration", one numbered "III-3/100" and the other numbered "II-5/11" Each etching on paper, one measuring 84.5 by 61.5 cm and the other 81.5 by 63.5 cm. Provenance: Acquired directly from the artist. The Lili Brochetain collection, Paris.Authenticity has been confirmed by the artist.Literature: Tselkov, Le Grandi Monografie, Milan, Fabbri Editori, 1988, p. 120, illustrated. Exhibition catalogue, Oleg Tselkov, Eduard Nakhamkin Fine Arts, USA, illustrated.
FRANCOLIN, Hans von (1520-86). Thurnier Buech Warhafftiger Ritterlicher Thaten, so in dem Monat Junii des vergangnen LX. Jars in und ausserhalb der Statt Wienn zu Rosz und zu fuesz, auff Wasser und Lannd gehalten worden. Vienna: Raphael Skrzetusky, called Hoffhalter, for the author, [1560-61]. 2° (289 x 191mm). Collation: A6; B-N4 (N4 blank), O-P4 Q2, R-X4, x2, Y-Z4; 7 large folded etched plates, including two by Hanns Lautensack (at G4 and N4), one attributed to Francesco Terzi (at H2), one by the monogrammist FA (at I3), one attributed to Giovanni Guerra (at Q2), one unsigned (at X3) and one attributed to Johann Thwenger. Gothic type. Title printed in red and black surrounded by a border of 10 armorial woodcuts, full-page woodcut portrait of Holy Roman Emperor Ferdinand I by Donat Hübschmann on verso, large emblematic etching by Johann Schlutpacher de Rauris (A6v), full-page woodcut by Hanns Lautensack of the standard-bearer Heinrich the younger, Burgrave of Meissen (E1r), 45 woodcut coat-of-arms in quire x, on Z1r woodcut device incorporating the arms of the printer, a Polish nobleman. (Stain on title and final leaf with colophon, sheet A1.6 somewhat browned, one sheet and one plate detached, short tear in fold of 4 plates, 3 plates just shaved on one side.) Contemporary limp vellum (small hole in spine, ties missing, a second book removed from the binding). Provenance: green library stamp on title (unidentified) -- Lathrop Harper (sold in 1955 to:) -- Paul and Marianne Gourary. FIRST EDITION IN GERMAN of the finest early printed book on tournaments. It describes in detail and spectacularly illustrates the tournaments, staged battles (including an elaborate naval scene), balls and banquets, held at Vienna to honour the visit of Albrecht V Duke of Bavaria (1528-79), son-in-law of Emperor Ferdinand I and brother-in-law of King Maximilian of Bohemia (from 1564 Emperor Maximilian II). According to Graesse (II, 629), the Latin edition of the same year has different illustrations, which he describes as 'moins bonnes', and the same is true for Feyerabend's Frankfurt edition appended to Rüxner's Thurnier Buch (1566). The author served as Herald to John II Sigismund, King of Hungary. In complete condition with the full complement of etched plates, the book is OF THE GREATEST RARITY; both Ruggieri copies were imperfect and Bartsch describes only three of the etchings. FINE IMPRESSIONS. Brunet Supplement II: 767; Mayer, Wiens Buchdruckergeschichte I, 88-89 ('Pearl of all the books printed in Vienna'); Ruggieri 827; Watanabe 21. View on Christie's.com
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