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Click here to subscribeA black and white etching after Bartolozzi / Guercino, showing a robed and bearded gentleman and two biblical children, with pencil signatures below the plate, 17cm by 26cm, unframed, plus a print of The Winter`s Tale The Trial of Hermione set in the coliseum after Hagber 30 by 44cm, plus three small watercolour fenland waterway scenes (5)
JAMES PRIDDEY. Six signed and inscribed in pencil etching and aquatints on paper with guild stamps `Christchurch Passage, Birmingham`, `St.Philips Cathedral, Birmingham`, `Cannon Street, Birmingham`, `King Edwards School`, Five Ways, Birmingham`, Waterloo Street, Birmingham’ and Paradise Street, Birmingham’. (6) Smallest: 9.3/4” x 6.3/4” Largest: 19.1/4” x 11.1/2”
English School, mid-late 19th century- "Nayland, Suffolk"; watercolour, signed with monogram `LH`, inscribed and dated 1878, 28.5x49.5cm: together with one other watercolour of a farmyard, signed with monogram and dated 1877, 25.5x17.5cm: English School, 19th century- View of a cottage; watercolour, tondo, 21cm., dia: British School, circa 1900- Church interior; watercolour: H Saffrey, late 19th century/early 20th century- Old timbered dwelling; etching, signed within the plate: together with a hand-coloured photograph of a lady, (5)
Mid 20th Century- Beach; oil on canvas, 22x35cm. Provenance: with The Drian Galleries, London according to label attached to the reverse: Late 20th Century/early 21st Century- "Wish You Were Here 1"; etching with aquatint, signed with initials `SR`, titled, dedicated inscribed `working proof` and dated 1971 in pencil, 20x16cm., (2)
* Jacques Villon 1875-1963- Ohe! La Classe"; (G & P.52.) Etching and aquatint printed in sanguine, 1900, signed in pencil, one of only a few proofs, aside from the edition of 30 printed in colours, on wove paper, with full margins, in good condition apart from slight creasing; 34.5x33.5cm: "Major Anglais"; (G. & P. 50) etching with aquatint printed in colours, signed in pencil and numbered 3/30, on laid paper with margins: "Les Pere Noret tuant un coq"; (G. & P. 69) two states, etching with aquatint, one printed with tone on buff wove paper, each signed in pencil, (4) (unframed)
* British School, early 20th century- "Entrance into Hanau over the Zinzig Bridge"; published by R Bowyer, Pall Mall, 1814, hand-coloured aquatint printed in colours: Adam Bartsch 1757-1821- "Presentation Au Temple"; etching: together with A Folio of 19th and 20th Engravings and Lithographs- to include Joseph Felon 1818-1896; Edme Jean Pigal 1798-1872; William Miller, publisher c.1805; T Barber; Ludwig Richter; European School, early 19th century- "Comorra"; watercolour, and others, (20) (unframed)
Trenton Doyle Hancock, American b.1974- "The Ossified Theosophied", 2005; etching printed in colours, signed, numbered 20/35 and dated 2005 in pencil, 45x30cm: together with six other etchings in colours from the same suite, all signed, titled and numbered, to include: "Miracle Machine # 1 or Vegan-Made Moundmeat Fountain", "St Sesom", "The Cult of Colour", "Within Each of Us, Off-Times there Dwells a Mighty and Raging Fury", "Harmony", "Aborted but Beautiful", each signed, titled, numbered 20/35 and dated 2005 in pencil, mounted in matching perspex-glazed ebonised box frames, 30x45cm., largest, (7). Provenance: with James Cohan Gallery, New York according to labels on the reverse of the frame of each of the above
* Arthur Ralph Middleton Todd RA RE, British 1891-1966- "Jean"; drypoint etching, signed with monogram within the plate, signed in pencil, 18x13.5cm: together with a large quantity of mixed 19th/20th Century prints and reproductions by and after different hands. (unframed), (a folio), (a lot)
Johann Elias Haid 1739-1809- Mythical scene with satyrs and goat; circa 1765, mezzotint, after Andrea Casali 1705-1784, good impression, trimmed, laid and backed, 22x33cm: Richard Earlom RA 1739-1809- "Venus and Adonis"; published by John Boydell, 1766, mezzotint with engraving, fine impression, thread margins, good condition with minor defects, together with other old master prints and engravings to include John Whessell 1760-1824, "The Blind Hermit" published 1806, after Stothard; After Richard Cosway RA 1742-1821- "Worldly Instruction"; published 1801 by F caianchettini, Oxford St. London, etching and engraving by P(sic) Conde; John Conde 1767-1794- "Mrs Fitzherbert"; published by J Conde, 1792, London, soft-ground etching, after Richard Cosway RA; Paul Chenay 1808-1906 and others, (a lot) (unframed)
Arnold Auerbach 1898-1978- Bison; drypoint etching, signed and dated 30 in pencil, 19.5x31cm: Henry Wilkinson b.1921- Pheasant Shooting; hand-coloured etching, signed and numbered 74/100 in pencil, 25.5x34cm: together with one other hand-coloured etching by the same hand of a fisherman landing a salmon, signed and numbered 50/150 in pencil, 15.5x20cm.,(3) (may be subject to Droit de Suite)
* Giuseppe Vasi 1710-1782- "Fianco della Strada Giulia dalla parte del Tevere"; hand-coloured engraving, 21x32cm: together with one other hand-coloured etching by the same hand titled "Porto di Riva Grande", 21x33cm: The Complete English Traveller, publ.- "perspective View of Newstead-Abby and Park in Nottinghamshire.." and "View of Chatsworth-House in the County of Derby..."; hand-coloured engravings, both from a later edition: After Thomas Woodward 1801-1852- Fox Hounds; colour reproduction print, 19.5x25.5cm: together one other colour reproduction print of a dog, 18x24cm: After Nicholas Garland b.1935- Bill Clinton and Boris Yeltsin aboard the Titanic; reproduction print, signed within the plate, signed and numbered 83/250 in pencil:After Sir Hugh Casson RA 1910-1999- "Front Court"; colour reproduction print, signed and numbered 6/500 in pencil: Philippe Benoist 1813-c.1880- "Ecole Militaire" and "Palais de Luxembourg", from `Paris dans sa Splendeur`; hand-coloured lithographs, (10) (part unframed)
Charles Errard II 1606-1680- "La Samaritain...", (The Good Samaritan)c.1633, etching, after Ferdinand Bol, (Rinbran) 1616-1680, after the original by Rembrandt Harmensz. van Rijn 1606-1669, with surface dirt and staining, 40x27cm: Quirinus Boel 1622-1686- Builders erecting possibly a fort; engraving after Bassan, with margins, surface dirt and staining to the edges: After Cornelis Verbeeck 1590-1637- "The Wedding"; engraving: together with other 17/18 and 19th cventury etchings and engravings by and after various hands to include "La Ville De Mailines"; After La Fargue, view of Leyden; and others, (a lot) (unframed) (condition(s) variable)
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