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A collection of coloured etching to include two views of Bruges by James Alphege Brewer, signed and titled in pencil, one with blind stamp and two further coloured etchings, largest approximately 42 cm x 28 cm image size. [4]. [W]

Collection of Four numbered 1-4 Engravings entitled "A trip to Brighton" original Etching dated 1824 by Charles Laurie.  Condition commensurate with age, frames intact measuring approximately 24" x 7" overall.

Graham Clarke (b.1941) "Walkies" Signed, inscribed and numbered 235/250, etching with arched top; together with a further two etchings by the same hand "Phew" and "Hawkeroth" (3)

Graham Clarke (b.1941)"The Nasty Tern"Signed, inscribed and numbered 172/250, etching, (with arched top), 65cm by 90cm

Graham Clarke (b.1941) "Borage" Signed, inscribed and numbered 235/250, etching with arched top; together with a further etching by the same hand "Yeomans" (2)

William Lionel Wyllie RA (1851-1931)"Thames Scene"Signed in pencil, etching, 18cm by 39cm

Otto Weber RA, RE, RI, ARWS (1832-1888) German"Rough Weather for Ploughing"Signed, inscribed and dated c.1880 to gallery label verso, etching, together with a quantity of further mixed works to include a black and white pastel sketch of a fish wife resting by a boat by M F W Mowat, signed and dated 1905, "Yorkshire Hayfield" after Sir Frank Short, an etching in aquatint "Conversation Piece- Tommy Grantham's Stables, West Grimstead" by Geoffrey Sparrow, a watercolour "The Marsh Fool" by M.S Hagerty, etc. 22cm by 30cm and various sizes (10)

A framed etching signed by 'Fred A. Farrell', with blind stamps - 55cm x 42cm

Signed Etching by Kenneth Steel

Boris O'Klein(Russian, French resident 1893-1985)Four scenes from the "Dirty Dogs of Paris" series,etching, hand-tinted, 14 x 43.5cms (plate), in frame.

After Henri Charles Muller(French, 1784-1846)"Vue de l'hospice du mont Saint Bernard", the French Army gather by the hospice of Mt. St. Bernard,etching and aquatint,42 x 56cms, in frame.Notes: original label for W. M. Power, "carver, gilder, frame specialist and restorer of old pictures", Westminster.

§ Leonard Brammer (1906-1994) Whitfield Tip, North Staffordshire, 1955signed 'L. G. Brammer' (lower right) etching19.5 x 27.5cmNot examined out of the frame, margins are obscured by the mount so not available for inspection. Paper support appears slightly toned throughout, though this is uniform and even. Otherwise appears in nice condition.

§ Richard Smith CBE (1931-2016) Two of a Kind IIa (yellow line on green)signed and dated 'R. Smith 78' (lower right); numbered 57/80etching on folded paper with paperclips, unframed70.5 x 78.5cmNumerous shallow handling creases visible throughout under raking light, some deeper creases in the central panel and along the lower edge. Left hand side with deckled edge. The paper support is slightly toned though this is even and uniform. There are a small number of handling marks, but in overall good condition.

§ Leon Kossoff (1952-2019) Mothersigned and dated 'Kossoff 82' (lower right); numbered 45/60etching, unframed60 x 50.5cm

§ Leon Kossoff (1952-2019) The Lettersigned and dated 'Kossoff 82' (lower right); numbered 67/100etching, unframed37 x 41cm

§ Robyn Denny (1930-2014) Generations 7signed and dated 'Denny '78' (lower right); numbered 21/35etching and aquatint over watercolour wash, unframed52 x 70.5cmNice condition throughout.

§ Richard Smith CBE (1931-2016) Garden Citysigned and dated 'R.Smith 76' (lower centre); numbered 10/50etching and collaged string, unframed70 x 76.5cmDeckled edges to all sides. Pigment has retained well on the paper support. On the left hand fold there is a small pin hole (see images) and a small brown accretion. There are some other minor accretions elsewhere, though these do not interfere with the image and are mostly localised to the edges. Under raking light there are two creases to the left hand panel, they are running parallel to each other (approx 5cm apart). Sheet is slightly toned, though this is uniform and even throughout.

§ Richard Smith CBE (1931-2016) Two of a Kind IVb (red x on lavender)signed and dated 'R.Smith 78' (lower right); numbered 80/80etching on folded paper with paperclips, unframed71 x 71.5cm

§ Robyn Denny (1930-2014) Graffiti 7signed 'Denny '77' (lower right); numbered 16/28etching with aquatint, unframed70 x 56.5cm

§ Dame Elisabeth Frink CH, RA (1930-1993) Horse, 1972signed 'Frink' (lower right); numbered 59/75etching, published by Lund Humphrey's, London28.5 x 23cmProvenance:Sale; Bonhams, 8 June 2016, lot 36Not examined out of the frame, margins obscured by mount so not available for inspection. Some very slight undulation of the paper support and one negligible instance of foxing to the right of the numbering (image four), the lower left of the plate with some small blemishes, possibly intrinsic to the work. Overall appears in nice, clean condition.

§ Konrad Klapheck (1935-2023) Die Selbstsichere, 1976signed 'Klaphek' (lower right); numbered 33/40etching, unframed39 x 26.5cm;together with Der Schurzenjagersigned 'Klapheck' (lower right); numbered 29/50etching, unframed34 x 24.5cm (2)

§ Richard Smith CBE (1931-2016) Arborsigned and dated 'R.Smith 82' (lower right); numbered 41/100etching and aquatint, unframed105 x 93cm

§ Georges Rouault (1871-1958) Le Dur Métier de Vivre; from the Miserere portfolioetching and aquatint51 x 38cm

§ Robyn Denny (1930-2014) Generations 5signed and dated 'Denny '78' (lower right); numbered 11/35etching and aquatint over watercolour wash, unframed52.5 x 70.5cm

§ James McBey (1883-1959) The Shower, 1912signed 'James McBey' (lower right); numbered XVIIetching17.5 x 25 cmFramed 35 x 42cm

James Tissot (1836-1902) Le Dimanche Matin - a cancelled plateetching and drypoint, printed by Delâtre, Paris, unframed42 x 21cmEtching has been hinge mounted to board with two pieces of brown tape, the right hand margin has been trimmed resulting in an uneven appearance, there is also a closed tear (approx 2-3cm) to the right hand margin and some minor nibbles to the left hand edge, though this is easily obscured by the mount. The image is typically age toned, though this is even and uniform in nature, only deepening in colour at the edges where the paper support meets the mount, the margins also display age toning. Around the margins there are some minor accretions and the sheet shows some very minor undulation. Otherwise, the image appears in good order overall.

§ Richard Smith CBE (1931-2016) Green etching (untitled)signed and dated 'R Smith 70' (lower left); numbered 7/50etching with embossing, unframed50 x 70cm

After James Gillray (1756-1815) A framed and glazed etching with hand colouring - 'The Military Caricaturist'. Published December 6th 1799 by H.Humphrey, this a later edition. Image size 34.5cm x 26cm

Five 18th Century etching relating to George III, Duke of Schomberg, Lord of Digby and Armarid crests. Various sizes

A framed and glazed etching - Johannes de Visscher (Dutch, c.1633 -1692) 'Die Bauernfamilie', after Adriaen Van Ostade. 30cm x 25cm

Anne-Helen English (Contemp.) 'Three Poses for Posterity' etching and collage, signed and titled 24½ x 32 in (62 x 81 cm); frame size 67 x 92 cm Condition: Good

After Barbara Brownlee 'Ozymandias' colour etching, signed and dated (19) '64 and numbered 6/10 24 x 20 in (61 x 51 cm); frame size 85 x 74 cm Condition: Profuse foxing throughout

After Leslie Duxburg Abstract geometrical design etching and aquatint, signed and dated (19) '72 and numbered 2/5 16½ x 20½ in (42 x 52 cm); frame size 55 x 81 cm Condition: Good

Charles William Cain (1893-1962) Busy street with a mosque above etching, signed in pencil lower left. gilt frame 13.8 x 11.1 cm, the frame 29 x 25 cm. * Condition: Acidic mount and light mount burn visible. Otherwise in good condition.

DAVID YOUNG CAMERON, PERTH BRIDGE etching, mounted, framed and under glass and another unframed30cm x 40cm overall

THREE ETCHINGS, including two by Robert Houston, both titled, signed and mounted, framed and under glass, together with an etching by William Palmer Robins, also signed, mounted, framed and under glassthe Robins 39cm x 52cm overallQty: 3

* ERNEST HERBERT WHYDALE (BRITISH 1886 - 1952), HORSES, PLOUGH etching on paper, signedmounted, framed and under glass, together with another etching, mounted, framed and under glasshorses 35cm x 45cmQty: 2

Julião Sarmento (1948-2021)"Febre (16)"Etching on paperSigned, dated 94/95 and numbered 29/9869,5x49,2 cm (image) 80x60,5 cm (sheet)

After Jonathan Fisher and Others Prints & Engravings:  "Jerpoint Abbey," & "Fenner Rock on the River Boyne," published 1792 & 1794, each approx. 18cms x 27cms (7" x 10 1/2"), matching frames; [R. Cresswell Boak] "Bray Head & Killiney Strand, Co. Wicklow," coloured etching, signed  approx. 15cms x 26cms (6" x 10"). (3)

CHRIST AT EMMAUS: THE LARGER PLATE (BARTSCH 87; NEW HOLLSTEIN 283) Etching and drypoint, 1654, signed and dated in plate, New Hollstein's fourth state of five, on laid paper without watermark plate size 21cm x 16.2cm (8.25in x 6.5in), the sheet 22.5cm x 17cm)

A KUKRI STYLE KNIFE, two 30mm bullets, a Dragoon Guard Spelter Figure and a plate, the Kukri has etching on the blade and comes in its leather knife sheath and two smaller knives inside, the 30mm bullets are inert and come with white metal tops, the spelter figure stands on a wooden plinth and is a replica of a 1815 1st Kings Dragoon guard Sargeant, the plate was made in Germany in 1996 and is number 33 of 450 and was produced to celebrate the presentation of a new standard in may 1996, also included are three RAF charity badges, a military cup with handles and a military bandage and two small radiation detectors, Customers must satisfy themselves prior to sale in regards to conditions and authenticity, viewing is advised, condition reports are available on request

MASSON, André (1896 Balagny-sur-Thérain - 1987 Paris) "Leda"Radierung. Bleistiftsignatur. Exemplar: 22/50. Druckplatte: 26,5 x 20,7 cm, Blatt: 34,7 x 29 cm. Französischer Maler, Grafiker und Bildhauer; bedeutender Vertreter des Surrealismus, Wegbereiter des Informel, des Abstrakten Expressionismus und des Action Painting. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:08 Uhr (CET) MASSON, André (1896 Balagny-sur-Thérain - 1987 Paris) "Leda"Etching. Pencil signature. Copy: 22/50. Printing plate: 26.5 x 20.7 cm, sheet: 34.7 x 29 cm. French painter, graphic artist and sculptor; important representative of Surrealism, pioneer of Art Informel, Abstract Expressionism and Action Painting. About 24 Feb 2024 | probably 11:08 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DALI, Salvador(1904 Figueres - 1989 Figueres) "Die Liebenden (Tochter des Minos)"Farbholzstich auf Arches-Bütten (1970er Jahre). Bleistiftsignatur. 1976. Exemplar: 35/144. Druckstock: 27,2 x 20,8 cm, Blatt ca.: 56 x 38 cm. Gerahmt & hinter Glas : 60 x 41,5 cm. Aus dem Zyklus "Ovid. Die Kunst zu lieben" mit 13 Farbholzstichen, 1 Radierung und 1 Farblithografie, Centre Culturel Paris, 1978.. Spanischer Maler, Grafiker, Schriftsteller und Bühnenbildner. Er zählt zu den bekanntesten Malern des 20. Jh. und als einer der Hauptvertreter des Surrealismus. "Eines Tages wird man offiziell zugeben müssen, dass das, was wir Wirklichkeit getauft haben, eine noch größere Illusion ist als die Welt des Traumes." (Zitat: SD, https://www.dalimuseum.de/zitate.php). Literatur : WVZ Michler/Löpsinger 1538. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:06 Uhr (CET) DALI, Salvador(1904 Figueres - 1989 Figueres) "The Lovers (Daughter of Minos)"Color wood engraving on Arches laid paper (1970s). Pencil signature. 1976. copy: 35/144. Imprint block: 27.2 x 20.8 cm, sheet approx. 56 x 38 cm. Framed & behind glass : 60 x 41.5 cm. From the cycle "Ovid. The Art of Loving" with 13 wood engravings, 1 etching and 1 color lithograph, Centre Culturel Paris, 1978.. Spanish painter, graphic artist, writer and stage designer. He is one of the most famous painters of the 20th century and one of the main representatives of surrealism. "One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams." (Quote: SD, https://www.dalimuseum.de/zitate.php). Literature : WVZ Michler/Löpsinger 1538. Aufrufzeit 24. | Feb 2024 | probably 11:06 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

URY, Lesser(1861 Birnbaum (Miedzychodzki) - 1931 Berlin) Allee im Tiergarten mit KutschenRadierung. Bleistiftsignatur. ca. 1920. Exemplar: 94/125. Druckplatte: 15,3 x 22,5 cm. Gerahmt & hinter Glas : 28 x 38 cm. Stockfleckig, lichtgebräunt. Deutscher Maler und Grafiker; zählt zu den bedeutendsten Künstlern des Impressionismus in Deutschland. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:22 Uhr (CET) URY, Lesser(1861 Birnbaum (Miedzychodzki) - 1931 Berlin) Allee im Tiergarten mit KutschenEtching. Pencil signature. ca. 1920. copy: 94/125. Print plate: 15.3 x 22.5 cm. Framed & behind glass : 28 x 38 cm. Foxing, light browning. German painter and graphic artist; one of the most important Impressionist artists in Germany. Aufrufzeit 24. | Feb 2024 | probably 10:22 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MAENNCHEN, Albert (1873 Rudolstadt - 1935 Berlin) "Deutsche Männer"Radierung. Bleistiftsignatur. 1925. Druckplatte: 33 x 43 cm. Gerahmt & hinter Glas : 48 x 58,5 cm. Stärker stockfleckig. Deutscher Maler und Freskomaler, Schüler von Carl Lange in Berlin sowie seines Bruders Adolf. Studierte seit 1890 an der Kunstgewerbeschule Berlin, später dann an der Akademie Berlin sowie in Paris. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:11 Uhr (CET) MAENNCHEN, Albert (1873 Rudolstadt - 1935 Berlin) "German Men"Etching. Pencil signature. 1925. Print plate: 33 x 43 cm. Framed & behind glass : 48 x 58.5 cm. More heavily foxed. German painter and fresco painter, pupil of Carl Lange in Berlin and his brother Adolf. Studied at the Berlin School of Arts and Crafts from 1890, later at the Berlin Academy and in Paris. Aufrufzeit 24. | Feb 2024 | probably 11:11 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MECKSEPER, Friedrich (1936 Bremen - 2019 Bremen) "Nature Morte"Farbradierung. Bleistiftsignatur. [19]88. Exemplar: 32/100. Druckplatte: 32,3 x 50 cm, Blatt: 57,2 x 76 cm. Blatt etwas knickspurig. Deutscher Maler, Grafiker, Zeichner, Konstrukteur und Autor. "Ästhetische Moden interessierten den Künstler tatsächlich nicht, Modernität sehr wohl. Seine Bilderwelt war gegenständlich und doch unwirklich, still und irritierend, stets voller Spannung. [...] Einige seiner Gemälde und Druckgrafiken sehen so aus, als wäre die Welt für ihn ein geheimnisvoller Mechanismus. Immer wieder kommen technisch anmutende Details, ganze seltsame Gerätschaften und auch mysteriöse architektonische Gebilde vor." (Ulrike Knöfel in einem Nachruf über FM, in: Spiegel Kultur, 2019). Literatur : https://www.friedrich-meckseper.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:42 Uhr (CET) MECKSEPER, Friedrich (1936 Bremen - 2019 Bremen) "Nature Morte"Color etching. Pencil signature. [19]88. copy: 32/100. Printing plate: 32.3 x 50 cm, sheet: 57.2 x 76 cm. Sheet somewhat creased. German painter, graphic artist, draughtsman, designer and author. "The artist was not really interested in aesthetic fashions, but he was very interested in modernity. His imagery was representational and yet unreal, quiet and irritating, always full of tension. [...] Some of his paintings and prints look as if the world were a mysterious mechanism for him. Again and again, technical-looking details, entire strange devices and even mysterious architectural structures appear." (Ulrike Knöfel in an obituary about FM, in: Spiegel Kultur, 2019). Literature : https://www.friedrich-meckseper.de/. Aufrufzeit 24. | Feb 2024 | probably 11:42 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Infanterie Offiziersdegen, alte Art - Grenadierregiment Kronprinz. 1862 - 1888. Preußen. Klinge L 84 cm, Gesamt L 102 cm. Gerade, einschneidige Klinge mit breitem Hohlschliff, Spitze in der Mittellinie. Beidseitig und auf dem Rücken florale Ätzmuster. Auf der silberfarbenen Drahtwicklung des Griffes Schild mit bekrönter "1619". Schwarze Lederscheide mit Haken und wohl ergänzter, mittlerer Messinghülse. Dazu Portepee. Klinge fleckig, Ätzmuster schwach. Literatur : Maier: Preuß. Blankwaffen, S. 185. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:53 Uhr (CET)Infantry officer's sword, old style - Grenadier Regiment Crown Prince. 1862 - 1888. Prussia. Blade L 84 cm, total L 102 cm. Straight, single-edged blade with broad fuller, point in the midline. Floral etching patterns on both sides and on the back. A shield with the crowned "1619" on the silver-coloured wire winding of the grip. Black leather scabbard with hook and probably replaced, central brass ferrule. Comes with a lanyard. Blade spotted, faint etching pattern. Literature : Maier: Preuß. Blank weapons, p. 185. Call time 22 Feb 2024 | probably 16:53 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Schwäne am WasserRadierung. Bleistiftsignatur. Druckplatte: 9,7 x 11,7 cm. Gerahmt & hinter Glas : 23 x 27,6 cm. Abbildungsbereich lichtgebräunt. Deutscher Maler, Grafiker und Illustrator; 1913 als Professor für Grafik an die Hochschule der Bildenden Künste Weimar berufen, ihm sind wesentliche Verdienste beim Wiederaufbau der Kunsthochschule Weimar nach dem Zweiten Weltkrieg zuzuschreiben, er erhielt 1953 den Nordgau-Kulturpreis der Stadt Amberg in der Kategorie „Bildende Kunst". Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:35 Uhr (CET) KLEMM, Walther(1883 Karlsbad - 1957 Weimar) Swans on the waterEtching. Pencil signature. Print plate: 9.7 x 11.7 cm. Framed & behind glass : 23 x 27.6 cm. Image area light browned. German painter, graphic artist and illustrator; appointed professor of graphic art at the Weimar Academy of Fine Arts in 1913, he is credited with significant contributions to the reconstruction of the Weimar Art Academy after the Second World War, he received the Nordgau Culture Prize of the city of Amberg in the category "Fine Arts" in 1953. Aufrufzeit 24. | Feb 2024 | probably 10:35 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

THOMA, Hans(1839 Bernau im Schwarzwald - 1924 Karlsruhe) Bauern beim GrabenRadierung. Bleistiftsignatur. Druckplatte: 16,5 x 12 cm. Gerahmt & hinter Glas : 28 x 24 cm. Minimal stockfleckig. Deutscher Maler und Grafiker; laut Meyers Konversations-Lexikon aus dem Jahre 1909 war er "einer der Lieblingsmaler des deutschen Volkes geworden" (vgl. Thoma, Hans. In: Meyers Großes Konversations-Lexikon. 6. Auflage. Band 19, Bibliographisches Institut, Leipzig/Wien 1909, S. 493). Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:23 Uhr (CET) THOMA, Hans(1839 Bernau im Schwarzwald - 1924 Karlsruhe) Farmers diggingEtching. Pencil signature. Print plate: 16.5 x 12 cm. Framed & behind glass : 28 x 24 cm. Minimal foxing. German painter and graphic artist; according to Meyers Konversations-Lexikon from 1909 he had "become one of the favorite painters of the German people" (cf. Thoma, Hans. In: Meyers Großes Konversations-Lexikon. 6th edition. Volume 19, Bibliographisches Institut, Leipzig/Vienna 1909, p. 493). Aufrufzeit 24. | Feb 2024 | probably 10:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PALM, Joachim (*1936 Potsdam) "Bus-Stop"Radierung. Bleistiftsignatur. [19]64. Exemplar: 39/100, Edition Grafikfreunde 10, 1967. Druckplatte: 29,2 x 39,5 cm, Blatt: 38 x 53,5 cm. Zeitgenössischer deutscher Maler und Grafiker. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:23 Uhr (CET) PALM, Joachim (*1936 Potsdam) "Bus-Stop"Etching. Pencil signature. [19]64. copy: 39/100, Edition Grafikfreunde 10, 1967. Printing plate: 29.2 x 39.5 cm, sheet: 38 x 53.5 cm. Contemporary German painter and graphic artist. Aufrufzeit 24. | Feb 2024 | probably 11:23 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Infanterie Offiziersdegen - Kronendegen. Klinge gemarkt: "P. Knecht", "Solingen". Preußen. Klinge L 83 cm, Gesamt L 102 cm. Gerade, einschneidige Klinge mit breitem Hohlschliff, Spitze in der Mittellinie. Beidseitig etwas verputztes Ätzmuster, mit bekröntem Monogramm "FWR". Griff des IOD alter Art mit Krone als Knaufende. Hier wohl nachträglich roter Filz in die Krone eingelegt (lose). Schwarze Lederscheide mit Haken und Portepee. Literatur : Maier: Preuß. Blankwaffen, S. 186. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:54 Uhr (CET)Infantry officer's sword - crown sword. Blade marked: "P. Knecht", "Solingen". Prussia. Blade L 83 cm, total L 102 cm. Straight, single-edged blade with broad fuller, point in the center line. Somewhat plastered etching pattern on both sides, with crowned monogram "FWR". Old style IOD grip with a crown at the pommel end. Red felt inserted into the crown (loose), probably later. Black leather scabbard with hook and portepee. Literature : Maier: Preuß. Blank weapons, p. 186. Call time 22 Feb 2024 | probably 16:54 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MATTA, Roberto (1911 Santiago de Chile - 2002 Civitavecchia) "Les Damnations"Farbaquatinta-Radierung. Bleistiftsignatur. 1966. George Visat, Paris; 1 von 170 Exemplaren (davon 85 auf Arches-Bütten und 85 auf Japanpapier); dieses Blatt außerhalb der Auflage von Frau Ursula Lehmann-Brockhaus, Mitautorin des Werkverzeichnisses des Künstlers. Druckplatte: 34,7 x 25,7 cm, Blatt: 42 x 33 cm. Blatt 1 aus der Folge "Les Damnations de Joyce Mansour". Chilenischer Maler, Architekt und Bildhauer; zählt zu den berühmtesten Künstlern Chiles. Literatur : https://www.robertomatta.com/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:48 Uhr (CET) MATTA, Roberto (1911 Santiago de Chile - 2002 Civitavecchia) "Les Damnations"Farbaquatinta etching. Pencil signature. 1966. George Visat, Paris; 1 of 170 copies (85 on Arches laid paper and 85 on Japanese paper); this sheet outside the edition of Mrs. Ursula Lehmann-Brockhaus, co-author of the artist's catalog raisonné. Printing plate: 34.7 x 25.7 cm, sheet: 42 x 33 cm. Sheet 1 from the series "Les Damnations de Joyce Mansour". Chilean painter, architect and sculptor; one of Chile's most famous artists. Literature : https://www.robertomatta.com/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:48 Uhr (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KAUMANN, Hans(1886 Kiel - 1943 Hamburg) Norddeutsche HafenpromenadeRadierung. Bleistiftsignatur. Exemplar: 75/100. Druckplatte: 17 x 22 cm. Gerahmt & hinter Glas : 31 x 35,5 cm. Abbildungsbereich stockfleckig. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:20 Uhr (CET) KAUMANN, Hans(1886 Kiel - 1943 Hamburg) North German harbor promenadeEtching. Pencil signature. Copy: 75/100. Print plate: 17 x 22 cm. Framed & behind glass : 31 x 35.5 cm. Image area with foxing. Call time 24 | Feb 2024 | probably 10:20 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRANCK, Philipp(1860 Frankfurt/Main - 1944 Berlin) Mythologische SzeneAquatinta-Radierung. Bleistiftsignatur. Druckplatte: 32,8 x 35,8 cm, Blatt: 45 x 51,9 cm. Knickspurig und etwas stockfleckig. Deutscher Maler, Grafiker, Zeichenlehrer und Illustrator; gründete im Jahr 1898 mit Lovis Corinth und Max Liebermann die Berliner Secession. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:29 Uhr (CET) FRANCK, Philipp(1860 Frankfurt/Main - 1944 Berlin) Mythological sceneAquatinta etching. Pencil signature. Printing plate: 32.8 x 35.8 cm, sheet: 45 x 51.9 cm. Some creasing and foxing. German painter, graphic artist, drawing teacher and illustrator; founded the Berlin Secession with Lovis Corinth and Max Liebermann in 1898. Aufrufzeit 24. | Feb 2024 | probably 10:29 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

PLÜCKEBAUM, Meta(1876 Dortmund - 1945 Düsseldorf) "Brüder"Radierung mit Farbakzenten. Bleistiftsignatur. Druckplatte: 21 x 24,5 cm. Gerahmt & hinter Glas : 29 x 32,5 cm. Zwei aufmerksame Terrierwelpen. Verfärbt durch Wasserschaden. Deutsche Tier-, Blumen- und Porträtmalerin, Grafikerin. Aufrufzeit 24. | Feb 2024 | voraussichtlich 10:36 Uhr (CET) PLÜCKEBAUM, Meta(1876 Dortmund - 1945 Düsseldorf) "Brüder"Etching with color accents. Pencil signature. Printing plate: 21 x 24.5 cm. Framed & behind glass : 29 x 32.5 cm. Two attentive terrier puppies. Discolored due to water damage. German animal, flower and portrait painter, graphic artist. Aufrufzeit 24. | Feb 2024 | probably 10:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

SINTENIS, Renée(1888 Glatz - 1965 Berlin) FuchsRadierung. Bleistiftsignatur. Druckplatte: 28,5 x 20 cm. Gerahmt & hinter Glas : 46,5 x 36 cm. Deutsche Bildhauerin, Medailleurin und Grafikerin, die nach Käthe Kollwitz als zweite Frau in den Deutschen Künstlerbund aufgenommen wurde. Unter nationalsozialistischer Diktatur wurde ihr Werk als "entartet" diffamiert. Sie modellierte die Vorlage des Berlinale-Preises, den "Berlinale-Bär". Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:36 Uhr (CET) SINTENIS, Renée(1888 Glatz - 1965 Berlin) FuchsEtching. Pencil signature. Print plate: 28.5 x 20 cm. Framed & behind glass : 46.5 x 36 cm. German sculptor, medalist and graphic artist who was the second woman after Käthe Kollwitz to be admitted to the Deutscher Künstlerbund. Under the National Socialist dictatorship, her work was defamed as "degenerate". She modeled the model for the Berlinale Prize, the "Berlinale Bear". Call time 24 | Feb 2024 | presumably 11:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Stichdegen für Kürassieroffiziere. Preußen. Klinge L 88 cm, Gesamt L 104 cm. Russische Form. Gerade, einschneidige Klinge mit breitem Hohlschliff und Spitze in der Mittellinie. Klinge mit reichem Ätzmuster. Schwach vergoldetes Gefäß mit herzförmigem, hochgezogenem Stichblatt und gerader Parierstange. Kugelknauf mit Scheibenschraube. Griff mit dichter, dreifacher Drahtwicklung. Dort war ursprünglich noch etwas eingeschlagen. Schwarze Lederscheide an der Messingspitze fehlt. Eine kleinere Korrosionsstelle am Klingenrücken. Literatur : Maier: Preuß. Blankwaffen S. 312f. Aufrufzeit 22. | Feb 2024 | voraussichtlich 16:48 Uhr (CET)Stichdegen for cuirassier officers. Prussia. Blade L 88 cm, total L 104 cm. Russian shape. Straight, single-edged blade with a broad fuller and a point in the midline. Blade with rich etching pattern. Lightly gilt hilt with a heart-shaped, raised guard plate and straight quillons. Ball pommel with disk screw. Grip with dense, triple wire winding. Something was originally hammered into it. Black leather scabbard at the brass point missing. A small spot of corrosion on the back of the blade. Literature : Maier: Preuß. Blankwaffen p. 312f. Call time 22 | Feb 2024 | probably 16:48 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Großer Pokal "Thistle Gold". St. Louis. Ätzmarke, 20. Jh. Frankreich. Farbloses Glas, Ätzbordüre. H 26,5 cm. Aufrufzeit 21. | Feb 2024 | voraussichtlich 18:05 Uhr (CET)Large "Thistle Gold" trophy. St. Louis. Etching mark, 20th century France. Colorless glass, etched border. H 26.5 cm. Call time 21 | Feb 2024 | probably 18:05 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

DAHMEN, Karl Fred(1917 Stolberg - 1981 Preinersdorf) "Agress Landschaft"Farbradierung auf Bütten. Bleistiftsignatur. 1974. Künstlerexemplar. Druckplatte: 30 x 24,8 cm. Gerahmt & hinter Glas : 56 x 40,5 cm. Deutscher Maler und Grafiker; zählt zu den bedeutendsten Vertretern des deutschen Informel. Literatur : https://www.karl-fred-dahmen.de/. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:49 Uhr (CET) DAHMEN, Karl Fred(1917 Stolberg - 1981 Preinersdorf) "Agress Landschaft"Color etching on laid paper. Pencil signature. 1974. artist's copy. Printing plate: 30 x 24.8 cm. Framed & behind glass : 56 x 40.5 cm. German painter and graphic artist; one of the most important representatives of German Art Informel. Literature : https://www.karl-fred-dahmen.de/. Aufrufzeit 24. | Feb 2024 | probably 11:49 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CORNEILLE, (1922 Lüttich - 2010 Auvers-sur-Oise) Dame mit Vogel und FischFarbaquatinta-Radierung oder Farblithografie. Bleistiftsignatur. [19]93. Exemplar: 40/120. Druckplatte: 24 x 32 cm. Gerahmt & hinter Glas : 56 x 61,5 cm. Niederländischer Maler, Bildhauer, Dichter und Mitbegründer der Künstlergruppe CoBrA. Aufrufzeit 24. | Feb 2024 | voraussichtlich 11:36 Uhr (CET) CORNEILLE, (1922 Liège - 2010 Auvers-sur-Oise) Lady with bird and fishColor aquatint etching or color lithograph. Pencil signature. [19]93. copy: 40/120. Printing plate: 24 x 32 cm. Framed & behind glass : 56 x 61.5 cm. Dutch painter, sculptor, poet and co-founder of the artist group CoBrA. About 24 Feb 2024 | probably 11:36 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.