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Click here to subscribePierre Adolphe Valette (1876-1942), "French Alps, 1915", signed in pencil in the margin, titled on gallery label verso, etching, plate size 13 x 18cm.; 5 x 7in. * Exhibited at the City of Salford Art Galleries 21-28th October 1984 as part of the Perera Collection No. 126. `Condition report: see terms and conditions.`
Sidney Tushingham (1884-1968), Venetian scene with figures, signed in pencil in the margin, plate size 28 x 41cm.; 11 x 16.25in, together with another by Herbert George, 19th century, "The Rialto Bridge, Venice", signed in pencil in the margin, etching, plate size 35.5 x 25.5cm.; 14 x 10in (2). `Condition report: see terms and conditions.`
JOHN PIPER, CH (1903-1992) FOLIATE HEAD FROM THE EIGHTIETH ANNIVERSARY PORTFOLIO 1983, etching and screenprint by Kelpra Studio on Grand Velin Arches, signed by the artist in pencil and numbered 67/75, blindstamped, 44.5 x 64.3cm, s.53.5 x 75cm Levinson 354. ++In fine condition undisturbed in the original early 1980s anodised narrow metal frame
WILLIAM WALCOT, RE (1874-1943) FETE DAY COLISEUM ROME etching and drypoint, signed by the artist in pencil, 45.3 x 39.5cm, s.47 x 41cm and a smaller etching by the same, signed (2) ++Both in good condition, larger print with minor peripheral mount stained well clear of the image, both undisturbed in the original early 20th c narrow oak frame, the first with the label of James Connell & Son Glasgow on the backboard
SIR DAVID YOUNG CAMERON, RA, RSA, RE (1865-1945) A THAMES WHARF etching, signed by the artist in pencil and inscribed, 19.9 x 7.7cm, s.21 x 8.4cm and two other etchings by William Strang and James McBey, both signed (3) ++The mounts a little dusty but the prints all in fine condition and good impressions especially the Strang that is velvety, undisturbed in the original early 20th c narrow oak frames. Consigned by the executors of a local deceased estate.
Christmas card c1916 and some WWII documentation. A small collection of diverse documents, the first being a Christmas Card from RN Air Station Flanders (implying it was produced for all five RNAS Stations in Northern France), with an illustration by the artist René Bull. In the centre of the front cover is an early representation of what later became the RAF Eagle. Above the eagle are the letters R.N.A.S and below “Flanders”. Inside the front cover are the traditional greetings, and opposite is an etching. The etching shows a RNAS Blimp, the pilot having a Christmas Picnic atop the envelope, reaching up to touch glasses with a fellow aviator, hanging by a rope ladder below a bi-plane. The biplane has a registration of 1916, while above, in the distance another bi-plane is marked 1917. The artists mark is at bottom right, “René Bull”. Also in this pack are some documents belonging to Flying Officer Wheatley, relating to his initial training in 1940, and later service in India over VJ Day [1] “They Made me an Airman” 1940, a booklet produced for each RAF recruiting intake, with course photos. [2] Menu for VJ Day Celebrations at No 3 Hill Depot, India. [3] 4 Maps. 3 produced by the Survey of India offices (Imphal, Shillong and Assam and Bengal. One by Survey HQ 14th Army showing MT Routes for the Fourteenth Army (SEA/E/MISC.8101). All stained and marked, QGC.
An 1821 pattern R Artillery officer’s sword, almost straight, fullered blade 35”, by Army & Navy Cooperative Society, 105 Victoria St, London SW, with traces of etching in panels, regulation plated triple bar hilt with plain pommel, chequered backstrap and wirebound fishskin grip, leather knot, in its leather FS scabbard with frog strap. Basically GC (blade lightly pitted overall, obscuring etching, a little bubbling to hilt plating).
A continental cavalry officer’s sword c 1830, curved fullered blade 32½”, etched with bold foliate panels on both sides (traces of earlier etching on one side), steel stirrup hilt with langet (one broken) pronounced knucklebow, plain pommel and backstrap, ribbed leather grip (AF). Basically GC, the blade retaining some original polish.
A 19th century German courtsword, hollow triangular section blade 27” (point broken), with traces of etching, gilt brass hilt, decorated overall with stylized floral and foliate panels, the turn down shell guard bearing crowned “L” cypher (Ludwig of Bavaria?) within wreath, turn down crossguard, knucklebow into elaborate pommel with small lion’s heads fore and aft and classical warriors heads each side, swollen grip with fluted MOP panel to front (back panel missing), GC, retaining approx 80% original gilt (few tiny holes to shellguard) Plate 9
LOUIS ICART `SPANISH DANCER` ETCHING & AQUATINT Louis Icart (FRENCH, 1888-1950) etching and aquatint on paper depicting a woman dancing on a stage wearing an elaborate peacock dress. To her mouth a lit cigarette can be seen. Tiled `Spanish Dancer`. Pencil signed to lower right. Impressed seal to lower left with pencil written 8. Mounted in gold painted wooden frame behind glass screen. Measures 21" height x 14" width + 3 3/4" mat & frame (53.3cm x 35.5cm + 9.5cm).
* LEONARD RUSSELL SQUIRRELL, RWS, RE (1893-1979) ALNWICK CASTLE black and white aquatint, signed in pencil to margin 8 x 13ins URQUHART CASTLE, NEAR LOCH NESS black and white etching, signed in pencil to margin 9 ½ x 11 ½ins AN UNKNOWN CASTLE black and white etching, , signed in pencil to margin 7 ½ x 13ins, all mounted but unframed (3)
AFTER MICHAEL CHAPLIN (20TH CENTURY) "Cotswold barn", tinted limited edition etching No'd. 100/100, signed and inscribed in pencil in the margin, KATHARINE DOVE (21ST CENTURY) "Guiting Church in March", oil on canvas, monogrammed lower right, also inscribed, signed and dated 2012 on canvas verso, together with a botanical print (3)
Pierre-Auguste Renoir (French 1841-1919), 'LE FLEUVE SCAMANDRE', 2e planche (Delteil 25; Stella 25) Etching, c.1900, second state of two, from the edition of 1000, as published in the 'Tableaux, Pastels et Dessins de Pierre-Auguste Renoir' by Vollard, Paris, 1918 24 x 18cm Provenance: with The Leicester Galleries, London, 1963. CONDITION REPORT: Staining in border from mount. Not viewed out frame.
Malcolm Osborne (1880-1963), PORTRAIT OF A BEARDED MAN Signed and dated '03 in pencil l.r. 29 x 22cm PORTRAIT OF CHRISTINA OF DENMARK (after Holbein), Signed and dated '04 in pencil l.r. 22 x 10cm CONTINENTAL STREET WITH MOUNTAIN BEYOND Signed and dated '05 in pencil l.r. 23 x 16cm Three drypoint etchings; and another etching of 'OLD GRAMMAR HALL, OXFORD' Sold together with four letters from the artist relating to the etchings. Osborne's natural genius as a printmaker was clear from the very outset of his pupillage under Sir Frank Short. He was to become a printmaker of quite outstanding technical ability, being elected an Associate Engraver of the Royal Academy on the strength of his printmaking alone. Osborne went on to succeed Sir Frank Short first as head of the Engraving School at the Royal College of Art (in 1924) and later as President of the Royal Society of Painter-Etchers and Engravers (in 1939) (4)
[TYPOGRAPHY/BRUCE ROGERS] ROGERS (Bruce) An Account of the Making of the Oxford Lectern Bible, 4to, wrappers, O.U.P., n.d.; POLLARD (A. W.) The Trained Printer, 4to booklet using Roger’s Centaur types & Warde’s Arrighi italic, L., 1929; BUCKLAND-WRIGHT (John) Etching and Engraving Techniques and the Modern Trend, 8vo, illus., clo., d.w., Studio, 1953; WEAVER (L.) Lawrence Weaver 1876-1930. An Annotated Bibliography, 8vo, clo/boards, York, 1989; & 2 books on TYPOGRAPHY; JEWITT (E.) Manual of Illuminated and Missal Painting, sm. 8vo, 8 plates, L., n.d., bound up in cloth covers with 2 other works; & 2 other vols. related. (9)
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![G. F. WATTS [Nereiads / untitled], etching, printed in brown, by Robert Macbeth, proof before titles, signed in pencil by art](http://lot-images.atgmedia.com/SR/1794/2893472/174-2013117184734_468x382.jpg)
