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Allan GWYNNE-JONES (1892-1982)Lambs on a hillside 1927Etching21.5x29cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Addington, Surrey 1928Etching 5/4016x27.4cmSigned & titled in pencilAlso annotated in pencil: Addington, Kent 'Surrey' near Croydon 5/401927-281975 Now very much swamped by development a proof of this is in the pub 'Cricketers'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Elms at West Wickham 1925Etching 32/40Numbered, signed & titled in pencil14.5 x 20.2cmExhib. Fine Art Society Feb 1933 no 58. £2.12.6dAlso illustrated Philadelphia Record Nov 25th 1928.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Elm Tree (circa 1928 or earlier)EtchingSigned, titled in pencil15.5x12.2cmFurther inscribed in pencil 'Trial on Jap laid1/2 Brown 1/2 Black ink'Exhib Fine Art Society Feb 1933, no. 42 £2.12.6dFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) The Tip Cart 1928Pencil study for the etchingInitialled, titled & dated in pencilImage size 9.5x12.5cm,Also annotated in pencil:1st state had shed. 2 prints only shed (?) removed after 1st st. B/B/-£250From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) The Tip Cart 1928EtchingSigned in pencilImage size 10x13cm,Also annotated in pencil:'Trial on Heads laid'Exhib. Fine Art Society Feb 1933From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Coleford, Somerset 12/401929Also known as: 'The Carrying Funeral'EtchingSigned, titled & numbered in pencilImage size 13.5x20.2 cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) 2nd Trial Deserted Kilns, circa 1927Etching, Signed & titled in pencil9.5x11.7cm,Also annotated in pencil:'Engraving. Kilns at Pole Hill (Kent) Chalk Quarry. Pencil suggestions for further works'Note: Catalogue card entry for this collection mentions "Accompanying note from SRB - the only 'clean' print of 3From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Evening light Sevenoaks 1929Etching, artists proofSigned & titled in pencil12.7x16.5cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Burford Oxfordshire (Cotswolds)EtchingSigned & titled in pencil13.5x19.1cm,Also annotated in pencil:Trial without lettering R/R/SFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Ide Hill 1931Etching 3/3Initialled, titled & dated in pencil11.5x21cm.Also annotated in pencil:UnpublishedFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Stanley Roy BADMIN (1906-1989) Surburbia1929?Etching 18/25Signed in pencil11.2x9.3cmFurther inscribed: 'Based on Girton & Tansfield roads Sydenham S.E.26Lived at 33 Girton when 10Engraved and printed SRB Ed of 25 1929?'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Allan GWYNNE-JONES (1892-1982)Lambs on a hillside 1927Etching21.5x29cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Allan GWYNNE-JONES (1892-1982)Building at a Crossroads 1926Etching15.5x20cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.
Greeting Card for 1946-47 signed and dated in pencil 'S W Hayter 46' (lower right) engraving with soft ground etching 17.5 x 12.5cmFootnote: Provenance A gift from the artist to Gigi Richter Beginning in 1931, Stanley William Hayter would commemorate the year’s end by producing a small run of intaglio greeting cards, which he then sent to close family and friends. Over the years, the cards served as an important archive detailing Hayter’s artistic concerns and practices.
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71174 item(s)/page