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Lot 183

After George Cruikshank (1792-1878) Staffordshire Courtship, etching , published by Thomas Tegg 22.5cm x 33cm Provenance: Long Court, Randwick, Glos

Lot 23

Andrea McLean (English School) 'The Giant of Ljubliana', etching, framed and glazed, edition 1/10, 39cm x 49.5cm Provenance: Exhibited Royal Academy of Arts, 2001, with correspondence from the artist. Long Court, Randwick, Glos

Lot 32

After George Cruikshank (1792-1878) The progress of disappointment, or the hopes of a day, hand coloured etching, published by M Jones, dated 1815, 21cm x 48cm Provenance: Long Court, Randwick, Glos

Lot 327

Luigi Kasimir (1881-1962) 'St. Pauls from Ludgate Hill, London' limited edition etching, signed and numbered 66/100 in pencil lower right, 60cm x 49cm

Lot 499

William Pocock - Coloured etching - The Avon Gorge, 24.5cm x 37cm, framed and glazed

Lot 1030

Frank Lewis EMANUEL (1866-1948)His bookEtching and Etchers1930 1st editionBook on etching

Lot 1043

Mabel Oliver RAE(1868-1956)The "Bridge of Sighs", St. John's, CambridgeMonochrome etching Signed and inscribed as titled in pencil 29 x 18cm (sight size)

Lot 1352

Allan GWYNNE-JONES (1892-1982)Lambs on a hillside 1927Etching21.5x29cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1356

Stanley Roy BADMIN (1906-1989) Addington, Surrey 1928Etching 5/4016x27.4cmSigned & titled in pencilAlso annotated in pencil: Addington, Kent 'Surrey' near Croydon 5/401927-281975 Now very much swamped by development a proof of this is in the pub 'Cricketers'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1357

Stanley Roy BADMIN (1906-1989) Elms at West Wickham 1925Etching 32/40Numbered, signed & titled in pencil14.5 x 20.2cmExhib. Fine Art Society Feb 1933 no 58. £2.12.6dAlso illustrated Philadelphia Record Nov 25th 1928.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1358

Stanley Roy BADMIN (1906-1989) The Old Oak, Corner of W.Wickham Common Kent July 1927Etching11.6 x 11.8cmSigned & titled in pencilAlso annotated in pencil: 2nd St.Trial on Toned Jap.Later inscribed "Houses all around now tree preserved (but in sorry state1960)

Lot 1360

Stanley Roy BADMIN (1906-1989) Elm Tree (circa 1928 or earlier)EtchingSigned, titled in pencil15.5x12.2cmFurther inscribed in pencil 'Trial on Jap laid1/2 Brown 1/2 Black ink'Exhib Fine Art Society Feb 1933, no. 42 £2.12.6dFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1361

Stanley Roy BADMIN (1906-1989) The Tip Cart 1928Pencil study for the etchingInitialled, titled & dated in pencilImage size 9.5x12.5cm,Also annotated in pencil:1st state had shed. 2 prints only shed (?) removed after 1st st. B/B/-£250From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1362

Stanley Roy BADMIN (1906-1989) The Tip Cart 1928EtchingSigned in pencilImage size 10x13cm,Also annotated in pencil:'Trial on Heads laid'Exhib. Fine Art Society Feb 1933From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1363

Stanley Roy BADMIN (1906-1989) The Tip Cart 1928EtchingInitialled in pencilImage size 9.5 x12.8cm,Also annotated in pencil:Burnished 1st St.Note: only two prints with the shed were ever printed.

Lot 1364

Stanley Roy BADMIN (1906-1989) Coleford, Somerset 12/401929Also known as: 'The Carrying Funeral'EtchingSigned, titled & numbered in pencilImage size 13.5x20.2 cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1366

Stanley Roy BADMIN (1906-1989) 2nd Trial Deserted Kilns, circa 1927Etching, Signed & titled in pencil9.5x11.7cm,Also annotated in pencil:'Engraving. Kilns at Pole Hill (Kent) Chalk Quarry. Pencil suggestions for further works'Note: Catalogue card entry for this collection mentions "Accompanying note from SRB - the only 'clean' print of 3From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1367

Stanley Roy BADMIN (1906-1989) Evening light Sevenoaks 1929Etching, artists proofSigned & titled in pencil12.7x16.5cm.From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1368

Stanley Roy BADMIN (1906-1989) Deserted Barn, Chipstead 1930Etching, heightened with white chalkSigned, titled & dated in pencil15.3 x 25.3cm,Also annotated in pencil:1st St. 1st TrialFurther pencil inscription: 3 trials only plate destroyedBack polished & cut for Backways Trebarwith

Lot 1369

Stanley Roy BADMIN (1906-1989) Burford Oxfordshire (Cotswolds)EtchingSigned & titled in pencil13.5x19.1cm,Also annotated in pencil:Trial without lettering R/R/SFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1370

Stanley Roy BADMIN (1906-1989) Ide Hill 1931Etching 3/3Initialled, titled & dated in pencil11.5x21cm.Also annotated in pencil:UnpublishedFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1380

Stanley Roy BADMIN (1906-1989) Surburbia1929?Etching 18/25Signed in pencil11.2x9.3cmFurther inscribed: 'Based on Girton & Tansfield roads Sydenham S.E.26Lived at 33 Girton when 10Engraved and printed SRB Ed of 25 1929?'From the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1387

Stanley Roy BADMIN (1906-1989) The Field CornerCirca 1929Etching Signed in pencil11.2x16.2cm

Lot 142

Bryan INGHAM (1936-1997)Three Love Fragments IEtching and aquatint Initialled, inscribed and dated 1979Edition No. 14/75Sight size 44.5 x 31.5cm

Lot 1422

Allan GWYNNE-JONES (1892-1982)Lambs on a hillside 1927Etching21.5x29cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1423

Allan GWYNNE-JONES (1892-1982)Building at a Crossroads 1926Etching15.5x20cmSigned & dated in pencilFrom the Joe Graffy Print Collection. Joe Graffy 1928-2020.Despite humble beginnings in the East End of London, Joe read English at Oxford University. A career in advertising followed but in the early 1970s he followed his heart and set up the Penn Print Room, publishing the works of revivalist print-making masters like Robin Tanner. He had an unerring eye for quality and the prints offered here from his collection are all beautifully etched by master craftsmen.

Lot 1427

Stanley Roy BADMIN (1906-1989)Hawes Farm. W.Wickham, Kent1927Etching 12/35Signed & numbered in pencil, also signed, titled & dated in the plate21.7x39cmFramed

Lot 1428

Stanley Roy BADMIN (1906-1989)Hop Valley 1930Etching 27/30Signed in pencil15.2x13.4cmFramed

Lot 1429

Stanley Roy BADMIN (1906-1989)The Abbey Barn 1929Etching Signed & titled in pencil, initialled & dated in the plate11.4x14cm

Lot 143

Bryan INGHAM (1936-1997)Three Love Fragments IIEtching and aquatint Initialled, inscribed and dated 1979Edition No. 14/75Sight size 44.5 x 31.5cm

Lot 1430

Stanley Roy BADMIN (1906-1989)Mill Sails c.1931EtchingSigned in pencil10.4x12cmFramed

Lot 1431

Stanley Roy BADMIN (1906-1989)Mill St 1932Etching A/P14.6x17.1cmFramed

Lot 144

Bryan INGHAM (1936-1997)Three Love Fragments IIIEtching and aquatint Initialled, inscribed and dated 1979Edition No. 14/75Sight size 44.5 x 31.5cm

Lot 308

Self portrait signed 'Augustus John' (lower right) etching 17.5 x 11cm

Lot 309

Head of a woman signed 'Augustus John' (lower right) etching 14.5 x 11cm

Lot 323

Greeting Card for 1946-47 signed and dated in pencil 'S W Hayter 46' (lower right) engraving with soft ground etching 17.5 x 12.5cmFootnote: Provenance A gift from the artist to Gigi Richter Beginning in 1931, Stanley William Hayter would commemorate the year’s end by producing a small run of intaglio greeting cards, which he then sent to close family and friends. Over the years, the cards served as an important archive detailing Hayter’s artistic concerns and practices.

Lot 353

1. Orpheus part of The Bestiary or the Procession of Orpheus signed 'Sutherland' (lower right); numbered '9/75' etching and aquatint 50 x 39.5cm

Lot 392

Femme vue de dos etching on arches wove paper published by Pierre Bertrand of Paris in 1956 executed for the frontispiece of Jean Cocteau's book, Temoignage 46 x 33.5cmFootnote: Provenance With Anne Selby Productions, Hong Kong

Lot 398

Voyages: He Flatters to Deceive signed and dated '95' (lower right); titled and numbered 1/5, artist's proof etching 30 x 23cmFootnote: Provenance With Gallery 7, Hong Kong, where acquired in 1996

Lot 405

Rooftops signed 'George Chapman' (lower right) etching and aquatint 34.5 x 36cm

Lot 408

Elephant Skull Plate XXI signed 'Moore' (lower right); inscribed 'PL. XXI' and numbered 54/100 etching, published by Gérald Cramer, Geneva, on wove paper 49 x 36.5cmFootnote: Provenance With LKF Gallery Limited, Hong Kong, where acquired in 1986

Lot 456

St. Giles signed and dated 'Valerie Thornton '75' (lower right); titled and numbered 59/7 etching and aquatint 62 x 40cm; Arles signed and dated 'Valerie Thornton '75' (lower right); titled and numbered 66/70 etching and aquatint 62 x 40cm (2)

Lot 484

Magic Eye No. 7 signed with initials and dated '95' (lower right); artist's proof etching and aquatint 48.5 x 49.5cmFootnote: Provenance With Bircham Contemporary Arts, Norfolk

Lot 519

Untitled signed 'Tobey' (lower right) and inscribed 'HC' (Hors Commerce) in pencil etching, unframed 81 x 65.5 cm

Lot 211

3 THOMAS WEBB ETCHED CRYSTAL VASES WITH MATCHING ETCHING PLUS A THOMAS WEBB ROSE BOWL 5INCH 7INCH AND 8INCH

Lot 297

Walter W. Burgess (1856-1908), 'A view of the Palace of Westminster and Westminster Abbey', coloured etching printed by Frederick Keppel, signed and dated 1902 in pencil lower left, 53 x 78cm

Lot 298

Walter Burgess (1856-1908), etching of Salisbury cathedral, signed in pencil lower right, label to reverse 'The Beaufort Gallery, Watercolours and Drawings', 27.5 x 20cm

Lot 301

Rowland Langmaid, Peter Pan in Hyde Park, drypoint etching, signed in pencil with studio blind stamp lower right, 27 x 20cm

Lot 305

After Rembrandt Harmenz van Rijn, 'Beggars receiving alms at the door of a house, 1648', drypoint etching, 13 x 17cm

Lot 320

William Lionel Wyllie RA (1851-1931), two Maritime scenes, 'The Wind Falls Light' and 'The Bustling Mersey', drypoint etching, signed lower left, both bearing label for Richard Haworth, Blackburn, each 12 x 16.5cm

Lot 321

William Lionel Wyllie (1851-1931), 'National Dinghy Race, Portsmouth 1927', etching, signed in pencil lower left, Beaufort Gallery label to verso, with plaque bearing title and incribed 'Presented by W.L. Wyllie R.A., Won by Lt. Comdr. H.M. Denham RM', 15 x 25cm

Lot 322

William Lionel Wyllie (1851-1931), 'The Lower Pool, Wapping, with tug, Thames Barge, & other shipping', drypoint etching, artist's proof signed in pencil lower right, bears label for The Wyllie Gallery, 28 x 45cm

Lot 323

William Lionel Wyllie (1851-1931), fishing fleet at sea with tall ship, drypoint etching, signed in pencil lower left and numbered CXLIII (143), 14.5 x 35cm

Lot 324

William Lionel Wyllie (1851-1931), 'Portsmouth Harbour', showing HMS Vengeance, HMS Prince George, and HMS Victory, drypoint etching, signed in pencil lower left, 8.5 x 34cm

Lot 325

William Lionel Wyllie (1851-1931), 'British Light Cruiser HMS Chester engages the German Light Cruisers at the Battle of Jutland 31st May 1916', drypoint etching, signed in pencil lower right, 12 x 16.5cm

Lot 326

William Lionel Wyllie (1851-1931), 'Yachting off No Man's Land Fort', drypoint etching, signed in pencil lower left, 8.5 x 33.5cm

Lot 327

William Lionel Wyllie (1851-1931), 'The German High Sea Fleet caged at Scapa Flow', drypoint etching, signed lower left, bears label to verso, 8.5 x 33cm

Lot 329

William Lionel Wyllie (1851-1931), 'Last Trickle of Flood - Thames', drypoint etching, signed lower left, 23 x 35.5cm

Lot 330

William Lionel Wyllie (1851-1931), 'On Medway', drypoint etching, signed lower in plate lower left, 22.5 x 14cm

Lot 332

Rowland Langmaid (1897-1956), 'The Houses of Parliament and Westminster Bridge', drypoint etching, signed in pencil lower right, 15.5 x 38.5cm

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