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Lot 1246
*Leonard Russell Squirrell (1893-1979) etching - Kersey, The Top of the Street, signed and titled below in pencil, dated '39 to plate, 20cm x 29cm, in glazed frameNot examined out of the glazed frame. Paper is browned and slightly miscoloured where edge meets mount, but generally good condition
Lot 599
JOHN HOWARD (BRITISH 1958) 'PYRAMIDE DI BIRMINGHAM', a limited edition dry point etching depicting an industrial style landscape 6/10, signed titled and dated 1991 to lower margin, approximate size 43cm x 48cm, frame size 64cm x 68cm, Condition Report: spot of insect debris to the mount, paint of the frame is rubbed in places (artist resale rights apply)
Lot 45
LONDON PANORAMA: Robert Martin after Wenceslas Hollar: Panorama of London, from Bankside. c.1832, Lithograph on four conjoined sheets, [published in 1832, after the original 1647 etching by Wenceslas Hollar, which was published by Cornelius Danckerts. The view is continuous from Westminster at the left to the Tower of London at the right] 46 x 235.5cm
Lot 136
James McBey: 1- Salaman, Malcolm C: The Etchings of James McBey. Halton & Truscott Smith Ltd., 1929, Limited edition, No, 16 of 100 signed by McBey, and with an original Signed etching, as a frontispiece; 2- Hardie, Martin: Etchings and Dry Points from 1902 to 1924 by James McBey A Catalogue. Colnaghi, 1925. Limited edition, No, 307 of 500 signed by the publisher, and with an original Signed etching, as a frontispiece (2)
Lot 37
Jean-François Raffaëlli (1850-1924) was a French painter, printmaker, and sculptor known for his Realist and Impressionist works. He was born in Paris and initially trained as a musician before turning to painting.Raffaëlli is best known for his depictions of everyday life in late 19th-century Paris, particularly scenes of urban poverty and the working class. His paintings often feature gritty street scenes, industrial landscapes, and portraits of laborers, portraying the harsh realities of urban life with a keen eye for detail and empathy for his subjects.In addition to his paintings, Raffaëlli was also a skilled printmaker and produced a significant body of work in etching and lithography. His prints further explored themes of urban life and social commentary, earning him recognition as a master of the medium.Although Raffaëlli's work was initially met with mixed reviews from critics, he eventually gained acclaim for his unique style and contributions to the Realist and Impressionist movements. Today, his paintings and prints are admired for their evocative portrayal of everyday life in Belle Époque Paris and remain highly sought after by collectors and art enthusiasts.Measures 20 x 24 (image), 29.5 x 33.5 x 2 (framed).Sold "after" Raffaelli.Oil on canvas.
Lot 750
Paul Wunderlich(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols)"Sofafigur". OriginaltitelFarbradierung und -aquatinta/Bütten, 1968. Sign. und nummeriert 63/95. Gedruckt von Georges Visat, Paris. Wvz. Riediger 335. Plattenmaß 49 cm x 37,8 cm; Blatt 66 cm x 51 cm. Rahmen.Etching and aquatint in colours on laid paper, 1968. Hand-signed and numbered 63/95.
Lot 693
Eduardo Chillida(1924 San Sebastián - 2002 ebenda)"Copernico" (Kopernikus). OriginaltitelRadierung/Velin, 1980. Sign. und num. 31/50. In der Platte spiegelverkehrt bez.; Rückseitiges Etikett der Galerie Meyer-Ellinger, Frankfurt a. M.; Hrsg. von Galeria Maeght, Barcelona. Plattenmaß 11,5 cm x 14 cm. Blatt 52,5 cm x 43 cm. Rahmen. Etching on wove paper, 1980. Hand-signed and numbered 31/50. Label of Galerie Meyer-Ellinger (Frankfurt a. M.) on the reverse. Published by Galeria Maeght, Barcelona.
Lot 704
Ernst Fuchs(1930 Wien - 2015 ebenda)"Daphne in Eva Mystica". OriginaltitelKolorierte Strichätzung und Aquatinta/Velin, 1969. Sign., nummer. 7/12 sowie bez. "Farbproben Handkoloriert". Wvz. Weis 147 IIIa. Plattenmaß 39,5 cm x 29,5 cm. Rahmen.Hand-coloured etching and aquatint on wove paper, 1969. Hand-signed and numbered 7/12.
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