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Lot 136

Walter Henry Sweet (1889-1949) Venice Signed twice Etching by John Shapland 14 x 18cm; 5½ x 7in With three further unframed etchings by the same hand (4) ++As seen

Lot 142

Francis Seymour Haden (1818-1910) Horsley’s House at Willesly Signed Drypoint etching 19 x 26cm; 7½ x 10¼in With a set of six aquatints after Henry Alken and other unframed prints after Goya, Oram and Gledhill and one framed after Durer (11) ++Good condition

Lot 456

Cameron (Sir D.Y., illust.). The District of Menteith, by R.B. Cunninghame Graham, pub. Stirling, 1930, ten reprods. of wash drawings, inscribed by illustrator to front endpaper “To the Prime Minister, from D.Y.C., Christmas 1930”, t.e.g., remainder untrimmed, orig. qtr. calf gilt, leather label to upper cover, in worn d.j. (lacking spine), folio. Limited edition 228/250, signed by author and artist in ink to verso of half-title, with original signed etching as frontispiece. The British Prime Minster of the time was James Ramsay MacDonald. (1)

Lot 403

William Lionel Wyllie RA., RI., RE. (1851-1931) A three master being shelled by a distant warship, signed artist’s proof, black and white dry point etching, 19cm x 23.5cm.

Lot 108

A late 19th century framed and glazed etching: Cottage in St. Ives (signed to margin).

Lot 138

Patrick Proctor (1936-2003): Garden with Fountain, Ltd Ed coloured etching signed in pencil and numbered 65/150, 35cm x 48cm

Lot 360

Dorothy Sweet, early 20th century, The Tower of London, etching, signed in pencil, 16 x 25cm, together with another etching signed indistinctly

Lot 225

MUIRHEAD BONE `Salamanca Pig Market` Etching, 28cm x 39cm.

Lot 227

MUIRHEAD BONE `Evening Spanish Street Scene` Etching, 46cm x 28cm.

Lot 369

EDMUND BLAMPIED, R.A. R.E. (1886 - 1966) `Horses Eating Hay` 1923 Signed in pencil, drypoint etching, 33.5cm x 24cm.

Lot 372

SIR DAVID MUIRHEAD BONE, N.E.A. H.R.W.S. (1876 - 1953) `San Frediano in Cestello, Florence` 1915 Signed in pencil, drypoint etching, 30cm x 25cm.

Lot 373

SIR DAVID YOUNG CAMERON, R.A. R.S.A. R.W.S. R.E. (1865 - 1945) `Aquamanile` 1913 (Rinder 441) Signed in pencil, etching and drypoint, 24cm x 20.7cm.

Lot 950

John Fullwood: a signed etching, landscape with ford, figures and sheep

Lot 1020

A pencil drawing of a standard poodle and an etching, river embankment

Lot 1024

Sidney Wilson: a signed artist proof, "Laughing Cavalier", an etching, "Cheyne Walk Old Chelsea", and a pencil coloured etching, view of Rheims, signed

Lot 586

FRANK MARTIN (1921-2005). Coloured etching proof. 40cm x 54cm

Lot 587

FRANK MARTIN (1921-2005) Coloured etching. luncheon. Artists Proof. 18cm x 29cm

Lot 2048

An attractive framed atmospheric Etching entitled `The Backwater` a moonlit scene signed to lower right margin Winston Marjoran 9 3/4`` x 13 3/4`` approx.

Lot 2082

A set of 4 framed etching style Prints of Warwick Castle from the bridge, Warwick Castle - the inner court No. 1, Euston Place Leamington and Lower Union Parade, Leamington, each 4 5/8`` x 6 1/4`` approx., etc.

Lot 2097

An etching of Sailing Ships by Emery plus a watercolour of Horse Guards parade by Harold Oakley

Lot 401

19th CENTURY ENGLISH SCHOOL "Head and shoulders study of a lady", oil on canvas, unsigned, ENGLISH SCHOOL "Study of sailing boats in the harbour", watercolour, unsigned and an etching of Rome and a limited edition colour print signed in pencil (4)

Lot 444

AFTER GEORGE CRUIKSHANK "Affects of over female immigration, or importing of the fair sex from savage islands in consequence of exporting all our own to Australia", coloured etching, and AFTER R. NEWTON "On a journey to a courtship in Wales", coloured etching

Lot 451

AFTER TONY MARTINA "Docklands", limited edition black and white etching No`d 1/50, signed, titled in pencil and dated `85

Lot 452

AFTER EVA HOLMER "Sj`on", limited edition black and white etching No`d 42/100, signed, titled and No`d in pencil

Lot 455

AFTER N. BROWN "Shakespeare, King Richard the Second", black and white etching in birds eye maple frame

Lot 590

JACKSON SIMPSON (FL. 1930 - 40 BRITISH) `Guessing the Catch`, drypoint etching, signed and titled in pencil to lower margin, image size 15 x 20cms, framed and glazed

Lot 20A

ALEXANDER P. THOMSON (SCOTTISH 1817 - 1875) Paisley Abbey etching, signed 20cm x 28cm

Lot 225

SIR WILLIAM RUSSELL FLINT RA PRSW (1880 - 1969) The Posada Kitchen etching, signed on the mount 16.5cm x 22cm

Lot 232

JAMES ABBOTT MCNEILL WHISTLER (American 1834 - 1903) Fulham etching signed in the plate with the butterfly mark 13cm x 19.5cm

Lot 420

Michael Ayrton (British, 1921-1975), Rising, signed lower right "Michael Ayrton", proof, etching, 52 x 74cm (20.28 x 28.86in)

Lot 422

William Lionel Wyllie, RA, RI, RE (British, 1851-1931), The Tower of London, signed lower left "W L Wyllie", drypoint etching, 22 x 26cm (8.58 x 10.14in)

Lot 428

East: a signed etching, "Edge of the Coppice", a 19th Century engraved portrait of Napoleon and two other prints

Lot 436

A coloured lithograph, "Old Oak at Chenies, Hertfordshire", M Oliver Rae: a signed etching, "Clovelly High Street", and W S Law: a signed engraving, "The Doctor"

Lot 438

William Lionel Wylie: an etching, view of the Thames and Tower Bridge with numerous figures and boats in foreground, 10" x 14", signed

Lot 445

NORMAN ACKROYD RA. ARCA. RE (1938- ) A Field Gate, etching, limited edition 75/120, signed in pencil and dated (19)86, plate size 4 1/4" x 5 1/4", framed Born in Leeds, Norman Ackroyd attended the Leeds College of Art followed by the Royal College of Art in London. He became an R.A. in 1930, and he is one of Britain`s foremost contemporary print makers specialising in etchings. He currently teaches extensively in the UK and USA

Lot 178

JAMES HAMILTON HAY (1874-1916), MARKET TOWN, etching, signed in pencil, framed. 18.5cm by 26.5cm

Lot 179

JAMES HAMILTON HAY (1874-1916), CORFE CASTLE, etching, signed in pencil, framed. 12.5cm by 19cm

Lot 180

JAMES HAMILTON HAY (1874-1916), RUNCORN BRIDGE, etching, signed in pencil, framed. 16cm by 18.5cm

Lot 181

JAMES HAMILTON HAY (1874-1916), THE MILL, etching, signed in pencil, framed. 17cm by 25cm

Lot 182

JAMES HAMILTON HAY (1874-1916), MOUNTAINOUS LANDSCAPE, etching, signed in pencil, framed. 18cm by 26cm

Lot 183

JAMES HAMILTON HAY (1874-1916), CLAPHAM COMMON, etching, 1913, signed in pencil, framed. 21cm by 26cm

Lot 184

JAMES HAMILTON HAY (1874-1916), "HALTON", etching, titled, signed in pencil, framed. 11cm by 18cm

Lot 185

JAMES HAMILTON HAY (1874-1916), FARMSTEAD IN THE VALLEY, etching, signed in pencil, framed. 12cm by 27cm

Lot 186

JAMES HAMILTON HAY (1874-1916), THE TOWER, etching, signed in pencil, framed. 25cm by 17cm

Lot 187

JAMES HAMILTON HAY (1874-1916), HYDE PARK SCREEN, etching, signed in pencil, framed. 22.5cm by 30c,

Lot 188

JAMES HAMILTON HAY (1874-1916), LIVERPOOL LIME STREET STATION, etching, 1913, signed in pencil. 22cm by 23cm

Lot 189

JAMES ABBOTT McNEILL WHISTLER (1834-1903), "THAMES POLICE", etching, signed and dated 1859 within the plate, framed. 15cm by 22.5cm Note: This is one of sixteen from "A Series of Etchings on the Thames".

Lot 190

GEORGE VERNON STOKES (1873-1954), TWO DOGS BY A FENCE, limited edition etching, signed and numbered to the margin 48/75, framed. 20cm by 25cm

Lot 5

WILLIAM LIONEL WYLLIE, R.A., R.E. (1851-1931) Hot Walls of Portsmouth pencil signed, etching, published by W.R. Howell & Co, 1911, printed by Chas Welch with some surface paper discolouration Pl 7 1./2 x 9 1/2in (19.1 x 24.2cm); and two other etchings by Wyllie (3)

Lot 615

Matthew Day Jackson, American b.1974- "Metamorphosis A-G", 2007, published by the Lower East Side Printshop; seven pieces, unnumbered from the edition of 16, aquatint, etching, screenprint, archival ink jet, gold leaf and hand additions, printed in colours, all mounted in ebonised and perspex box frames, 117x57, 72x55 48x69 42x56 24x59 45x59 40x59cm., (7)

Lot 801

A late 19th/early 20th Century four glass panel mantel clock, the enamelled roman dial probably inscribed `Smiths Company, London,` the eight day striking movement with mercury pendulum, open brocot escapement, with pierced lantern top, above decorative mask and leaf columns, raised on claw feet, the front panelled door with etching of `Daily News Premises` with dedication below, `opened 9th February 1885`, 18in. (46cms) high. See Illustration

Lot 1

Ingeborg Surgensen Hiscox (Canadian, b.Schleswig Germany 1938) YOUNG WOMAN STANDING signed in pencil, dated 1967 and numbered 3 from an edition limited to 6 etching and aquatint 24.6 x 19.2cms; 9 3/4 x 7 5/8in.; and AN ABSTRACT COMPOSITION signed on the plate. lithograph in black on buff coloured paper. (2)

Lot 2

Julian Trevelyan (1910-1988) EASTER FESTIVAL signed and inscribed in pencil and numbered 31 from an edition limited to 100 etching and aquatint with colour highlights 35.2 x 47.8cms; 13 7/8 x 18 3/4in.

Lot 4

Anthony Gross (1905-1984) TOBACCO HARVESTERS signed and inscribed in pencil and numbered 12 from an edition limited to 50 etching 25.2 x 39cms; 10 x 15 3/8in. PROVENANCE: Ex collection of Dr. Jane Sherman.

Lot 12

Pablo Picasso (Spanish 1881-1973) THE ARTIST IN HIS ATELIER etching 20.3 x 14cms; 8 x 5 1/2in.

Lot 15

Rembrandt Harmensz. van Rijn (Dutch 1606-1669) THE PERSIAN (MAN STANDING IN AN ORIENTAL COSTUME) B, N-U 152, H93, BB 32-A signed on the plate with initials and dated on the plate "1632" with the last two date numbers reversed etching, good late impression on laid paper, good margins 10.8 x 8cms; 4 1/4 x 3 1/8in. PROVENANCE: Purchased at Harrods, Knightsbridge, London, February 1974, sold with original bill of sale and certificate of originality. See illustration

Lot 592

AFTER TOM CARR Limited Edition Etching `Full Cry`, Signed 10in. by 12in., Framed

Lot 593

AFTER TOM CARR Limited Edition Etching `February Fill Dyke`, Signed, 9in. by 13in., Framed

Lot 10

Valerie Thornton (1931-91) - `Castillo Nuevo`, etching, ltd ed 27/50, pencil signed and titled to margin, 38 x 56 cm

Lot 20

W. L. Wyllie - Incident at sea - sailing boat being bombarded by distant warship, etching, pencil signed to margin, 16 x 23.5 cm

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