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Lot 6605

Malcolm Osborne (British 1880-1963): Portrait of Dr Robert Spence FRS (1905-1976), drypoint etching signed in pencil 36cm x 29cm (unframed) Notes: Robert Spence, born South Shields 7th October 1905, an acclaimed army scientist and leading researcher in atomic weaponry, would later turn his skills to the successful development of nuclear power, becoming Deputy Director of the Atomic Energy Research Establishment at Harwell, Oxfordshire. Please note the photograph of Spence is not included in the lot and is shown for reference only.

Lot 6547

William Lionel Wyllie (British 1851-1931): 'Light Cruisers and Destroyers at Harwich', etching signed in pencil 12cm x 32cm

Lot 6546

William Lionel Wyllie (British 1851-1931): 'The Bay of Naples', etching signed and numbered LXXX in pencil 16cm x 38cm

Lot 6628

Paul Bisson (British 1938-): 'Commercial Way', colour etching signed titled and numbered 95/250 in pencil 40cm x 35cm

Lot 127

Continental School, circa 20th century, Munich Marienplatz with the Neues Rathaus and Frauenkirche, etching, indistinctly signed in pencil, framed and glazed.

Lot 152

Andrew Fairbairn Affleck (British,1869-1935), 'Old Saw Mill', Zaandam', etching, signed in pencil, 24x36cm, framed and glazed.

Lot 153

Robert Walker Macbeth (Scottish,1848-1910), after George Hemming Mason (British,1818-1872), 'The Cast Shoe', etching, signed in pencil to margin, published London 1887, London, framed and glazed.

Lot 161

British School, 20th century, portrait of a seated lady, etching with heightened colour, indistinctly signed in pencil, 24x17ins, framed and glazed.

Lot 25

Henry James Starling (British, 1905-1996), 'Bungay, Market Place', limited edition etching, numbered 47/75 and signed in pencil to margin, 22x30cm, framed and glazed.

Lot 66

Maureen E. Cooper (British, 20th century), 'Crab Boats', etching wth aquatint, signed and dated 1957, numbered 6/50 in pencil, 37x44cm, framed and glazed.

Lot 384

A Brian Peak 1973 etching signed and inscribed Knutsford Mayfair

Lot 1355

Boris O'Klein, two canine cartoons, each signed and titled in pencil, colour etching, largest pl.16.5 x 44.5cm; together with a watercolour by Edmund E Perini. (3)

Lot 1452

Giovanni Battista Piranesi, 'Interno del Tempio di Canopo...', etching, pl.46 x 58.5cm.

Lot 2680

Adriaen van Ostade (1610 Haarlem - 1684 ebenda) "Das Konzert". OriginaltitelRadierung/Papier, um 1644. R. u. in der Platte monogrammiert. Verso mit Bleistift bez.; Wasserzeichen (wohl Lilienwappen). Nahe am Plattenrand beschnitten. Darstellung 12,1 cm x 8,9 cm. Blatt 12,8 cm x 9,3 cm.Vgl. Hollstein Dutch and Flemish, XV.37.30; Bartsch 1802-1821, I.366.30; Godefroy 1990, 106.30.Etching on paper, circa 1644. Monogrammed in the plate. Trimmed to the plate marks.

Lot 2681

Adriaen van Ostade (1610 Haarlem - 1684 ebenda)"Das Tischgebet". OriginaltitelRadierung/Papier, 1653. R. o. auf dem Kaminvorsprung in der Platte sign. u. dat.; Verso bez. sowie mit Sammlungsstempel (Lugt 1687). Nahe am Plattenrand beschnitten. Darstellung 14,9 cm x 12,5 cm. Blatt 15,2 cm x 12,7 cm. Vgl. Hollstein Dutch and Flemish, XV.44.34; Bartsch 1802-1821, I.369.34; Godefroy 1990, 118.34Provenienz: Sammlung Karl Eduard von Liphart (1808 - 1891).Etching on paper, 1653. Signed and dated in the plate. Trimmed to the plate marks.

Lot 2682

Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam) Christus am ÖlbergRadierung und Kaltnadel/Papier, kaschiert auf Japanpapier, um 1657. R. u. in der Platte sign. und unvollständig dat. "Rembrandt f. 165...". Wvz. Bartsch 75; New Hollstein Dutch and Flemish Rembrandt II.269. Bis kurz vor den Plattenrand beschnitten. Plattenmaß 11,1 cm x 8,4 cm. Blatt 11,2 cm x 8,6 cm. Während Christus kurz vor seiner Verhaftung im Garten Gethsemane betete, wurde er von einem Engel besucht, der ihn in seinem Entschluss bestärkte, den Tod durch die Kreuzigung zu erleiden. In dieser kleinen, aber aussagekräftigen Radierung vermenschlicht Rembrandt das Ereignis, indem er die Körperlichkeit der Umarmung durch den Engel hervorhebt.Etching and drypoint on paper, circa 1657. Signed and dated in the plate. Trimmed to platemark.

Lot 645

Eduard Bargheer (1901 Finkenwerder - 1979 Hamburg)Küstenlandschaft mit Dreimaster im HafenRadierung/Papier. Sign.; Frühes, seltenes, expressionistisches Blatt. Stark gebräunt, im alten Passepartoutauschnitt, lichtrandig. Plattenmaß ca. 27,8 cm x 35 cm; Blatt ca. 33 cm x 41 cm.Etching on paper. Hand-signed. Major light toning.

Lot 660

Hans am Ende (1864 Trier - 1918 Stettin)Worpsweder Landschaft mit Birken und Kate im MoorRadierung u. Aquatinta/Bütten, um 1895. R. u. sign. u. mit Ortsangabe Worpswede; Plattenmaß 23,8 cm x 17,5 cm. Darstellung 19,9 cm x 13,9 cm. Rahmen.Etching and aquatint on paper. Hand-signed and inscribed with location Worpswede.

Lot 661

Hans am Ende (1864 Trier - 1918 Stettin)"Kinderkopf". OriginaltitelRadierung/Papier, 1897. In der Platte monogr.; Seltenes Blatt des Worpsweder Künstlers mit einfühlsamem Mädchenbildnis, erschienen in 160 Exemplaren in der Mappe "Aus Worpswede. Neue Folge" (Berlin: Fischer und Franke 1897) mit einer radierten Titelvignette und 12 Originalradierungen von Hans am Ende, Fritz Mackensen, Fritz Overbeck und Heinrich Vogeler. Plattenmaß ca. 28,2 cm x 20,2 cm; Blatt ca. 34,5 cm x 24,5 cm. Etching on paper, 1897. Monogrammed on the plate.

Lot 684

Max Slevogt (1868 Landshut - 1932 Neukastel)"Kampf mit dem Tiger". OriginaltitelRadierung/Papier, 1911/12. R. u. sign.; Wvz. Sievers/Waldmann 429. Ger. stockfleckig. Plattenmaß 5,6 cm x 6,8 cm. Rahmen.Etching on paper, 1911/12. Hand-signed. Minor foxing.

Lot 686

Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Der Fischer". OriginaltitelRadierung und Aquatinta in Schwarz/Papier, 1899. Wvz. Rief 29 II. R. u. sign.; L. u. in der Platte monogr. mit Worpsweder Wappenschild. Darstellung 14,4 cm x 14,9 cm. Rahmen. Etching and aquatint in black on paper, 1899. Hand-signed and signed with initials in the plate.

Lot 687

Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Tod bricht Rosen" ("Liebespaar und Tod"). OriginaltitelRadierung/hellgrünes Papier, 1904. Sign. mit Worpsweder Wappenschild, zudem sign. vom Drucker Otto Felsing, Berlin. In der Platte sign. "H. Vogeler" sowie monogr. "H. V. W" mit Worpsweder Wappenschild. Wvz. Rief 37. Im breiten Blattrand ger. stockfleckig u. knickfaltig. Plattenmaß ca. 11,1 cm x 15,4 cm; Blatt 20,2 cm x 26 cm.Etching on light green paper, 1904. Hand-signed with artist's sign, further hand-signed by the printer Otto Felsing, Berlin. Minor foxing and creases to the wide margins.

Lot 690

Carl Joseph Bauer (Wohl 1895 Finsing - 1964)Liegender weiblicher AktFarbradierung/Velin. Unterhalb bez. "Original Radierung v. C. J. Bauer". Platte 11,5 cm x 18 cm. Rahmen. Provenienz: Aus dem Nachlass einer bedeutenden norddeutschen Privatsammlung.Colour etching. Inscribed.

Lot 692

Werner Berges (1941 Cloppenburg - 2017 Schallstadt)"Die Blauen". OriginaltitelFarbradierung/Papier, 1974. Sign., dat., betitelt u. nummeriert 19/25. Seltenes Blatt des bedeutenden deutschen Pop Art-Künstlers, der mit Vorliebe verfremdete weibliche Figuren darstellte. Plattenmaß ca. 39,3 cm x 33,2 cm; Blatt ca. 59 cm x 49 cm. Rahmen.Eine Farb-Variante erschien unter dem Titel "Nach blau in blau" in 50er-Auflage. Etching in colours on paper, 1974. Hand-signed, dated, titled and numbered 19/25.

Lot 169

William Lionel Wyllie (1851-1931) A Light Air from the South East, monochrome drypoint etching, signed in pencil lower left margin, titled label verso, 14.5cm x 18.5cm, framed.

Lot 177

Judith Webster, by and after, 'Oiseau', signed in pencil lower right, limited edition number 3/30, etching, 22.5cm x 22.5cm.

Lot 189

Manner of Pierre-Auguste Renoir, Lady Reclining, unsigned, etching, 16cm x 22.5cm.

Lot 35

Edwin La Dell (1914-1970), by and after, ‘Centaurea Americana’, signed in pencil to margin, limited edition 8/50, etching, 53cm x 38cm.

Lot 89

Donald Smith (Modern British school), a portfolio of etchings, and preliminary sketches and watercolours - Imprisonment, signed, limited edition etching, number 2/10; Why., limited edition number 1/10; Our National Sport, number 2/10; etc, qty.

Lot 402

19th century drypoint etching of St Mark's, Venice, signed indistinctly Arthur F Gunell?, inscribed to John Everidge esq, 17x24cm

Lot 298

Henry George Walker (1876-1932)The Bridge of Sighs in Cambridgesoft ground etching, signed in pencil to the margin20 x 25cm

Lot 305

§ Laura Knight RA, RWS (1877-1970) Ballet Dancers, signed 'Laura Knight' (lower right), colour print, 48 x 57cm; together with Herbert Johnson Harvey, ballet dancer, signed (lower right); numbered 9/100, drypoint etching, 20 x 20cm

Lot 317

Salomon Van Abbe (1883-1955) Three etchings - The Old Gamedealer, The Law, and The Fully Licensed Maneach signed lower right and numbered lower leftthe first 28 x 27cm, the third unframed; together withMary Annie Sloane (1867-1961), "The Rocking Horse", a girl in a nursery, signed, etching, 24 x 33cm; and with three further unframed prints, including Portrait of King George VI, etching, signed by Henry Rayner (7)

Lot 319

§ Thomas Newbolt (1951-) For Canon Byrom, Veronicaetching and aquatintsigned and dated 'Thomas Newbolt '88' (lower right), marked A/P lower left13.5 x 16.5cm; together with a monochrome lino print, titled and dated 'Crowded' '2010', 17.5 x 22.5cm, and two watercolours of buildings framed as one, 32 x 23cm (3)

Lot 320

§ Edmund Blampied (1886-1966) Aunt Elizabethsigned in pencil 'E Blampied' (lower right)etching28 x 28cmProvenance:Aitken Dott & Son, Edinburgh

Lot 323

Frank Paton 'A Fisheries Exhibition Reversed' - A bizarre Christmas cardsigned in pencil 'Frank Paton' (lower left)etching20.5 x 26.cm;together with two etchings and one pencil drawing of a Border Collie, an Alsatian and another dog called 'Sarah'each signed by the artist (4)

Lot 340

Landscape river scenesigned lower right 'NIL Hake'watercolour24 x 33cm; together with two together prints one of a woodland scene 59 x 49, and a signed print of an etching title lower right 'Rye / from the Rother / R.G' signed lower left in pencil 'Reginald Green', 19 x 20cm (3)

Lot 345

Sir William Nicholson (1872-1949) Jockeys racing unsigned woodblock, unframed19.5 x 19.5cm; together with a limited edition etching of a jockey, signed with initials 'MB', dated '97, numbered 14/50, 16 x 13cm (2)

Lot 346

A group of four etchings, to include: a man riding a camel, indistinctly signed (lower right), numbered 37/60, 22 x 42cm; an etching of a donkey, signed 'Mae W' (lower right), 16 x 25cm; together with two further etchings (4)

Lot 366

A mixed group of three works, to include: G A Fothergill, two foxhounds, signed and dated 30 (lower right), pencil, 23 x 29.5cm; Léon Danchin, English Setter, signed (lower right), etching, 44.5 x 36.5cm; and an indistinctly signed etching of an Alsatian, 28 x 21.5cm (3)

Lot 371

A group of ten Oriental works, to include a group of nine watercolours, 32 x 49cm and similar, together with a drypoint etching of a gentleman reading a scroll, signed M.A.Sloane (lower right), 29 x 16cm (10)

Lot 387

Elizabeth Morris Wild Salmonsigned 'Elizabeth Morris' (lower right); numbered 12/200etching and aquatint26 x 54cm

Lot 156

Framed and glazed handcoloured etching, caricature, "Le Supreme Bon Ton, No. 6, Le débiteur à la mode", plate from "Caricatures Parisiennes", c. 1810. Published by Martinet, Paris. "Caricatures Parisiennes", and one of the earliest series of prints to depict the social trends and leisure activities of contemporary Parisians

Lot 230

A group of three etchings, to include Winifred Austen, The End of the Day, coloured etching, signed (lower right), 20.5 x 29cm; Arthur Ralph Middleton Todd, An old melody, signed (lower right), 13 x 13cm; Jean Harper, Lady in a greenhouse, signed and dated 1947 (lower centre), 19.5 x 17cm

Lot 233

Hunting interest, a group of eight works, to include: three prints after Snaffles titled 'Whatever ye de, Keep t'owd tamboreen a rowlin', 'Tell me a man's a fox 'unter and I loves im at once' and 'Ar never gets off'; together with a Cecil Cutler etching, an Edward Frank Gillet etching and others (8)please see additional images of the unillustrated items in this lot

Lot 236

George Soper (1870-1942) Horse pulling a cart in an estuarysigned 'George Soper' (lower right)etching20.5 x 28cm

Lot 241

Cecil Aldin RBA (1870-1935) A group of three prints, to include: an etching of geese outside a post office, signed (lower right), numbered 40/100,26.5 x 22cm; together with 'Norwich' a lithographic plate from the Churches Series, signed (lower left), 46 x 35cm; and The Parson, chromolithograph, 54 x 44cm (3)

Lot 248

A group of five architectural etchings, to include: Alfred Bentley, market scene, signed (lower right), 24 x 18cm; an etching of the facade of a state building, indistinctly signed (lower right), 26 x 21cm; Gertrude Keeling, Winchester College Cloisters, signed (lower right), 26 x 30cm; an etching of Paris market scene, and another (5)

Lot 224

NO RESERVE δ David Inshaw (b.1943)Two LoversEtching, 1986, signed and inscribed 'AP' in pencil, the edition was 30, on wove paper, with full margins, plate 150 x 150mm (6 x 6in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 242

Aliye Berger (1903-1974)Bolu PazariEtching printed in colours, circa 1960s, signed, titled and inscribed 'printer Tarik Kabogac' in pencil, on Japan paper, with full margins, image 498 x 270mm (19 5/8 x 10 5/8in)Provenance: With The Rowley Gallery, London.

Lot 198

Mixed collectibles to include a pair of modern two-branch candelabra in the Classical style, with bronzed eagle finials and glass star tops, on socle and square bases, height approx. 35cm (af), an onyx-style table lamp, height 24cm, a carved oak bread tray, 31 x 22cm, a modern Chinese cloisonné ashtray with rotating top, an etching of a sailboat and a modern leather seat tripod portable chair (7).Condition Report: - All ok. The fragile glass centre finials from the candelabra appear to have been repaired, but generally ok.

Lot 598

† KENNETH STEEL (1906-1973); a drypoint etching on paper, 'Lindisfarne', a view with horse and cart at the foot of the castle, signed in pencil to the border, 24.5 x 34cm, framed and glazed.Condition Report: - Frame 42.5 x 58cm.

Lot 550

JEAN-FRANCOIS MILLET (FRENCH 1814-1875) THE DIGGERS (LES BECHEURS) Etching, inscribed in plate 'Paris Imp. Aug Delatre R St. Jacque 171'Dimensions:22.9cm x 32.4cm (9in x 12.75in)

Lot 753

Four various pictures; two watercolours by Robert Lee (British 20th/21st century) woodland scenes, an oil on board, boots signed 'Liz', and a signed limited edition dry point etching by Trudi Finch.

Lot 764

Various pictures and prints including a series of three 'Dr. Syntax' coloured etchings after Thomas Rolandson (British 1757-1827), Charles Dickens coloured etching 'Mr Pickwick sits for his portrait', a series of prints after Hans Holben The Younger, an original landscape scene signed 'DUPRE', etc.

Lot 781

After Charles Cattermole, 'The Battle of Preston & Walton', hand coloured etching proof, 50cm x 34cm, published by Luke S Walmsley, Blackburn 1886, glazed and framed, 82cm x 70cm.

Lot 824

W Walcot (1847-1943), dry point etching, London scene, plate mark signed 12.5cmx9cm, framed & glazed 31.5cmx26.5cm

Lot 528

AN ENGLISH SMALL SWORD, c.1760, with 27 1/2" triangular section blade, remnants of etching, brass baroque hilt decorated throughout with foliage and figures, with twin shell guard, single scroll quillon, wire grip and rounded pommel, 33 1/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Blade worn and pitted in places, hilt generally good.

Lot 551

A BRITISH 1821 PATTERN HEAVY CAVALRY OFFICER'S SWORD, the 36" pipe back blade faintly etched with crown, VR cypher and foliage, pierced steel hilt and shagreen grip, 42" long (Est. plus 24% premium inc. VAT)Condition Report: Generally good, the etching is faint, some losses to the shagreen.

Lot 561

AN 1828 PATTERN HIGHLAND INFANTRY OFFICER'S BROADSWORD, late 19th century, the 32 1/2" blade with twin fuller and etched with Royal Scots Fusiliers logo, thistles and scroll work, steel hilt shagreen grip, brass thistle leaf etched pommel and leather scabbard, 39 3/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally good, some minor blade edge nicks, some pitting (especially at the tip), wear to etching, minor pitting throughout the hilt, and one strip of later leather around one end of the shagreen grip.

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