Malcolm Osborne (British 1880-1963): Portrait of Dr Robert Spence FRS (1905-1976), drypoint etching signed in pencil 36cm x 29cm (unframed) Notes: Robert Spence, born South Shields 7th October 1905, an acclaimed army scientist and leading researcher in atomic weaponry, would later turn his skills to the successful development of nuclear power, becoming Deputy Director of the Atomic Energy Research Establishment at Harwell, Oxfordshire. Please note the photograph of Spence is not included in the lot and is shown for reference only.
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Adriaen van Ostade (1610 Haarlem - 1684 ebenda) "Das Konzert". OriginaltitelRadierung/Papier, um 1644. R. u. in der Platte monogrammiert. Verso mit Bleistift bez.; Wasserzeichen (wohl Lilienwappen). Nahe am Plattenrand beschnitten. Darstellung 12,1 cm x 8,9 cm. Blatt 12,8 cm x 9,3 cm.Vgl. Hollstein Dutch and Flemish, XV.37.30; Bartsch 1802-1821, I.366.30; Godefroy 1990, 106.30.Etching on paper, circa 1644. Monogrammed in the plate. Trimmed to the plate marks.
Adriaen van Ostade (1610 Haarlem - 1684 ebenda)"Das Tischgebet". OriginaltitelRadierung/Papier, 1653. R. o. auf dem Kaminvorsprung in der Platte sign. u. dat.; Verso bez. sowie mit Sammlungsstempel (Lugt 1687). Nahe am Plattenrand beschnitten. Darstellung 14,9 cm x 12,5 cm. Blatt 15,2 cm x 12,7 cm. Vgl. Hollstein Dutch and Flemish, XV.44.34; Bartsch 1802-1821, I.369.34; Godefroy 1990, 118.34Provenienz: Sammlung Karl Eduard von Liphart (1808 - 1891).Etching on paper, 1653. Signed and dated in the plate. Trimmed to the plate marks.
Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam) Christus am ÖlbergRadierung und Kaltnadel/Papier, kaschiert auf Japanpapier, um 1657. R. u. in der Platte sign. und unvollständig dat. "Rembrandt f. 165...". Wvz. Bartsch 75; New Hollstein Dutch and Flemish Rembrandt II.269. Bis kurz vor den Plattenrand beschnitten. Plattenmaß 11,1 cm x 8,4 cm. Blatt 11,2 cm x 8,6 cm. Während Christus kurz vor seiner Verhaftung im Garten Gethsemane betete, wurde er von einem Engel besucht, der ihn in seinem Entschluss bestärkte, den Tod durch die Kreuzigung zu erleiden. In dieser kleinen, aber aussagekräftigen Radierung vermenschlicht Rembrandt das Ereignis, indem er die Körperlichkeit der Umarmung durch den Engel hervorhebt.Etching and drypoint on paper, circa 1657. Signed and dated in the plate. Trimmed to platemark.
Eduard Bargheer (1901 Finkenwerder - 1979 Hamburg)Küstenlandschaft mit Dreimaster im HafenRadierung/Papier. Sign.; Frühes, seltenes, expressionistisches Blatt. Stark gebräunt, im alten Passepartoutauschnitt, lichtrandig. Plattenmaß ca. 27,8 cm x 35 cm; Blatt ca. 33 cm x 41 cm.Etching on paper. Hand-signed. Major light toning.
Hans am Ende (1864 Trier - 1918 Stettin)Worpsweder Landschaft mit Birken und Kate im MoorRadierung u. Aquatinta/Bütten, um 1895. R. u. sign. u. mit Ortsangabe Worpswede; Plattenmaß 23,8 cm x 17,5 cm. Darstellung 19,9 cm x 13,9 cm. Rahmen.Etching and aquatint on paper. Hand-signed and inscribed with location Worpswede.
Hans am Ende (1864 Trier - 1918 Stettin)"Kinderkopf". OriginaltitelRadierung/Papier, 1897. In der Platte monogr.; Seltenes Blatt des Worpsweder Künstlers mit einfühlsamem Mädchenbildnis, erschienen in 160 Exemplaren in der Mappe "Aus Worpswede. Neue Folge" (Berlin: Fischer und Franke 1897) mit einer radierten Titelvignette und 12 Originalradierungen von Hans am Ende, Fritz Mackensen, Fritz Overbeck und Heinrich Vogeler. Plattenmaß ca. 28,2 cm x 20,2 cm; Blatt ca. 34,5 cm x 24,5 cm. Etching on paper, 1897. Monogrammed on the plate.
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Der Fischer". OriginaltitelRadierung und Aquatinta in Schwarz/Papier, 1899. Wvz. Rief 29 II. R. u. sign.; L. u. in der Platte monogr. mit Worpsweder Wappenschild. Darstellung 14,4 cm x 14,9 cm. Rahmen. Etching and aquatint in black on paper, 1899. Hand-signed and signed with initials in the plate.
Heinrich Vogeler (1872 Bremen - 1942 Kolchos Budjonny/Kasachstan)"Tod bricht Rosen" ("Liebespaar und Tod"). OriginaltitelRadierung/hellgrünes Papier, 1904. Sign. mit Worpsweder Wappenschild, zudem sign. vom Drucker Otto Felsing, Berlin. In der Platte sign. "H. Vogeler" sowie monogr. "H. V. W" mit Worpsweder Wappenschild. Wvz. Rief 37. Im breiten Blattrand ger. stockfleckig u. knickfaltig. Plattenmaß ca. 11,1 cm x 15,4 cm; Blatt 20,2 cm x 26 cm.Etching on light green paper, 1904. Hand-signed with artist's sign, further hand-signed by the printer Otto Felsing, Berlin. Minor foxing and creases to the wide margins.
Werner Berges (1941 Cloppenburg - 2017 Schallstadt)"Die Blauen". OriginaltitelFarbradierung/Papier, 1974. Sign., dat., betitelt u. nummeriert 19/25. Seltenes Blatt des bedeutenden deutschen Pop Art-Künstlers, der mit Vorliebe verfremdete weibliche Figuren darstellte. Plattenmaß ca. 39,3 cm x 33,2 cm; Blatt ca. 59 cm x 49 cm. Rahmen.Eine Farb-Variante erschien unter dem Titel "Nach blau in blau" in 50er-Auflage. Etching in colours on paper, 1974. Hand-signed, dated, titled and numbered 19/25.
Salomon Van Abbe (1883-1955) Three etchings - The Old Gamedealer, The Law, and The Fully Licensed Maneach signed lower right and numbered lower leftthe first 28 x 27cm, the third unframed; together withMary Annie Sloane (1867-1961), "The Rocking Horse", a girl in a nursery, signed, etching, 24 x 33cm; and with three further unframed prints, including Portrait of King George VI, etching, signed by Henry Rayner (7)
§ Thomas Newbolt (1951-) For Canon Byrom, Veronicaetching and aquatintsigned and dated 'Thomas Newbolt '88' (lower right), marked A/P lower left13.5 x 16.5cm; together with a monochrome lino print, titled and dated 'Crowded' '2010', 17.5 x 22.5cm, and two watercolours of buildings framed as one, 32 x 23cm (3)
Framed and glazed handcoloured etching, caricature, "Le Supreme Bon Ton, No. 6, Le débiteur à la mode", plate from "Caricatures Parisiennes", c. 1810. Published by Martinet, Paris. "Caricatures Parisiennes", and one of the earliest series of prints to depict the social trends and leisure activities of contemporary Parisians
Hunting interest, a group of eight works, to include: three prints after Snaffles titled 'Whatever ye de, Keep t'owd tamboreen a rowlin', 'Tell me a man's a fox 'unter and I loves im at once' and 'Ar never gets off'; together with a Cecil Cutler etching, an Edward Frank Gillet etching and others (8)please see additional images of the unillustrated items in this lot
Cecil Aldin RBA (1870-1935) A group of three prints, to include: an etching of geese outside a post office, signed (lower right), numbered 40/100,26.5 x 22cm; together with 'Norwich' a lithographic plate from the Churches Series, signed (lower left), 46 x 35cm; and The Parson, chromolithograph, 54 x 44cm (3)
A group of five architectural etchings, to include: Alfred Bentley, market scene, signed (lower right), 24 x 18cm; an etching of the facade of a state building, indistinctly signed (lower right), 26 x 21cm; Gertrude Keeling, Winchester College Cloisters, signed (lower right), 26 x 30cm; an etching of Paris market scene, and another (5)
Mixed collectibles to include a pair of modern two-branch candelabra in the Classical style, with bronzed eagle finials and glass star tops, on socle and square bases, height approx. 35cm (af), an onyx-style table lamp, height 24cm, a carved oak bread tray, 31 x 22cm, a modern Chinese cloisonné ashtray with rotating top, an etching of a sailboat and a modern leather seat tripod portable chair (7).Condition Report: - All ok. The fragile glass centre finials from the candelabra appear to have been repaired, but generally ok.
Various pictures and prints including a series of three 'Dr. Syntax' coloured etchings after Thomas Rolandson (British 1757-1827), Charles Dickens coloured etching 'Mr Pickwick sits for his portrait', a series of prints after Hans Holben The Younger, an original landscape scene signed 'DUPRE', etc.
AN ENGLISH SMALL SWORD, c.1760, with 27 1/2" triangular section blade, remnants of etching, brass baroque hilt decorated throughout with foliage and figures, with twin shell guard, single scroll quillon, wire grip and rounded pommel, 33 1/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Blade worn and pitted in places, hilt generally good.
AN 1828 PATTERN HIGHLAND INFANTRY OFFICER'S BROADSWORD, late 19th century, the 32 1/2" blade with twin fuller and etched with Royal Scots Fusiliers logo, thistles and scroll work, steel hilt shagreen grip, brass thistle leaf etched pommel and leather scabbard, 39 3/4" long (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Generally good, some minor blade edge nicks, some pitting (especially at the tip), wear to etching, minor pitting throughout the hilt, and one strip of later leather around one end of the shagreen grip.
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71174 item(s)/page