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Lot 966

Tom Merrifield - etching of his wife Blackie, No 1/75 - 27 x 21cm

Lot 117

FIFTY ETCHINGS OF OBJECTS OF ART IN THE SOUTH KENSINGTON MUSEUM done by the students of the etching class in training as art teachers, directed by Richard J. Lane, 1867 together with Second Series 1868 and Fifth Series 1870 (3)Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping Condition Report:Please note: every page of every book is not checked, if you are unable to view yourself please ask for detailed information

Lot 118

MASTERPIECES OF SIR ROBERT STRANGE by Francis Woodward, 1874 together with 'Engravings from the Works of Henry Liverseege', 'The Grave, A Poem, Illustrated by twelve etchings executed by Louis Schiavonetti, from the original inventions of William Blake 1808', 1813 (missing one etching) (3)Buyers - for shipping pricing on this lot, visit www.cuttlestones.co.uk/shipping

Lot 88

HERBERT DICKSEE (1862-1942) "Sleeping Pekinese", black and white etching, bearing initials within plate, published 1924 by Frost & Reed, signed in pencil to margin bottom left and with blind stamp, 12.5 cm x 26.5 cm

Lot 89

HERBERT DICKSEE (1862-1942) "Seated Sealyham puppy", black and white etching, bearing initials within the plate, published 1923 by Frost & Reed, signed in pencil to margin and with blind stamp, 27.5 cm x 20 cm CONDITION REPORTS Some slight yellowing to the paper and some browning around the edges, but otherwise appears OK

Lot 9

AFTER PABLO PICASSO (1881-1973) "Le gout du bonheur : honoré de Balzac, le chef d'oeuvre inconnu, trois nus debout", monochrome lithograph after the original etching, unsigned, bears inscription to slip, plate size 19 cm x 27.5 cm (ARR)

Lot 90

HERBERT DICKSEE (1862-1942) "Waiting", study of a recumbent hound, black and white etching, bearing initials within plate bottom left, signed in pencil to margin and with blind stamp, 21 cm x 42.5 cm CONDITION REPORTS Some slight yellowing to the paper and some browning around the edges, but otherwise appears OK

Lot 92

AFTER REMBRANDT HARMENZ VAN RIJN "Tacet et Loquitur" and landscape, black and white etching by Captain W Baillie circa 1760, AFTER P MOLYN "Cattle & figures" engraving by Captain Baillie pub. January 1777, AFTER VAN GOIEN "Church & figures" black & white engraving (probably by Capt Baillie)

Lot 1

AFTER VALERIE THORNTON (1931-1991) "St Aignan, Orléans". study of a stained glass window, coloured etching, limited edition No'd 39/45, numbered bottom left, titled centre, signed and dated '89 bottom right, 42 cm x 32.5 cm (ARR) CONDITION REPORTS Overall good clear impression, though with two small brown spot marks top middle of the white margin and top left of the white margin (see images).

Lot 2

AFTER VALERIE THORNTON (1931-1991) "Etruscan Reunion", study of a carved stone panel, coloured etching, limited edition No'd 78/90, numbered bottom left, titled centre, signed and dated '88 bottom right, 22 cm x 36.8 cm (ARR) CONDITION REPORTS Overall condition good.

Lot 41

AFTER ALBERTO GIACOMETTI (1901-1966) "Dans l'atelier (Aus:Paroles Peintes) 1965", black and white etching, unsigned, 55.5 cm x 20 cm (ARR)

Lot 57

AFTER KAROLINA LARUSDOTTIR (1944-) "The talented cook", study of a chef playing the violin at table, etching with aquatint, monochrome, limited edition No'd. 14/100, signed, titled and No'd. in pencil to margin, 29.5 cm x 44 cm (ARR)

Lot 551

GIOVANNI BATTISTA PIRANESI (1720 - 1778) etching from the 'Carceri' series - plate I, the title page, second state printed 1761 numbered I to upper left and signed 'Piranesi f' to lower left, details verso, framed Image has been removed from frame to inspect. Some foxing to back of paper but not visible through etching and no damage. Well-preserved.

Lot 552

GIOVANNI BATTISTA PIRANESI (1720 - 1778) etching from the 'Carceri' series - plate X, 'Prisoners on a Projecting Platform' second state printed 1761 numbered X to upper right and signed 'Piranesi f' to lower left with watermark verso, details on the back of the mounting board, framed Watermark is present but barely visible to the naked eye - impossible to capture with camera. Previous owner has circled the mark in pencil and inscribed 'water mark' over it. Image has been removed from frame to inspect. Some foxing to back of paper but not visible through etching and no damage. Well-preserved.

Lot 241

After WL Wyllie - 'Grenwich from the River' etching bears a pencil signature 3.5'' x 14'' in a glazed, ebonised frame

Lot 231

MORTIMER MENPES (AUSTRALIAN, 1855-1938) 'Windmill, near Barnet', etching, signed lower right, 22cm x 29cm.

Lot 439A

A portfolio of 18th and 19th century etchings and engravings to including Francesco Bartolozzi - 'The Spirit of a Child arrived in the Presence of the Almighty" and "Angel Carrying the Spirit of a Child to Paradise", after the Reverand William Peters, sepia engraving; Simon Gribelin after Veronese, 'The Wise Make Their Offerings to Christ" (damaged), and "The Shepherds offering Their Gifts to Christ; After Holbein the Younger, portrait of Sir Thomas Smyth, engraved by John Goldar, 1785, engraving, framed; “The Launch of the Nelson”, after L Clemmell, engraved by WB Cooke; "The Artillery Barracks, Guernsey" after T Compton; Tom Browne, caricature cartoon of a Private and a gameskeeper, inscribed and signed; Cecil Tatton Winter, The Cross at Winchester, etching, signed in pencil, a watercolour by A Phillips and two other prints (12) Majority unframed, some with torn edges and tear, browning

Lot 336

Juliet de Gaye (British, 1930-2012) - Ampleforth Abbey, Yorkshire, signed lower right "de Gaye '75" and "A/P" and with blindstamp, etching 50 x 65 cm A little browning to the sky.

Lot 408

Glynn Thomas, Andromeda & Perseus, etching, 2/50, 52 x 66cm, Richard Jacobs, Sagittarius, etching, 1/50, 53 x 67cm, A. Milner-Holme, screenprint, 90 x 64cm (3)

Lot 335

Paul Geissler, Marienplatz, Munich, dated 1921, signed lower right and titled in pencil lower left, hand coloured etching, framed, 30 x 20cm

Lot 342

A 16th century woodcut etching of a mother and child, framed, 7 x 7cm with another engraving of a pastoral scene with sheep 12 x 9cm

Lot 374

A quantity of pictures including a print titled 'Halt' after J. Charlton, a print of the South West view of Worksop or Radford Abbey, County of Nottingham, a Gordon Tucker original acrylic of chickens titled 'Pecking friends' (af) and an etching of a landscape with a tree group in the foreground (4)

Lot 54

Erich Wolfsfeld (German, 1884-1956) Study of two children Etching Signed in pencil to the margin Unframed 17.5cm x 27cm

Lot 55

Alistair Grant (1925-1997) 'Head & Mirror II' Etching Signed in pencil to the margin no. 8/215 Unframed 50cm x 60cm Early 20th Century School Swedish (?) lake with mountains beyond Watercolour Signed indistinctly 24cm x 41cm

Lot 7

P. H. Wilson Bachelor 'Trees at Corfe' Dry point etching 18cm x 21.5cm; And another etching indistinctly signed, titled 'The Tithe Barn, Abbotsbury, Dorset' (2)

Lot 316

After J. CARY; a late 18th century hand coloured print "Lincolnshire", 28 x 22cm, a black and white print "Royal Masquerade, Somerset House", a further coloured print "The King's Troop Royal Horse Artillery in the 90s", all framed and glazed and a black and white etching of a dogs head (4)

Lot 294

After HERBERT DICKSEE (1862-1942); signed black and white etching depicting two leopards, 50 x 68cm. Note: being resold due to bidder non-payment. CONDITION REPORT: Some patches of surface mould to left section but this hasn't ruined the picture. It is signed in pencil. On paper.

Lot 295

After HERBERT DICKSEE (1862-1942); signed black and white etching depicting a head of a tiger, 20 x 27cm, titled to label verso, framed. Note: being resold due to bidder non-payment. CONDITION REPORT: Frame scuffed. Print good. On paper.

Lot 387

P Bragaumond RA, hare in a field, etching, signed in pencil, 18cm by 26cm, W Grant, Langstone Mill, watercolour, signed, 23cm by 19cm, and HB Davis, landscape with stream and grazing sheep, watercolour, signed, 26cm by 36cm

Lot 354

WILLIAM AND DAVID STRANG A half length portrait of a bearded gentleman, etching, signed in pencil on the mount, 40 x 27cm, framed

Lot 358

WILLIAM WALCOT (1874-1943) A Court of Justice, signed in pencil, drypoint etching, 64 x 50cm

Lot 821

Light Infantry / Rifle Regiments Pattern Victorian Officer’s Sword. A good clean example the blade with etched decoration depicting a Crowned VR Cypher and strung bugle device. The hilt of regulation pattern with open guard and shagreen grip. Housed in steel scabbard. GC Etching and blade bright.

Lot 820

Victorian Period 1822 British Infantry Pattern Sword. A good clean example, the slightly curved blade with etched decoration of an entwined VR Crowned Cypher, also with the retailer’s details of Linmey London. The hilt of the regulation pattern, gilt brass open folding guard with VR cypher, enclosing a shagreen grip with twist wire binding. Housed in brass scabbard with two lose rings. Good clean condition etching clear.

Lot 848

Victorian Light Infantry / Rifle Regiments Pattern Officer’s Sword. A good example the blade with etched decoration depicting a Crowned reverse entwined crowned VR Cypher and strung bugle device. The hilt of regulation pattern with open guard and shagreen grip. Housed in polished brown field service scabbard. GC Etching faint.

Lot 842

Victorian Grenadier Guards Officer’s Sword by Wilkinson of London. A good regulation example by Henry Wilkinson (Serial No 29837, indicating manufacture in 1889), carried by Captain Gerard Lysley Derriman who served in the Boer War . Fine slightly-curved blade etched with regimental grenade and imperial crown above VR cypher reversed and intertwined. On one side, scrolls bearing eight battle-honours from Blenheim to Barrosa, the other side with honours from Peninsula to Egypt 1882 and owner’s initials ‘GLD’. The hilt with plated Gothic guard incorporating the grenade, and wire-bound shagreen grip. In its good plated scabbard. Etching to blade remains clear and bright, somewhat defective, particularly on inside of guard, otherwise GC. Gerard Lysley Derriman was educated at Eton and commissioned into the Grenadier Guards in November 1889. In the Boer War he was on the staff of the Imperial Yeomanry and then served in the S.A. Constabulary until 1904. Returning to the Grenadiers he was posted to France and whilst a Staff Captain met his death on 7th Aug. 1915 and was buried at le Trepart Military Cemetery.

Lot 823

Victorian 1895 Pattern Highland Regiment Officer’s Broadsword. A good example, the double edged straight blade with double fuller. Bearing etched decoration of a Crowned VR cypher and thistle decoration. The hilt is fitted with full basket, this with buff leather and scarlet cloth lining and also crimson tassels. Housed in correct pattern steel scabbard. GC etching to blade clear GC some age wear to the inside of the buff lining.

Lot 849

WW1 Period British Infantry Officer’s Sword. A good example of the regulation pattern. The blade with etched decoration incorporating a Crowned GVR cypher, which is repeated to the guard. The shagreen grip retains its wire binding. Complete with metal scabbard. Over GC etching slightly faint to blade.

Lot 265

W.L. Wyllie an original etching, “H.M.S. Champion and the 13th Flotilla” leading in the Jutland Battle. May 31st 1916 with label to reverse detailing the ships of the Line. Signed in pencil to the mount. 17½ by 8ins. In an ebonised frame. Est £150-200

Lot 266

W.L. Wyllie, an etching Thames riverside scene with bridges and St Pauls Cathedral to the rear ground. Signed in pencil to the mount. 15 by 9¼ins. In an ebonised frame. Est £150-200

Lot 78

Rose Hilton 'The Window', signed limited edition etching 30/75

Lot 250

Conrad Corelli - a collection of unframed, signed watercolours, Middle East scenes, two watercolours by Pennarth, Cliveden bank from Maidenhead and a Corelli etching

Lot 8

A 19th century British Army uniform consisting of jacket, trousers and hat, together with a framed etching of Sir Thomas Picton

Lot 72

Braud, Edwardian watercolour and etching depicting a lady reclining on a chaise longue

Lot 76

Julian Trevelyan RA 1910-1988, The Plough 1976, aquatint and soft ground etching, limited edition signed, titled and numbered to margin with blind stamp, 142/150, mounted and glazed in a silver frame, (stuck to backing paper, unseen out of frame), 12 5/8 x 17 1/2

Lot 609

William Martin Larkins'ARCH AT GERONA'Signed in pencil, etching, No.10Image 19.8 x 12.4cmNUDE FEMALE, HALF LENGTHIndistinctly signed in pencil, etchingImage 13 x 8.8cm

Lot 656

Philip SullySLEEPING TIGERSigned in pencil, drypoint etching, No 37/150E W Oldham'LES BOBOTTE AUSE STROILES'Signed and titled in pencil, woodblock 16.5 x 11.7cmE LanMOUNTAIN LANDSCAPESigned in pencil, woodblock15.5 x 21cm

Lot 1008

Graham Clarke (b.1941), Brewup, etching with aquatint and hand colouring, signed, inscribed and numbered 292/300, 27cm x 34cm. DDS

Lot 508

NICOLAS CHAPERON (1612-1656)Noah's Arkengraving9 1/2 x 10 in (24.2 x 25.4cm)This print comes from a set of 55 entitled 'Sacrae Historiae Acta a Raphaele Urbin in Vaticanis' Xystis, published in Rome in 1649.This print is sold with an etching by Francis Vivares (after Marco Ricci) depicting figures on the Grand Tour examining Roman ruins; and an etching by Giovanni Baptista Piranesi depicting an ornamental Roman Fragment (from Le Antichita Roma 1756 edition); and an engraving by William Wilson (after Claude Lorraine) depicting the story of Narcissus; and an early nineteenth century drawing depicting a ruined castle at Habspurg on Lake Lucerne; five (5)

Lot 514

JAMES GILLRAY (1757-1815)Uncorking Old Sherryetching with hand colouring, margins trimmed into plate on three sides, with old tears, sold unexamined out of framePl 12 1/4 x 9 1/4 in (31.2 x 23.5cm) A/F AMENDMENT - Possibly this is a Miller restrike from 1817-1820

Lot 515

JAMES GILLRAY (1757-1815)The Union Clubetching with hand colouring,margins trimmed to plate on three sides, with old tears, sold unexamined out of framePl. 9 x 12 1/2 in (22.8 x 31.7cm) A/F AMENDMENT - Possibly this is a Miller restrike from 1817-1820

Lot 516

JAMES GILLRAY (1787-1815)'The Friend of the People, and his petty new tax gatherer, paying John Bull a visit'etching, with hand colouring, margins trimmed to plate on three sides, with old tearssold unexamined out of framePl. 12 1/2 x 8 3/4 in (31.7 x 22.3cm)AMENDMENT - Possibly this is a Miller restrike from 1817-1820, A/FSold with two other prints by Gillray titled 'The Morning Ride'; and 'The Funeral Procession of Broadbottom'; three (3) A/F

Lot 518

SAMUEL PALMER (1805-1881)The Willow, etching, Pl. 3 .5 x 2 .7 in (9.0 x 6.7cm); and a further etching titled 'The Vine'; two (2)

Lot 581

JOSEPH SIMPSON (1879-1939)A Spanish Beautysignedgouache and black wash15 x 14 1/4 in (38.2 x 36.3cm)Sold with an etching by Hester Frood depicting The Market Place, Chipping Campden. two (2)

Lot 105

Albany E Howarth. Ann Hathaway's Cottage. Etching. 35cm x 28cm. Fine Art Trade Guild stamp and signed in pencil. Together with another etching and two watercolours, various artists.

Lot 133

Unidentified. Early 20th Century. River scene. Etching. 23c, x 20cm. Monogrammed.

Lot 135

Unidentified. Air show. Etching. 19cm x 18cm. Monogrammed.

Lot 138

Paul Harris. Near Chipping Norton. Etching. 24cm x 32cm. Signed in pencil.

Lot 139

Percy Lancaster. The Miller Bridge. Etching. 19cm x 27cm. Signed in pencil.

Lot 140

Percy Lancaster. Breton Gossips. Colour etching.13cm x 19cm. Signed in pencil.

Lot 141

Paul Paeschke (German 1875 - 1943). Figures at a political meeting22cm x 16cm. Etching. 29cm x 24cm. Signed in pencil.

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