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Lot 323

Jenny DEVEREUX (1945) Flower Jar Etching Edition 37/85 Signed, titled, numbered and dated 1977 25cm x 25.5cm Postage for this lot is available to the UK for £25.22.

Lot 325

Geoffrey Sneyd GARNIER (1889-c.1971) Newlyn in 1930 Etching & aquatint Limited edition 5/12 Signed, titled and numbered 25cm x 29cm Postage for this lot is available to the UK for £25.22.

Lot 48

Richard Lee STEVENSON (XX-XXI, St Ives Society of Artists) St Ives, Morning Etching Signed and titled, limited edition 6/50 31cm x 39cm Postage for this lot is available to the UK for £32.50.

Lot 63

Peter FOX (1952) The Visitation Artist's proof etching 22cm x 16cm Postage for this lot is available to the UK for £25.22.

Lot 64

Adrienne PEVERALL (XX-XXI, St Ives Society of Artists) Hare Artist's proof etching 16cm x 21cm Together with a print by the same artist, Blue Landscape, watercolour and collage by Jennifer Jenkins and a mixed media by Rachael Kantaris. Postage for this lot is available to the UK for £25.22.

Lot 73

Daryl WALLER (1978) The Unknown Kiss, 2006 Etching, signed and dated '06, inscribed 'Sample on 1965 paper' and numbered 1/2, plate size 20.5 x 19.5cm, framed 40 x 38cm Postage for this lot is available to the UK for £25.22.

Lot 132

ROBERTO MATTA (1911-2002), 'Le soleil', coloured etching, 68cm x 50cm, signed and numbered, framed. (Subject to ARR - see Buyers Conditions)

Lot 1013

Norman Wilkinson (1878-1971) - The Mayflower sailing from Plymouth, drypoint etching, signed in pencil to the margin, 30 x 30cm

Lot 1048

Ernest Herbery Whydale (1886-1952) - Eventide, etching, signed and titled in pencil to the margin; together with a similar companion, each 30 x 24.5cm; Jean Marchant - Sudbury, watercolour; and one other watercolour (4)

Lot 1117

Martin Chuzzlewit - The Voyage to America, etching 12 x 17cm; S. Lyt - lithograph; and two others (4)

Lot 1132

Jean Byford - Female nude, etching, signed in pencil to the margin; together with other prints and drawings (6)

Lot 1133

W. Yates - St Edmund's shrine, monochrome engraving; together with another topographical engraving; and a Fred Slocombe etching (3)

Lot 542

Standing, horses and trap, watercolour, signed lower left, H & A Standing, 1891, possibly Henry William Standing, 30 x 50cm; James Priddey (1916 - 1980), Christ Church Passage, Birmingham, etching, signed lower right and titled lower left, 52 x 31.5cm; Daily Mail Mac cartoon with framed Coutts & Co cheque, 45 x 36cm overall; and four other pictures, all framed and glazed

Lot 582

Framed Etching Portrait of a Lady on a Couch together with a Pair of Prints of Ladies in Boudoirs

Lot 2066

A George Belcher Print of James Pryde, Etching of Herbert House, Cardiff and Pen and ink of the Pied Piper.

Lot 2082

A quantity of prints including 'High Street, Kington', a coloured etching 'A Fish and Poultry Shop', 'The Old Bridge Putney', 'Venice from The Lagoon', etc.

Lot 2086

A framed and mounted etching Canterbury Cathedral drawn by S. Read along with a framed and mounted lithograph of a winter street scene by Rich Teschner.

Lot 2183

A framed and mounted Etching - The Horse of Ostend', signed Robert Austin 1922, 16 3/4'' x 17''.

Lot 96

A signed R.H. Smallridge colour etching, The Rialto, Venice, 24 x 39cms, framed

Lot 98

After Paolo Uccello, The Rout of San Romano, limited edition signed etching, 19 x 26cms, framed

Lot 6500

Frederick George Austin (British 1902-1990): ‘A Christening’, drypoint etching numbered ‘4th state no.3’ in pencil 22cm x 28cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6501

Frederick George Austin (British 1902-1990): Ruined Church Interior with Crucifix and Knight Tombstone, drypoint etching signed in pencil, dated 1943 in the plate 16cm x 13cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6502

Frederick George Austin (British 1902-1990): A Milkmaid Milking, drypoint etching signed in the plate, numbered ‘2nd state’ in pencil 16cm x 19.5cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6503

Frederick George Austin (British 1902-1990): ‘Soldiers Sleeping’, drypoint etching signed titled dated 1928 and numbered 3/50 in pencil 14cm x 13.5cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6504

Frederick George Austin (British 1902-1990): Frederick George Austin (British 1902-1990): Wooden Cross Grave Marker - 'Hebron', drypoint etching signed titled dated 1929 and numbered 4/50 in pencil 13cm x 9.5cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6505

Frederick George Austin (British 1902-1990): Catholic Nuns in Prayer at Bedside, drypoint etching signed and dated 1927 in pencil 17cm x 12.5cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6506

Frederick George Austin (British 1902-1990): A Woman on her Houseboat ‘Eliza’, drypoint etching signed and dated 1930 in pencil 14cm x 11cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6507

Frederick George Austin (British 1902-1990): The Woodchopper and his Wife, drypoint etching signed in pencil 14cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6508

Frederick George Austin (British 1902-1990): Nuns and Gentleman in Prayer at Doorway, drypoint etching signed and dated '29 in the plate 16cm x 12cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6509

Frederick George Austin (British 1902-1990): ‘A Woodman Resting’, drypoint etching signed titled and dated 1926 in pencil 16cm x 15cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6510

Frederick George Austin (British 1902-1990): The Stone Bridge, drypoint etching signed dated 1929 in pencil 13cm x 10cm (unframed)Provenance: direct from the granddaughter of the artist

Lot 6551

Elizabeth Morris (British Contemporary): 'Seascape I II III', coloured etching signed titled and numbered 19/50 in pencil 46cm x 38cm

Lot 6637

M J Wells (British 20th century): 'Proportions IV' Violins, artist proof etching and aquatint signed and titled in pencil 78cm x 52cm

Lot 6687

Rafael Paneca (Cuban 20th century): The Lovers, etching signed inscribed and numbered 3/12 in pencil 22cm x 17cm

Lot 6688

Giambattista Tiepolo (Giovanni Battista Tiepolo) (Italian 1696-1770): 'The Flight into Egypt: Mary and Joseph holding the Child,are escorted by an Angel', 18th century etching on laid paper signed in the plate pub. 1753, 20cm x 26cm (unframed)

Lot 6689

Hedley Hilton (British 1859-1929): The Pantheon - Rome, drypoint etching signed in pencil 44cm x 55cm

Lot 6690

Axel Herman Haig (Swedish 1835-1921): 'An October Evening - Assisi', etching signed in pencil 49cm x 61cm

Lot 6691

William Walcot (British 1874-1943): 'The Bank', drypoint etching signed in pencil 11cm x 15cm

Lot 526

Tessa Beaver (British 1932-2018); 'Pitch Pine' monochrome woodblock print, numbered 10/50 titled and signed in pencil, 25cm x 33cm, Hilary Paynter (British, b.1943); 'Northleach' monochrome print numbered 9/100 titled and signed in pencil, 14cm x 24cm and Léon Verdier (French, b.1866); 'Misty Morning London' etching, inscribed in pencil and title, 10cm x 7cm (3)

Lot 540

After George Wardale; South East View of Whitby Abbey, monochrome print pub. Robert Wilkinson, London, 28cm x 40cm, and after Claude Hamilton Rowbotham (British 1864-1949); 'Landing Place, Brodick-Isle of Arran' colour etching, signed in pencil, 17cm x 21cm (2)

Lot 571

Claude Rowbotham (1864-1949); 'Bar Gate Southampton' colour etching, 11.5cm x 9cm, Alexander Fraser (Scottish 1893-1939); 'Castle Stalker' colour etching, 17.5cm x 12cm both signed and titled in pencil, and a collection of other etchings and prints (7)

Lot 572

Style of Émile Auguste Renault (French 1870-1938); Apres le Match, colour tinted print, signed with initials M.R 1921, 21cm x 15cm, a small etching titled 'School Boy Paris' 15cm x 9cm and a Head and shoulder study of a lady, pencil, indistinctly signed, 18cm x 12cm (3)

Lot 573

Robert Charles Goff (1837-1922); 'On The Test' monochrome etching, signed in pencil, 'Polperro Cornwall' monochrome etching, indistinctly signed Roland, Three etchings by M. Buckland, signed and dated 1968-71, framed as two, other similar etchings and prints (10)

Lot 598

J.W. King (British 1868-1935); 'Kings College Chapel from The Backs' etching, signed in pencil, another etching titled in pencil 'Durham Cathedral' and a print 'The Village School in Uproar, cut down, 42cm x 57cm max (3)

Lot 493

† DAVID HOCKNEY OM CH RA (born 1937); etching and aquatint on Crisbrook handmade paper, 'In the Dull Village, 1966', from illustrations for fourteen poems by C.B. Cavafy (Tokyo 54), signed and numbered 34/75, inscribed on Wiseman Originals label verso, 34.5 x 22cm.Condition Report: Heavy brown staining throughout image and mount, very slight rippling to paper, no tears or further blemishes.

Lot 498

After GIORGIO MORANDI (Italian, 1890-1964); black and white etching, 'Natura Morta con Cinque Oggetti', from the original produced in 1956 and presented in sleeve with biographical detail, 13.5 x 19cm, unframed.

Lot 501

† IAN McKEEVER (born 1940); sugar lift and aquatint on Somerset white paper, 'Assembly Etching 2, 2007', AP, numbered 2/3, signed, inscribed on King's Place Gallery label verso, image 31 x 22.5cm, framed and glazed.

Lot 1097

Vala Moro (fl.1920-1935) Austrian-Hungarian"Girl with blue dress""Red Shoes"Signed and inscribed, etching, 29cm by 18.5cm and 31cm by 13.5cm respectively (2)

Lot 1101

Lt. Col Harold Wyllie (1880-1973) Masted ships in a harbour Signed, etching, 23cm by 28cm

Lot 1126

A group of etchings and engravings, several depicting historical Richmond, Yorkshire, an etching after George Cuitt depicting Byland Abbey, one of Bolton Hall, and three 20th century fashion prints (12)

Lot 34

Pablo Picasso (Spanish, 1881-1973) Avant Garde, Picasso's Erotic Gravures #8 - by Editor Ralph Ginzburg  First Edition; First Printing. Softcover. 28cm x 28cm (11" x 11") Pablo Picasso (Spanish, 1881-1973)  is known as the founder of Cubism. He was born in Málaga in 1881 to an artist father. The family moved to Barcelona in 1895, where Picasso enrolled at the School of Fine Arts. In the beginning of 1901, Picasso moved to Paris for the first time. The city was considered the cultural capital of Europe and attracted many aspiring artists. Soon after, he made his first sale with art dealer Berthe Weill and quickly became an influential figure in the artistic circles of Montmartre. After working in his characteristic Blue Period of 1901‒4 (as seen in Motherhood (1901)), Picasso developed his famous Cubist style in 1906/7. Together with French artist Georges Braque, Picasso extended the technique to Analytical Cubism and Synthetic Cubism (as seen in Fruit Dish, Bottle and Violin (1914)). Picasso was extremely productive during his lifetime, expanding his oeuvre to include etching, sculpture and ceramics. The Spanish artist had a profound influence on the formation of 20th-century Avant-garde art and his works can be found in many notable modern art collections around the world.

Lot 21

Celedonio Perellon (Spanish, 1926-2015) Untitled  Colour etching on paper Limited edition of 69 copies Numbered 19/69 and signed by artist on margin 11cm x 16cm (4 3/5" x 816 3/8") Celedonio Perellon (Spanish, 1926-2015) was a prestigious illustrator. He drew some comics at an early stage of his career. He started out at Adolfo López Rubio's studio, which he shared with such future famous comic artists as Víctor De la Fuente and José Laffond. Soon afterwards he took up illustration. In the 1970s he concentrated on his painting works. These years he showed an interest in the erotic subject matter, which could be appreciated in his occasional long comic entitled 'Bunda'. Celedonio Perellón has illustrated more than two hundred books, many of them classical works and children's books. He has exhibited his paintings in Europe and the USA.

Lot 42

Salvador Dali (Spanish 1904-1989) Cymbeline  Colour etching on paper Signed and numbered in pencil on margins 17cm x 12.5cm(63/4" x 4 7/8") Salvador Dalí (Spanish 1904-1989) is a Spanish Surrealist painter and printmaker, influential for his explorations of subconscious imagery. As an art student in Madrid and Barcelona, Dalí assimilated a vast number of artistic styles and displayed unusual technical facility as a painter. It was not until the late 1920s, however, that two events brought about the development of his mature artistic style: his discovery of Sigmund Freud’s writings on the erotic significance of subconscious imagery and his affiliation with the Paris Surrealists, a group of artists and writers who sought to establish the “greater reality” of the human subconscious over reason. To bring up images from his subconscious mind, Dalí began to induce hallucinatory states in himself by a process he described as “paranoiac critical.”

Lot 32

Celedonio Perellon (Spanish 1926-2015) Untitled  Etching on paper Signed by artist 25.5cm x 17cm (10" X 6 7/8") Celedonio Perellon (Spanish 1926-2015) was a prestigious illustrator. Celedonio Perellón drew some comics at an early stage of his career. He started out at Adolfo López Rubio's studio, which he shared with such future famous comic artists as Víctor De la Fuente and José Laffond. Soon afterwards he took up illustration. In the 1970s he concentrated on his painting works. These years he showed an interest in the erotic subject matter, which could be appreciated in his occasional long comic entitled 'Bunda'. Celedonio Perellón has illustrated more than two hundred books, many of them classical works and children's books. He has exhibited his paintings in Europe and the USA.

Lot 1139

'Beethoven' an etching by Lionello Balestrieri, W Leo Arndt Sculps (Approximate Measurements 50 cm x 27cm)

Lot 9087

After Henry Heath (Circa 1835): 'A Long Pull, A Strong Pull and A Pull Altogether', hand-coloured copper plate etching published in 1829 by G. S Tregear 23cm x 33cm

Lot 9094

Albany E Howarth (British 1872-1936): 'Peterborough Cathedral', pencil study from an etching signed, titled verso 28cm x 28cm; together with collection of 19th century and later engravings max 45cm x 60cm (5)

Lot 1168

Frank Brangwyn - etching Florence, signed in pencil, 35 x 55cm

Lot 1173

An 18th century coloured etching after Claude Lorraine, 20 x 25.5cm

Lot 1185

A pair of coloured engravings after Tombleson 'Windsor Bridge' and 'Shepperton' 16 x 20cm and an etching 'Firenza' by W Graves

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