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Lot 170
Collection of Flower Studies - pair mixed media on paper, indistinctly signed, 19th century watercolour signed J. Bromley, two coloured lithographs after Louis Van Houtte, 'Fuchsias', ltd.ed colour etching, etc max 46cm x 35cm (7) Condition Report Click here for further images, condition, auction times & delivery costs
Lot 82
Set of six crystal tumblers with hobnail panels, champagne bowls with greek key etching and faceted body, decanter, amethyst glass jug and glass set, set of four champagne flutes, Edwardian cut glass scent bottle & centrepiece bowl, and other glassware in two boxes Condition Report Click here for further images, condition, auction times & delivery costs
Lot 414
English School, 19th century, portrait of a girl, watercolour, 29 x 24cm, together with a 19th century etching, The Black Brunswick, a yachting print and three Vanity Fair prints of the Rothschilds, a signed limited edition Russell Flint lithograph and a collection of prints from the Expo '70 (8)
Lot 469
Two colour etchings of Edward King paintings, Blackfriars Bridge by C H Barraud and Horse Guards etched by Eugene Tily, both signed in pencil, both approx 45cm x 54.5cm overall frame size, Horse Guards etching generally in good condition but with some foxing, other etching with some water damage
Lot 1075
Pelham Dixon (1859-98), Loch landscapes, a pair, watercolour signed and dated 1897; together with: F.Robson, etching of York Minster, with another; a 20th Century winter landscape oil; Sharon Morris Kincheloe, Rocky Mountain Iris, etching; an Italian School watercolour of a couple in Venetian carnival costume; sunset oil etc (qty)
Lot 180
Calligrapher.- Smith (Percy John Delf, 1882-1948, calligrapher, typographer and printmaker, Master of the Artworkers Guild, RDI, of Hampstead, 1882-1948) Portraits, letterings and sketches, including: portrait of "Vera Mrs Charles M Delf", lettering from his book, "A Handbook of Modern Alphabets", (1936); Minute Book Dorian Workshop and Studio, (1921-33); numerous drafts of lettering for pages of Books of Remembrance, Roll of Honour for Farebrother, Ellis & Co., portraits and life drawings in pencil, charcoal etc., examples of lettering, some proofs of designs, tracings, designs for Southern Railway Certificates, BBC publications, church memorial designs, Kitchener Memorial (heavily torn), Chelmsford Diocesan Chronicle, Lodge of Comily, printed ephemera, many on tracing paper or paper, a few on vellum, folds, some with tears, all loose, v.s., v.d. [1920/s - 40s] (lge qty).⁂ Percy John Delf Smith was a British etcher and letterer. He served as a gunner in the First World War. His etching "Death Marches" was part of a seven-part series, "The Dance of Death 1914-1918," that explored the spectre of Death following British soldiers. After the war, Smith was commissioned to create the lettering for the Canadian National Vimy Memorial at Vimy Ridge. During the 1920s and 30's he designed other memorials, including one for Kitchener, as well as lettering for commercial companies.
Lot 202
Battle of Toulon.- Toms (William Henry) The Situation of the English, French and Spanish Fleets, when they Begun the Engagement in the Mediterranean, on the Eleventh of Feby. 1743/4, plan of the naval Battle of Toulon, dedicated to the Lords Commissioners of the Admiralty by James Main, with an inset view of "The representation of the Disabled Ships of both Fleets", text below with summary of the action and a description of the most damaged vessels, etching and engraving on laid paper with large watermark of Strasbourg lily and indistinct text-based countermark, sheet 560 x 755 mm. (22 x 29 3/4 in), good margins with central vertical fold as issued, printer's crease to sheet at the centre right, other handling creases, small repaired nicks and tears to edges, one going into the image at the centre left, surface dirt, unframed, published by the engraver, 1744-1745.
Lot 205
Battle of Trafalgar.- Dodd (Robert, London marine painter and publisher, 1748-1815) Plan of the Attack by Lord Nelson, on the Combined Fleet, October 21st 1805, broadside with plan and transcription of letters written by Collingwood, to the Admiralty, describing the battle and the death of Nelson, etching and aquatint with hand-colouring, letterpress below, on wove paper with watermark date '1801', sheet 680 x 480 mm. (26 3/4 x 18 7/8 in), red ink duty stamp in the lower right corner, some repaired tears, one in the lower centre going into text, small area of loss to the centre right extremity, light browning and exposure lines from previous mount, unframed, 1805.
Lot 206
Battle of Trafalgar.- Laurie & Whittle (publishers) Sr. Richd. J. Strachan's Action with the French, off Rochefort: Novr. 2. 1805, in which the four French Ships were taken, etching and aquatint with hand-colouring, sheet 245 x 305 mm. (9 5/8 x 12 in), good margins, two restored worm holes in the upper margin, restored loss to the lower left corner, other small repaired tears in margins, unframed, 1805; together with Ever Memorable Battle Off Cape Trafalgar: 21 October 1805, originally part of a larger broadside on the Battle of Trafalgar, showing the Spanish and French fleet in a line blocking the entrance of the straits of Gibraltar, with inserted view of Admiral Nelson wounded on the deck of the HMS Victory, surrounded by other officers in the lower centre, lacking letterpress text below, engraving with hand-colouring, sheet 310 x 455 mm. (12 1/4 x 18 in), some loss to sheet, several small tears with two going into the image, surface dirt, unframed, 1805 (2).⁂ The four French ships off Rochefort on 2nd November 1805, commanded by Rear Admiral Dumanoir le Pelley, turned out to be the four surviving ships of the line from the combined Franco-Spanish fleet at the Battle of Trafalgar.
Lot 297
δ Detmold (Edward Julius, 1883-1957) Jewels of the Deep, etching printed in colours on thin japon, an excellent impression printed by the artist à la poupée, a proof aside from the edition of twelve, signed in pencil in the lower right corner, platemark 335 x 425 mm. (13 1/8 x 16 3/4 in), under glass, minor surface dirt and light spotting, framed, [1925].Provenance:The Museum Galleries, LondonLiterature:cf. 'Charles Maurice and Edward Julius Detmold, A Centenary Exhibition', 1983-4, no. 35δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 298
δ Detmold (Edward Julius, 1883-1957) Summer Solstice, etching and aquatint printed in colours on thin chine, signed in pencil and numbered from an edition of 12, platemark 530 x 325 mm. (20 3/4 x 12 3/4 in), under glass, some minor surface dirt and spotting, framed.δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
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