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Lot 701

PAUL JEFFREY (20TH CENTURY), LE PONT NEUF, PARIS etching, signed and titled in pencil 14cm x 10cm Mounted, framed and under glass

Lot 702

WILFRED CRAWFORD APPLEBY (SCOTTISH b. 1889), THE DEMOLITION OF THE LISTER WARD, GLASGOW etching, signed and titled in pencil 27cm x 19cm Mounted, framed and under glass

Lot 716

CONTEMPORARY SCHOOL, BUTTERFLIES etching, initalled KC in the plate 13cm x 10cm Mounted, framed and under glass

Lot 722

JAMES CADZOW (SCOTTISH 1881 - 1941), QUIET FRENCH STREET etching with drypoint, signed in the plate, further signed and numbered XVII/50 in pencil 20cm x 24cm Mounted, framed and under glass

Lot 726

* ALAN STONES, SHEPHERD artist proof etching, signed and titled in pencil 9cm x 17cm Mounted, framed and under glass Artist label verso

Lot 760

ALBERT HENRY FULLWOOD (BRITISH/AUSTRALIAN 1863 - 1930), UNIVERSITY OF GLASGOW etching, signed in pencil 26cm x 36cm Mounted, framed and under glass Artist label verso

Lot 491

PAUL CEZANNE 'Portrait of Guillaumin', 1873, etching on laid paper, prov: The Mark Gallery, 25cm x 17cm, framed and glazed.

Lot 16

Piers Browne (b.1949) ''Wensleydale from Scarth Nick'' Signed, inscribed and numbered 116/150, etching, 45cm by 71cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 18

Elyse Ashe Lord (1900-1971) Japanese trio Signed and numbered 62/150, drypoint etching and watercolour, 36cm by 32cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

Lot 19

Dame Elizabeth Violet Blackadder DBE, RA, RSA (b.1931) Studies of Lilies Signed in pencil, numbered 23/50, coloured etching, 49cm by 33.5cm Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business See illustration

Lot 124

20th Century School 'Bowes More I' Artists Proof Etching, signed indistinctly in pencil and dated '81, in a glazed frame, 10 x 9cm

Lot 127

Katharine (Kate) Cameron RSW, ARE, RSW (1874 - 1965) 'Morven' Etching, in a glazed frame, with a Castle Street, Fine Art Gallery label verso, 25 x 15cm

Lot 128

Katharine (Kate) Cameron RSW, ARE, RSW (1874 - 1965) 'Edinburgh Castle' Etching, in a glazed frame, 18 x 12cm

Lot 129

Mortimer Menpes 'Chinese Merchant' Etching, signed in pencil, in a glazed frame, with a James Connell & Sons label verso, 12 x 11cm

Lot 130

Katharine (Kate) Cameron RSW, ARE, RSW (1874 - 1965) 'L'auberge' Etching, signed, in a glazed frame, 19 x 27cm

Lot 136

J. Hamilton Mackenzie 'Quayside' Etching, signed in pencil, in a glazed frame, 33 x 26cm

Lot 138

W.L. Wyllie (1851-1931) 'Lambeth Palace' Etching, signed in pencil bottom left, in a glazed frame, 34 x 23cm

Lot 148

W.L. Wyllie (1851-1931) 'Meeting the Catch' Etching, signed in pencil bottom left, in a glazed frame, 50 x 23.5cm

Lot 177

William Brassey Hole RSA (1846-1917) Etching of a gentleman titled ' Yours truly I M Burton' Signed to the corner of the etching. Etching measures 16.5x11cm

Lot 327A

Sir William Nicholson, Entrance to the Bodleian Library, coloured etching, signed to border, stamped printed in May 1905 at the Stafford Gallery; another Sir William Nicholson Gallery stamped (2)

Lot 358

Herbert Thomas Dicksee (1862-1942) The Prodigal, etching, published by Frost & Reed, 1926, 47cm x 59cm

Lot 361

Miles Edmund Cotman (1810-1858), "Hay Boats Medway", etching, dated 1832, housed in a gilt glazed frame, the etching 12cm x 8cm

Lot 1530

Kataleen Kimmel Highley, by and after,Indus Headwaters,Etching, No. 20/20Signed titled and numbered in pencil to margin.**All lots in this sale are subject to a maximum of £2.50 plus VAT Buyers Premium**

Lot 1991

Pictures and Prints - a pair of Baroque urns in architectural niches, 20th Century offset prints, gilt frames; a hand-coloured 20th century etching, of an urn of flowers, after an 18th century original, faux burr maple frame; still lives, various sizes; qty **All lots in this sale are subject to a maximum of £2.50 plus VAT Buyers Premium**

Lot 2183

Pictures and prints - large print of a classical Urn, black and white etching, the rent day, etc.

Lot 159

W L Wyllie etching of Thames scene 33cm x 60cm

Lot 176

Ben Boothby 'The Pool with London Bridge in the Distance' watercolour, signed with label verso 24 x 17, another by the same artist and an artist signed etching by Travis Jackson 'Out from the Cape' (3)

Lot 1266

Harold Storey, London bridges, signed in pencil, etching, pl.18 x 27cm.

Lot 1411

After Frank Brangwyn, 'Construction Workers on the Pont Neuf Bridge, Paris', etching, 49.5 x 55cm.

Lot 1594

Joseph Pighills, 'Overy Staithes Norfolk' watercolour, signed lower right. 30 x 13cms; together with a John Shapland- W.H sweet etching of 'Bridge of Sighs Venice' signed in pencil bottom of etching, 22 x 31cms. (2)

Lot 1623

Thomas Kitchin Geog New Map of Wales, featuring six Counties and image of The Cathedral Church of St David's bottom left, dated 1772 to border, approximately 41.5 x 50cm. Gertrude Hayes signed etching, three prints, tapestry. (6)

Lot 1641

Lionel Lindsay (Australian 1874-1961), Spanish Villa, etching, 26 x 20cm, signed and numbered one hundred in pencil

Lot 316

Ann Brunskill (1926-2018) 'The Flood', limited edition etching, 15 of 30 together with another limited etching, 4 of 30 (2)

Lot 91

Leonard Russell Squirrell framed and glazed monochromatic etching titled Stoke by Nayland Suffolk, signed bottom right, 21.5 x 33cm

Lot 202

NO RESERVE Ephemera.- Melly (George) & others. We Need You Cohn-Bendit, broadside printed on orange paper, c.440 x 330mm., horizontal fold, one or two small smudges, Issued on behalf of the British People by the Surrealist Group, [1968]; with a small group of British private press prospectuses & lists, mostly for the Stanbrook Abbey Press, plus a broadside for the play 'Maya' with woodcut by Blair Hughes-Stanton, and a hand-coloured etching of girl in a hat by Marie Laurencin, v.s. (a folder)⁂ Daniel Cohn-Bendit (b.1945) is a French-German politician who was an influential student leader during the unrest in Paris in 1968. The broadside finishes "...WE ARE VERY, VERY FRIGHTENED" and was issued by Ian Breakwell, Alan Burns and John Lyle, George Melly and others. It is dated "12-6-68" in pencil at foot.

Lot 206

Erotica.- Musset (Alfred de) La Mouche, number 51 of 35 copies on Arches from an edition limited to 100, with additional suite of the etchings in sanguine and a signed original colour drawing, engraved throughout with title and text decorations in gilt, etched frontispiece & 14 plates by Louis Courbouleix, drawing mounted (with another to reverse), loose as issued in original wrappers with etching on upper wrapper, uncut, a little faint spotting, glassine outer wrapper, cloth chemise, slip-case, 4to, [Paris], [c.1930].

Lot 215

NO RESERVE Graham (R.B.Cunninghame) The District of Mentieth, number 93 of 250 copies signed by the author and artist and with original signed etching by D.Y.Cameron, plates by Cameron, captioned tissue guards, original calf-backed cloth, t.e.g., others uncut, dust-jacket, with the original publisher's box with lid (rubbed), Stirling, 1930 § Strang (William) The Earth Fiend, number 72 of 150 copies signed by the artist, 1892; The Christ upon the Hill, number 22 of 200 copies, 1895, the last two with etched pictorial title and plates by Strang, original buckram, gilt, t.e.g., others uncut, the last rubbed with frayed spine, folio (3)

Lot 408

ISLWYN WATKINS. WELSH 1938-2018 'Sage Green' Signed, inscribed and dated '67. No.16/16. Etching and aquatint 10' x 13'. Prov: Estate of Islwyn Watkins

Lot 411

ISLWYN WATKINS. WELSH 1938-2018 'Yellow & Black' Signed, inscribed, dated '62 and numbered 6/12. Soft ground etching. 7½' x 4¾' Prov: Estate of Islwyn Watkins

Lot 481

MACBETH AFTER H.W.DAVIS R.A. Cattle of the River Wye. Etching 18' x 25'

Lot 203

A 1920s etching signed K. Vernon, St. Pauls' from Watling Street

Lot 367

Winston Magoran, A Coloured Etching, Titled "Estuary Dawn" Signed In Pencil

Lot 375

A Limited Edition Etching Of Tryfan Signed & No 8 Of An Edition Of 25

Lot 1373

Royal College of Art, Centenary Year 1996 portfolio, produced and printed at the Royal College of Art, typography by Alan Kitching RDI, dedicated to the memory of Helen Chadwick (1953-1996). Contains thirty-one artworks as follows; Tracey Emin (b.1963) 'Love Poem II' lithograph, John Stezaker (b.1949) 'Evolution' photolithograph, Eileen Cooper (b.1953) 'Given' etching and woodcut, Chris Orr (b.1943) 'La Vache Qui Rit' etching and hand colouring, Alf Dunn 'All Seeing' lithograph and screenprint, John Hewitt 'A Hundred Years Ago' etching, Tim Mara 'Water Sack' lithograph and screenprint, Nigel Rolfe 'Hand' photolithograph, Daniel Pellowe 'Bring Me Sunshine' etching and screenprint, Chris Plowman 'He and She (Converted)' etching, Melanie Beckett 'Figure in Landscape drypoint, Veronique Chance 'Self Portrait' photolithograph, Kin Sing Cheung 'Playing Just for You' lithograph and screenprint, Jessica Chitty 'Picnic in the Garden' 1981 screenprint, Alan Cox 'Go North' lithograph, Max Davison 'Over Focused' lithograph and embossing, Peter Dukes 'Pocket Guillotine (Rules)' photolithograph, Jane Duncan 'Host' screenprint, Sara Evans 'Unbound' etching, James Fearson 'Knowing is Feeling' lithograph, Mark Hampson 'Me Mob' screenprint, Rosalind Kunath 'Choose' photolithograph, Kevin Laycock 'Untitled' lithography and linocut, Jo Loki 'My Odyssey' lithograph, Carolyn Miller 'Things Being So Much What They Are' linocut and collage, John Miller 'Escapologist' screenprint woodblock and lithograph, Mark Nicholls 'Shiny Toe-Capped Boots, Bleached White Cotton Panties' screenprint, Hedley Roberts 'Collaboration Part 5 (Global)' screenprint, Ian Stenhouse 'I'm Going Away Forever Don't Look For Me' lithograph, Britta Teckentrup 'Frau Anna H' photolithograph, and Inge Tranter 'The Last Time I was Truly Myself' etching and screenprint. Each signed and numbered 11/55 in pencil, sheets 28cm x 28cm, housed in original purple portfolio box..

Lot 1378

Isaac Robert Cruikshank (British,1789-1856), after George Moutard Woodward (1765–1809), etchings with contemporary hand colouring published in The Caricature Magazine by Thomas Tegg, circa 1818, entitled 'Dandy Pickpockets', another 'Irish Decency!!!', a similar etching after Woodward 'A Riddle Expounded or the Dignity of a Parsons Horse', and another 'A Dandy Shoe Maker in a Fright or the effects of Tight Lacing'. All approx 24cm x 35cm (4 in lot).

Lot 1380

Harold Kerry Eby (American, 1890-1946), Polperro No.1, etching, signed in pencil, also signed in the plate and dated 1925, label verso for Taylor & Brown, Edinburgh, 27cm x 29cm.Born in Tokyo, Japan to Canadian Methodist missionary parents in 1890, Kerr received formal art training at Pratt Institute and the Art Students League of New York. Enlisting in the Army in 1917, Eby created many images of soldiers both in combat and living their daily lives on the front. Eby visited England in 1924 and 1925. .

Lot 1388

William Walcot (British, 1874-1943), Park Avenue, New York, drypoint etching, published 1923-1924, unframed, 11.5cm x 17cm.

Lot 451

GRAHAM, R.B. CUNNINGHAME & D.Y. CAMERONTHE DISTRICT OF MENTEITH Stirling: Eneas Mackay, 1930. Folio, 'Edition de Luxe', number 229 of 250 copies signed by Graham and Cameron, with an etching signed by Cameron, original cloth gilt, dust-jacket, original box

Lot 551

BANKES, Rt. Hon George, 'The Story of Corfe Castle', Murray London 1853. red cloth, gilt title. 8vo. worn and repaired spine, plus History and Description of Corfe Castle, Thomas Bond 1883 with dedication from the author, brown cloth. 8vo. plus ROBINSON, C.E., 'A Royal Warren or Picturesque Rambler in the Isle of Purbeck' with numerous etchings by Alfred Dawson, The Typographic Etching Company, London 1882, tooled blue cloth. 4to (3)

Lot 577

HAMERTON, Philip Gilbert, Etching, Macmillan & Co, London 1868 with numerous plates, gold tooled brown cloth, spine torn. 4to

Lot 232

‡ Harry Fabian Ware (1903-1980) Tree Trunks, 1938 etching on paper, framed signed and dated lower left 32.5 x 26cm. Provenance Rodmarton Manor

Lot 1005

Rowland Langmaid, etching, boats on the Thames, plate size 11.5" x 9", pencil signed

Lot 1006

Rowland Langmaid, etching, Thames at Westminster, plate size 6" x 15", pencil signed, framed

Lot 1008

William Lionel Wyllie, etching, on Medway, pencil signed, plate size 5.5" x 9", framed

Lot 1009

William Lionel Wyllie, etching, Shoreham mackerel boats returning, pencil signed, plate size 7.5" x 9.5", framed

Lot 1010

William Lionel Wyllie, etching, First War battleship convoy and barrage balloon, pencil signed, plate size 6" x 10", framed

Lot 1011

William Lionel Wyllie, etching, Limehouse, artist's proof, signed in the plate, plate size 8" x 10", framed

Lot 1012

William Lionel Wyllie, etching, Bay of Naples, pencil signed, plate size 6.5" x 15", framed

Lot 1013

William Lionel Wyllie, etching, HMS Dreadnought in Portsmouth Harbour, 1907, pencil signed, plate size 7" x 10", framed

Lot 1014

William Lionel Wyllie, etching, Mackerel Boats Going Out, pencil signed, plate size 7.5" x 9.5", framed

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