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Pictures and Prints - a pair of Baroque urns in architectural niches, 20th Century offset prints, gilt frames; a hand-coloured 20th century etching, of an urn of flowers, after an 18th century original, faux burr maple frame; still lives, various sizes; qty **All lots in this sale are subject to a maximum of £2.50 plus VAT Buyers Premium**
NO RESERVE Ephemera.- Melly (George) & others. We Need You Cohn-Bendit, broadside printed on orange paper, c.440 x 330mm., horizontal fold, one or two small smudges, Issued on behalf of the British People by the Surrealist Group, [1968]; with a small group of British private press prospectuses & lists, mostly for the Stanbrook Abbey Press, plus a broadside for the play 'Maya' with woodcut by Blair Hughes-Stanton, and a hand-coloured etching of girl in a hat by Marie Laurencin, v.s. (a folder)⁂ Daniel Cohn-Bendit (b.1945) is a French-German politician who was an influential student leader during the unrest in Paris in 1968. The broadside finishes "...WE ARE VERY, VERY FRIGHTENED" and was issued by Ian Breakwell, Alan Burns and John Lyle, George Melly and others. It is dated "12-6-68" in pencil at foot.
Erotica.- Musset (Alfred de) La Mouche, number 51 of 35 copies on Arches from an edition limited to 100, with additional suite of the etchings in sanguine and a signed original colour drawing, engraved throughout with title and text decorations in gilt, etched frontispiece & 14 plates by Louis Courbouleix, drawing mounted (with another to reverse), loose as issued in original wrappers with etching on upper wrapper, uncut, a little faint spotting, glassine outer wrapper, cloth chemise, slip-case, 4to, [Paris], [c.1930].
NO RESERVE Graham (R.B.Cunninghame) The District of Mentieth, number 93 of 250 copies signed by the author and artist and with original signed etching by D.Y.Cameron, plates by Cameron, captioned tissue guards, original calf-backed cloth, t.e.g., others uncut, dust-jacket, with the original publisher's box with lid (rubbed), Stirling, 1930 § Strang (William) The Earth Fiend, number 72 of 150 copies signed by the artist, 1892; The Christ upon the Hill, number 22 of 200 copies, 1895, the last two with etched pictorial title and plates by Strang, original buckram, gilt, t.e.g., others uncut, the last rubbed with frayed spine, folio (3)
Royal College of Art, Centenary Year 1996 portfolio, produced and printed at the Royal College of Art, typography by Alan Kitching RDI, dedicated to the memory of Helen Chadwick (1953-1996). Contains thirty-one artworks as follows; Tracey Emin (b.1963) 'Love Poem II' lithograph, John Stezaker (b.1949) 'Evolution' photolithograph, Eileen Cooper (b.1953) 'Given' etching and woodcut, Chris Orr (b.1943) 'La Vache Qui Rit' etching and hand colouring, Alf Dunn 'All Seeing' lithograph and screenprint, John Hewitt 'A Hundred Years Ago' etching, Tim Mara 'Water Sack' lithograph and screenprint, Nigel Rolfe 'Hand' photolithograph, Daniel Pellowe 'Bring Me Sunshine' etching and screenprint, Chris Plowman 'He and She (Converted)' etching, Melanie Beckett 'Figure in Landscape drypoint, Veronique Chance 'Self Portrait' photolithograph, Kin Sing Cheung 'Playing Just for You' lithograph and screenprint, Jessica Chitty 'Picnic in the Garden' 1981 screenprint, Alan Cox 'Go North' lithograph, Max Davison 'Over Focused' lithograph and embossing, Peter Dukes 'Pocket Guillotine (Rules)' photolithograph, Jane Duncan 'Host' screenprint, Sara Evans 'Unbound' etching, James Fearson 'Knowing is Feeling' lithograph, Mark Hampson 'Me Mob' screenprint, Rosalind Kunath 'Choose' photolithograph, Kevin Laycock 'Untitled' lithography and linocut, Jo Loki 'My Odyssey' lithograph, Carolyn Miller 'Things Being So Much What They Are' linocut and collage, John Miller 'Escapologist' screenprint woodblock and lithograph, Mark Nicholls 'Shiny Toe-Capped Boots, Bleached White Cotton Panties' screenprint, Hedley Roberts 'Collaboration Part 5 (Global)' screenprint, Ian Stenhouse 'I'm Going Away Forever Don't Look For Me' lithograph, Britta Teckentrup 'Frau Anna H' photolithograph, and Inge Tranter 'The Last Time I was Truly Myself' etching and screenprint. Each signed and numbered 11/55 in pencil, sheets 28cm x 28cm, housed in original purple portfolio box..
Isaac Robert Cruikshank (British,1789-1856), after George Moutard Woodward (1765–1809), etchings with contemporary hand colouring published in The Caricature Magazine by Thomas Tegg, circa 1818, entitled 'Dandy Pickpockets', another 'Irish Decency!!!', a similar etching after Woodward 'A Riddle Expounded or the Dignity of a Parsons Horse', and another 'A Dandy Shoe Maker in a Fright or the effects of Tight Lacing'. All approx 24cm x 35cm (4 in lot).
Harold Kerry Eby (American, 1890-1946), Polperro No.1, etching, signed in pencil, also signed in the plate and dated 1925, label verso for Taylor & Brown, Edinburgh, 27cm x 29cm.Born in Tokyo, Japan to Canadian Methodist missionary parents in 1890, Kerr received formal art training at Pratt Institute and the Art Students League of New York. Enlisting in the Army in 1917, Eby created many images of soldiers both in combat and living their daily lives on the front. Eby visited England in 1924 and 1925. .
BANKES, Rt. Hon George, 'The Story of Corfe Castle', Murray London 1853. red cloth, gilt title. 8vo. worn and repaired spine, plus History and Description of Corfe Castle, Thomas Bond 1883 with dedication from the author, brown cloth. 8vo. plus ROBINSON, C.E., 'A Royal Warren or Picturesque Rambler in the Isle of Purbeck' with numerous etchings by Alfred Dawson, The Typographic Etching Company, London 1882, tooled blue cloth. 4to (3)

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