There are 78391 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeAfter Charles Murray (1842 - 1923) A Busy Dockyard, etching; a coloured map of Wales and the friontispiece for The Marchants Mapp of Commerce, 1638, together with Edwin Hayes RHA RI ROI (1819-1904) Yarmouth Pier, signed and dated 1883, pencil, 7 x 12.5cm; three 18th/19th century coloured prints of Orford, an early 19th century print of the monastery at Dunwich and a print of Angel Lane, Ipswich
A Collection of Framed Pictures to include a French folk art style acrylic painting, depicting a stylised racecourse, together with a watercolour of a cottage marked F G Fraser, an etching depicting a cottage dated 1923 signed Wm. B Robins, and a Percy Lancaster engraving depicting an antique dealer, and a Rosalyn S Evans Limited Edition print No.2/50.
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Christus und die Frau von Samaria in Ruinen. Radierung auf Bütten, dessen Struktur nur schwach sichtbar ist, 1634. Plgr. 12,3 x 10,7 cm. Mit Rändchen unter Passep. mont. New. Ho. 127 V (v. V). B. 71. W.-B. 71. Vorzügl. Abdruck des V. Zustands mit den endgültigen Überarbeitungen. - Sehr gut erhalten, vereinz. Fleckchen. - Christ and the Woman of Samaria. Etching on laid paper with small margins under passepartout. - Very well preserved, occasional small stains. D
Laymarie,J.: Marc Chagall. Monotypes 1961-1965. Catalogue établi par Gérald Cramer. Mit 1 Original-Radierung und zahlreichen, teils farbigen und montierten Abbildungen. Genf, Cramer, 1966. 4°. 131 S., [2] Bll. Original-Leinwand mit farbig illustr. Umschlag. In Lieferungs-Schuber und -Karton. Cramer 65. - Erste Ausgabe. - Eines von 100 numerierten Exemplaren der Vorzugsausgabe (GA 1575), von Chagall signiert und mit ╔der Original-Radierung "L'Apparition"╗ auf Japan. - Tadellos. - One of 100 numbered copies of the special edition (GA 1575), signed by Chagall and with the original etching "L'Apparition" on Japan. - Impeccable.
Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Anbetung der Hirten mit der Lampe. Radierung auf Bütten, desssen Drahtlinien nur schwach sichtbar sind. um 1654. Blgr. 10,5 x 12,9 cm. Auf Plattenkante geschn. Unter Passep. mont. New Hoh. 279 III (von III). W.-B. 45. B. 45. Ganz ausgezeichn. Abdruck des III. Zustands mit den endgütltigen Überarbeitungen. Gut erhalten. - The Adoration of the Shepherds, with the lamp. Etching on handmade paper. Trimmed to platemark. Under passep. - Excellent impression of the III. state. D
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bärtiger Mann, an einen Erdhügel gelehnt stehend. Radierung auf Bütten, um 1630. Plgr. 11,5 x 8 cm. Mit Rand unter Passep. mont. New Ho. 48 III (v.III). B. 151. W.-B. 151. Ausgezeichn. Abdruck des III. Zustands mit den Überarbeitungen. Gut erhalten. - Bearded Man in a Coat and Fur Cap Leaning against a Bank. Etching on laid. Mounted under passep. Excellent impression. D
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Bettler und Bettlerin im Gespräch. Radieurng auf Bütten 1630. Plgr. 7,8 x 6,6 cm. Mit kl. Rand unter Passep. mont. New Ho. 45 II (v. III). B. 164. w.-B. 164. Ausgezeichn. Abdruck des II. Zustands vor den starken Überarbeitungen. Gut erhalten. - Beggar Man and Beggar Woman Conversing. Etching on laid. Mounted under Passep. - Excellent impression of the II. state before the major revision. D
Grafikmappe der Städelschule Frankfurt.: 1995-97. Mappe mit 3 Serigraphien, 2 Lithographien u. 1 Kaltnadelradierung von verschiedenen Künstlern. Mit Impressum u. 6 typogr. bezeichneten Einlegebl. Alle Bl. sign. bzw. monogr., dat. u. num. Im Impressum nochmals num. Auf leichtem Karton. Je Blattgröße 49,5 x 69,5 cm. Lose in Olwd.-Kassette mit Rtit. (Gering berieb. u. best.). Eines v. 50 Ex. Vollständig. - Enthalten sind Arbeiten von Thomas Bayrle, Georg Herold, Jörg Immendorff, Per Kirkeby, Christa Näher und Hermann Nitsch. Herausgegeben von C&L Deutsche Revision AG. - In guter Erhaltung. - One of 50 copies. Portfolio with 3 serigraphies, 2 lithographies and 1 drypoint etching by various artists of the Städelschule Frankfurt. Each sheet signed or monogrammed, dated and numbered. Mounted on cardboard. Loose in original cloth case (slightly rubbed and bumped). - Good condition.
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Auferweckung des Lazarus, kleine Platte. Radierung auf Bütten, dessen Drahtlinien nur undeutl. sichtbar sind, 1642. Plgr. 15 x 11,4 cm. Mit Rändchen unter Passep. mont. New Ho. 206 II (v. II). B. 72. W.-B. 72. Brillanter Abdruck des II. Zustands mit den endgültigen Überarbeitungen in sehr guter Erhaltung. - Vereinz. Fleckchen. - The Raising of Lazarus, small plate. Etching on laid paper. With margins. Fitted under passep. - Brilliant impression of the II. state with the final revisions. D
Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Verkündigung an die Hirten. Radierung 1634. 25,7 x 21,7 cm., Blgr. 27,2 x 23,5 cm. Mit d. Namensz. in d. Platte. In den Ecken auf Papier geklebt. B-44. H-120. BB 34-J. - Abdruck des 19. Jhdts. aus einer Ausgabe von Basan's "Recueil de Rembrandt", aufgeklebt auf Papier mit WZ "Arches". - The Proclamation to the Shepherds. Etching. Glued to paper in the corners. Impression of the 19th century. with watermark. R
Full title: French school, after Abraham Bosse (1602-1676): 'The ratcatcher', oil on canvas in period frame, 17/18th C.Description:Dim.: 98,5 x 84 cm (the frame)Dim.: 72 x 58 cm (the work)Ê The present work is painted after the engraving 'Le marchand de mort aux rats', part of the series 'Les cris de Paris' (Cries of Paris).While it has lost most sense of perspective, due to the suppression of the surrounding landscape, the work remains highly attractive. The subject is quasi unknown on a painting.Ê Abraham Bosse (1602 - 14 February, 1676) was a French artist, mainly as a printmaker in etching, but also in watercolour. Roughly 1600 etchings are attributed to him, with subjects including: daily life, religion, literature, fashion, technology, and science. Most of his output was illustrations for books, but many were also sold separately.ÊRef.: The Metropolitan Museum, New York, Accession Number: 60.634.53, for the original engraving. (link available on rm-auctions.com)The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com
AFTER HENRY WILKINSON "English Partridge in a landscape", coloured etching, No'd. 150, signed in pencil, image size 25 cm x 34 cm, together with VICTOR BALFOUR BROWNE "They were still restless", colour print, limited edition No'd. 153/300, another by the same hand "The big bodied beasts on the flats", colour print, limited edition No'd. 154/300 and another "The blighter's asleep", colour print, limited edition No'd. 153/300, a pair of chromolithographs AFTER J SANDERSON WELLS "Hunting scenes", AFTER ALEXANDER CHARLES JONES "British Fox Superiority Society Hound Show", colour print, limited edition No'd. 51/850, AFTER ROBERT HAINAND "Mallard and Moorhen", limited edition print No'd. 32/51, signed in pencil, AFTER CECIL ALDIN "Jumping powder", chromolithograph, unsigned, AFTER F C TURNER "Ascot Heath Races", colour print, AFTER JONATHON SAINSBURY "Spaniel putting pheasants up", colour print, limited edition No'd. 49/600, signed in pencil lower right, AFTER PHILIP RICKMAN "Woodcock Lunan Bay", colour print, limited edition No'd. 6/500, signed in pencil lower right, AFTER JAMES POLLARD "Epsom - Preparing to start", colour print and four further colour prints AFTER PHILIP RICKMAN including "Ducks", "Snipe", "Grouse" and "Ptarmigan"
AFTER HENRY WILKINSON "Long haired Pointer and Mallard Drake quarry", coloured etching, limited edition No'd. 57/100, signed in pencil, 23 cm x 31 cm, another by the same hand "Two Spaniels putting up Snipe", coloured etching, limited edition No'd. 28/100, signed in pencil and "The Cock Shoot", colour print, unsigned
Oxford. New (Edmund Hort), Christchurch, Oxford, Founded by Thomas Wolsey..., 1916, uncoloured photo-etching, laid on card, 460 x 670 mm, together with Loggan (David). Collegium St. Trinitatis, circa 1675, hand-coloured engraving, laid on card, 325 x 410 mm, mounted, with Monk (William). The Latin Chapel Christ Church, The Garden Gate of Trinity College [and] The Quadrangle of the University Press, 1901 - 03, together 3 uncoloured etchings, mount stained, each approximately 300 x 410 mm, mounted, with another 6 prints and engravings of Oxford, including examples by or after Stadler and Knight, plus Morden (Robert). Oxfordshire [1695 or later], hand-coloured engraved map, repaired closed tears, creased, 425 x 365 mm, mounted, and Brewer (H. W.). Birds-Eye View of Oxford, 1894, uncoloured photolithograph, trimmed to image with aperture mount for the key plate and title, several long closed tears affecting the image, one small hole, 290 x 885 mm, mounted, framed and glazedQTY: (13)
Raverat (Gwen, 1885-1957). An album of 81 wood engravings by Gwen Raverat, 1939-1950, compiled by the artist as a record of her later work, containing 81 wood engravings of which 6 are signed in pencil, small etching by Stephen Gooden pasted to front endpaper, handwritten index written in ink to verso and following leaf, all mounted on album leaves, some with title and date in pencil to lower margin, original plain cream cloth, rubbed and some marks, spine lettered in gilt: WOOD CUTS G. R. 4 (crossed out and renumbered 3 by hand), index numbered from 491-569, rebacked with original spine laid down, thick folio, leaves measure 32.5 x 27 cm QTY: (1)NOTE:Provenance: Estate of the artist, thence by descent.Selborne & Newman 492 (two states), 548, 549, 550, 551, 553 (two states), 554, 555, 556, 557, and 558 for the separately published engravings.This album contains sets of proofs for The Bird Talisman, and The London Bookbinders, as well as: Winter Morning (uncoloured and coloured versions), the latter signed and titled, Escures, Mill by Moonlight, Childe Roland, Queen's College, Essex Building, Ponies (coloured and uncoloured versions), Swans, Mill Lane, Europa, Horses at Night, and Boat Race.Those signed are Winter Monring, The Magicians Chariot, The Mill by Moon Light, Childe Roland, Europa, and Boat Race.
WILLIAM LIONEL WYLLIE RA (1851-1931); pencil signed etching, HMS Victory firing a salute, 41 x 76cm, framed and glazed.Additional InformationCreases and folds to the paper in parts especially to the centre of the image, there is a possible stain to the lower side of the border, light scuffs to the frame.
DAVID WOODFORD; pencil signed etching, roof tops with Snowdonia in the background, 20.5 x 44cm, framed and glazed. (D)Additional InformationThe etching is in good order, the mount slightly stained and discoloured.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Group of Victorian & later silver & white metal items. To include; a pocket watch with floral enamel to face & scrolling floral etching to case, hallmarked Birmingham 1887. Matching cufflinks & pin in box hallmarked Birmingham 1970. Bone & silver brush marked sterling to the metal & france to the bone. Mother of pearl & silver fruit knife hallmarked Sheffield 1875 - sponsors marks J&S. Two piece pieced white metal belt buckle, test suggest silver. A white metal pocket watch. Two transparent enamel & white metal discs in box, tests suggest silver. White metal miniature scissor & pocketknife charm. White metal sewing scissors with cherub & floral design. Weight approx; 134 grams.
GUBBELS -- LENSINK, T. Het kind met de grote voeten. Arnhem, 1983. 21 pp. W. 22 illustr. on 11 lvs. by K. Gubbels. Ohcl. One of 21 copies, signed by the author, and w. a separately published or. drawing by K. Gubbels, dated and monogrammed by the artist in pencil. -- Added: the same work in owrps. -- And: G. BOOSTEN. Opus 94. 1984. Etching. 198 x 240 mm. Signed, numb. & dated in pencil. -- (4).
PIRANESI, Giovanni Battista (1720-1778). "Veduta del Tempio di Giove Tonante". (1756). Etching, captioned in the plate. 402 x 604 mm. Recently framed, glazed and under acid-free passepartout. NOTE:Presenting the Temple of Vespasian. Uninspected out of frame, but apparently in fine condition. - Hind 44, 2nd state.
KULHÁNEK, Oldrich (1940-2013). (No title). 1975. Cold. etching. 155 x 112 mm. Annotated 16/40 and signed & dated in pencil. Framed, glazed and under passepartout. -- Id. Ex libris Dick Wentzel. (1981). Cold. etching. 150 x 90 mm. Signed and dated in pencil. -- Added: L. v. MARIS & F. MONTENS. Jan Krejci & Oldrich Kulhánek. Overzicht van hun grafisch werk, 1966-74. Leiden, De Bange Duivel, 1974. W. 98 plates. & 2 or. etchings. 4°. Owrps. Printed in 750 numb. copies. -- (3).
Loading...
![ROSSI, Aldo (1931-1997). "Senza titolo, [=Relique], su un'antica carta francese". 1989. Photo-engr. etching. 149 x 410 mm. Fr](https://cdn.globalauctionplatform.com/e6945d44-49f2-46cf-825d-ae6a00d8e548/297ed986-29c8-4cef-a4d8-ae6a00e6aaee/468x382.jpg)
