Adrian Ludwig Zingg (Swiss, 1734-1816), Schloss Pillnitz on the river Elbe, Dresden, outline etching with brown wash on wove paper, signed in plate 'Zingg del.' lower left, laid down onto paper or thin card with a lined ink border (possibly a folio page), 12½ x 17½in. (31.75 x 44.5cm.).* Condition: Has been laid down onto backing paper with ink lined border drawn around edge. Paper evenly time stained. A few sporadic fox marks and some grey line marks and smudges across sky and left margin. Would benefit from cleaning by a specialist restorer. No tears, creases, holes or other damage. In a modern painted faux wood frame with gilt border and lined mount.
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Pennell (Joseph, and Elizabeth Robins). Lithography and Lithographers, some Chapters in the History of the Art, 1st edition thus, T. Fisher Unwin, 1915, 79 lithographic plates, original cloth-backed boards, light wear to headcaps and tips, folio, together with Pennell (Joseph), Etchers and Etching, Chapters in the History of the Art together with Technical Explanations of Modern Artistic Methods, 1st edition, New York: Macmillan and Co., 1919, 39 plates, offsetting, original tan buckram, folio, plus Pennell (Joseph, & Elizabeth Robins), The Life of James McNeill Whistler, 2 volumes, 1st edition, 3rd impression, Philadelphia: J. B. Lippincott Company, 1909, plates, top edges dyed yellow, others untrimmed, original cloth-backed boards, slightly rubbed and bumped, 4to, and approximately 30 others related to Whistler and his circle, including contemporary catalogues, various formats (35)
INDISTINCTLY SIGNED, EARLY 20TH CENTURY MONOCHROME ETCHING OF A MUTILATED CORPSE, signed in pencil lower centre, artist's proof and bears signature lower right, unmounted and unframed, approximately 50.5cm x 33cm, together with seven late 18th/early 19th century pencil sketches of landscapes and seascapes, sizes approximately 4.3cm x 7cm to 9cm x 15cm (8)
A collection of posters and etchings: Asimov, A lecture by Isaac Asimov at the Holiday Inn Birmingham, a restrike engraving of the swing after Fragonard, an etching signed Richard Wade, numbered 48/50, titled 'Farmyard', a screen print and reproduction print signed Pete Ling and an etching 'Cottage Gate' signed Norman Marcus (Quantity)
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