Gerald L. Brockhurst (English, 1890-1978) etching on cream wove paper, portrait of the artist James McBey (British, 1883-1959), sixth state of nine, circa 1931. Signed in pencil in lower right margin "G. L. Brockhurst." Framed under white mat and glass in an etched bronze metallic frame. Sight - 12" H x 8 1/2" W. Framed - 21" H x 17" W. Provenance: The Estates of Olen Bryant and late Vanderbilt University art professor Thomas Brumbaugh, Clarksville/Cottontown, Tennessee. Note: Thomas Brumbaugh was a co-author/editor of the book, THE ART OF GERALD BROCKHURST, published by the Georgia Museum of Art, 1993. CONDITION: Excellent condition. Not examined out of frame.
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Two (2) pencil-signed works on paper by John Edward Costigan and Adolf Arthur Dehn. 1st item: John Edward Costigan (Rhode Island/New York, 1888-1972) etching on paper titled "Workers in the Field", published by Associated American Artists, New York. Great Depression era scene depicting a family in a desolate field, foreground, a worker and a horse, left middle ground with a farmhouse and a plain in the background. Signed "J. E. Costigan" lower left in the plate, signed "J. E. Costigan N. M. - S. M. E." in pencil, lower right margin. Includes original brown paper frame backing with artist's label indicating that this image was the winner of the 1934 Shaw Prize. Retains original mat. Plate - 8 1/2" H x 12 7/8" W. Sight - 9" H x 13 1/8" W. Mat - 14 5/8" H x 18 3/4" W. 2nd item: Adolf Arthur Dehn (New York/Minnesota, 1895-1968) limited edition lithograph on paper titled "Threshing", published by Associated American Artists, New York. Landscape scene depicting cattle and chickens in an enclosed pen to the right of two buildings, foreground, several men participating in the threshing process, middle ground, a line of trees below a cloudy sky, background. Signed "Adolph Dehn" in pencil, lower right under image. Includes original brown paper frame backing with artist's label. Retains original mat. Sight - 9 3/4" H x 12 7/8" W. Mat - 15" H x 18 1/8" W. Both items American, second quarter 20th century. CONDITION: Overall good condition with toning/acid at matte edges. Hinge mounted to mat. 1st item also has a few minute foxing spots.
Salvador Dali (Spanish, 1904-1989) drypoint etching, "Adam and Eve," from Fine Arts 260. Pulled in five colors on Rives paper in the workshop of Ateliers Rigal, France, and completed in August 1972. Signed in pencil lower right and numbered 150/1000 lower left. Retains the original gallery papers and certificate of authenticity. Housed in a modern chrome frame with linen liner. Plate - 15 1/2" H x 12 3/4" W. Sight - 19 1/4" H x 12" W. Framed - 25 3/4" H X 18 1/4" W. CONDITION: Not examined out of the frame. Some waviness noted to paper, otherwise overall very good condition.
Felix-Hilaire Buhot (France/England, 1847-1898) etching titled in the plate lower left "Clock Tower London" depicting the Westminster Tower. Housed in a gilt wood frame. Plate - 11" H x 15 5/8" W. Sight - 11 1/2" H x 16" W. Framed - 19 1/2" H x 23 1/2" W. Circa 1884. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Significant toning and scattered foxing to etching and matte. Not examined out of the frame.
Group of three (3) Luigi Kasimir (Austrian, 1881-1962) and Robert Kasimir (Austrian, 1914-2002) colored etchings of European scenes. 1st-2nd items: Two (2) Luigi Kasimir etchings. One Innsbruck street scene with a cathedral visible in the background, and the second a winter landscape scene titled in lower left corner within the plate "An Der Himmelstrasse". Artlore gallery label on back of Innsbruck piece. 3rd item: One (1) Robert Kasimir etching depicting a view of Salzburg with mountains in the background. ArtLore gallery label on back. All images matted and housed under glass in gilt wood frames and signed in graphite below images in lower center. Plate sizes range from 9 3/4" H x 9 1/4" W to 14" H x 19 1/2" W. Sights range from 10 1/4" H x 9 3/4" W to 14 3/4" H x 20 1/8" W. Frames range from 19 3/8" H x 18 3/8" W to 24 1/2" H x 29 3/8" W. Mid 20th century. CONDITION: Overall good condition. 3rd item: some wear to matte.
Three (3) historical artworks, including one (1) drawing of the Alamo, one (1) etching of Louis XVIII, and one (1) etching of Abraham Lincoln. 1st item: American School pastel and gouache drawing depicting the Alamo in San Antonio, Texas, site of the The Battle of the Alamo (February 23-March 6, 1836) a pivotal event in the Texas Revolution. Signed and dated "Elkentt[?] '32" lower right under image. Housed under glass in a molded gilt and green frame. Image - 12" H x 9 1/8" W. Sight - 15 3/4" H x 11 3/4" W. Framed - 18 1/4" H x 14 3/8" W. Circa 1932. 2nd item: Steel plate engraving titled "Louis XVIII, Roi de France & de Navarre" drawn and engraved by Pierre Bouillon (1776-1831), published by Chez Bance, Paris. Depicting a bust portrait of Louis XVIII wearing a military uniform. Ink inscriptions in French and English text above and below plate marks. Housed under glass in a black wooden frame with faux wooden veneer and gilt wood rabbet edge. Plate - 13" H x 10" W. Sight - 15 1/2" H x 11 1/2" W. Framed - 19" H x 15" W. Note: Louis XVIII (1755-1824), known as "the Desired" was King of France from 1814 to 1824, except for a period in 1815 known as the Hundred Days. He spent twenty-three years in exile, from 1791 to 1814, during the French Revolution and the First French Empire, and again in 1815, during the period of the Hundred Days, upon the return of Napoleon I from Elba. 3rd item: Otto J. Schneider (Illinois, 1875-1946) limited edition etching on paper depicting the Abraham Lincoln: The Man statue in the Lincoln Park in Chicago, IL by Augustus Saint-Gaudens (New York/New Hampshire/Massachusetts/France, 1848-1907). Signed "Schneider" in pencil lower right. Published by the Chicago Society of Etchers Club, Chicago, 1927. Matted and housed under glass in a black wooden frame with gilt silver trim. Plate - 11 1/2" H x 6 3/8" W. Sight - 12 1/4" H x 7 1/8" W. Framed - 18 7/8" H x 12 5/8" W. Early 20th century. Provenance: The Estate of Mrs. Frank Wood, Evansville, Indiana and Dickson, Tennessee. CONDITION: All items in overall good condition. Not examined outside of frames. 1st item: Toning/acid burn, foxing spots. Smudging of pastel. Debris under frame. 2nd item: Foxing spots, dampstaining to majority of sheet. 3rd item: Toning/acid burn.
A 19th Century Colonial wars Queen Victoria 1845 / 54 pattern officers infantry sword having a pierced and folding half basket hilt with VR cypher, shagreen and wire wrapped grip, domed pommel, decorated backstrap, fullered curved single edged blade with faint etching for Jones Of Regent Street. Measures; 97cm overall.
5 small and miniature framed and glazed paintings prints and embroidery. Pictures comprise: an embroidery of a rural cottage, 2 oil on canvas miniature rural lake scenes, a watercolour over etching of a riverside scene and a print " Blakeney Church from Morston Creek, Norfolk" signed by artist Patrick Durrant to mount. Largest frame size approx. 21 x 26cm.
Pictures and Prints - Dentistry - Andries Pauwels the Elder (1600-39), after Theodoor Rombouts (1597-1637), A Dentist Pulling Teeth, copperplate etching with some handcolouring, 30cm x 38cm, framed, (1), Fire-Engines, including American Stam Fire-Engine, 19th century hand-coloured steel engraving, (1); Advertising, Beecham's Pills, framed, (1), [3]
George Hayter (British 1792-1871)The sisters: Mrs Stourbridge and Mrs Wilmot-BormleyWatercolour20.5 x 17cm (8 x 6½ in.)Together with a coloured etching of the same watercolour, a pastel portrait of General Sir William Cator KCB (1785-1866,) father of Margaretta Eliza, wife of William Courtney Morland, a second pastel portrait of Lady Caroline Morland, wife of Colonel Charles Morland, and two pastel portraits of Henry Courtenay Morland as a child, various dates and sizes (6)Provenance:Property of the Morland Family, Court Lodge, Kent
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