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Lot 665

Gerald L. Brockhurst (English, 1890-1978) etching on cream wove paper, portrait of the artist James McBey (British, 1883-1959), sixth state of nine, circa 1931. Signed in pencil in lower right margin "G. L. Brockhurst." Framed under white mat and glass in an etched bronze metallic frame. Sight - 12" H x 8 1/2" W. Framed - 21" H x 17" W. Provenance: The Estates of Olen Bryant and late Vanderbilt University art professor Thomas Brumbaugh, Clarksville/Cottontown, Tennessee. Note: Thomas Brumbaugh was a co-author/editor of the book, THE ART OF GERALD BROCKHURST, published by the Georgia Museum of Art, 1993. CONDITION: Excellent condition. Not examined out of frame.

Lot 670

Two (2) pencil-signed works on paper by John Edward Costigan and Adolf Arthur Dehn. 1st item: John Edward Costigan (Rhode Island/New York, 1888-1972) etching on paper titled "Workers in the Field", published by Associated American Artists, New York. Great Depression era scene depicting a family in a desolate field, foreground, a worker and a horse, left middle ground with a farmhouse and a plain in the background. Signed "J. E. Costigan" lower left in the plate, signed "J. E. Costigan N. M. - S. M. E." in pencil, lower right margin. Includes original brown paper frame backing with artist's label indicating that this image was the winner of the 1934 Shaw Prize. Retains original mat. Plate - 8 1/2" H x 12 7/8" W. Sight - 9" H x 13 1/8" W. Mat - 14 5/8" H x 18 3/4" W. 2nd item: Adolf Arthur Dehn (New York/Minnesota, 1895-1968) limited edition lithograph on paper titled "Threshing", published by Associated American Artists, New York. Landscape scene depicting cattle and chickens in an enclosed pen to the right of two buildings, foreground, several men participating in the threshing process, middle ground, a line of trees below a cloudy sky, background. Signed "Adolph Dehn" in pencil, lower right under image. Includes original brown paper frame backing with artist's label. Retains original mat. Sight - 9 3/4" H x 12 7/8" W. Mat - 15" H x 18 1/8" W. Both items American, second quarter 20th century. CONDITION: Overall good condition with toning/acid at matte edges. Hinge mounted to mat. 1st item also has a few minute foxing spots.

Lot 903

Salvador Dali (Spanish, 1904-1989) drypoint etching, "Adam and Eve," from Fine Arts 260. Pulled in five colors on Rives paper in the workshop of Ateliers Rigal, France, and completed in August 1972. Signed in pencil lower right and numbered 150/1000 lower left. Retains the original gallery papers and certificate of authenticity. Housed in a modern chrome frame with linen liner. Plate - 15 1/2" H x 12 3/4" W. Sight - 19 1/4" H x 12" W. Framed - 25 3/4" H X 18 1/4" W. CONDITION: Not examined out of the frame. Some waviness noted to paper, otherwise overall very good condition.

Lot 966

Felix-Hilaire Buhot (France/England, 1847-1898) etching titled in the plate lower left "Clock Tower London" depicting the Westminster Tower. Housed in a gilt wood frame. Plate - 11" H x 15 5/8" W. Sight - 11 1/2" H x 16" W. Framed - 19 1/2" H x 23 1/2" W. Circa 1884. Provenance: The estate of Joan Dearden, Johnson City, Tennessee. CONDITION: Significant toning and scattered foxing to etching and matte. Not examined out of the frame.

Lot 967

Group of three (3) Luigi Kasimir (Austrian, 1881-1962) and Robert Kasimir (Austrian, 1914-2002) colored etchings of European scenes. 1st-2nd items: Two (2) Luigi Kasimir etchings. One Innsbruck street scene with a cathedral visible in the background, and the second a winter landscape scene titled in lower left corner within the plate "An Der Himmelstrasse". Artlore gallery label on back of Innsbruck piece. 3rd item: One (1) Robert Kasimir etching depicting a view of Salzburg with mountains in the background. ArtLore gallery label on back. All images matted and housed under glass in gilt wood frames and signed in graphite below images in lower center. Plate sizes range from 9 3/4" H x 9 1/4" W to 14" H x 19 1/2" W. Sights range from 10 1/4" H x 9 3/4" W to 14 3/4" H x 20 1/8" W. Frames range from 19 3/8" H x 18 3/8" W to 24 1/2" H x 29 3/8" W. Mid 20th century. CONDITION: Overall good condition. 3rd item: some wear to matte.

Lot 982

Three (3) historical artworks, including one (1) drawing of the Alamo, one (1) etching of Louis XVIII, and one (1) etching of Abraham Lincoln. 1st item: American School pastel and gouache drawing depicting the Alamo in San Antonio, Texas, site of the The Battle of the Alamo (February 23-March 6, 1836) a pivotal event in the Texas Revolution. Signed and dated "Elkentt[?] '32" lower right under image. Housed under glass in a molded gilt and green frame. Image - 12" H x 9 1/8" W. Sight - 15 3/4" H x 11 3/4" W. Framed - 18 1/4" H x 14 3/8" W. Circa 1932. 2nd item: Steel plate engraving titled "Louis XVIII, Roi de France & de Navarre" drawn and engraved by Pierre Bouillon (1776-1831), published by Chez Bance, Paris. Depicting a bust portrait of Louis XVIII wearing a military uniform. Ink inscriptions in French and English text above and below plate marks. Housed under glass in a black wooden frame with faux wooden veneer and gilt wood rabbet edge. Plate - 13" H x 10" W. Sight - 15 1/2" H x 11 1/2" W. Framed - 19" H x 15" W. Note: Louis XVIII (1755-1824), known as "the Desired" was King of France from 1814 to 1824, except for a period in 1815 known as the Hundred Days. He spent twenty-three years in exile, from 1791 to 1814, during the French Revolution and the First French Empire, and again in 1815, during the period of the Hundred Days, upon the return of Napoleon I from Elba. 3rd item: Otto J. Schneider (Illinois, 1875-1946) limited edition etching on paper depicting the Abraham Lincoln: The Man statue in the Lincoln Park in Chicago, IL by Augustus Saint-Gaudens (New York/New Hampshire/Massachusetts/France, 1848-1907). Signed "Schneider" in pencil lower right. Published by the Chicago Society of Etchers Club, Chicago, 1927. Matted and housed under glass in a black wooden frame with gilt silver trim. Plate - 11 1/2" H x 6 3/8" W. Sight - 12 1/4" H x 7 1/8" W. Framed - 18 7/8" H x 12 5/8" W. Early 20th century. Provenance: The Estate of Mrs. Frank Wood, Evansville, Indiana and Dickson, Tennessee. CONDITION: All items in overall good condition. Not examined outside of frames. 1st item: Toning/acid burn, foxing spots. Smudging of pastel. Debris under frame. 2nd item: Foxing spots, dampstaining to majority of sheet. 3rd item: Toning/acid burn.

Lot 1052

Herbert Thomas Dicksee (British 1862-1942): 'Maternal Care', etching signed in pencil, published by Frost & Reed 1899, 47cm x 73cm Condition Report Click here for further images, condition, auction times & delivery costs 

Lot 1053

Herbert Thomas Dicksee (British 1862-1942): 'Raiders', etching signed in pencil, published by Frost & Reed 1898, 42cm x 68cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 1054A

Henry Wilkinson (British 1921-2011): Labrador and Ducks, limited edition dry point etching No.75/100 signed 27cm x 37m Condition Report Very good condition and colour - Ready to hang,Click here for further images, condition, auction times & delivery costs

Lot 1076

Charles Blondin (French 1913-1991): 'Notre Dame in the Snow, Paris', coloured etching signed, titled and numbered in pencil 34cm x 40cm Condition Report Click here for further images, condition, auction times & delivery costs

Lot 142

James Cadzow, (Scottish 1881 - 1941) Fortified Castle, Etching, signed in pencil, in glazed frame, 29 x 22cm

Lot 146

Wm Strang, R.A (1859 - 1921) The Cause of the Poor, Etching, signed in pencil, glazed frame, 22 x 26cm

Lot 151

Edmund Blampied, A.R.E. (1856 - 1966) Fetch it! Drypoint etching, in glazed frame, 20 x 15cm

Lot 155

N.S Chisolm, The Ancient Gods Etching with Mary Webb verse below, in a glazed frame, 36 x 26cm

Lot 156

John Copley, (1875 - 1950) Three race horses, Etching, singed in pencil, in glazed frame, 24 x 30cm

Lot 159

William Walker Evening on the Forth, Etching, signed in pencil, in glazed frame, 20 x 11cm

Lot 609

Graham Clarke (b 1941) - Christmas Rose - coloured etching, numbered 132/250, signed in pencil to the margin, framed & glazed, 17 by 13cms (6.75 by 5ins).

Lot 691

Henry Wilkinson - Pointer Hunting Dog - coloured etching, signed and numbered 107/150 in pencil to the margin, framed & glazed, 32 by 22cms (12.5 by 8.75ins) and another similar by the same artist (2).

Lot 1038

Hedley Fitton (1857-1929) - Paris street scene, etching, 49 x 32cmCondition report: Some warping and light marks.Glass missing from frame.

Lot 1060

Assorted pictures and prints, to include etching of Loch Lomond, ink and wash sketch of Cavendish etc

Lot 1107

Herbert Dicksee - Lion watering, etching, 17 x 25cmCondition report: Missing glass to frame.Print is slightly grubby.Small indentation above lions back.Margin has some browning and light foxing.

Lot 195

A 19th Century Colonial wars Queen Victoria 1845 / 54 pattern officers infantry sword having a pierced and folding half basket hilt with VR cypher, shagreen and wire wrapped grip, domed pommel, decorated backstrap, fullered curved single edged blade with faint etching for Jones Of Regent Street. Measures; 97cm overall.

Lot 301

Richard Bawden RWS NEAC RE *ARR, (b.1936), Song Thrush, artist's proof, etching, 20 x 30cm

Lot 326

Ten assorted oils, watercolours and an etching

Lot 556

A continental etching of a women 'Campainere' 15 x 9.5cm

Lot 558

Edward Cherry - etching Bath Abbey 14 x 9cm and Charles Barker - etching York Minster Rose window

Lot 578

An etching by Pauline Aitken and four lithographs by Sheila Wright - circa 1960's, all unframed

Lot 27

Karen Keogh St. James Park, 2020 Etching on paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Karen's 3 plate etching are a colourful journey around London and the Mediterranean. Light on the landscape is a particular inspiration. Shape and pattern are important in the final design.

Lot 28

Karen Keogh Olive Grove, Tuscany, 2020 Etching on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Karen's 3 plate etching are a colourful journey around London and the Mediterranean. Light on the landscape is a particular inspiration. Shape and pattern are important in the final design.

Lot 29

Karen Keogh San Gimignano, 2020 Etching on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Karen's 3 plate etching are a colourful journey around London and the Mediterranean. Light on the landscape is a particular inspiration. Shape and pattern are important in the final design.

Lot 30

Karen Keogh Tuscan Hillside, 2020 Etching on paper Signed verso 10 x 15cm (3¾ x 5¾ in.) Karen's 3 plate etching are a colourful journey around London and the Mediterranean. Light on the landscape is a particular inspiration. Shape and pattern are important in the final design.

Lot 378

AN EARLY 19TH CENTURY HAND MADE CLARET JUG VERY HEAVILY ETCHED TO THE WHOLE OF THE BULBOUS BODY WITH BRIAR ROSE'S HAVING SILVER PLATED MOUNTS AND HANDLE DECORATED WITH SYMPATHETIC ETCHING SURMOUNTED BY A PINEAPPLE KNOP AND A GROUND POLISHED AND SUNBURST CUT BASE 10 INCHES TALL

Lot 222

Horace Brodzky (Australian 1885-1969), Head of a woman, signed, etching, 30 x 22cm: Emil Orlik (1870-1920), The Carpenter, signed, engraving, 27 x 21cm, unframed and Max Klinger(1857-1920), Seated man, signed and numbered 12/19, engraving, 38 x 30cm unframed (3)

Lot 127

George Cunningham, 'Match of The Day', colour print. Terry Gorman 'Spirit of Sheffield' signed. Harold Thornton 'Wind in /The Trees' etching, signed, other prints, plates Mitzi Lorenz Hat, pewter tea pot etc:- One Box

Lot 550

IB Entrance to Leicester Hospital, Warwick, pen and ink drawing, dated 1941, 17 x 12cm. Willie Rawson "The Chantry, Wakefield" etching, signed. Fennell coloured print. (3)

Lot 6

Vernon Long (British XX Century), Country House and Outhouses with Large Field in Foreground, watercolour, 28 x 54.5cm, signed and dated 1973; Philip Pimlott 'This Farmer' etching, 35 x 22.5cm.

Lot 279

William Lionel Wyllie (1851-1931), HMS Queen Elizabeth at the Dardanelles, etching, signed in pencil, inscribed paper label verso for Matthews & Brooke, Bradford (detached), 21.5cm by 28.5cm

Lot 312

Eric James Mellon (1925-2014), Lioness, coloured etching, numbered Artist's Proof 1/50, inscribed and signed in pencil, 4.5cm square

Lot 1329

5 small and miniature framed and glazed paintings prints and embroidery. Pictures comprise: an embroidery of a rural cottage, 2 oil on canvas miniature rural lake scenes, a watercolour over etching of a riverside scene and a print " Blakeney Church from Morston Creek, Norfolk" signed by artist Patrick Durrant to mount. Largest frame size approx. 21 x 26cm.

Lot 413

Michael Blacker: a limited edition etching, "An Evenings Fishing at Studley", a view of Tunbridge Wells and three other landscape prints

Lot 414

Harry Bateman: a signed etching, "The Spa, Scarborough", in strip frame, and a pencil sketch, "Wycombe Abbey, Bucks 1917" (drawn whilst the artist was recovering from injuries received in the first war)

Lot 428

Pietro Sarti Bartolli: a 17th century etching, "Christ the Shepherd", 4 1/4" x 10 3/4", in strip frame, and Paul Dujardin: three saints and a cherub, 61/2" x 5 3/4", in strip frame

Lot 436

Frances Kelly: a signed limited edition aquatint/etching "Seafront" 7/45, in strip frame

Lot 32

Sue Brown (British contemporary) signed limited edition (3/30) etching 'Maran' depicting a chicken, 51 x 35cm, framed and glazed 

Lot 36

Sue Brown (British Contemporary) signed limited edition (2/30) etching 'Marans' depicting three chickens, 51 x 56cm, framed and glazed 

Lot 7

Juliet Keyte, three watercolours, two charcoal studies, five artist's proof etchings, one limited edition etching and a print, largest 33 x 23cm

Lot 40

Pictures and Prints - Dentistry - Andries Pauwels the Elder (1600-39), after Theodoor Rombouts (1597-1637), A Dentist Pulling Teeth, copperplate etching with some handcolouring, 30cm x 38cm, framed, (1), Fire-Engines, including American Stam Fire-Engine, 19th century hand-coloured steel engraving, (1); Advertising, Beecham's Pills, framed, (1), [3]

Lot 11

Harald Sellberg Swedish etching dated 1926 together with a further similar scene monogrammed AF and another possibly monogrammed BE and dated 1931, depicting reindeer with handlers struggling to maintain order, each 21 x 30cm

Lot 59

FRANCOISE DEBERDT - AN AQUATINT ETCHING ENTITLED 'PARADIS' 4/20 - SIZE INC FRAME - 64.5CM X 47CM

Lot 606

REMBRANDT, 19th Century etching "Portrait of Jacob Cats", reproduced by Amand Durand, 6" x 5"

Lot 608

GEORGE CRUIKSHANK, hand coloured etching "The Comforts of a Cabriolet!", 9" x 14.5"

Lot 684

ROBERT SMITH, signed etching "Overlooking Looe Harbour", 3.5" x 8"

Lot 690

CYRIL ANNING, signed etching "Newlyn Harbour", 5" x 9"

Lot 704

JAMES GILLRAY, antique coloured etching, "The Cow Pock", 10.5" x 13.5"

Lot 232

Cecil Tatton Winter, The Clock Tower at Hampton Court, etching with aquatint, signed in pencil, H.37cm W.28cm

Lot 239

Andrew F.Affleck (British, 1869-1935), Hotel de Ville, Louvain, etching, signed in pencil lower right, 55.5 x 39cm

Lot 668

George Hayter (British 1792-1871)The sisters: Mrs Stourbridge and Mrs Wilmot-BormleyWatercolour20.5 x 17cm (8 x 6½ in.)Together with a coloured etching of the same watercolour, a pastel portrait of General Sir William Cator KCB (1785-1866,) father of Margaretta Eliza, wife of William Courtney Morland, a second pastel portrait of Lady Caroline Morland, wife of Colonel Charles Morland, and two pastel portraits of Henry Courtenay Morland as a child, various dates and sizes (6)Provenance:Property of the Morland Family, Court Lodge, Kent

Lot 26

δ NORMAN WILKINSON (BRITISH, 1878-1971) The London Pilot Signed 'Norman Wilkinson' (lower right) and inscribed with title (lower left) Etching Pl. 6 x 9in. (15 x 23cm.)Condition report: Good condition.

Lot 218

David Law, coastal scene, etching, signed in pencil, together with other etchings

Lot 111

Early Twentieth Century School : St. Nicholas Cathedral, Newcastle upon Tyne, etching with aquatint, with colouring, with margins, indistinctly signed in pencil, 34 cm x 23 cm, framed.

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