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Lot 1
Charles John Watson 1846-1927- 'Lincoln'; etching, signed and dated within the plate and in pencil 1896, 25x21cm. Note: provenance with W R Deighton, Trafalgar Square, London, according to label verso and original receipt dated 1908 accompanying this lot. George Willis Pryce 19/20th century- River landscape; oil on canvas, signed: Samuel Arlent Edwards 1862-1935- 'Emma Lady Hamilton', after George Romney; mezzotint printed in colours, signed in pencil: together with other 19/20th century prints after various hands, (6)
Lot 1
European School early 20th century- Mill over the river, published by l'Estampes Moderne, 12 Rue Godot de Mauroi, Paris 1919; etching with aquatint, indistinctly signed in pencil 44x33cm: together with a similar early 20th century signed etching with aquatint by a different hand and a reproduction printed in colours after John Sell Cotman, (3)
Lot 1
British School late 20th century- 'Race course'; gouache over a printed base, 56x26cm: Mayhew Late 20th century- 'North Bound Gray Whales'; etching, signed and numbered 52/125: together with four other 20th century, etchings and watercolour studies by and after various hands, (6) (may be subject to Droit De Suite)
Lot 1
Szentgyorgyi, Eastern European School mid 20th century- View of Buda across the River Danube from Pest; watercolour, signed and dated 932, 41x30cm: Emil Orlik 1870-1932- Arab sailing vessel along the Nile; etching with drypoint printed in colours, signed in pencil, 29x19cm: Hungarian School 20th century- Cottages; gouache, signed: K Toth- Cottages and woodland by a rivershore; paint on silk, signed, (4) (may be subject to Droit de Suite)
Lot 1
John Rocque- 'A New Plan of Richmond Garden..', after Thomas & Robert Greening, 1748; hand-coloured engraved plan, 57x45.5cm: Bertram Nicholls 1883-1974- 'Tintern'' watercolour, signed: A D Bell 1884-1966- 'Drying Sails'; watercolour, signed and dated 1952: S A Adburgham 20th century- Church lane; watercolour, signed: together with a hand-coloured aquatint of an English townscape and a signed etching of a Fiord in Norway, (6)
Lot 1
Henry Heath 19th century- 'The Revolution of 1831 as Prophecyed by that learned Astrolger General, Jkey Wether-Bridge...', publ by S W Fores, Piccadilly 1831; hand-coloured etching, a late impression, 24.7x35cm: Thomas McLean, 26 Haymarket, publ. Aug 18th 1829- 'The Jockey...'; hand-coloured etching: together with five other hand-coloured etchings and lithographs of political and satirical subjects by different hands, 19th century, (7)
Lot 1
Damien Hirst, b. 1965 CINEOLE signed; signed and numbered 38/145 on the reverse colour etching diameter: 86cm.; 33.5in. sheet: 115 by 112cm.; 45 by 44in. Executed in 2004 and printed by Paragon Press in an edition of 145. Provenance Paragon Press, London Acquired from the above by the present owner
Lot 1
Studio Special Numbers.. Design in the Theatre, 1927, Designing for the Stage, by Doris Zinkeisen, 1948, Lettering of To-Day, edited by C.G. Holme, 1941, Colour Photography and other Recent Developments of the Art of the Camera, 1908, Modern Etching and Engraving, European and American, 1902, Modern Etchings, Mezzotints and Dry-Points, 1912-13, numerous col. and b & w illusts., together with twenty-two similar, folio (28)
Lot 1
*Etchings and engravings. A collection of twenty-five various etchings, etc., mostly late 19th and early 20th c., including four etchings by D. C. Read (Near Southampton, Landscape with barge in the foreground, Coniston, Morning, & Castle and Lake), an etched view of the Rio dei Greci, Venice by J. Alphege Brewer, an etching by Stewart Robertson, of Old Buildings, Kingston, two etched views of the Seine, Paris, each signed Kelly, and dated 1925 & 1927, an album of etched views of the Rhein by Heinrich Reifferscheid, pub. 1924, etc., mostly loose (a few mounted) (25)
Lot 1
*Etchings, etc. A collection of various late 19th and early 20th c. etchings, etc., including a large view of Royal Windsor by C. O. Murray, after Niels M. Lund, pub. 1907, six copies of a large mezzotint landscape by Frank Short, each signed, with some staining and spotting to margins, two photogravure b&w reprods. after paintings of game birds by Archibald Thorburn, each signed in pencil, an etched landscape after D. W. Leader, signed by the engraver and artist, two etchings on silk after John Pettie, a colour mezzotint by Alfred J. Skrimshaw after Turner's Fighting Temeraire, a colour lithograph of a bridge on the Thames by Cecil Aldin, signed in pencil, mounted on card, and trimmed to margins, plus three copies of an etching by Arthur Garratt, depicting Rodin at work in his studio, each signed in pencil, etc. (approx. 25)
Lot 1
*Piranesi (Giovanni Battista, 1720-1778). Veduta delle antiche Sostruzioni fatte da Tarquinio Superbo dette il Bel Lido..., uncoloured etching, numbered 741 to top right corner, with circular blindstamp of the Regia Calcografia Roma, to lower right corner, plate size approx. 450 x 580mm. (17.75 x 22.75 ins), framed and glazed (1)
Lot 1
*Piranesi (Giovanni Battista, 1720-1778). Veduta interna del Sepolcro di S. Costanza, Fabbricato da Costantino Magno ..., [Rome, late 18th c.], etching, some staining and surface soiling, central vertical crease, plate size approx. 412 x 550 mm, together with a damaged copy of Piranesi's 1766 engraving entitled A View of Part of the Intended Bridge at Blackfrairs London, with some loss to left hand margin (w.a.f.), approx. 400 x 600 mm, plus Vertue (George), The View of The Charity-Children in The Strand, upon the VII of July MDCCXIII, being the day appointed by Her Late Majesty Queen Anne for a publick Thanksgiving for the Peace ..., pub. 1715, engraving, some soiling and foxing, some damage to margins, with portion to upper right hand margin missing, plate size approx. 380 x 650 mm, and Pocock (Nicholas), Conway Castle in North Wales, aquatint by Wells after Pocock, some staining and discol., plt. size approx. 520 x 720 mm, mounted on card, plus other 18th and 19th c. large-format prints and engravings, generally in distressed condition (approx. 40)
Lot 1
*Boxing. Alken (Henry), A Prize Fight, pub. T. McLean, 1820, hand coloured aquatint, some marginal fraying, 200 x 300 mm, together with an original broadside ballad entitled ‘Mace and Victory' relating to the fight between Jem Mace and Tom King in 1862, with a large wood engraved illustration, torn to corner with some loss, plus another broadside entitled ‘A New Song on Coburn & Mace' relating to the 1871 fight with the American Joe Coburn, both 243 x 192 mm, plus a late 19th century restrike of a Cruikshank etching entitled ‘A Sparring Match at the Fives Court' (approx. 175 x 220 mm). (4)
Lot 223
E * MAGES after Rowland Hilder, A Kentish landscape with oast house, inscribed in pen verso and dated 1962, watercolour, 21 1/2" x 30" and two other works to include 'Timber Felling in Essex' after Michael Rothenstein, printed at the Baynard Press and an etching 'Mittenwald' by Hans Figura, the last item unframed (3).
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71174 item(s)/page