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Thomas Girtin (1775-1802) and W. Pickett, 'A General View of Paris taken from Chaillot', etching (by Girtin) and aquatint (by Pickett), published 1803 by John Girtin, 20 x 58 cm (8 x 23 in) together with an etching by John Sell Cotman of the Monument of Thomas, Lord Morley, in the church at Hingham, published 1817 (2)
Edward Julius Detmold ARE (1883-1957), 'Indian Wolf's Head', etching, signed and dated 1899 in pencil, with label verso, 13 x 10 cm (5 x 4 in) together with an etching of a man with a large moustache wearing a wide-brimmed hat, signed in pencil, possibly Evelyn L. Vigeon, 20 x 14 cm (8 x 5 1/2 in) (2)
Enid Marx (1902-1998), A basket of roses, linocut, signed lower right, 22 x 14 cm (8 1/2 x 5 1/2 in) together with a lithograph 'B is for Bears on the Beach' by Janet Parr, 1975, an aquatint of an owl, 1971, an etching of a king and queen embossed 'CR' and 'Landscape with Balloons' by George Tute, 1981 (5)
Robert Pollard (1735-1838) and Francis Jukes (1745-1812), after Robert Dodd, 'A West View of Highbury Place', etching and aquatint, published 1787, 37 x 52 cm (14 1/2 x 20 1/2 in) together with 'The North View of Highbury & Cannonbury Places', by the same hands, and a lithograph of Greenwich Hospital and Park after James Fagan (3)
Axel Herman Haig RE (Swedish, 1835-1921), A water mill in a town, etching, signed in pencil and inscribed 'Trial proof', signed and dated 1880 in the plate, 26 x 18 cm (10 x 7 in) together with two etchings of Chipping Campden and Bibury by L. Russell Conway (b. 1882), dated 1930 and 1934 (3)
*** Auerbach (20th century), Two unframed sheets of pencil figure studies, each 38 x 26 cm (15 x 10 in), both signed or inscribed 'Auerbach', together with three lithographs by a possibly related hand, signed or inscribed 'Margaret', one entitled 'Scene at station - pig in transit', and an etching initialled 'MP'
Percival Leonard Rosseau (American 1859-1937) Partners etching, signed and titled in pencil. Original mount and frame 19cm x 26cm Note: Percival Rosseau was often invited by his partners to hunt and paint on their estates. Most prominent was Percy Rockerfeller, who made Rosseau a member of the hunting club at Overhills, on his estate in Fayetteville, North Carolina. Rockerfeller erected a studio for Rosseau on his estate and often lent his bird dogs to Rosseau as models.

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