We found 71082 price guide item(s) matching your search
There are 71082 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71082 item(s)/page
Lot 1136
Sir Claude Francis Barry (1883-1970) - portrait of Mary Marshall, signed oil on board. Sir Claude Francis Barry was born 128 years ago into a rich family whose wealth was based on heavy industry. But he had a troubled childhood after the death of his mother when he was two and his father`s subsequent re-marriage in 1893. In 1905 he went to live in St Ives. Barry was a pacifist and was anyway exempted from military service; he did not fight in the First World War. From about 1905, he exhibited his pointilistic works at the Royal Academy and elsewhere. Between the Wars he became renowned for his etchings and spent much of his time on the Continent returning to St Ives in 1939. Most of his etching plates were stored in Milan and were destroyed by a bomb in 1944. After the War he left Cornwall to live on Jersey. It is during this period that he painted many of his portraits including this one. PROVENANCE; This portrait is sent in for sale by the sitter. Mary Marshall knew the artist well and he had great admiration for her as a singer. She was born in Bolton and was a solo artiste with Columbia in the 1950`s. For a short time she was a member of a group "The Three Shades". She moved from her recording company and accepted a contract to perform in the Channel Islands for impresario Sydney James, where she caused an unprecedented sensation; they were married in 1960 and settled in Guernsey. Mary continued in Sydney`s Olde Tyme Music Hall shows and cabarets for many years having had two daughters. She retired in 1979 and remains in Guernsey today having remarried after her husband`s death in 1985. 24 x 18in. (60.96 x 45.72cm)
Lot 514
* AFTER THOMAS ROWLANDSON. `Pic Nic Revels-Men are but Children of a larger Growth`, coloured print, bears signature` Rowlandson Delt` , unframed, 9 1/2 x 14 in; a coloured etching after William Heath titled `Retrenchment`; and a coloured mezzotint titled `Tom Tackle relieving an Old Shipmate`. (3)
Lot 611
* Bruno Gimpel, German 1886-1943- Eve; pen and black ink and wash with watercolour, signed, 13.5x17cm: together with a work in calligraphy in pen and black ink and gold, signed, and a hand-coloured reproduction print of a further work, 32x20.5 and 31x17cm: Martin Claus, German 1892-1929- Writer in a garret; pen and black ink and wash, signed and dated 13, 22x18cm: together with a pen and ink and wash drawing of a musician by the same hand, tondo 18cm., dia: E Wünsch, German early 20th century- Workers in a factory; watercolour, signed , inscribed and dated 14, 22x31cm: Kurt Preisller, German 1893-1968- Parkland/cityscape; pencil, signed and dated 13, 26x36cm: together with seven further drawings, German School, early-mid 20th century, to include portrait studies, nudes, landscape studies etc., each signed and/or inscribed, some dated, various sizes: Martin Erich Philipp (MEPH), German 1887-1978- Toucans; colour woodblock print, signed with initials within the plate, signed, inscribed and dated 1913 in pencil, 17x25cm: Hans Kallmeyer, German 1882-1961- Moose; etching, signed within the plate and signed and dated 1913 in pencil, 16x21cm: Max Schenke, German 1891-1957- Portrait of a man head and shoulders; etching, signed and dated 13 within the plate, signed and titled in pencil, 32x20cm: together with fourteen further etchings, lithographs and woodcuts by different hands, German School early 20th century and a further two photographs of sculptures and reliefs and a sample of ex libris, after different hands, all in card mounts, in vellum mounted presentation box with inset pen and ink and watercolour drawing by Bruno Gimpel signed with initials, 56x45x8.5cm., (34) (box)
Lot 616
J Moore, 19th century, No`s 1 & 2 corner of West Street Upper St Martins Lane, Publ March 1st 1842- "Messrs Truman Hanbury Buxton & Co`s Brewery"; hand-coloured aquatint, mounted in a modern maple veneered frame, 44x60cm: J Dadley, 18th/19th century- Royal Jennerian Society Honorary Testimonial...", 1803, after G Oben; engraving with gold coloured applied seal, 31.3x32cm: Benjamin Cole c.1697-1783- "The South Prospect of St Bartholomew`s Hospital"; engraving, 37x25cm: Thomas Rowlandson 1756-1827, Augustus Charles Pugin 1769-1832 and Joseph Constantine Stadler fl. 1780-1822- "Quakers Meeting", publ 1st April 1809 at R Ackermann`s Repository of Arts 101 Strand; hand-coloured aquatint, 22x26.7cm: Leslie Moffat Ward 1888-1978- "Evening at the Fisherman`s Dock Poole"; etching, signed with monogram within the plate, signed and titled in pencil, 22.5x30cm: together with two small decorative prints, (6)
Lot 656
Alvar Sunol Munoz-Ramos, Spanish b.1935- "A Look of Hope"; etching with aquatint printed in colours, signed and numbered 66/150 in pencil, 39x48.8cm: Charles Laborde, French 1886-1941- "L`Essayage"; lithograph printed in colours, signed and numbered 41/150 in pencil, bears publisher`s blindstamp, 43x33cm., (2) (may be subject to Droit de Suite)
Lot 815
Döethe von Haniel, late 20th century- Untitled abstract landscape composition; etching with aquatint, signed in pencil and dated `89, inscribed `E.A`, 39x29.7cm: together with nine further similar style prints by the same hand, all signed in pencil and dated `89, (10) (unframed) (may be subject to Droit de Suite)
Lot 983
Daniel Havell 1785-c.1826- "A View of the Bank of England", after T H Shepherd, publ Aug 1st 1816 by R Ackermann`s Registry of Arts 101 Strand; hand-coloured aquatint, 41x49.5cm: Johan Martin Weis 1711-1751- "Vue et Perspective de la Ville de Bale du cote de Huningue", after em Buchel; engraving, 45.5x67.7cm: William Monk RE 1863-1937- City street scene; etching, signed in pencil, signed and dated June 5 96 within the plate, 25x17cm: Stow`s Survey, publ 1754- "Coleman Street ard and Bashishaw ard"; engraved plan, 36x30cm: together with one other 18th century plan of London titled "A Mapp of the Parish of St Martins in the Fields", 36.5x30.5cm: Johan Sebastian Müller 1715-1785- "A View of the Grand South Walk in Vaux Hall Gardens", after Canaleti, publ by Robt Sayer Map & Printseller at the Golden Buck opposite Fetter Lane Fleet Street; hand-coloured engraving, from a later edition, 26x40cm: British School, 18th century- "Warburg in Westphallia"; engraving, 16x23cm: J Gough, British 19th century- "St Catherine Cree, Leadenhall Street", after T H Shepherd; hand-coloured engraving, 12x16.5cm: Francesco Bartolozzi RA 1727-1815- "Fitz Williams Earl of Southampton" "The Eliott Knight" "The Lady Parker" and two others, from portraits In His Majesty`s Collection, publ Dec 1st 1797 by I Chamberlaine, Brompton Row, Middlesex; stipple engravings printed in colours, in matching oak frames, 30x24cm., ea., (13)
Lot 1177
Adolphe Valette (1876-1942)-Bulls in a field, a pencil signed dry point etching, 22 x 30cm. NB: As well as a highly regarded artist whose work is collected worldwide Valette was also noted as Art Master at the Manchester School of Art from 1906 to 1920, his most famous pupil being L S Lowry (illustrated)
Lot 19
HENRY ROBERT ROBERTSON (1839-1921) `In the hayfield`, etching, 3 3/4" x 9 1/4"; another by the same hand, pencil signed in the margin; a monochrome print in the manner of James Hardy Junior; Horace Mann Livens, Man with cockatoo, etching, 8 1/4" x 7", unframed; a group of four hand coloured engravings - Views around London; and a lithograph of a semi clad female figure with script, indistinctly signed and dated 1926 (9).
Lot 34
CHRISTOPHER PENNY (b.1947) `Chartwell`, artist`s proof etching in colours, pencil signed in the margin and titled, 10 1/4" x 14 1/4"; Phil Greenwood `Lake Walk`, artist`s proof, etching, pencil signed in the margin, 6" x 9 3/4" and Michael Chaplin `Taynton from the meadow`, etching, pencil signed and numbered 41/100, 7 1/2" x 19 1/2" (3).
Lot 43
QUEEN VICTORIA (1819-1901) A Medieval jousting session, etching, inscribed in the plate `V R Sept. 1 1840, after Albert. W. C`, etching, 5" x 6 1/4"; and three further related items, including a letter dated 1946 from A H Scott Elliott, Assistant to the Librarian Windsor Castle confirming the etching is by Queen Victoria, all unframed (4).
Lot 57
CONRAD HOPE LOMAX (b.1885) River landscape with willow tree, etching, pencil signed in the margin and numbered 3/50, 10 1/4" x 15 1/2"; Krostewiz after Corot, a Continental lake scene with shepherd, etching, pub. c.1901, 16" x 20"; a river landscape, watercolour, signed A Hoyland; and L*L* Langley - `The Poet`, signed with initials, oils on canvas, 17" x 14 1/2" (4).
Loading...-
71082 item(s)/page