Giovanni Battista Piranesi 1720 Mogliano - 1778 RomBlatt VI der sechzehnteiligen Folge der `Carceri d`Invenzione` (The Smoking Fire). 1749.Radierung. Focillon 29. Hind 6 II (von III). Robison 32 VI (von VII). In der Platte signiert und römisch nummeriert. Ganz ausgezeichneter, kräftiger Druck auf Bütten mit breitem Rand um die Plattenkante und dem üblichen Mittelfalz. 54,5 x 40 cm (21,4 x 15,7 in). Papier: 73 x 54,3 cm (28,7 x 21,4 in).PROVENIENZ: Karl und Faber, München, Verkaufsausstellung Giovanni Battista Piranesi 1982, Kat.-Nr. 6.Sammlung Dr. Rolf Linnenkamp. ca. 14.41 h +/- 20 Min.ENGLISH VERSIONGiovanni Battista Piranesi 1720 Mogliano - 1778 RomBlatt VI der sechzehnteiligen Folge der `Carceri d`Invenzione` (The Smoking Fire). 1749.Etching. Focillon 29. Hind 6 II (of III). Robison 32 VI (of VII). Signed and Roman numbered in plate. Excellent strong impression on laid paper with broad margin around platemark and the usual centerfold. 54,5 x 40 cm (21,4 x 15,7 in). Sheet: 73 x 54,3 cm (28,7 x 21,4 in).PROVENANCE: Karl und Faber, Munich, sales exhibition Giovanni Battista Piranesi 1982, cat. no. 6.Collection Dr. Rolf Linnenkamp. ca. 14.41 h +/- 20 min.
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Giovanni Battista Piranesi 1720 Mogliano - 1778 RomBlatt VIII der sechzehnteiligen Folge der `Carceri d`Invenzione` (The Staircase with Trophies). 1749.Radierung. Focillon 31. Hind 8 II (von III). Robison 34 V (von VI). In der Platte signiert und römisch nummeriert. Ausgezeichneter Druck auf Bütten, mit breitem Rand um die Plattenkante und dem üblichen Mittelfalz. 55 x 40,3 cm (21,6 x 15,8 in). Papier: 73 x 55 cm (28,7 x 21,6 in).PROVENIENZ: Auktion Karl und Faber, München, 28. November 1974, Los 710 (Abb. Taf. 55).Sammlung Dr. Rolf Linnenkamp. ca. 14.42 h +/- 20 Min.ENGLISH VERSIONGiovanni Battista Piranesi 1720 Mogliano - 1778 RomBlatt VIII der sechzehnteiligen Folge der `Carceri d`Invenzione` (The Staircase with Trophies). 1749.Etching. Focillon 31. Hind 8 II (of III). Robison 34 V (of VI). Signed and Roman numbered in plate. Excellent impression on laid paper, with broad margin around platemark and usual centerfold. 55 x 40,3 cm (21,6 x 15,8 in). Sheet: 73 x 55 cm (28,7 x 21,6 in).PROVENANCE: Auction Karl und Faber, Munich, 28 November, 1974, lot 710 (illu. on plate 55).Collection Dr. Rolf Linnenkamp. ca. 14.42 h +/- 20 min.
Francisco de Goya 1746 Fuendetodos - 1828 BordeauxNo te escaparás. Um 1797/98.Radierung und Aquatinta. Harris 107 III 4 (von 12). In der Platte betitelt und mit der gestochenen Nummer. Feiner Druck auf Velin, mit breitem Rand. 21,4 x 14,8 cm (8,4 x 5,8 in). Papier 31,7 x 23,6 in (12,5 x 9,3 in).Blatt 72 aus `Los caprichos`, 4. Edition hrsg. von der Real Academia, Madrid, um 1878. [CB].ca. 14.45 h +/- 20 Min.ENGLISH VERSIONFrancisco de Goya 1746 Fuendetodos - 1828 BordeauxNo te escaparás. Um 1797/98.Etching and aquatint. Harris 107 III 4 (of 12). Titled and with engraved number in plate. Subtle impression on wove paper, with broad margin. 21,4 x 14,8 cm (8,4 x 5,8 in). Sheet 31,7 x 23,6 in (12,5 x 9,3 in).Sheet 72 from `Los caprichos`, 4th edition published by Real Academia, Madrid, around 1878. [CB]. ca. 14.45 h +/- 20 min.
Francisco de Goya 1746 Fuendetodos - 1828 BordeauxMejor es holgar. Um 1797/98.Radierung und Aquatinta. Harris 108 III 1 (von 12). In der Platte betitelt und mit der gestochenen Nummer. Feiner Druck in Umbra auf Bütten, mit breitem Rand. 21,3 x 14,9 cm (8,3 x 5,8 in). Papier 31,2 x 21,4 cm (12,3 x 8,4 in).Blatt 73 aus `Los caprichos`. Aus der Erstausgabe 1799, der einzigen zu Goyas Lebzeiten. [CB]. ca. 14.46 h +/- 20 Min.ENGLISH VERSIONFrancisco de Goya 1746 Fuendetodos - 1828 BordeauxMejor es holgar. Um 1797/98.Etching and aquatint. Harris 108 III 1 (of 12). Titled and with engraved number in plate. Fine impression in umbra on laid paper, with broad margin. 21,3 x 14,9 cm (8,3 x 5,8 in). Sheet 31,2 x 21,4 cm (12,3 x 8,4 in).Sheet 73 from `Los caprichos`. From first edition in 1799, the only made at Goya`s lifetime. [CB]. ca. 14.46 h +/- 20 min.
William Lionel Wyllie (1851-1931) - Etching - The Battle Of Trafalgar, published by The Fine Art Society, 1893, signed in pencil, 34cm x 87cm, the frame with gesso crown and title `Trafalgar` Uneven yellowing across whole image, mount is severely yellowed and stained - ** General condition consistent with age
William Lionel Wyllie (1851-1931) - Etching - The Battle Of Trafalgar, published by The Fine Art Society, 1893, signed in pencil, 34cm x 87cm, the frame with gesso crown and title `Trafalgar` Uneven yellowing across whole image, mount is severely yellowed and stained - ** General condition consistent with age
PETER SCOTT: Signed coloured Print ?Three small Swans flew along this Shore?, approx. 4 ½? x 6 ¾? + WILLIAM WISE etching after Landseer ?The Sleeping Bloodhound?, approx. 5 ¾? x 7 ½? + M HARVEY: signed Limited Edition of 100 black and white Print, ?King Penguin?, approx. 10? x 7?, f/g + 2 other signed Limited Edition Modern Prints, both f/g, (5)
Albert Hirschfeld, American (1903-2003) Etching ""Pavorati"" Numbered 28/150 Lower Left, Pencil Signed Lower Right. Embossed Blind Stamp ES Lower Right. Framed Under Glass. Good Condition. Full Sheet Measures 21 inches By 14-3/4 Inches, Frame Measures 25-1/4 Inches by 18-3/4 Inches. Shipping $145.00
E.H. Lacey, British (20th C) Pencil Signed Etching ""The Artist"" Signed in Print Lower Left EH Lacey 1930 and Pencil Signed Lower Right EH Lacey. Matted and Framed Under Glass. Toning From age, Some Foxing and Some Stains. Measures 11 Inches by 8-1/4 Inches (sight) Frame Measures 20-1/2 Inches by 15 Inches. Shipping $85.00
![[Lot of 2 - Flowers] Lot of two botanical engravings from this scarce, monumental work. The plates were produced in a combi](http://lot-images.atgmedia.com/SR/36385/2916721/710-2014116145150_468x382.jpg)
[Lot of 2 - Flowers] Lot of two botanical engravings from this scarce, monumental work. The plates were produced in a combination of etching and mezzotint engraving. This complex printing process, invented by Johann Teyler in the Netherlands around 1688, made possible delicate lines and a very fine grain. The addition of hand coloring brought about unusual and subtle effects that make these beautiful plates very desirable. Includes plates 347 and 688.WeinmannÂ’s major creation was Phytanthoza iconographia (1737-1745), a great project that comprised eight folio volumes with more than a thousand engravings of several thousand plants. One of the artists Weinmann employed was Georg Dionysius Ehret (1708-1770) who would become one of the foremost botanical illustrators of the eighteenth century. The text was written by the Regensburg physician, Dr. Johann Georg Nicolaus Dieterichs. Phytanthoza iconographia was published in both Latin and German. Size varies slightly.A. N. 688 -- a. Lysimachia, Chamaenerion Dicta, Pelle Bosse, Wilder Oleander....B. N. 347 -- a. Centaurium Majus Foliis Cinarae b. Centaurius Majg Flore Purpereo. Fine original color with a few insignificant spots mostly in the blank margins. 15.6"" W x 9.8"" H Weinmann, Johann 1740
Kevin Sinnott Hectic Days A limited edition coloured etching No 9 / 20 Signed in pencil to the margin Bernard Jacobson label verso dated 1990 130 x 59.5cm image size PLEASE NOTE: VAT IS APPLICABLE ON THE HAMMER PRICE AS WELL AS ON THE COMMISSION, ARTIST RESALE RIGHTS WILL APPLY IF SOLD FOR IN EXCESS OF 1000 EUROS
![Anders Zorn (1860-1920) Olga Bratt. Etching, on laid paper 1892, [Asplund 74; Hjert 51] Signed in pencil lower right 19.5 x](http://lot-images.atgmedia.com/SR/10011/2915477/400-20141030154443_468x382.jpg)
Richard Beer, a large mixed method print (etching, aquatint and soft ground toning), `Magdalen`, this being number 58 from an edition of 100, signed and numbered in pencil in the margin, 50 x 60cm, framed, mounted and glazed, together with an antique hand-coloured engraved map of Isle of Wight, circa 1648, possibly by Abraham Ortelius (printed after his death), and an Alum Bay sand picture of Isle of Wight coastline. (3)
AEGYPTUM INFERIOREM Hand coloured etching; and Norden's Plan of the Town of Windsor and the Little Park (from the Harl.mss.no 3749) 36.5 x 25.5 cms and 48 x 42 cms respectively, both framed and glazed (2) CONDITION REPORTS: Both generally in good condition with expected wear, slight fading, the former with fold crease to centre, the latter with various fold creases and the latter inscribed to verso.
After JAMES MYNDE (flourish 1740-1780) British, For Mr. Tyndal's Continuation of Rapin's History of England Blenheim House, built at the expense of the publick and settled on the Duke of Marlborough and his posterity Etching 40 x 24 cms, framed and glazed CONDITION REPORTS: Generally in good condition, expected wear, fold to centre and slight other creasing.
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