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PALMER (SAMUEL) AND OTHERSEtchings for the Art-Union of London by the Etching Club, FIRST EDITION, title printed in red and black, 29 etched plates (of 30) by Samuel Palmer (2, lacking his 'Skylark'), John Everett Millais, William Holman Hunt (2), Richard Redgrave (2), Thomas Creswick (3), and others, all on india-proof paper mounted as issued, plates loose (gutta-percha perished), publisher's green cloth, lettered in gilt on upper cover and spine, g.e., folio (375 x 265mm.), 1857Footnotes:Original etchings include; Samuel Palmer ('The Sleeping Shepherd - Early Morning'; 'The Rising Moon'), J.E. Millais ('The Young Mother'), and William Holman Hunt ('The Abundance of Egypt', 'The Desolation of Egypt').This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Horse Accomplishments, Sketch 6: A Time Keepersigned 'H. Bunbury. Del.' (lower left)inscribed 'This is the finest Horse in the World for a calculation–keeps time to a Second! he goes tis true but like the finest wheels of a clock his motion is scarcely perceptible!' watercolour, pen and ink on paper18.5 x 22cmFootnote: The present composition is most likely copied from the etching of this subject by Thomas Rowlandson after George Murgatroyd Woodward, originally published in 1799.Condition report: 28 x 31.5cm (framed)
English School, 18th century A study after an antique bustinscribed in later hand 'from the Kerrich colln. Soc. Antiqu.' (to the mount)with another study of the same subject to the versored and black chalk on laid paper, foolscap watermark18 x 14cm; together with An etching of a rocky river landscape by Jane C Hayles (fl. 1792-1804) dated 1793,inscribed in the plate 'From a Drawing by Gisbert van [sic] Hondecoeter in the possession of Mr Kerrich' 11 x 16cm (two)Provenance:By repute from the collection of Thomas Kerrich (1748-1828) Footnote: Thomas Kerrich (1748-1828) was a clergyman, amateur artist, collector and principal librarian at Cambridge University. He was a fellow of both the Society of Antiquaries and Magdalene College, Cambridge.
James Gilray, an etching "Delicious Dreams-Castles in the Air-Glorious Prospects". 34 cm x 24 cm, dated 1808, mounted. CONDITION REPORT: The image for this print has been cropped, so the writing to the top edge of the etching is not visible online. The writing on the top margin reads “Published April 1808 by H. Humphrey, 27, St. James, Street”
A Daum cameo glass Violet goblet, late 19th or early 20th century, the body overlaid, acid-etched and enamelled with flowers and foliage, with Daum Nancy devil tail mark extending to the cross of Lorraine, 9cm high, with a Daum cameo glass Cornflower vase of small proportions, with Daum Nancy mark and cross of Lorraine, 5cm high (2) (at fault) CONDITION REPORT:The goblet show a chip to the rim approximately 9mm wide, and some wear to the unetched areas of the foot, but is in otherwise good condition. The joint between the bowl and the foot is somewhat uneven, including a small depression, and there is some variation to the etching in this area. The vase shows wear to the enamel of the flowers and two small areas of white residue ingrained in the etched surface.
MICHAEL AYRTON [1921-75]. Not to Disturb, 1971. ink drawing; studio stamp signature on the reverse. 20 x 14 cm - overall including frame 34 x 28 cm. Provenance: the artist; private collection, UK. Final drawing for the Murial Spark book etching - a wonderful drawing. [very good condition - unexamined out of frame]. Buyers premium of 20% + vat is payable.
FREDERICK AUSTIN [1902-90]. Tenements of Flat Street; 1925. etching, signed and dated in pencil. 19 x 14 cm image - sheet size 28 x 23 cm - mounted, but unframed - mount size 38 x 28 cm. Provenance: the artist; private collection, London. He studied at the Royal College of Art. [image in overall good condition - slight soft crease near top left corner and centre bottom edge of image - stuck to paper mount at top, bottom and sides, outside image - reverse slightly dirty in places]. Buyers premium 20% + vat payable.
BEN NICHOLSON OM [1894-1982]. Turkish Form, 1967. Etching with blue crayon on cream wove paper with full margins. Printed by Lafranca, Locarno with the Lafranca blindstamp lower left corner. 26.8 x 14.6cm [image size, irregular], 37.5 x 25.3cm [sheet size]. Unframed. Reference: Lafranca 67. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN BELLANY RA RSA [1942-2013]. Sea Cat, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Small stain in left margin away from the plate, otherwise good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN BELLANY RA RSA [1942-2013]. Fourtunatous, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN BELLANY RA RSA [1942-2013]. Song to the Mermaid, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Small stain in left margin away from the plate, otherwise good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN BELLANY RA RSA [1942-2013]. The Ventilequist, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
JOHN BELLANY RA RSA [1942-2013]. Who Shall Win the Halibut, 1984. Etching on wove paper with full margins. Signed, dated and inscribed A/P in pencil. Unique, there was no edition, this is the only surviving example pulled. 30 x 25cm [plate size], 57 x 38cm [sheet size]. Mounted, unframed. [Good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
ENRICO BAJ [1924-2003]. The Swinging General, 1976. Etching and aquatint with collage. Signed and numbered in pencil IV/XXV from the special edition with collaged eyes. 49 x 39cm [plate size], 65 x 50cm [sheet size]. Mounted, unframed. [One small stain in top left margin away from the plate, otherwise very good condition]. Buyers premium 20% + VAT payable. This lot is stored in London and can be collected or shipped from there.
ANTHONY GROSS [1905-1984]. Near Angmering, Sussex, 1924. Drypoint etching on cream laid F J Head & Co. paper with full margins. Signed, dated and titled in pencil from the unnumbered edition of 60. 13.9 x 17.7cm [plate size], 23 x 27.5 [sheet size]. Unframed. Literature: The Prints of Anthony Gross Herdman 2411. [Very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
WILLIAM STRANG RA [1859-1921]. Selfridges Toy Window, 1911. Drypoint etching on cream laid F J Head & Co. paper with full margins. Signed in pencil. 35.3 x 44.9cm [plate size], 45.5 x 57 [sheet size]. Unframed. Collection: Scottish National Gallery of Modern Art P2333.84. [Very good condition]. Buyers premium of 20% + VAT is payable. This lot is stored in London and can be collected or shipped from there.
LEON UNDERWOOD [1890-1975]. The Banjoist, 1921. etching, edition of 35, artist's proof; signed in pencil. 22 x 18 cm - overall including frame 45 x 36 cm. Provenance:Wolseley Fine Art, 2006 [£1000]; private collection, UK. See lot 51 for cv. [very good condition - unexamined out of frame]. Buyers premium of 20% + VAT is payable.
CHRISTOPHER RICHARD WYNNE NEVINSON [1889-1946]. Dieppe harbour, 1923. The rare etching on F J Head & Co. laid paper with full margins. Signed in pencil, also inscribed with title at lower edge of sheet, edition size unknown, only a handful of proofs pulled. First exhibited at Alex Reid and Lefevre Gallery, London 1927. 17.4 x 13.6cm [plate size], 36.8 x 26cm [sheet size]. Unframed. Reference: Guichard 104; Black 106. [A strong impression, some evidence of mount stain, thumb print and faint toning to lower margin, otherwise in good condition]. Buyers premium of 20% + VAT is payable on hammer price of all lots in this auction. This lot is stored in London and can be collected or shipped from there.
TURNER, J. M. W. (Joseph Mallord William Turner 1775-1851), BROOKE, Stopford Rev. (Stopford Augustus Brooke 1832-1916: 'The Liber Studiorum of J. M. W. Turner, R.A., Reproduced in facsimile by the autotype process from examples of the best states in possession of the Rev. Stopford Brooke, M.A.; Each plate accompanied with a critical notice by him.. In Two Volumes.', London: Henry Sotheran & Co., 1899, Second edition. Very good original bindings. Limited edition of 150 copies. 71 plates as listed. 2 matching volumes, oblong folio. 11.5" x 15.5" x 1.0". Vol.I. : [10pp.]/pp.76 + Plates Nos.I. - XXXVI. Vol. II. : [4pp.]/pp.84/[7pp. - Appendix] + Plate Nos. XXXVII - LXXI. Original green buckram with bright gilt titles to each front board and spine. Boards dis-coloured and edges rubbed, but bindings in very good condition. Top page edges gilt. Original black endpapers. Toning to free-endpapers, and last leaf of each volume, otherwise clean throughout. All plates in very good condition. "The Liber Studiorum, a series of Turner's landscape and seascape compositions published as prints in etching and mezzotint, has been described as perhaps containing 'the pith of all that is best in his life and work', central to Turner's career as the most personal and carefully conceived series of prints in his entire oeuvre', or at least the 'most complete document of Turner's attitude to his art in the first decade of the [nineteenth] century', and 'one of the most comprehensive exercises in publication ever mounted by a great artist.' The Latin title may be translated as 'Book of Studies..." - Tate Gallery. (2)
Collection of assorted mainly 19th Century and antiquarian works etc, including 'Finden's Illustrations of Lord Byron', 1833, 2 volumes, numerous engraved plates, uniform full calf gilt, all edges marbled; 'The Secret Correspondence of Madame de Maintenon', 1827, 3 volumes, engraved frontis, old half calf gilt; Butler's Hudibras, 1822, 2 volumes, 12 hand coloured engraved plates as called for, ex library, old boards (worn), printed labels to spines; 'Vita e lettere di Amerigo Vespucci, raccolte, e illustrate dall' abate Angelo Maria Bandini', Florence, 1745, lxxvi,143,1-120pp (ends abruptly page 120, final page 121 supplied in manuscript, engraved frontis, folding pedigree, engraved head/tailpieces and some ills in text, later cloth; 'Voltaire La Pucelle' (spine title), 21 hand coloured engraved plates, 4to, old marbled paper covered boards; some 19th century pamphlets/booklets including 'An Account of the Life, Trial, & Execution of Alexander Thompson who was Executed in the City of York...1843, for the cruel Murders of his Wife and Four Children...', York, printed for Peter Brown, c.1843, 8pp; Houlston's Series of Tracts No's 52, 68 & 81; [Henry Mayhew] & George Cruikshank (illustrated): '"The Greatest Plague of Life." Or, The Adventures of a Lady in Search of a Good Servant', London, Bogue, c.1847, 48pp, orig. pictorial wraps (worn); James Gillray early 19th Century satirical hand coloured etching and aquatint ''Integrity retiring from office!', pub. 1801 by Hannah Humphrey, plus another Gillray 'Lord L-gh- his Large Wig...', each approx 18x23cm, plus another similar titles 'Search Night; -or-State Watchmen, mistaking Honest-Men for Conspirators. Vide State Arrests', 17x23cm; 'Paul Province's Visit to London', [nd], scarce 19th Century humorous picture book, 11 hand coloured engraved folding concertina leaves, approx 10x141cm, folding into boards (a/f boards detached from leaves), printed paper label to front cover, no copies traced on Jisc Library Hub or World Cat; etc etc
Tinus de Jongh (South African 1885 - 1942): STELLENBERG KENILWORTH signed, embossed with the artist's chopmark and titled in pencil in the margin etching sheet size: 24 by 28cm; 34 by 39 by 3,5cm including frame PROVENANCE Ferreira Art Gallery label affixed to the reverse *NOTE: This lot is located at our Cape Town branch
Henry Wilkinson (1921-2011)/Pheasant Shooting/signed and numbered 2/75/etching, 15cm x 19.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Edmund Blampied (1886-1966)/Wading/signed in pencil/drypoint etching, 17cm x 24.5cm/Note: Walker's Galleries label verso inscribed in pen Cheshire Yeomanry, Palestine 1914-18 CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

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78411 item(s)/page