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Lot 658
* Féclicien Rops, Belgian 1833-1898- "L`Incantation"; hand-coloured etching with extensive rocker-work, signed and numbered 169/200, collectors stamp for Gustave Pellet bottom right, the full sheet on wove paper, 48x31cm: After Alexander Theophile Steinlen 1859-1923- "A Saint-Lazare" par Aristide Bruant, frontispiece, lithograph and others, (a lot) (unframed)
Lot 680
* Circle of Stanley William Hayter 1901-1988- Conquest of Time; dry point etching printed with tone, on cream wove, signed, titled and numbered 2/50 in pencil, signed and dated 34 within the plate, full margins, 47x35cm: together with other 20th century etchings and engravings by and after various hands, (a lot) (unframed)
Lot 697
* James Abbott McNeil Whistler 1834-1903- "Bibi Lalouette" (K.51) 1859. Etching and drypoint, on thin laid paper, fine impression, printed with tone, signed and dated 1859 within the plate, minor defects, scattered foxing, staining etc, 23x15.2cm. Note: In the first state there were two heads in the lower part of the plate. They were removed and Whistler turned the plate upside down.
Lot 699
* James Abbott McNeil Whistler 1834-1903- Seymour, Seated; (K.29) etching and drypoint, printed with tone, on cream laid paper, c.1857-8 good impression, with margins, creasing and surface dirt, image largely unaffected, 14x9.8cm. Note: This was among the earliest etchings that Whistler made whilst staying with the family of his half-sister Deborah and her husband Seymour Haden. Whistler`s nephew Seymour was about seven years old at the time. (unframed)
Lot 705
* After Marc Chagall 1887-1985 & Jacgues Combet, act. 1960 -Portrait of Marc Chagall; circa 1960, etched by Jacques Combet and additionally "Peintre au chevalet"; painter at the easel, etching by Marc Chagall within the plate, signed within the plate in reverse, on wove, full margins, appears in good condition, unexamined out of the frame, 50x37cm
Lot 739
* James Abbott McNeil Whistler 1834-1903- "The Music Room"; (K.33) etching, printed with tone, c.1858, with margins, good impression with rich contrasts, appears pinned on all four corners, generally good condition. (unframed) Note: Deborah Haden is reading by lamplight, she is joined by her husband Seymour (left) and his medical partner James Reeves Traer. The setting is the music room at the Hadens` house in Sloane Street. Using the press installed at the top of the house, Whistler printed proofs on a wide variety of papers, leaving a varied amount of ink on the surface of the plate. Most of the impressions where printed on laid paper that Whistler preferred (with Japanese paper) for its golden tone and quality.
Lot 755
John Allen, (Allin Road) 1934-1991- Teatime; oil on canvas, signed, 56.7x56cm: British School, mid 20th century- "Author`s Sketch for Jacket Design for `The Hills were Joyful Together`"; oil on canvas laid down on board, signed with initials `RM` and dated 52, 37x50cm: John Allen 1934-1991- Horse grazing on a hillside; charcoal, signed and dated 73, 29.3x41.5cm: together with two metal etching plates for photo-engraving, (5)
Lot 1104
FOLIO - Frank Brangwyn (1867-1956); four pencil signed lithographs depicting a group of male workers, three blind elderly women, a cathedral interior and a country landscape, and eight unsigned lithographs. - K Boes (20th century), seven signed pencil life studies and a lithograph. - Captain Edward Handley-Read (20th century), After our Somme, pencil signed artists proof print. - Sir Hubert Von Herkomer (1849-1914), bearded male figure, pencil signed etching, and other works (illustrated).
Lot 20
Rembrandt Harmensz Van Rijn The Beheading of St John the Baptist (B.92 H.171) Etching second state with margins thinned and stained 13 x 10cm; 5 x 4in With a further etching by Rembrandt of the The old man with a beard the re-worked fourth state purchased Sotheby’s June 26th 1965 (details verso) and three further prints (5) + + 1. Trimmed stuck down some marks other various
Lot 26
After Michel Vincent Brandoin (Swiss 1773-1807) Elegant company in a grand interior Mezzotint by Richard Earlom published by R. Sayer August 15th 1772 47 x 56cm; 181/2 x 22in With a quantity of French and English engravings from the 18th and 19th Century some prints taken from books and reproductions and an unframed etching by Norman Wilkinson of a river with a salmon leaping all unframed + + Trimmed to plate mark a fold down the middle tatty and scuffed in some areas. Norman Wilkinson - paper very time stained from mount line out to the margins of the sheet
Lot 721
EDMUND BLAMPIED (British, 1886-1966) `The Butterfly`, signed and numbered in pencil 86/100 lower right, dry-point etching, 9 1/2" x 8", `Politics`, signed in pencil in the margin, dry-point etching, from an edition of 100, 7" x 8 3/4" and `A Jersey Vrac Cart`, signed in ink in the margin, dated on the plate 1939, dry-point etching, 8 1/2" x 11" (3) (see illustration)
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78388 item(s)/page