Horst Janssen(1929 Hamburg - 1995 ebenda)"Svanshall verkehrt". OriginaltitelRadierung, in Gelb koloriert/hellblaues Japan, 1986. Sign. und dat. (19)86. In der Platte bez. und betitelt. Aus der gleichnamigen Radierfolge. Wvz. Gäßler 42/16. Plattenmaß 19,6 cm x 24,8 cm. Rahmen.Lit.: Ewald Gäßler, Horst Janssen, Radierzyklen: Katalog und Werkverzeichnis, Oldenburger Stadtmuseum, 1995, S. 249, Nr. 42/16.Yellow coloured etching on light blue Japan paper, 1986. Hand-signed and dated. Inscribed with title in the plate.
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Per Kirkeby(1938 Kopenhagen - 2018 ebenda)Ohne TitelKaltnadelradierung/Velin, 1995. Monogr., dat. und nummeriert 2/7. Aus einer Serie von acht Arbeiten. Verso Etikett der Galerie Meyer-Ellinger, Frankfurt a. M.; Platte 59,5 cm x 79 cm. Blatt 77 cm x 96 cm. Rahmen. Drypoint etching on wove paper, 1995. Monogrammed, dated and numbered 2/7. From a series of eight artworks.
Marc Chagall(1887 Witebsk - 1985 Saint-Paul-de-Vence)"Josué devant Jericho" (Joshua vor Jericho). OriginaltitelAquarellierte Radierung/Arches-Velin, 1958. Monogr. und num. 44/100. Blatt 46 der zwischen 1931 und 1939 entstandenen Folge von Radierungen zu "Bible", Tériade Éditeur, Paris 1958. Wvz. Cramer Bücher 30. Platte 33,2 x 22,9 cm. Rahmen. Etching and watercolour on Arches wove paper. Monogrammed and numbered 44/100. Plate 46 from the between 1931 and 1939 created series of etchings for "Bible", Tériade Éditeur, Paris 1958.
Salvador Dalí(1904 Figueras - 1989 ebenda)"L'Académie de Paris" (Die Akademie in Paris). OriginaltitelRadierung/Arches-Velin (Wasserzeichen), 1971. R. u. sign.; Nummeriert 184/250 A. Wvz. Michler/Löpsinger 514. Platte 42,5 cm x 59,5 cm. Blatt ca. 56,5 cm x 75,5 cm. Rahmen.Graveur-Arbeit nach einer Zeichnung, die Dalí anläßlich seiner Aufnahme in die Académie des Beaux-Arts in Paris anfertigte.Etching on Arches wove paper (watermark). Hand-signed and numbered 184/250 A.
Harold Whaley (Isle of Man 1896-1976): 'A Southern Valley', etching signed titled dated 1928 and numbered 11/25 in pencil; Claude Hamilton Rowbotham (British 1864-1949): 'London' and 'Borrowdale', pair coloured etchings with aquatint signed in pencil, original title labels verso, together with a collection of further prints (qty)
John 'HB' Doyle (British 1797-1868) 'The Rival Mount O'Bankes or The Dorsetshire Juggler', lithograph with hand colour; George Murgatroyd Woodward (British 1765-1809): 'An Irish Leap, or a Pat reply to a plain Question', etching with hand colour, togerther with a large quantity of further 19th century unframed engravings (qty)
Pablo Ruiz Picasso (Malaga, 1881 - Mougins, 1973)"Le repas frugal"Year 1904.Etching and drypoint engraving on Japan paper.45,1 x 37 cm.Our work is a rarity, as there are very few copies of this print published on Japan paper.It is one of Picasso's most important engravings, belonging to the Blue Period (1901-1904), in which the master depicted the outcasts of society and the bohemian districts of Spain and Montmartre, where he lived at the beginning of the 20th century.Picasso's budget in those years was limited, so, as he had done on other occasions, he reused an engraving plate, in this case from the painter Joan González, Julio González's brother. The remains of the earlier etching can be seen in the vegetation in the background, in the upper right of the print.Ambroise Vollard, Picasso's dealer at the time, bought the plate of "Le repas frugal" and, together with 11 drypoints and two additional etchings created by Pablo Picasso between 1904 and 1906, he published the set as an edition in 1913, titling it the "Suite des Saltimbanques". The margins are missing and there are minor restorations.This engraving has a current export license from the Spanish Ministry of Culture.Bibliographic reference:- Bloch 1, Geiser 2
†Leon Kossoff (British, 1926-2014). Resting, etching, signed and dated '83 lower right, inscribed A/P lower left, titled lower centre, plate 23 x 29.5cm, unframed. Please note: VAT is additionally payable on top of the hammer price on this lot at the current rate of 20% Condition Report: Good clean condition
Binyon (Laurence, editor) The Artist Engraver, 20 original prints in various media, each loose as issued in captioned wrapper, title browned, together in original cloth folder, rubbed, spine faded, lacking ties, 1904; and 3 others, folio (4)*** Including 'The Banks of the Somme near Amiens' etching by A.Legros, 'August' woodcut by Charles Shannon, 'The Wine Drinkers' engraving by William Strang, 'The Falcon' etching by Maurice & E.J.Detmold, and 'The Shire Horse' wood-engraving by William Nicholson, and others by William Rothenstein, T.Sturge Moore, Joseph Pennell and D.Y.Cameron et al.
*JOHN PIPER (1903-1992) 'Summer Garden, Fawley Bottom' (Levinson 369), 1984, signed, numbered 74/85 and inscribed "For Rowley, with love & thanks" in pencil to the margin, etching and aquatint, printed at Kelpra Studio, the plate 38.5cm x 57.5cmNote: This work is probably the best known of group of prints from the 1980s featuring the Piper's garden at Fawley Bottom, BuckinghamshireFramed dimensions: 53.3cm x 70.5cm
*ERICH WOLFSFELD (1884-1956) Head and shoulders portrait of a man signed in pencil to the margin, etching, 32cm x 24.75cm (plate); together with a full-length portrait of a man wearing a black hat and robes, signed in pencil to the margin, etching, 27.7cm x 23.8cm (plate) (2)Provenance: Deceased estate, Dorset.Head portrait framed dimensions: 73cm x 57cm full-length portrait framed dimensions: 34cm x 29.7cm
*DAVID HOCKNEY (b. 1937) 'In Despair' from 'Illustrations for Fourteen Poems from C.P. Cavafy', 1966, signed dated and numbered 71/75 in pencil to the margin, etching, the plate 34.5cm x 22.5 cm; complete with the large format poem (2)Provenance: Goldmark Gallery, Uppingham, RutlandFramed dimensions: 62.2cm x 47.9cm
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Man on a Bridge' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
BOB DYLAN (B. 1941) THE DRAWN BLANK SERIES, 2008: 'Woman in Red Lion Pub' signed by the artist, 53 from the numbered edition of 295, a sealed standard format giclee print on Hahnmuhle 350gsm Museum etching paper, printed by GTZ Fine Art Editions, published by Washington Green Fine Art in association with Black Buffalo Artworks, 70cm x 56cm (sheet), (unframed in sealed envelope) with a signed and numbered certificate of authenticity Provenance: Purchased from Westover Gallery, 2008 Private Collection, Dorset
*SALVADOR DALI (1904-1989) 'Combat des Cavaliers (from Calderón: La vie est un songe)' signed and numbered 219/250 in pencil to the margin, etching and aquatint on B.K. Rives paper, the image 33cm x 52cmProvenance: With certificate of authenticity from E. Subirana S.A., Barcelona, dated 6th February 1982 (verso)Framed dimensions: 68cm x 85cm
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