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Lot 9097
English School (20th century): Fishing Boat Coming into Large Dock, watercolour unsigned 28cm x 48cm; English School (19th/20th century): Ships Leaving Whitby Harbour, watercolour indistinctly signed; John E Parkin (British 20th century): Beach Scene, watercolour signed together with 'The Shipwreck' after Turner, colour print max 49cm x 69cm; After Braun and Hogenberg: 'Map of Krempe and Rendsburg', hand coloured engraving 18cm x 48cm, Edwin Sarp 'A Bit of Old Leeds (Moot Hall)' coloured print 36cm x 51cm Emanuel Bowen (British 1694-1767) and John Owen (British fl. 1720-1764) after John Ogilby (British 1600-1676): 'The Road from Whitby to Morton' 20cm x 15cm (15) (framed);Dennis Wood (British 20th century): Snowscape, watercolours signed together with etching and pastel max 29cm x 39cm (13)
Lot 16
Robert Sargent Austin RA RWS RE, British 1895-1973-Italian Fair, 1923;etching, proof impression, 8.8 x 13.5 cmProvenance: Abbott and Holder, 30 Museum Street, London; A gift from Peter Brooke on the occasion of Sir Nicholas Goodison's 75th birthday, May 2009.Please refer to department for condition report
Lot 242
Prints & Engravings. An extensive collection of approximately 1000 prints, mostly 19th century, engravings, lithographs, etching and maps, including portraits, British and foreign topographical views, genre, classical, Vanity Fair caricatures, natural history, 'Baxter prints', religion and excised sheets from old scrapbooks, various sizes and conditionQTY: (approx. 1000)
Lot 174
Charles Meryon, French 1821-1868- Passarelle du Pont-au-Change apres l’incendie de 1621, After Stefano della Bella (1610-1664); etching on paper, printed by Auguste Delâtre, published by Gazette des Beaux-Arts, Paris, the plate 12 x 22.5 cm. Delteil and Wright 50. Schneidermann 65. Provenance: With Thomas Agnew & Sons, London, no.CM1654.; Private Collection, UK.; By descent. Note: View of the temporary footbridge over the river Seine, replacing the Pont-au-Change after the fire of 1621, after della Bella; with turretted buildings (Palace of Justice) seen at left, figures at the edge of the water and in the boat, and a bare tree trunk at right. Please refer to department for condition report
Lot 220
James Abbott McNeill Whistler, American 1834-1903- Longshoremen; etching, Kennedy's only state, signed and dated 'Whistler 1859' (in the plate lower right), the plate 15 x 22.5 cm. Kennedy 45. Provenance: With William Weston Gallery, London [no.2028/1].; Private Collection, UK. Please refer to department for condition report
Lot 221
James Abbott McNeill Whistler, American 1834-1903- Portrait of Axenfeld; etching, signed in pencil with the artist's butterfly monogram (in the lower margin), inscribed ‘Whistler 1860’ (in the plate), further signed and inscribed ‘fine proof’ verso, third state of three, the plate 22.5 x 14.8 cm. Kennedy 64. Provenance: Collection of B. B. MacGeorge (Lugt 394).; Collection of George B. Valderbilt.; With Thomas Agnew & Sons, London, no.39383.; Private Collection, UK, since 1976.; By descent. Exhibited: London, Thomas Agnew & Sons, 1976, no.101. Note: The present work is a fine example of Whistler's skill as a portraitist. It is one of the earlier etchings associated with the period of his first work in Paris, though it was not produced until after his move to London. It was exhibited at the Royal Academy in 1861. The margin has not been trimmed to form the tab. Please refer to department for condition report
Lot 4
After Tiziano Vecellio, called Titian, Italian c.1485-1576- River landscape with a boy leading a horse, a man seated in the foreground; pen and brown ink on laid paper laid down on cream paper, inscribed 'Titiano' (lower right), 33.4 x 44.2 cm. Provenance: The estate of the late designer Anthony Powell. Note: A 17th-century rendering of the original etching by Titian (see National Gallery, Washington DC no 1972.65.21). See, also, Jane Martineau and Charles Hope, eds., The Genius of Venice, 1500–1600, exh. cat. (London: Royal Academy of Arts, 1983), 341–42, p.44. Please refer to department for condition report
Lot 70
AMENDMENT - Please note this lot has a revised description and estimate.Follower of Adriaen Jansz. van Ostade,Dutch 1610-1685-A study of a woman with her child;pen and brown ink and grey wash on laid paper, with William Esdaile's collection stamp (L.2617, lower right), 10.1 x 5.4 cm.Provenance:Collection of William Esdaile, 1758-1837 (Lugt 2617).;Collection of Bindon Blood, d.1855 (Lugt 3011).;Collection of Dr Fleischer.;Anon. sale, Sotheby’s, London, 19 June 1973, lot 60 (as ‘Attributed to Adriaen van Ostade’).;With Alfred Brod Gallery, London.;Private Collection, UK, since 1965.;By descent.Literature:Dusseldorf, C.G. Boerner exh. cat., 1965, no.6, as Adriaen van Ostade ‘Mutter und Tochter’.; Bernhard Schnackenburg, ‘Adriaen van Ostade, Isack van Ostade: Zeichnungen und Aquarelle’, Hamburg, 1981, p.217, no.F104 (Falsche Zuschreibungen).Exhibited: Dusseldorf, C.G. Boerner, 1965, no.6 (illustrated), as by Adriaen van Ostade.Note: The present work is by an unknown draughtsman and is presumably a late 17th / early 18th-century copy after a lost original by Adriaen van Ostade. Furthermore, it may be a loose interpretation of the mother and child figure group in his etching ‘Saying Grace’ (B.34)Similar drawings which are by the hand of van Ostade are reproduced in Schnackenburg’s book (nos 157 and 328). This intimate and confidently rendered sketch can further be compared on stylistic grounds with several by the artist in the Pierpont Morgan Library, New York and in the Louvre, Paris. According to Lugt, William Esdaile owned, amongst his large and illustrious collection of Old Master works on paper, at least 31 drawings by Adriaen van Ostade, which were sold in London on 18-25 June 1840, after his death.Please refer to department for condition report
Lot 73
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- A beggar in a high cap, standing and leaning on a stick; etching, 1631, a fine, clear impression of this rare print, watermark Coat of Arms (cf Churchill 288), with narrow to thread margins almost all round, 15.6 x 11.8 cm. Provenance: Collection of Akram Ojjeh.; Anon. sale, Christie's, London, 30 November 1999, lot 114 (£1,840).; The estate of the late designer Anthony Powell. Literature: Hind 15; Bartsch, Hollstein 162.Please refer to department for condition report
Lot 74
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- Studies of the head of Saskia and others; etching, 1636, on laid paper, without watermark, with thread margins, the sheet 15.5 x 12.8 cm. Bartsch, Hollstein 365, Hindt 145, (mounted, unframed). Provenance: Anon. sale, Christie's, London, 12 April 1989, lot 211.; The estate of the late designer Anthony Powell. Please refer to department for condition report
Lot 87
Francesco Bartolozzi, RA, Italian 1727-1815- Landscape, from an original drawing by Pietro Berrettini da Cortona (1597-1669); etching and engraving printed in black ink on paper, published by John Boydell, Engraver in Cheapside, March 21st 1763, 24 x 34.5 cm. Provenance: Private Collection, UK.; By descent. Please refer to department for condition report
Lot 91
Jacques Callot, French 1592-1635- The Pont Neuf and the Tour de Nesle, Paris; etching on laid paper, inscribed 'Callot fec.' (lower right), c.1630, the plate 16.8 x 34 cm. Meune 714, Lieure 668 ii/iv. Provenance: With Thomas Agnew & Sons, London.; Private Collection, UK.; By descent. Exhibited: London, Thomas Agnew & Sons, ‘Old and Modern Master Prints’, 27th June-28th July 1989, no.25. Note: A good, well printed impression before the publisher Silvestre's name has been added. With small margins all around the plate mark. Examples of the first and second states of this print are rare (the first extremely rare). Before the additions of Silvestre's name and privilege, they are, as it were, pre-publication proofs, remarkable, as here, for the richness of the impression. The Tour de Nesle, which dominates the subject, was part of Philip Augustus' fortifications of the city, guarding the point where the river broke the surrounding wall. It was destroyed in 1663. This print, and one Callot made of the opposite bank of the Seine including the Louvre, were known under the title 'Les Deux Grandes Vues de Paris'. Callot drew the scenes during his visit to Paris in 1629 and the plates were etched after his return to Nancy in 1630. Lieure comments: 'Pour les deux vues de Paris, les deux premiers états sont les plus beaux et les plus recherchés'.Please refer to department for condition report
Lot 107
Parry (Linda) William Morris Textiles, 4to, cloth, illus., New York, 1994, with d.w; Chakra (Narisa) Terence Cuneo: Railway Painter of the Century, obl., 4to, cloth, illus., 1990, presentation copy signed and inscribed by Cuneo, with d.w; Holme (Charles) Modern Etching and Engraving, 4to, cloth, illus., The Studio 1902; and other books on the Decorative Arts. (11)
Lot 937
Martin Hardie (1875-1952)/The Calvary, Concarneau, 1920/artist's proof etching, 20.25cm x 29.25cml CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 939
Rembrandt van Rijn (1606-1669)/Christ and the Woman of Samaria Among Ruins/etching, 12cm x 10.5cm/see illustration CONDITION REPORT: Quite heavy foxing throughout. Not examined out of frame. Label verso reads Bartsch 71, Hind 122, Second state, pasted to a mount and the margins have been cut
Lot 941
Lawrence Josset (1910-1995)/Christmas Foliage/signed in pencil/wood engraving, 18.5cm x 12.5cm and/Manner of Eduardo Paolozzi/Abstract Composition/etching, plate size 9cm x 6.75cm/Provenance: both items were purchased from the Collection of Lawrence Lee. A label to back of the abstract states this was purchased by Lee at the Royal Academy in the 1990s CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.ukCondition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Lot 189
WINIFRED AUSTEN - An original etching of hunter in canoe with dogCONDITION REPORTSignature as per imageCondition disclaimerOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention.
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