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Lot 32

Lucien Gautier (French, 1850-1925), Rialto Bridge, Venice, etching 1884 19.5 x 24.5cm

Lot 42

After Daniel King (d.1664), The South Prospect of the Cathedral Church of Bath, coloured etching, visible sheet 18.5 x 31cm, together with by Johann Sebastian Mueller, This View of the Right Honourable Earl of Chesterfield's House near Hyde Park, coloured engraving, visible sheet 16 x 30.5cm (2)

Lot 2512

Dieter Stein (1924–2022, Würzburger Künstler), Frauenakt in Rückenansicht, Zeichnung, Kuli/Papier, signiert und datiert '69, 32,5 x 25 cm, Alterspuren; Eduard Bargheer (Hamburg 1901 - 1979), Portrait eines jungen Mannes, Radierung, signiert und datiert ('60?), 31,5 x 23,5 cm. / Dieter Stein (1924-2022, Würzburg artist), Nude woman in back view, drawing, pen/paper, signed and dated ‘69, 32.5 x 25 cm, traces of age; Eduard Bargheer (Hamburg 1901 - 1979), Portrait of a young man, etching, signed and dated (’60?), 31.5 x 23.5 cm.

Lot 2527

Christian Schad (1894-1982), Konvolut aus 5 Graphiken: "Bobino", Kaltnadelradierung, signiert, dat. "78", e.a., 14,5 x 10 cm; "Fauniske", Radierung, signiert, dat. "67", e.a., 12,5 x 11,5 cm; "Illustration", Holzschnitt, signiert, dat. "14", e.a., 12 x 16 cm; "Midinette", Holzschnitt, signiert, dat. "15", e.a., numm. 18/22, 18 x 12 cm; "Zirkusprobe", signiert, dat. "25", 12 x 10 cm. / Christian Schad (1894-1982), graphic works: ‘Bobino’, drypoint, signed, dat. ‘78’, e.a., 14.5 x 10 cm; “Fauniske”, etching, signed, dat. ‘67’, e.a., 12.5 x 11.5 cm; “Illustration”, woodcut, signed, dat. ‘14’, e.a., 12 x 16 cm; “Midinette”, woodcut, signed, dat. ‘15’, e.a., numb. 18/22, 18 x 12 cm; ‘Zirkusprobe’, signed, dat. ‘25’, 12 x 10 cm.

Lot 2536

Adriaen VAN OSTADE (1610-1685), Zwei Angler auf der Brücke, Radierung, Plattenrand beschnitten, stockfleckig, Motiv: 10,6 x 16 cm. Vgl. B. 26; The New Hollstein 32; Godefroy 26 (in der Expertise der Galería "Ad Insigne Aldi", Cordoba, aus dem Jahr 1943 als Zustand VI von VII). Provenienz: aus dem Besitz Schönburg-Waldenburg / Adriaen VAN OSTADE (1610-1685), Two anglers on the bridge, etching, plate margin trimmed, foxing, motif: 10.6 x 16 cm. Cf. B. 26; The New Hollstein 32; Godefroy 26 (in the expertise of the Galería ‘Ad Insigne Aldi’, Cordoba, from 1943 as condition VI of VII). Provenance: from the Schönburg-Waldenburg estate.

Lot 2529

Christian Schad (1894-1982), Konvolut aus 8 Graphiken: "Andy", Radierung, e.a., IV/VII, signiert und dat. "1971", 21,5 x 20 cm; "Die Polin", Farblithographie in vier Farben (schwarz, grau, silber, rot), signiert, 44/50, dat. "71", je 25,5 x 19,5 cm; "Martina", Radierung, e.a., signiert, dat. "77", 30 x 24,5 cm; "Yette", Lithographie, 1921, 59/202, signiert und datiert, ca. 17 x 10 cm; "La Ginestra", signiert, datiert "21", numm. 59/156, ca. 14 x 10 cm. / Christian Schad (1894-1982), 8 graphic works: ‘Andy’, etching, e.a., IV/VII, signed and dat. ‘1971’, 21.5 x 20 cm; “Die Polin”, colour lithograph in four colours (black, grey, silver, red), signed, 44/50, dat. ‘71’, each 25.5 x 19.5 cm; “Martina”, etching, signed, dat. ‘77’, 30 x 24.5 cm; “Yette”, lithograph, 1921, 59/202, signed and dated, approx. 17 x 10 cm; “La Ginestra”, signed, dated “21”, numb. 59/156, ca. 14 x 10 cm.

Lot 1814

ENGEL, OTTO HEINRICH (1866-1949), "Spielende Kinder am Seeufer", Radierung/Papier, in der Platte u.li. monogrammiert, u.re. mit Bleistift von Hand signiert, u.li. mit Bleistift num. 2/20, HxB: Platte ca. 14,5x20 cm, Passepartoutausschnitt ca. 17,5x24,5 cm, Außenmaße ca. 22,5x31 cm. Leichte Altersspuren. Im Passepartout hinter Glas gerahmt. | ENGEL, OTTO HEINRICH (1866-1949), ‘Children playing on the lakeshore’, etching/paper, monogrammed in the plate lower left, signed by hand in pencil lower right, numbered 2/20 in pencil lower left, HxW: plate approx. 14.5x20 cm, mat opening approx. 17.5x24.5 cm, outer dimensions approx. 22.5x31 cm. Slight traces of age. Framed behind glass in passepartout.

Lot 762

ÉMILE GALLÉ, kleine Art Nouveau Glasvase mit Dekor von Nadelgehölz, Nancy, Frankreich, um 1904-1906, Korpus aus Klarglas braun überfangen und geätzt, im unteren Teil signiert „Gallé“. H: 6 cm. Minimale Alters- und Gebrauchsspuren.| ÉMILE GALLÉ, small Art Nouveau glass vase with conifer decoration, Nancy, France, around 1904-1906, clear glass body with brown overlay and etching, signed ‘Gallé’ in the lower part. H: 6 cm. Minimal signs of age and use.

Lot 1823

NÄGELE, REINHOLD (1884-1972), "Murrhardter Wirtshausschilder", 1921, Radierung, u.li. mit Bleistift von Hand betitelt, datiert und bezeichnet 'Vordruck', u.re. mit Bleistift von Hand signiert 'R. Nägele', HxB: Platte ca, 24x17 cm, Blatt ca. 27,5x21 cm, Außenmaße Rahmen ca. 29x23 cm. Alters- und Beriebsspuren, gebräunt. Hinter Acrylscheibe gerahmt (Alters- und Beriebsspuren).| NÄGELE, REINHOLD (1884-1972), ‘Murrhardter Wirtshausschilder’, 1921, Etching, titled, dated and inscribed ‘Vordruck’ in pencil lower left, signed ‘R. Nägele', HxW: plate approx. 24x17 cm, sheet approx. 27.5x21 cm, outer frame dimensions approx. 29x23 cm. Traces of age and wear, browned. Framed behind acrylic disc (traces of age and wear).

Lot 1824

NÄGELE, REINHOLD (1884-1972), "Hall", 1920, Radierung, u.li. mit Bleistift von Hand num. '6/40' und betitelt, u.re. in der Platte monogr., dat. und betitelt, u.re. mit Bleistift von Hand signiert und datiert, HxB: Platte ca. 31,5x22 cm, Blatt ca. 34,5x24 cm, Außenmaße Rahmen ca. 37x26,5 cm. Alters- und Beriebsspuren, gebräunt. Mit verglastem Rahmen (Alters- und Beriebsspuren). VERSO handschriftlich bez. "zum Gedenken an meinen edlen Vater".| NÄGELE, REINHOLD (1884-1972), ‘Hall’, 1920, etching, numbered ‘6/40’ and titled by hand in pencil lower left, monogrammed, dated and titled in the plate lower right, signed and dated by hand in pencil lower right, HxW: plate approx. 31.5x22 cm, sheet approx. 34.5x24 cm, outer frame dimensions approx. 37x26.5 cm. Traces of age and wear, browned. With glazed frame (traces of age and wear). VERSO handwritten inscription ‘in memory of my noble father’.

Lot 1820

VINCKBOONS, DAVID (1576-1629), "Bäuerliche Gesellschaft", 1606, Radierung, u.li. in der Platte monogrammiert und dat., HxB: Platte ca. 25,5x34,5 cm, Passepartout-Ausschnitt ca. 26,5x35,5 cm, Außenmaße Rahmen ca. 39x48,5 cm mit Rahmen. Alters- und Beriebsspuren, gebräunt, fleckig. Im Passepartout hinter Glas gerahmt (Alters- und Beriebssuren). | VINCKBOONS, DAVID (1576-1629), ‘Bäuerliche Gesellschaft’, 1606, etching, monogrammed and dated in the plate lower left, HxW: plate approx. 25.5x34.5 cm, mat opening approx. 26.5x35.5 cm, outer frame dimensions approx. 39x48.5 cm with frame. Traces of age and wear, browned, stained. Framed behind glass in passepartout (traces of age and wear).

Lot 1807

FUCHS, ERNST (1930-2015), Konvolut 3 Graphiken, 1.) "Zyklopische Landschaft", Farbaquatintaradierung/Papier, mit Bleistift num. 190/200 und von Hand signiert, HxB: Platte ca. 22,5x48,5 cm, Passepartoutausschnitt ca. 30x52 cm; 2.) "Samson und Delilah", Farblithographie/violettes Papier, mit Bleistift num. 103/200 und von Hand signiert, u.re. Trockenstempel, HxB: Platte ca. 49x38 cm, Blatt ca. 65x50 cm 3.) Plakat zur Ausstellung "Ernst Fuchs bei Wolfgang Ketterer...", Farblithographie/Papier, u.re. mit Bleistift von Hand signiert (teilw. vom Passepartout verdeckt), HxB: Passepartoutausschnitt ca. 75x52 cm, Außenmaße Rahmen ca. 94x69 cm. Je Altersspuren, part. Knickspuren, gebräunt. Die "Zyklopische Landschaft" im Passepartout und das Plakat im Passepartout hinter Glas gerahmt.| FUCHS, ERNST (1930-2015), mixed lot of 3 prints, 1.) ‘Zyklopische Landschaft’, colour aquatint etching/paper, numbered 190/200 in pencil and signed by hand, HxW: plate approx. 22.5x48.5 cm, mat cut-out approx. 30x52 cm; 2.) ‘Samson und Delilah’, colour lithograph/violet paper, numbered 103/200 in pencil and signed by hand, dry stamp on the lower right. 103/200 and signed by hand, dry stamp lower right, HxW: plate approx. 49x38 cm, sheet approx. 65x50 cm 3.) Poster for the exhibition ‘Ernst Fuchs bei Wolfgang Ketterer...’, colour lithograph/paper, signed by hand in pencil lower right (partly covered by passe-partout), HxW: passe-partout section approx. 75x52 cm, outer frame dimensions approx. 94x69 cm. Each with traces of age, part. Traces of creasing, browned. The ‘Cyclopean Landscape’ framed in passepartout and the poster framed in passepartout behind glass.

Lot 1801

HOLLENBERG, FELIX (1868-1945), "Rechberg und Hohenstaufen", 1908, Ätz- und Kaltnadelradierung von der Kupferplatte/Papier, in der Platte monogrammiert und datiert 'FH 08', u.re. mit Bleistift von Hand signiert, HxB: Platte ca. 20x40 cm, Blatt ca. 30x43 cm. Altersspuren, gebräunt und rechtsseitig Lichtrand, wenige Flecken. LITERATUR: Heide Büttenbender, Felix Hollenberg, Das Graphische Werk, 1982, WVZ-Nr. 120.| HOLLENBERG, FELIX (1868-1945), "Rechberg und Hohenstaufen", 1908, Etching and drypoint etching from the copper plate/paper, monogrammed and dated ‘FH 08’ in the plate, signed by hand in pencil lower right, HxW: plate approx. 20x40 cm, sheet approx. 30x43 cm. Traces of age, browned and light-stain to the right, few stains. LITERATURE: Heide Büttenbender, Felix Hollenberg, Das Graphische Werk, 1982, WVZ no. 120.

Lot 1806

FUCHS, ERNST (1930-2015), "Akt - Eva", Aquatintaradierung/Papier, mit zwei vertikat verlaufenden Falzen als Triptychon, in jedem der drei Felder von Hand signiert, HxB: Blatt gesamt ca. 30x71 cm, Außenmaße Rahmen ca. 37x83 cm. Leichte Altersspuren. Mit verglastem Rahmen (verso Etikett Kunsthaus Schaller, Stuttgart). | FUCHS, ERNST (1930-2015), "Akt - Eva", Aquatint etching/paper, with two vertical folds as a triptych, signed by hand in each of the three fields, HxW: sheet total approx. 30x71 cm, outer frame dimensions approx. 37x83 cm. Slight signs of age. With glazed frame (label Kunsthaus Schaller, Stuttgart, verso).

Lot 191

Andrew Watson Turnbull [b.1874]Original etching titled " Liathach from Loch Clair" Frame- 37.5x47.5cm.

Lot 266

Donald Mackenzie Original etching artist Proof titled "Mountain landscape with melting snow". Frame- 30x40cm.

Lot 73

Chauncey Foster Ryder (American, 1868-1949), A bankside view of a bridge and buildings (Possibly Dalmally Bridge, Scotland), etching, signed in pencil to margin, 32x23cm, framed and glazed

Lot 81

Richard Beer (1928-2017), "Oxford Steps", limited edition etching with aquatint, numbered 104/150, titled and signed in pencil to plate margin, 80x59.5cm, framed and glazed.

Lot 93

Giovanni Battista Piranesi (Italian, 1720-1778), Interior of St Peter's Basilica, etching, first state, Ref: Hind 102, 69x50cm, framed and glazed.Colgnani and Co Ltd, London.Central paper cockling with possible mildew / occurance of damp on the central composition (see images).

Lot 103

George Vertue (1684-1756), after W.Greene, "The Oxford Almanack For the Year of our Lord God MDCCXLIV Being Bissextile or Leap Year", etching and engraving, circa 1743, 52x47cm, framed and glazed.

Lot 92

Giovani Battista Piranesi (Italian, 1720-1778), "Colonna Antonina", etching, fourth state, circa 1758, 56x42cm, framed and glazed.Colnaghi & Co Ltd, London, label on backboard.

Lot 94

After Guido Reni (Italian,1575-1642), The Holy Family with an angel, etching, laid on paper with notable cropping to lower margin, 22x15cm, framed and glazed

Lot 316

(ARR) Andrew Ingamells (British, b.1956) - New College, Oxford - An original limited edition signed black & white etching on paper of Old College Oxford. Signed in pencil lower right. Limited edition number 84 of 125. Unframed. With original invoice.

Lot 331

(ARR) James McIntosh Patrick RSA (Scottish, 1907-1998) - Bruges - Believed early 20th century limited edition drypoint etching on paper of the city of Bruges, Belgium. Number 4 of 50. Signed 'McIntosh Patrick' to lower right in pencil. Mounted, framed & glazed. With Thomas Murray & Son, Dundee label to back. Measures approx. 16cm x 16cm excluding frame.

Lot 1021

James McBey (1883-1959) Scottish"Gerona, May 1921"Signed and dated, etching; together with another version of the same etching, indistinctly signed, inscribed and dated, each 20.5cm by 34cm (framed as one)

Lot 264

This stunning color offset on paper of the etching by Alexandre Chaponnier, modeled after the original painting by Jean-Frederic Schall, titled Le Modele Dispose. Housed in a carved wooden frame with a blue gilded mat. Sight size: 13.25"L x 18.75"H. Frame dimensions: 21.5"L x 1.5"W x 26.25"H. Artwork can be unframed and rolled for shipment. Artist: After Jean-Frederic Schall (French, 1752-1825)Dimensions: See DescriptionCondition: Age related wear.

Lot 250

Rarely offered original etching on paper by American sculptor Paul DiPasquale entitled Connecticut on Connecticut. It depicts DiPasquale's monumental statue of an American Indian with arms over a parapet and looking onto the street below. This iconic sculpture was created originally for a liquor store in Washington D.C., visible in this study. Signature and date in graphite on lower right: Paul Albert DiPasquale, 83. Edition and title on lower left: 9/15 Connecticut on Connecticut. Housed in a wooden frame with an ecru mat. Sight dimensions: 12.25"L x 10"H. Frame size: 20"L x 17.50"H x 1"W. Artwork can be unframed and rolled for shipment. Artist: Paul Albert DiPasquale (American 20th-21st century)Issued: 1983Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Lot 270

Original suite of four black and white etching prints of historical Colombian street views featuring four views by Jorge Posada, and one by Federico Garcia. Also includes one original serigraph featuring butterflies and flora, signed and dated in graphite by an 11 years old Colombian student. Each etching print size: 15.25"L x 11.75"H. Serigraph dimensions: 13"L x 9.50"H. Issued: c. 1980Dimensions: See DescriptionCountry of Origin: ColombiaCondition: Age related wear.

Lot 251

Original color etching on handmade paper by American artist and Master papermaker Laurence Barker. Pulled in the small edition of 40 and entitled Hedgerows, it depicts the organic shapes of wild shrubs and trees that Laurence colored in blue-browns and light emerald green. Signature in graphite on lower right: Laurence Barker. Edition and title on lower left: 9/40 Hedgerows. Housed in a chestnut brown wooden frame with an ecru mat. Sight dimensions: 12.50"L x 17"H. Frame size: 20.50"L x 25.50"H x 1.50"W. Artwork can be unframed and rolled for shipment. Artist: Laurence Barker (American b. 1930)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Lot 76

Wells (H. G.).- Swan (Robert J.) Portrait of H. G. Wells writing, coloured chalks, signed lower right, inscribed with sitter's name lower left, 310 x 230 mm (12 1/4 x 9 in), under glass, framed, [mid-20th century]; together with a signed etching of George Bernard Shaw, 305 x 210 mm (12 x 8 1/4 in), under glass, heavy browning, framed (2)

Lot 214

MYFANWY KITCHIN. WELSH 1917-2002 Assembly Shop (Wellman Crane Walsall). Signed 'Myf'. Inscribed verso. Etching 10" x 11"

Lot 221

ERIC JAMES MELLON. BRITISH 1925-2014 An etching and a wood engraving of owls. Artist's proofs. Signed and inscribed in pencil. 7½" x 5"; 6½" x 4½"

Lot 486

† GRAHAM CLARKE (British, born 1941); coloured etching 'Old Manor', no.48/150, titled and numbered lower left, signed lower right, approx. 34.3 x 54cm, framed and glazed.Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

Lot 1411

A framed Japanese coloured wood block print (discolouration) - sold with a signed limited edition monochrome etching, depicting 'Stowe School' and another entitled 'At Dartmouth'

Lot 172

Vintage framed etching from the picture of Guercino at Bologna

Lot 165

Six pictures and prints, signed etching etc

Lot 275

ANDREW FAIRBAIRN AFFLECK (SCOTTISH 1869 - 1935), PIAZZA SAN MARCO, VENICE etching on paper, signedmounted, framed and under glassoverall size 45cm x 58cm

Lot 336

A stunning Pickard China lidded creamer featuring an etched gold floral design with blue accents. The piece showcases exquisite craftsmanship with detailed floral etching on the gold surface and a geometric floral pattern in blue iridescence on the lower section. The creamer is octagonal in shape, with a gracefully arched handle and a fitted lid with a knob finial. Marked "Pickard Etched China" on the base, indicating its high-quality production and elegant artistry. Issued: Early 20th centuryDimensions: 4.5"HCountry of Origin: USACondition: Age related wear.

Lot 14

Pair of Waterford crystal toasting flutes featuring Mickey Mouse designs, standing 9.25 inches in height. These elegant flutes showcase intricate diamond-cut detailing on the bowls, a classic feature of Waterford craftsmanship. The bases are adorned with a starburst design, adding brilliance to the overall aesthetic. Each flute bears the Waterford etching on the base and comes with the original Waterford box. A charming addition to any Disney or crystal collection, perfect for celebratory occasions. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

Lot 15

Pair of Waterford crystal toasting flutes featuring Mickey Mouse designs, standing 9.25 inches in height. These elegant flutes showcase intricate diamond-cut detailing on the bowls, a classic feature of Waterford craftsmanship. The bases are adorned with a starburst design, adding brilliance to the overall aesthetic. Each flute bears the Waterford etching on the base and comes with the original Waterford box. A charming addition to any Disney or crystal collection, perfect for celebratory occasions. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: IrelandCondition: Age related wear.

Lot 197

An original photogravure print on paper, entitled Fetch It, Sir after Hamilton Hamilton's etching from a portfolio entitled Ten Original Etchings by the Best American Artists, originally published in Boston by Estes and Lauriat in 1888. Printed by Goupil and Cie, Paris and published by D. Appleton and Co., New York. Artist signature in plate on lower right side. Printer, publisher, and title on lower edge margin. Artist: After Hamilton Hamilton (English, 1847-1928)Dimensions: 12.5"L x 16.75"HCondition: Age related wear. Time stained. Foxing and soiling scattered through out surface. Creases on upper left corner, and lower left corner. Rip on upper and lower left corner and middle of lower edge.

Lot 220

Jules Van Paemel, La tour de Babel, 1933. Etching, 43/50. | 77,5 x 59 cm.

Lot 53

WILLIAM LIONEL WYLLIE (1851-1931) View of Venice, drypoint etching, signed in pencil, 6.5" x 8.5" (16cm x 21.5cm)

Lot 52

WILLIAM LIONEL WYLLIE (1851-1931) tug boats moored on an embankment, drypoint etching, signed in pencil, 8" x 10" (20cm x 25cm)

Lot 117

ROBERT LILLIE (1867-1949) Victorian schoolmaster addressing his pupils, pen and ink illustration, signed with pencil annotations, 14" x 10" three other signed and annotated illustrations, a portrait, together with HW Brewer, church interior, etching, 9" x 7" an etching of Ullswater by Duckworth, 8.25" x 5.75" and three modern prints of London landmarks

Lot 375

A mixed lot of pictures to include a Malte Sterner signed etching together with a reproduction silver and gold plated Russian IconLocation: If there is no condition report shown, please request

Lot 466

Pictures to include attributed to Edwin Earp, watercolour a river scene; Rowland Longmaid etching attributed to Sir John Gilbert Shakespearian Night pen and ink Location:If there is no condition report shown, please request

Lot 359

ROWLAND LANGMAID "Calm at the Nore", etching, signed in pencil lower right and titled on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm, together with "Green Hithe - Training ship Worcester", etching, signed in pencil lower left, bears title on "Deighton's Strand Gallery" label verso, 8.5 cm x 17 cm (2)

Lot 191

Willy van Riet (1882-1927), by and after Dutch Canal and Spire signed, numbered 134/350, coloured etching, 28cm x 32cm

Lot 91

Salvador Dali (Spanish 1904-1989) - Le Circque: Equilibriste, colour etching with aquatint, signed lower right, numbered 5/175 lower left, 52 x 36cm, within a plain gilt frame.

Lot 84

Arthur Boyd (Australian 1920-1999) - Electra, etching, signed in pencil lower right, numbered –25 lower left, 29.5cm x 39.5cm, within a black frame.

Lot 89

Heidi Koenig (German b.1964) - 'Kumuka', colour etching, signed and dated ’98 lower right, titled lower centre, numbered 36/75 lower left, 48cm x 48cm, within a stained wood frame.

Lot 40

James Gillray (English, 1756-1815) - ‘'Morning Promenade upon the Cliff, Brighton', hand-coloured etching, published by Hannah Humphrey, 1806, the image credited to Capt. J. Morse, 36.5cm x 56cm, within a black frame.

Lot 82

John Brunsdon (British 1933-2014) - 'Snowdon', colour etching with aquatint, signed lower right, titled lower left, numbered 113/250 lower centre, 32.5cm x 45cm, within a gilt frame, with a Christie’s Contemporary Art Certificate of Authentication.

Lot 83

John Brunsdon (British 1933-2014) - 'Golden Cap', colour etching with aquatint, signed lower right, titled lower left, numbered 162/250 lower centre, 32.5cm x 45cm, within a gilt frame, with a Christie’s Contemporary Art Certificate of Authentication.

Lot 90

Heidi Koenig (German b.1964) - 'Madiba', colour etching, signed and dated ’98 lower right, titled lower centre, numbered 32/75 lower left, 48cm x 48cm, within a stained wood frame.

Lot 99

Graham Clarke (British b.1941) - 'Rufus Spratting Chronicle', etching with hand colouring, signed lower right, inscribed and numbered 84/200 lower left, 43.5cm x 34.5cm, within a stained wood frame.

Lot 98

Graham Clarke (British b.1941) - 'Hopalong', etching with hand colouring, signed lower right, inscribed and numbered 13/300 lower left, 30cm x 25cm, within a silvered frame.

Lot 100

Graham Clarke (British b.1941) - 'Johnny Garlic Sausage', etching with hand colouring, signed lower right, inscribed and numbered 304/400 lower left, 34cm x 54cm, within a silvered frame.

Lot 39

Pierre Auguste Renoir (French 1841-1919) - 'Étude pour une Baigneuse', c.1906, etching, with the artist's stamped signature, 22.5cm x 16cm, within a painted frame.

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