Billy Al Bengston (American, 1934-2022). Etching with aquatint print on Rives BFK paper depicting a silhouette of a dog against a green and red background with abstracted celestial bodies, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower center; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 22 in x width: 30 in.Condition:The colors are bold and deep. There are no visible tears, major creases, or losses. There are no signs of restoration under UV light. There is a minute crease along the upper right corner. There is an extremely minute chip to the upper left corner; only noticeable upon close inspection.
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Craig Kauffman (American, 1932-2010). Color etching on wove paper titled "CK-2" depicting three abstract cubes, 1988. From the "In Barcelona Suite (California Portfolio)," 1988-89. Pencil signed and dated along the lower right; numbered 14/75 along the lower left.Provenance: Brian Gross Fine Art, San Francisco, California; Private Minnesota Collection.Height: 30 in x width: 22 in. Brian Gross Fine Art SF CACondition:The colors are bold and deep. There are no visible tears, creases, or losses. There is a green discoloration along the side margin of the lower left quadrant. There is a minute scattering of discoloration throughout the corner of the upper left margin. There are no signs of restoration under UV light.
Marc Chagall (Russian/French, 1887-1985). Etching and aquatint from the series "Ce lui qui dit les choses sans rien dire (One who says things without saying anything)" published with poet Louis Aragon, 1975-76. Signed in pencil along the lower right. Published by Maeght Editeur, Paris.Provenance: Private Connecticut Collection, 1991; Private Minnesota Collection.Reference: Cramer 99.Lot Essay:Chagall's paintings are characterized by their lyrical compositions, vibrant colors, and whimsical imagery drawn from his memories of his Jewish upbringing, Russian folklore, and the rural landscapes of his youth. His works often feature floating figures, airborne animals, and dreamy landscapes, imbuing his art with a sense of otherworldly beauty and magic.Throughout his prolific career, Chagall's art remained deeply personal yet universally resonant, transcending cultural and geographical boundaries. His groundbreaking use of color and form influenced generations of artists, while his ability to evoke emotion and evoke a sense of wonder captivated audiences worldwide. In addition to painting, Chagall also explored other mediums such as stained glass, ceramics, and tapestries, leaving a lasting impact on the fields of applied and decorative arts.Chagall's enduring legacy as a master of modern art is marked by his unwavering commitment to creativity, imagination, and the power of love and hope in the face of adversity. His ability to capture the human experience in all its complexity and beauty continues to inspire and enchant, reminding us of the transcendent power of art to illuminate the human spirit and transcend the limitations of time and space. Through his visionary artistry and his profound exploration of the mysteries of existence, Marc Chagall remains a towering figure in the pantheon of great artists.Sight; height: 18 1/2 in x width: 14 in. Framed; height: 27 1/4 in x width: 22 3/4 in x depth: 1 1/2 in.Condition:The colors appear bold and bright. There are no visible tears or restorations. Light wear to the edges. The work is floated in frame. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
21cm blade with clipped back point, etched to one side with an eagle and variously THE UNITED STATES LAND OF THE FREE and AMERICANS ASK FOR NOTHING BUT WHAT IS RIGHT AND SUBMIT TO NOTHING THAT IS WRONG, etching very worn and illegible in places, stamped EDWARD BARNES & SON at the forte, cutlery type handle with American eagle over foliage, contained in its white metal mounted tooled brown leather scabbard.
A GEORGE V SCOTTISH REGIMENTAL OFFICER'S DRESS SWORD FOR THE SCOTTISH BORDERERS, early 20th Century, with 32 1/2in. double-edged plated steel blade with two narrow fullers on each side, etched on both sides with Royal cypher to one side and 'KING'S / OWN / SCOTTISH BORDERERS' and regimental crest over, ricasso with proved plug to one side and Edinburgh retailer's details over, plated cross-guard, wire-bound fish-skin grip and steel pommel, together with its field scabbard with plated steel fittings, etching thinned with a little staining to the blade, fish skin thinned in places, some plating lifted on pommel and chape, 40 1/4in. overall. This bladed product is not for sale to people under the age of 18. By bidding on this item you are declaring that you are 18 years of age or over.Please be aware that we are unable to send edged weapons or bladed products by postal courier to a UK residential address (Offensive Weapons Act 2019)
FIVE BOXES AND LOOSE PRINTS AND PICTURE FRAMES ETC, to include a faded John Gregory King print with a pencil drawn remarque to the lower margin depicting a male figure and a pack of dogs, approximate print size 43cm x 56cm, Cecil Aldin hunting prints, an indistinctly signed early 20th century North Devon coastal landscape, a Camille Fonce river landscape print published by Henry Graves 1897, 19th Century topographical prints of Birmingham, an etching of Winchester Cathedral signed and dated Gertrude 1927, a print of St John's Hospital by Rev Stebbing Shaw, sixteen framed paintings on silk depicting a variety of birds approximate size of each image 8.5cm x 6.5cm, together with other assorted prints etc
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