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Lot 271
After Herbert Thomas Dicksee (1862-1942),"In The Silent North", polar bears beside a broken sledge,Etching,Signed in pencil to lower margin, initialled "HD" to plate, published by Mawson, Swan & Morgan Ltd (1903),55cm x 75.5cm,Framed and glazed (at fault) CONDITION REPORT:We believe this etching to be on vellum.
Lot 274
After Herbert Thomas Dicksee (1862-1942),"Caesar - I Belong To The King",Etching on paper,Signed in pencil to lower margin, initialled "HD" to plate and dated "1910", published by Frost & Reed Ltd (1911),40cm x 59cm,Framed and glazed,With two unsigned Herbert Dicksee etchings, "The king" (55cm x 68cm) and "Stealth" (50cm x 71cm) (3) (at fault)
Lot 107
ZAO WOU-KI (Beijing, 1921 - Nyon, Switzerland, 2013). "7-700", 1989. Etching and aquatint engraving. Hand signed and dated. Ediciones Polígrafa. Size: 38 x 54 cm (print); 55 x 75 cm (paper). Zao Wou Ki was born into a Franco-Chinese family and grew up in a very cultured environment, interested in the arts and sciences. He studied calligraphy as a child, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he followed the artistic courses of Émile Othon Friesz and came into contact with the contemporary artistic avant-garde. His painting is eminently abstract and colourist, strongly influenced by the work of Paul Klee, for its expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting colour, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of colour, germinal "big bangs", the origin of a world in creation, as we can see in this etching.
Lot 108
ZAO WOU-KI (Beijing, 1921 - Nyon, Switzerland, 2013). "Composition 340", 1989. Etching and aquatint engraving. Hand signed and dated. Ediciones Polígrafa. Size: 38 x 54 cm (print); 55 x 75 cm (paper). Zao Wou Ki was born into a Franco-Chinese family and grew up in a very cultured environment, interested in the arts and sciences. He studied calligraphy as a child, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts between 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he followed the artistic courses of Émile Othon Friesz and came into contact with the contemporary artistic avant-garde. His painting is eminently abstract and colourist, strongly influenced by the work of Paul Klee, for its expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting colour, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of colour, germinal "big bangs", the origin of a world in creation, as we can see in this etching.
Lot 49
JOAN BROSSA CUERVO (Barcelona, 1919 - 1998) and ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012)."The King of Magic", 1986.Etching and reprography on paper.With three etchings by Antoni Tapies.Ediciones Tristany, Figurres.Copy for collaborators hand signed by the authors. Numbered copy VII/X.Measurements: 46,5 x 68,5 cm; 46,5 x 34,5 cm and 46,5 x 34,5 cm (etchings) / 58 x 224 cm and 53 x 224 cm (frames).This work is dedicated to the centenary Barcelona establishment "El Rey de la Magia", located at Carrer de la Princesa, 11.The edition contains two visual poems by Joan Brossa and three etchings by Antoni Tapies, on paper handmade by Toni Sarda in his mill in Banyoles (Girona). Edition of 75 copies numbered from 1 to 75 and 10 units for collaborators numbered from I to X. Of which this is the VII / X copy. The poems and etchings are framed. It is accompanied by the original box, containing some pages of the book.
Lot 72
MANOLO VALDÉS BLASCO (Valencia, 1942). "Birds". Mixed media (etching, aquatint and collage on paper. Unique piece. Signed and dedicated by hand. Size: 83 x 65 cm (print); 107 x 80 cm (paper); 118 x 92 cm (frame). In this work, Valdés combines his particular aesthetic with the images of important artists, including works by Botero, Dalí and Lichtenstein. Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan (1965), the silver medal at the II International Biennial of Engravings in Tokyo (1979), the Bridgestone Art Museum prize in Lisbon (1979), the National Plastic Arts Prize (1983), the medal at the International Festival of Plastic Artists in Baghdad (1986), the Decoration of the Order of Andrés Bello in Venezuela (1993), the prize of the National Council of Monaco (1997), the Gold Medal for Merit in Fine Arts (1998), the Prize of the Spanish Association of Art Critics (2000) and the Prize for the Best Print Artist (2002), among others. With Equipo Crónica, Valdés used figuration as a vehicle of expression for his approaches, for his criticisms of art, society and politics, but prioritising above all other content the pure act of painting. From the thematic point of view, Valdés was inspired by the art of the great masters of painting: Goya, Velázquez, El Greco, Ribera and Zurbarán, and he never concealed his models, but rather emphasised them, even in the titles of his works. Formally, he produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the observer to delve into memory and search for significant images from the history of art. Valdés is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.
Lot 450
Leslie Duxbury (1921-2001)/Feeding the Birds/signed, inscribed title and A/P/etching, plate size 6.5cm x 8.5cm/and three other etchings: In Green Park, Back Market Llandovery (2), various sizes, all unframed [4] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 402
Lajos Novak (1927-1989)/Ice Cutters/signed in pencil to margin, titled in Hungarian and numbered 28/100/etching, paper size 42cm x 59cm/together with two prints by Jill Lewin: Spirit of Place and Barrow, and one by Willie Feilding: Scales of Justice, all unframed [4] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 425
Henry Rushbury (1889-1968)/Shipbuilders with Cart and Horse/signed in pencil/drypoint etching, plate size 16cm x 32.25cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 485
Graham Clarke (born 1941)/Piece de Resistance/signed, titled and numbered 178/400 in pencil/arch top hand coloured etching, sheet size 64cm x 90cm/mounted but unframed/Note: published by CCA Galleries, with certificate of authentication CONDITION REPORT: Appears unfaded and in very good condition. ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 539
John Brunsdon (1933-2014)/Eddlesborough Church/signed, inscribed and numbered 71/100/aquatint etching, plate size 45.25cm x 60.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
![Roger Fry (1866-1934)/Reclining Female Figure/numbered 4/5/etching, 41cm x 58.5cm/and two other pictures [3]](https://cdn.globalauctionplatform.com/a6ba38c7-3c37-4f74-b320-ad97010adf93/597dd5a2-ccca-437f-91ea-adba010f509f/468x382.jpg)
Lot 373
Belinda Channer (born 1961)/The City, London/signed and inscribed 1/25/etching, plate size 19cm x 91.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 455
Leslie Duxbury (1921-2001)/View of Llandeilo/coloured etching, plate size 17.5cm x 27cm/and two monochrome etchings: Welsh Church and Park Lodge Farm, various sizes, all unframed [3] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 449
Leslie Duxbury (1921-2001)/River Thames/etching, plate size 12cm x 16.25cm/and four other etchings of London scenes: In Green Park, Feeding the Birds, Pen Ponds, Mother and Pushchair, various sizes, all unframed [5] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 454
Leslie Duxbury (1921-2001)/Welsh Church and Farm/coloured etching, plate size 33.75cm x 49cm/and another, Park Lodge Farm, both unframed [2] CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 483
Trevor Price (born 1966)/The Big Sleep/signed, titled and numbered 33/100 in pencil/etching in colours, plate size 38cm x 42.5cm CONDITION REPORT: Good condition. Mount and frame also goodARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 424
Louis Conrad Rosenberg (1890-1983)/Aya Sophia, Interior View/signed in pencil/drypoint etching, plate size 30cm x 13.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 389
Patrick Heron (1920-1999)/Brushwork Series No. 3/etching, image size 45cm x 60cm/Note: The Brushworks Series was one of Patrick Heron's final projects. Between December 1998 and March 1999, Heron worked in his studio with the printer Hugh Stonemen, making drawings for fifteen works in total, from which he selected the eleven plates that make up the portfolio. Heron approved the proofs and decided on a sequence for presenting the works shortly before his death. The etchings were printed posthumously, overseen by the artist's two daughters and are therefore unsigned. CONDITION REPORT: Good condition. Good mount and frameARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 484
Phil Greenwood (born 1943)/Red Oak/signed and dated Greenwood '80, titled and numbered 150/250 in pencil/etching, aquatint in colours, sheet size 64.5cm x 51.5cm/Terence Millington (born 1942)/Canal Bridge 9/100 and Austin's Bridge 87/100/pair of aquatints, sheet size 54.5cm x 61cm/and a quantity of various other prints, all unframed CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
Lot 372
William Hunter Littlejohn (1929-2006)/Fish, Mirror and Seagull/signed and inscribed 39/50/etching, 39cm x 100.5cm CONDITION REPORT: ARR Artist's Resale Right may apply to the sale of this lot if the hammer price is the equivalent of 1000 Euros or more, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk
![William Lionel Wyllie [1851-1931]-Destroyers and Barrage Balloon,:-signed in pencil in the margin, etching, image 14.5 x 25cm](https://cdn.globalauctionplatform.com/a7fe9833-9dd1-49a7-b4d4-ada8014587de/47f8f273-59d1-4b94-a918-ada900af11a5/468x382.jpg)
Lot 109
WW2 GERMAN THIRD REICH HITLER YOUTH DAGGER with original metal scabbard, Blut Und Ehre (Blood and Honour) etching and Hartkopf & Co Solingen with Ges.Geschutzt markings to the blade, chequered grip with enamel badge, 24.5cms L, original metal scabbard with leather top clip, blackening very scratched, 25.75cms fully sheathed
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71174 item(s)/page