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Lot 1231

George Soper, Morning Exercise, etching, bears label to verso David Lamond, Dundee, 20cm x 30cm .

Lot 1232

Don Bessant (British, 1941-1993) 'By Jones's Pond', 1978 Etching in colours. Colour proof. 18 x 19 cm. Framed, mounted and glazed.Overall good condition, slight discolouration where picture meets mount.

Lot 1238

William Lionel Wyllie R.A. (British, 1851-1931), The Thames at Greenwich, Drypoint etching, Signed in pencil `W L Wyllie` 19cm x 39cm.

Lot 1239

After Renoir (Pierre-Auguste) Berthe Morisot etching, 19cm x16cm, (plate 10cm x 9cm) London Graphic Art Associates label verso. Paper rippled, possible overall staining but consistent all the way through, no other major faults found.

Lot 1252

James Gillray (British, 1757-1815), 'Memouk, et Hussard Republican', 1799, etching, published March 12th 1799 by H.Humphrey, London, 27cm x 39cm, framed. Stuck down. Good margins throughout. Some surface staining/foxing.

Lot 353

20th Century Etching "Nude". Signed in pencil lower right. Toning and foxing. Measures 11-3/4" x 7-3/4", frame measures 19" x 15". (estimate $25-$50) Shipping $75.00

Lot 378

Paul Mak: (Russian) limited edition etching, signed in pencil, 'Mary Magdalene'

Lot 164

John Bellany, C.B.E., R.A. (Scottish, 1942-2013): 'Death Knell for John Knox', etching, hand signed in pencil, titled & numbered 1/50, impression size H 20.5 x W 17.5 cm

Lot 168

Leon Kossoff (British, b. 1926):'Booking Hall, Kilburn Underground', 1982, etching, hand signed, numbered 78/100, titled & dated '82, impression size 18.5 x W 18.5 cm

Lot 169

Anthony Gross (British, 1905-1984):Cote de la Vierge, Fecamp, 1924, etching & drypoint, hand-signed & titled in pencil to margin, impression size H 14 x W 35 cm

Lot 170

Anthony Gross (British, 1905-1984):'Stubble Field', etching, artist's proof, hand signed in pencil & titled to margin, impression size H 22 x W 27 cm. Provenance: With Bernard Jacobsen Gallery, labelled verso.

Lot 86

Italian School (16th/17th century): The Holy Family with St John the Baptist, oil on panel, signed with initials/monogram lower right, stencil numbers verso, H 19.5 x W 26.5 cm. Note: The present image derives from an etching by Annibale Carracci, circa 1590. See British Museum No. U,1.109.

Lot 506

‡ROWLAND LANGMAID RSMA (1897-1956)'The Mother of Parliaments'original drypoint etchingsigned in pencil lower right margin 'Rowland Langmaid'Pl. 6 1/4 x 15 1/4 in (15.8 x 38.8cm)Provenance: with Mucklow's Gallery, Leicester Square, London

Lot 508

ELYSE ASHE LORD (1915-1939)The Red Azaleaetching with coloursigned and numbered in pencil 36/85, label versoPl. 7 1/2 x 4 1/4in. (9 x 11cm), in original brown chinoiserie frameProvenance: with Arthur Tooth & Sons, London

Lot 511

ELYSE ASHE LORD (1915-1939)Miao Shanetching with coloursigned and numbered in pencil 58/100, label verso12 x 10in (30 x 25.5cm), in original 1930s green chinoiserie frameProvenance:with Arthur Tooth & Sons, London

Lot 507

ELYSE ASHE LORD (1915-1939)Kite Flyingetching with coloursigned and numbered in pencil 10/100, label versoPl.12 x 18in (30 x 46cm), in original 1930s black chinoiserie frameProvenance: with Arthur Tooth & Sons, London

Lot 509

ELYSE ASHE LORD (1915-1939)Springtime in Loyang No. 2etching with coloursigned and numbered in pencil 8/100, label verso12 x 10in (30 x 25.5cm), in origininal 1930s green chinoiserie frameProvenance: with Taylor & Brown, Edinburgh.

Lot 510

ELYSE ASHE LORD (1915-1939)The Smiling Womanetching with coloursigned and numbered in pencil 17/100, label verso12 x 12 in (30 x 30cm), in origininal 1930s green chinoiserie frameProvenance: with Aitken & Son, Edinburgh.

Lot 595

NICOLAS IV DE LARMESSIN (1684-1755) AFTER NICOLAS LANCRET LE PETIT CHEIN QUI SECOUE DE L'ARGENT ET DES PIERRERIES from the Suites d'Estampes Nouvelles pour les Contes de la Fontaine, c1740, engraving with etching , mounted to within platemark, 27 x 34cm and seven other similar, contemporary French 18th c engravings, in modern washline mounts and frames, as a set (8)Provenance: The Earl of Jersey.++One or two with slight marks or time stains but all in presentable condition, unexamined out of frame

Lot 112

After Alan Lumsden 'Sunday Evening' Etching and aquatint in green Signed and numbered 45/75 in pencil 57cm x 49cm

Lot 609

Boxes and Objects - Victorian style doll's pram; an etching, Gertrude Hayes, by and after, Gresham's School, Holt, Norfolk; a backgammon board; an onyx chess set; a banjo, etc

Lot 299

Leonard Griffith Brammer (1906-1994), The Sytch, Burslem, signed in pencil, inscribed with title, etching, 15 x 21cm (PL) Notes: Sytch or Sitch as it was sometimes spelt was an area North West of the centre of Burslem. It was described by Paul Johnson in 'The Vanished Landscape', a 1930's Childhood in the Potteries, as follows: "The Sytch was the dark heart of the potteries, an immense stretch of ground composed in almost equal parts of bare clay earth, black water, mud, industrial detritus both active and abandoned, and fumigerous furnaces, belching forth fire, ashes and smoke."

Lot 303

Charles William Cain (1893-1962), Bridge Boats, Bagdad, signed lower right, inscribed with title, etching, 10.5 x 21cm (PL)

Lot 297

John Brunsdon (B.1933), Days End, signed, inscribed with title and numbered 38/100, etching, 28.5 x 31cm (PL)

Lot 295

After James McNeill Whistler (1834-1903), Venice, etching, 8 x 21cm (PL)

Lot 300

Clarence E Blackburn (1914-1987), Flamingoes in Shadow, signed lower right, inscribed with title, etching, 20 x 31cm (PL)

Lot 622

A .177'' B.S.A. MAJOR AIR RIFLE, serial No.CC09599 which indicates it was manufactured between 1955 and 1957, the acid etching of its title etc, is clearly visible although there is some rust speckling visible on the metal work, it is in working order and it comes with a slip (purchaser must be over the age of 18 years)

Lot 1124

Edgar Degas (1834 - 1917), etching, Danseuses dans la coulisse, 1877, plate size 5.5" x 4", framed

Lot 1171

Jean Cocteau, etching, Le Bal, 1953, from an edition of 220, plate size 8.5" x 6", framed

Lot 1186

H Valentine Shellard, etching, study of a Pointer, signed in pencil, plate size 7" x 9.5", framed

Lot 1208

William Lionel Wyllie, etching, shipping off Gibraltar, signed in pencil, plate size 6.5" x 15", framed

Lot 354

AN INDO-PERSIAN KHULA KHUD HELMET, the bowl etched with Arabic script within foliage, surmounted by a boss and spike, with sliding nasal bar, two plume sockets and mail camail, 7 1/2" diameter, together with a matched pair of arm guards and mail, one with remnants of foliate etching, and a large piece of possibly upper body mail (4) (Est. plus 21% premium inc. VAT)

Lot 371

"THE GUARDIAN AMERICAN MODEL OF 1878" SIX SHOT PINFIRE REVOLVER, the 2 3/16" sighted barrel with star and pinstripe etching, action deeply etched with grape vines, folding trigger, fixed ram and two piece bakelite grip with scale design, 6 1/4" overall (Est. plus 21% premium inc. VAT)

Lot 501

WILLIAM LIONEL WYLLIE (1851-1931), Shipping Scene, etching, signed in pencil, plate size 7 1/2" x 10 3/4", Hogarth frame (Est. plus 21% premium inc. VAT)

Lot 775A

Augustus John - etching-mother & children, signed in pencil (cut out and stuck to mount) AF

Lot 499

Joseph Simpson - etching - John Peel, framed

Lot 533

W. Reaison - etching - tree lined avenue, signed, framed (A/F)

Lot 608

ALPHONSE LEGROS (1837-1911): "Sleeping Beggar", signed in pencil to the margin, etching

Lot 368

Laura Harvey, Squirrel, signed and numbered, etching with aquatint, 17 x 17cm; and another, Two owls, 20 x 22cm (2)

Lot 406

Colin Vokes, four Northamptonshire landscapes, two oils, two watercolours; and other prints, including an etching by Edward Sharland (12).

Lot 12

Sir Francis Seymor Haden (1818-1910) British 'A river's bank' Etching on paper, the etching depicting rural river scene, signed top left hand corner, framed and glazed, 14cmx15cm.

Lot 40

A large rectangular plated tray Together with a Reed & Barton oval tray, brass trays, along with Chinese rice paper painting, etching, etc. (qty)

Lot 564

After David Ogborne (1700-1768)PASSENGERS GOING TO BURY FAIR, OCTOBER 1770Etching, in original frame43 x 35cmProvenance: The Collection of Mr and Mrs J Murphy, Holland House, Huntingfield

Lot 647

After Henry Wilkinson limited edition colour etching 'Cocker Spaniels' signed in pencil on mount no 15/150 25 X 35 cm framed & glazed ( some foxing)

Lot 1260

A collection of 19th Century Victorian etchings to include a hand coloured etching published by William Miller entitled 'Serjeant-Trumpeter', two hand coloured Victorian etchings depicting 'The Apothecary' and 'The Linen Draper', an engraving published by Thomas Mclean after H. Alken entitled Symptoms featuring small Victorian caricatures and a print of a H. Fletcher engraving of the flowers of Kensington gardens. 

Lot 31

A framed and glazed etching of a nude female, signed by the artist, H.80 W.33cm

Lot 41

An etching of a prisoner talking to a figure through the bars, signed and numbered 32/45 in pencil to lower margin, 20 x 14cm

Lot 432

ANNETTE JOHNSON ETCHING WITH AQUATINT PRINTED IN BLUE/GREY WITH HINT OF RED 'Summer Flowers' Signed, titled and numbered 119/150 in pencil 14" x 9 1/4" (35.5 x 23.4cm) plate

Lot 677

A late 18th century infantry officer’s spadroon, straight SE fullered blade, 32”, with traces of etching, steel stirrup hilt with crossguard, sideloop and quillon, knucklebow into facetted dome pommel, panelled ivory grip with middle band and ovoid panels on each side engraved with “C” in crowned Garter and motto. Basically GC for age (blade slightly out of alignment, dark rust patina overall).

Lot 542

A pencil signed etching "Stella Ahmed"

Lot 300

Geoffrey Sneyd Garnier (1889-1970), etching, 'Old Molesworth Mill', signed and inscribed in pencil, 26 x 30cm (unframed)

Lot 301

T.J. Farnworth, pair of watercolours, landscape and an etching, 'Strangers Hall Doorway, St Andrew Street, Norwich by Elsie V. Cole, largest 22 x 31cm

Lot 24

Glynn Thomas - a small signed limited edition sepia etching - 'St. Paul's from Bankside' - 199/500, 3.25" x 6".

Lot 2100

A signed Etching of 'Elder', by Keith Andrew (Welsh) and a signed Print 'Friday Morning'

Lot 2134

A William Tatton Winter RBA 1927 etching of a river scene and a Greta Delleany etching of Piddinghoe Sussex, both pencil signed

Lot 2141

A Gordon Miles Etching of a wine growing region, no. 2 of 15, 'Vines Lagorce', pencil signed.

Lot 2157

A quantity of Prints of Churches, cathedrals, etc. and a signed black and white Etching of an archway, signed in margin.

Lot 2179

A John McPherson Etching of cattle and sheep in rural landscape, and another

Lot 226

Framed drypoint etching by "Rembrandt" the etching is on original copper plate from the Besan impression (5cm x 6.5cm excluding frame 25cm x 33cm including frame)

Lot 153

Norman Wilkinson 'Evening River' Etching, signed in pencil, in a glazed frame, 32 x 25cm

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