We found 71174 price guide item(s) matching your search
There are 71174 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
71174 item(s)/page
Lot 28
Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946)(From) A Paris Window (Black 96) Etching and drypoint, 1922, a good impression, on laid paper, signed in pencil, framedPlate 200 x 152mm (7 7/8 x 6in)Sheet 318 x 230mm (12 1/2 x 9 1/8in)For further information on this lot please visit Bonhams.com
Lot 339
Graphic Studio: Lalor (Brian) Ink-Stained Hands, Graphic Studio, Dublin and the Origins of Fine-Art Printmaking in Ireland. Folio Dublin (Lilliput Press) 2011. Lim. Edn. No. 46 of 50 Copies, with orig. signed etching by Brian Lalor, profusely illustrated in colour, cloth & slipcase, with copy of Incantata, by Paul Muldoon. V. good. (1)
Lot 373
Salmon (Wm.) Polygraphice; or, The Arts of Drawing, Engraving, Etching Limning, Painting, Washing, Varnishing, Gilding, Colouring, Dying, Beautifying and Perfuming, 8vo Lond. (Thos. Passinger) 1685. Fifth Edn. Port. plate of author, add. engd. title, 23 engd. plts. cont. full calf, blind tooled panels, raised bands, lacks label. Good copy. (1)
Lot 560
After James Malton (1761-1803) View of the Law Courts, Dublin, approx. 41.5cms x 61cms (16 1/2" x 24") This impressive sepia and watercolour painting of the Four Courts in Dublin, by an unknown artist, is closely based on James Malton’s engraving of the same subject. The painting appears to date from around 1800, and so would have been done not long after Malton's aquatint view was published, in the 1790’s. Although signed ‘Malton’ it is probably by a follower of the artist. * An English-born engraver and watercolourist, James Malton moved to Ireland as a child in the 1780’s, and following his father in taking up the profession of architectural draughtsman, working for a time in the offices of architect James Gandon. Leaving this employment, he began working as an artist, and in 1790 submitted two drawings to the Society of Artists in London. He is best known for a series of twenty five aquatint and etching prints entitled A Picturesque and Descriptive View of the City of Dublin, published in the 1790’s. Several of the buildings he drew, including the Law Courts, had been designed by his former employer James Gandon. Although Malton hoped to capitalise on the growth in prosperity of Dublin, the passing of the Act of Union reduced the importance of the city, and he was obliged to maintain his ties with London, exhibiting frequently there, at the Royal Academy. Among the works he showed at the RA were seventeen views of Dublin in Indian ink and watercolour, mostly depicting the same subjects as his published prints. Larger than the original plates, they also differed in detail, with some figures removed and other added. While it is tempting to see this sepia and watercolour painting of the Law Courts as an autograph work by Gandon, it lacks his firm grasp of architectural perspective and his ability to include figures and carriages rendered with elegance and flair, as exemplified in his book Designs for Rural Retreats, published in 1802. He died the following year, 1803. Dr. Peter Murray, 2023
Lot 990
1928 Minor Leinster Title Medal: G.A.A. (Hurling 1928) A 9ct gold circular Medal, the obverse with pierced harp design and Celtic etching inscribed 'Connradh Laigheann', the reverse inscribed 'Minor Hurling 1928 - won by Dublin,' hallmarked John Miller. (1) * 1928 was the First staging of the Minor Championship. The Dubs had a walk-over in the Leinster Final against Kilkenny. An alternative Final was arranged, where they beat Offaly 6.6 to 3.2. They lost to Cork in the Final after a Replay.
Lot 338
Russell Sidney Reeve (1895-1970), ‘Waterloo Bridge’ drypoint etching, signed, titled and numbered in pencil. Edition 44/50. Unframed. Black and white etching of a River Thames level view of Waterloo Bridge, London. Reeve was a well-known painter and printmaker, born at Hethersett in Norfolk. He exhibited at the Royal Academy from 1927 and his work is represented in many public collections, including the Victoria and Albert Museum and the Tate Gallery. He worked extensively in East Anglia. 17xm x 26.5cm.
Lot 339
Russell Sidney Reeve (1895-1970), Untitled dry point etching of a park scene, presumably London with a Church in the background and people in a park / strolling through the park. Signed in plate itself ‘Russell Reeve’. Unframed and unnumbered – perhaps unique. Reeve was a well-known painter and printmaker, born at Hethersett in Norfolk. He exhibited at the Royal Academy from 1927 and his work is represented in many public collections, including the Victoria and Albert Museum and the Tate Gallery. He worked extensively in East Anglia. Plate measures 40cm x 12cm.
Lot 340
Russell Sidney Reeve (1895-1970), ‘Eton College’, original etching, signed. C. 1930’s original black and white etching of Eton College, Windsor. Unframed, signed in pencil. Reeve was a well-known painter and printmaker, born at Hethersett in Norfolk. He exhibited at the Royal Academy from 1927 and his work is represented in many public collections, including the Victoria and Albert Museum and the Tate Gallery. He worked extensively in East Anglia. 26cm x 19.5cm.
Lot 1203
Prigogine,H.,: Ponts suspendus. (Paris, GLM 1964). 19,5 x 14 cm. OKtn. 39 SS. 1 Bl. mit 1 kolor. u. signierter Orig.-Radierung von Joan Miró. 39 S. Okart. Eins von 105 (GA 495).num. Exemplaren. - A first copy with the sign etching in colors. - One of the 105 first copies on Arches vellum, the only ones decorated with an original etching in colors signed by Miró, from an edition limited to 495 copies.
Lot 3575
Rembrandt van Rijn, Harmensz: (1606 Leiden - Amsterdam 1669). Die Ruhe auf der Flucht nach Ägypten. Nachtstück. Radierung auf Bütten, um 1644. Plgr. 9,2 x 5,9 cm. Mit schmalem Rändchen. Unter Passep. mont. New Ho. 216 IX (von IX). B. 57. W.-B. 57. Prachtvoller, tiefschwarzer Abdruck des IX. Zustands mit den endgültigen Überarbeitungen. Sehr gut erhalten. Aus einer unbekannten Slg. "OB im Kreis". - The calm on the flight to Egypt. Night piece. Etching on laid paper. Mounted under passepartout. Print of the 9th state. Very good condition. D
Lot 330
After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'El de la Rollona'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Lot 331
After Francisco Goya (Spanish. 1746 – 1828). Four lithographs from Los Caprichos (The Caprices). Including 'Lo que puede un Sastre'. Printed from Goya's original etching plates. Probably from the 9th edition printed between 1908 and 1912 but maybe earlier. Framed and glazed. Each measure H.48 x W.33 cm.
Lot 78
From the series "Snow, snot and snails" signed, dated, titled, numbered in pencil "SNAILS/ 19/23 / 1992/ NOT VITAL" (on the sheet); dedicated in pen by Landa Crommelynck, the wife of the engraver Piero Crommelynck to Marc Baron, the publisher: "A Marc avec l'amitié de Landa C." (on the reverse)etching, aquatint Ed. 19/2313 x 10.5 cm (à vue)executed in 1992
![Heath Robinson, William. The Gentle Art of Reproducing, London: The Practical Etching Service, [1931]. A very scarce example](https://cdn.globalauctionplatform.com/52ef07b6-546d-4890-a123-b0ca00d38fb2/c35d4a9d-4c2c-4fae-b602-b0cf011826fc/468x382.jpg)
Lot 76
Heath Robinson, William. The Gentle Art of Reproducing, London: The Practical Etching Service, [1931]. A very scarce example of Heath Robinson's commercial artwork for an advertising brochure. Small folio, 31cm, pp. 28, illustrated with 11 plates, sewn card covers. Internally very well-preserved & bright, fine or near-fine, the card covers with some handling marks & marginal wear. "His advertising artwork is little known and rarely seen." [Eye Magazine, August 2018]. This rare brochure features in Heath Robinson's Commercial Art, by Geoffrey Beare [Lund Humphries, 2017]
Lot 308
EDWARD T. DAVIS (1883-1867) TWO BOYS AT WATER PUMP, initialled bottom right, pencil on paper, approximate size of visible image 13.5cm x 9.5cm, Condition Report: corners of the paper missing, some discolouration and foxing, together with AFTER OZIAS HUMPHRY (1742-1810) 'MRS ANNE PITT', an unsigned copy of the portrait of the Sister of the Earl of Chatham, pencil on paper, approximate size 26cm x 18cm, full text to the picture reads 'Mrs. Anne Pitt, sister to the Earl of Chatham from a smaller etching by O. Humphry, Rome 1777, Condition Report: dirty marks to the paper, spot of foxing, creases to top right corner (PROVENANCE: Arnold Fellows Collection)
Lot 534
FRANCIS KELLY (1927-2012) 'BACK STUDY', a monochrome artist proof etching depicting a nude female figure study, signed bottom right, approximate size 63cm x 52cm including visible margins, Condition Report: some paper discolouration visible to the margins, print has slipped in the mount, frame marked (1)
Lot 1726
William Lionel Wyllie (1851-1931), etching, 'Fishing boats', signed in pencil, 22 x 27cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1727
William Lionel Wyllie (1851-1931), etching, 'Clyde and Govan', signed in pencil, 22 x 51cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1733
William Lionel Wyllie (1851-1931), etching, 'The Return of the Fishing Fleet, Portsmouth Harbour', signed in pencil, 18 x 36cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1737
William Lionel Wyllie (1851-1931), etching, 'Boulogne fishing luggers', signed in pencil, 22 x 29cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1738
William Lionel Wyllie (1851-1931), etching, 'Lobster fishers', signed in pencil, 20 x 25cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1739
William Lionel Wyllie (1851-1931), etching, 'Antwerp', signed in pencil, 15 x 32cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1745
English School, c.1800, watercolour gouache and etching, View of St. Pauls Cathedral from Ludgate, 15cm diameter***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1753
William Lionel Wyllie (1851-1931), etching, 'Bay of Naples', signed in pencil, 18 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1760
William Lionel Wyllie (1851-1931), etching, 'London Bridge with St Paul's in the distance, signed in pencil, 25 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1763
William Lionel Wyllie (1851-1931), etching, 'Bay of Naples', signed in pencil, 19 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1767
William Lionel Wyllie (1851-1931), etching, 'The Clyde, Glasgow', signed in pencil, 25 x 39cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1768
William Lionel Wyllie (1851-1931), etching, 'The Nile', signed in pencil, 14 x 38cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1772
William Lionel Wyllie (1851-1931), etching, 'Thames', signed in pencil, 18 x 38cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1807
* * Sir Herbert Thomas Dicksee (1862-1942), dry point etching on Japanese vellum, "The Old Garden", signed in pencil, publ. by Frost & Reed 1921 46 x 66.5cm Provenance: Private collection Guernsey Please note this lot attracts an additional import tax of 5% on the hammer price***CONDITION REPORT***Honest untouched condition, the main print itself has slightly discoloured paper, a little bit more to the left than the right but overall looks to be in good order, with some slight undulation of the paper, the mount is heavily foxed and original glazed frame has lost much of its black paint, labels verso for A. Knott Framer of Oldham and label from the printer's stating artist signed proof impression upon Japanese vellum, edition strictly limited.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 1836
Charles John DeLacy (1856-1936) and Albany E. Howarth (1872-1936), drypoint etching, 'The Storming of Zeebrugge Mole. St George's Day, 23rd April 1918', signed by both artists, 44 x 60cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 7
A collection of pictures to include a limited edition Peter Partington etching entitled Snipe In The Meadow Pool, numbered 34/150 and signed in pencil by the artist, floral still life, Cafieri oil landscape and other, various image sizes. [W] NOTE: THIS LOT IS NOT AVAILABLE FOR IN HOUSE SHIPPING, PLEASE CONTACT CLIENT SERVICES FOR A LIST OF SUITABLE COURIERS AND A QUOTE. PLEASE NOTE: ALL ITEMS MUST BE PAID FOR AND COLLECTED OR DESPATCHED BY WEDNESDAY THE 13TH DECEMBER DUE TO THE HOLIDAY PERIOD.
Loading...-
71174 item(s)/page