We found 78408 price guide item(s) matching your search
There are 78408 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
78408 item(s)/page
Lot 19
Rembrandt Harmensz. van Rijn, Dutch 1606-1669- The Death of the Virgin; etching on laid paper, signed and dated 'Rembrandt 1639' (within the plate, lower left), 39.3 x 30.9 cm. (margins trimmed on or close to the plate mark). Provenance: with the Halcyon Gallery, London. Private Collection, UK.
Lot 396
William Lionel Wyllie, RA, British 1851-1931- RMS Oceanic and RMS Majestic at Southampton; etching, signed in pencil 'W. L. Wyllie' (lower left), 8.7 x 33.2 cm,: together with five other etchings by Wyllie, depicting: Shipping in Portsmouth Harbour (HMS Victory, Submarine and other vessels); The Bass Rock; Yachts in a calm off Oban, Argyll; Cowes Week; and Poseidon Temple, Attica; six (6).
Lot 17
Heinrich Aldegrever, German 1501/2-1555/61- Dancing couple; engraving on paper, signed with monogram 'AG' and dated '1551' (within the plate, upper right), numbered '8' (within the plate, upper left), 5.3 x 3.8 cm., together with five further prints, including: Marcantonio Raimondi, Italian c.1480-1527-34- Charity and Temperance personified, from 'The Virtues'; two copper engravings on paper, each signed with initials 'MF' (within the plate), each 22.5 x 11.1 cm.: Sir Anthony van Dyck, Flemish 1599-1641- Jan Brueghel the Elder; etching on paper, inscribed 'Ant. van Dyck fecit aqua forti' (within the plate, lower left), 24.4 x 15.5 cm.: Allaert van Everdingen, Dutch 1621-1675- The Watermill at the Foot of the Mountain; etching on paper, 8.5 x 14.5 cm.: and Follower of Giovanni Battista Salvi da Sassoferrato, Italian 1609-1685, The Virgin Mary in contemplation; copper engraving on laid paper, 13.7 x 9.6 cm., six (6), (unframed). Provenance: Private Collection, UK.
Lot 412
AMENDMENT: Please note that this lot is an etching and aquatint printed in colours, not pencil and watercolour as previously catalogued. Lucius Rossi, Italian 1846-1913- Elegant figures in a garden; pencil and watercolour heightened with white on paper, signed 'Lucius Rossi' (lower right), 32 x 46 cm. Provenance: Private Collection, UK. Note: Rossi studied at the Academy San Luca in Rome, and was heavily influenced by the rich, theatrical compositions of Marià Fortuny (1838-1874). The present playful scene, depicting figures in elaborate historical costume, is typical of Rossi's work.
Lot 265
Francisco José de Goya y Lucientes, Spanish 1746-1828- The Custody is as Barbarous as the Crime (The Little Prisoner); etching and aquatint on paper, inscribed 'Gazette des Beaux arts, imp. Delatre, Paris' (within the plate, lower edge), inscribed '195' (in pencil, lower left), 10.9 x 8.6 cm. Note: The Art Institute, Chicago, notes how 'The Custody Is as Barbarous as the Crime, one of only three irregular plates produced for the Disasters of War series, was not printed and bound into the volume like the other working proofs but was added at the end.'
Lot 267
German Hitler Youth Pattern Dagger 5 1/4 inch, single edged blade. Face with traces of motto etching. Reverse with maker's stamp "Carl Schmidt Sohn Solingen". Steel, turn up crossguard quillon and pommel. Remnants of black composite checkered grip. Contained in its black painted steel scabbard. Leather belt loop. Knife in need of restoration.
Lot 53
Lin Lammet - Elisabeth Frinks Son. "Woman" Original etching from 1998, by the late Lin Jammet Numbered 9 from an edition of 30 signed, and dated in pencil. Printed at Gresham studios, on Moulin de Gue (a soft French paper made from linen and cotton), bearing their blindstamp lower right, on wove paper. The amount of work that went into producing the finished etching deserves a mention. The etchings were drawn into a hard beeswax ground on zinc plates and etched in ferric chloride and nitric acid. In some instances acid was applied with a brush to provide areas of tone. 71cm x 51cm frame inclusive
Lot 52
Ben Nicholson (1894-1982) Large Jug, Small Jug, 1967 Etching. Signed, numbered and dated in pencil 44.5 x 40cm frame inclusive Nicholson used still-life to search for his own visual language. By turning to the simple jugs and mugs in his studio, he could interpret them over and over again, using their forms and patterns to create works that moved between straightforward representation and abstraction. He embraced both the spirit of the avant-garde (as embodied by Cézanne, Picasso and the cubist painters), and the naïve expressionism of Christopher Wood and Alfred Wallis.
Lot 6380
Bedeutender Bidenhänder der Trabantengarde des Salzburger Fürsterzbischofes Markus Sittikus, um 1612 Zweischneidige geflammte Klinge mit abgeflachtem Mittelgrat. Im oberen Drittel beidseitige Zierätzung mit dem persönlichen Wappen des Fürsterzbischofs, darüber ungedeutete Schmiedemarke. Lange Fehlschärfe mit originaler Belederung, einer der zwei seitlichen Parierhaken gemarkt mit "H.Z." (Zeughaus München) und Krone. Parierstange mit beidseitig doppelten Parierringen und Fingerbügeln. Beidseitig fein gravierter Rankendekor. Gestufte lederbezogene Hilze mit eiserner Zierbenagelung und Resten von Fransenaufputz. Doppelt konischer Knauf mit graviertem Rankendekor. Länge 174,5 cm.Markus Sittikus von Hohenems (1574 - 1619) war von 1612 bis 1619 Fürsterzbischof des Erzstifts Salzburg. Die zu seinem Amtsantritt für seine Garde geschaffenen Bidenhänder sind vom Typus sehr unterschiedlich, weisen aber alle die identische Wappenätzung auf. Es wird daher heute davon ausgegangen, dass es sich um ältere, bereits im Salzburger Inventar vorhandene Schwerter handelt, die 1612 der Trabantengarde zugewiesen wurden. Die Inventarstempel auf den Parierhaken stammen von der Inventarisierung der Bestände des Zeughauses der Stadt München im Jahr 1849. Salzburg war 1810-16 von bayerischen Truppen unter Napoleon besetzt. Zu dieser Zeit wurde ein großer Teil der dortigen Zeughausbestände nach München überführt, wo er bis heute aufbewahrt wird.Provenienz: Sammlung Dr. Heinrich Tanner in Herisau (Schweiz). Abgebildet in: Flammberg-Schwerter, Katalog der Sonderausstellung in der Festung Heldsberg, St. Margrethen, Herisau 2005, S. 17. A distinguished two-handed sword from the trabant guard of Prince-Archbishop Markus Sittikus, Salzburg, circa 1612 A distinguished two-handed sword from the trabant guard of Prince-Archbishop Markus Sittikus, Salzburg, circa 1612 The double-edged blade of flattened hexagonal section, with undulating edges. Decorative etching with the Prince-Archbishop's personal coat of arms on both sides of the upper third, above which an unidentified smith's mark. The long ricasso with the original leather cover, one of the two lateral guards stamped "Z.H." (for the Munich Armoury) and a crown. The quillons with double guard rings on each side and finger rests. Both sides embellished with finely etched tendrils. Stepped, leather-covered grip with ornamental iron studs and remnants of decorative fringe. The double tapered pommel engraved with decorative tendrils. Length 174.5 cm. Markus Sittikus von Hohenems (1574 - 1619) was Prince-Archbishop of the Archbishopric of Salzburg from 1612 to 1619. The two-handed swords that were designed for his guard to mark his inauguration are very different types but all etched with the identical coat of arms. It is therefore believed today that they were older swords that were already part of the Salzburg inventory when they were assigned to his trabant guard in 1612. The inventory stamps on the guards can be traced to the holdings of the armoury of the city of Munich in 1849. Salzburg was occupied by Bavarian troops under Napoleon from 1810 to 1816. At this time, a large part of the local arsenal stock was transferred to Munich, where it remains to this day. Provenance: Collection of Dr. Heinrich Tanner in Herisau (Switzerland). Illustrated in: Flammberg-Schwerter, Katalog der Sonderausstellung in der Festung Heldsberg, St. Margrethen, Herisau 2005, p. 17. Condition: II
Lot 548
Walter Richard Sickert RA RBA (1860-1942)You'd Be Surprisednumbered 40/75 in ink to left marginpublished by Ernest Brown & Phillips at the Leicester Galleries 1929etching and drypoint30cm x 11.5cm Bears Folio Society label to the reverse, stock no. E 6555. Framed and under glazing. The artwork is generally in good condtion, with some consistent foxing and cockling to the sheet, but no further damage visible to the naked eye.Please note that, while the etching does not bear the artist's hand-written signature, it is part of a series published in his lifetime and with his authorisation.
Lot 200
§ § Dame Elizabeth Frink (British, 1930-1993) The Kalydonian Boar, from Children of the Godsetching with aquatintsigned in pencil, numbered 1/70, impressed ‘K’ gallery mark54.5 x 38cm Good untouched condition, no faults noted, sheet 73 x 55cm, glazed clip framingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 199
§ § Dame Elizabeth Frink (British, 1930-1993) Bellerophon, from Children of the Godsetching with aquatintsigned in pencil, numbered 4/70, impressed ‘K’ gallery mark54 x 37cm Good untouched condition, overall sheet 72.5 x 55cm, possibly one or two tiny dirt specks but no real faults noted, glazed clip framingPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 547
A SMALL QUANTITY OF PICTURES AND PRINTS, to include a Maggie Reigler watercolour of an Iris, approximate size 17cm x 15cm, a Murial Morrod pastel drawing of a landscape with distant village, an unsigned print of Windsor Castle with landscape to the foreground, approximate size 37cm x 72cm, an indistinctly signed etching of the Tomb of Napoleon, Baxter prints, topographical prints, two signed Carol Matyia prints, an unsigned coastal landscape watercolour, further assorted prints etc
Lot 477
TWO BOXES AND LOOSE ASSORTED PICTURES AND PRINTS ETC, to include watercolours signed Josephine Ann, a Malaysian watercolour scene signed Poh, an indistinctly signed etching depicting yachts under sail, an unsigned still life scene with flowers in a vase with a window beyond, two butterflies mounted in a glazed frame, together with other assorted prints etc
Loading...-
78408 item(s)/page