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Lot 19

J S C Simpson (20th century), "The Rose and Crown", black and white etching, signed in pencil to lower right margin, 20 x 11cm

Lot 22

John Crome (1768-1821), "At Bawburgh", black and white etching circa 1812, 14 x 18cm

Lot 23

John Crome (1768-1821), "Composition", black and white etching, circa 1812, 17 x 16cm

Lot 24

John Crome (1768-1821), "Near Hingham", black and white etching, circa 1813, 16 x 16cm

Lot 24A

John Crome (1768-1821) & Samuel David Colkett (1806-1863), 'Fullers Hall, St Martins St, Norwich', black and white etching, 25 x 18cm unframed

Lot 3

Phillippe Zilcken (1857-1930) , Couple, sepia etching, signed in pencil to lower right margin, 50 x 33cm

Lot 34

Henry James Starling, ARE, (1895-1996), "A Millers Yard, Quayside, Norwich", black and white etching, signed in pencil to lower right margin, 17 x 25cm, together with a further etching by the same artist

Lot 36

Henry James Starling, ARE, (1895-1996), "Marlingford Mill, Norfolk", black and white etching, signed in pencil to lower right margin, 22 x 27cm

Lot 37

Henry James Starling, ARE, (1895-1996), "Ber Street, Norwich", black and white etching, signed, numbered 6/100 and inscribed with title in pencil to lower margin, 14 x 16cm

Lot 41

Joseph Kirkpatrick (1872-1936), "An Old English Garden", black and white etching, signed in pencil to lower right margin, 18 x 25cm, mounted but unframed

Lot 42

After William Lionel Wyllie, Shipping scene, black and white etching, 33 x 43cm, unframed

Lot 47

After James Gillray (1757-1815), "The Loyal Address", hand coloured etching and aquatint, published by H Humphrey, Oct 20th 1808, 23 x 38cm, together with three further etchings after Gillray, all unframed (a/f) (4)

Lot 49

Charles Henry Baskett (1872-1953), "The road to the Uplands", black and white etching and aquatint, signed and inscribed with title in pencil to lower margin, 20 x 35cm, together with a further aquatint "The Dawn Wind" by the same artist, both unframed (2)

Lot 5

Henry Wilkinson (1921-2011), Two Setters in a landscape, coloured etching, signed and numbered 172/250 in pencil to lower margin, 25 x 35cm

Lot 50

Charles Henry Baskett (1872-1953), "The Dawn Wind", etching and aquatint, signed in pencil to lower margin, 34 x 50cm, unframed

Lot 56

W A Norbeth (20th century), "The Towers of St Dean, Caen", black and white etching, signed in pencil to lower margin, 17 x 30cm, together with a further etching by the same artist, both unframed (2)

Lot 60

Sir Frank Short, RA (1857-1945), "The Temple of Jupiter in the island of Aegina" (after JMW Turner) sepia etching and aquatint, signed in pencil to lower right margin, 19 x 27cm, unframed

Lot 62

Sir Frank Short, RA (1857-1945), Hunt party in wooded landscape (after JMW Turner), sepia etching, signed in pencil to lower margin, 18 x 25cm, unframed

Lot 235

A framed and glazed etching Venetian scene, signed H. J. Starling. 49x44cm.

Lot 256

A contemporary etching of a seated greyhound, indistinctly signed and dated 2009 in pencil, 51 x 32cm

Lot 69

G.E MACKLEY (XIX/XX) A framed and glazed etching 'Pat Reeve House, Tonbridge' pencil signed. Together with a print of an etching of the Gate, St Mary's, Thetford (2)

Lot 212

Sir Lawrence Alma-Tadema (1836-1912) - 'The Goldfish Pool' etching, signed in pencil and blind stamp to the margin, 7" x 15" (image size), in a glazed, gilt frame

Lot 380

TREVOR PRICE "Synergy I", artist's proof No.d 2/15, coloured etching, titled and signed lower right, together with "Synergy II", "III" and "IV", limited edition etchings, all numbered, titled and signed Sizes approx. 48cm high x 38cm wide

Lot 401

AFTER A.M. WERNERIN "Zephire et Flore" 18th Century etching (approximately 40cm x 25cm) together with "Neptune" 18th Century etching (approximately 38cm x 24cm)

Lot 433

A R "Estuary landscape with fishing barges in foreground" oil on canvas, unidentified signature AR in lower left, together with AFTER WILLIAM WALCOT "The Mersey" (Liverpool) black and white etching signed in pencil to margin and AFTER G CHAMBERS "The Port of Liverpool taken from Seacombe, Cheshire ..." hand coloured engraving by James Carter

Lot 21

HEDLEY FITTON ETCHING PARIS CIRCA 1920

Lot 6

Graham Dudley Page FRSA The Greenland Fishery Kings Lynn . Etching with hand colouring. Dated, titled and signed in pencil. 7 1/2 x 5 inches excluding frame.

Lot 7

Graham Dudley Page FRSA The Custom House Kings Lynn . Etching with hand colouring. Dated, titled and signed in pencil. 7 x 6 inches excluding frame.

Lot 8

Gwyn Jones The Customs House Kings Lynn . Hand coloured etching. 8 x 11 inches

Lot 418

VIEW OF FORE STREET EXETER ETCHING SIGNED HAYMAN AND DATED 1942

Lot 1014

Fritz Feigler (1889 - 1948), etching, farm cart, signed in pencil 1920, no. 29/30, image 10.5" x 16", framed, and William Lee Hankey, pencil drawing on paper, old Hastings, framed (2)

Lot 1039

Sheila Oliver, coloured etching, Cornish Irises, signed in pencil, no. 42/185, plate size 16" x 11.5", framed

Lot 1051

Peter Partington, artist's proof coloured etching, Teal, signed in pencil, image 7.5" x 11", framed

Lot 266

A Percy Lancaster Signed Etching, No.3 of Series, Fruit Stall in Market, 20 x 17cms

Lot 483

Edmund Blampied (1886-1966), 'Sea Breeze' etching, framed and glazed, internal dimensions, 21cm x 16cmcondition notelight staining to etching around the mount. No foxing, slightly sunken in the mount. Signed to border in pencil verso with paper label from previous frame 

Lot 484

Hester Frood (1882-1971), 'Cottages in the Camargue' etching, framed and glazed, internal dimensions, 23cm x 9.5cm

Lot 153

A framed and glazed signed etching H.50 W.57cm

Lot 235

PABLO PICASSO 'Rapt Avec Celestine, Ruffian, Fille Et Seigneur Avec Son Valet',etching on paper, signed in pencil, 78cm x 72cm, framed. (Subject to ARR - please see Buyers Conditions)

Lot 10

Joseph Simpson (1879-1939), Young Footbaler, black and white etching, signed in pencil to lower margin, 28 x 25cm, unframed

Lot 12

English School (20th Century), Woolbridge Manor, Dorset, black and white etching, 22 x 19cm, together with 3 further etchings by various artists (4)

Lot 66

AR Charles Mayes Wigg (1889-1969), Broadland Scene with Windmill, black and white etching, 22 x 25cm, trimmed

Lot 7

Andrew F Affleck, RSE (1874-1935), 'Palazzo, Loredan', black and white etching, signed in pencil to lower right margin, 37 x 29cm

Lot 8

H R Wilson (20th Century), Continental Mountain Landscape, black and white etching, signed in pencil to lower left margin, 51 x 40cm

Lot 9

AR Edmund Blampied (1886-1966) "A Jersey Shore" black and white etching, signed and numbered 99/100 in pen to lower margin, 19 x 27cm Provenance: Alex Reid & Lefevre Ltd, 1a King Street, St James, London

Lot 424

Ian Strang (1886-1952), Les Baux de Provence, etching 1937, signed, titled and dated, plate 213, edition of 100 proofs, 22cm x 37cm

Lot 57

A SURREALIST ETCHING TOGETHER WITH OTHER MIXED MEDIA

Lot 73

Etching (Dimensions: 16.5cm x 10.5cm (6.5in x 4.25in))

Lot 1738

Stewart Robertson: a framed etching depicting a river, bridge and city - signed in pencil

Lot 1760

†J. Boucher: a gilt framed watercolour depicting a mountain lake landscape - sold with another depicting a farmstead, a framed etching, an engraving, etc.

Lot 1803

Beth Altabas: a framed coloured print view of Seaton, Devon - sold with a framed monochrome etching of Durham Cathedral by Sir. Henry Rushbury

Lot 1813

An unframed dry point etching depicting a reclining nude female figure - sold with a York engraving and a T. Cuneo coloured print of a concrete pontoon

Lot 1326A

Large Medieval Style Sword, Good Quality and Design, Handle with Good Detail Showing Snakes, Scull and Cross Bow, Very Well Done, Very Heavy, Has Some Etching to Blade. 46 Inches In length, Display Purposes Only.

Lot 380

Antoine-Marie-Melotte(1722-1795) attributed.a monumental documentary Flemish oak diorama panel (CIRCA.1745-50) carved in 3-dimension ,of very fine quality, depicting an equestrian battle scene executed by one of the last great baroque wood carvers who trained under the most important 17th century sculptor Simon -Cognoulle.(1687-1744)this carved panel was influenced by the alexander the great cult which swept through Europe in the late 17th century and early 18th century in fashion and design,the panel is a direct interpretation carved in wood ,of the huge oil painting ,painted in 1665 by louis X1V court painter Charles-Le-Brun(1619-1690)of monumental size.470cmx1264cm.which now hangs in the louvre museum,paris,and titled alexander the great and porus(puru) during the battle of the hydaspes,depicting the captured indian king porus who is being carried by Macedonian soldiers,around and beyond is the aftermath of the great battle,alexander is to the right of centre,as in le-bruns majestic heroic oil painting,alexander wearing his exuberant plumes in his helmet on his mounted steed bacephalus,at his side the mounted general Hephaestion,conversing with the captive king.Even as a prisoner porus was not to be cowed ,and when alexander asked him how should he be treated,porus told him as a king to a king,and that was how he was treated.sadly for alexander his faithful loyal old battle horse bacephalus died of his wounds after the battle.........APPENDIX..see- exhibition The myth of Alexander.De.Groot.Hermitage-Amsterdam,on the 8th of September -2010- to 8th march -2011.an extract as mentioned in the exhibition catalog .on the first floor room setting ,admire the magnificent carved wood wall panels by the master carver antoine-marie-merlotte from liege,belgium,who has directly translated in wood ,Charles -le- bruns majestic oil paintings of the immortal alexanders collective battles from antiquity ,they are off the finest quality influenced in wood-sculpture.....LITERATURE.see etching by Sebastian -Le-Clerc(,french.1637-1714),after Le-Brun.titled .aAlexander pities the misfortunes of King Porus and receives him as a friend ..etching by Gerard Audran...(.lyons.1640-1703 ) .Alexander and King Porus,held by the national trust collection at dunster castle.uk. the panel offered is probably from a fireplace or overmantle- back, of the period.(size of panel 36"x78") in unrestored condition,with some defects to the carving,and cracks to the 3 panel hewn planked panel back , not in original frame,see images with close ups..

Lot 905A

Russell Flint Original Etching of a Semi Draped Girl, Ink Signed Russell Flint and Numbered XIII, Framed and Glazed. Size 14 x 10 Inches.

Lot 262

A near relic light cavalry Officer’s sword, blade 33” by Hobson & Sons, with a little etching and owner’s crest, triple bar hilt (worn and pitted, pommel missing), and a 1796 light cavalry blade with part of non matching hilt (worn and pitted) (2)

Lot 271

A 1796 pattern infantry Officer’s sword, straight fullered blade 32”, with traces of etching, brass hilt with double shell guard, the inner portion turning down, crossguard and quillon into urn shaped pommel with prominent stud, simulated wirebound grip. Basically GC for age, the hilt retaining traces of gilt (blade worn, with dark patina, shell guard a little loose).

Lot 282

A .177” BSA Cadet air rifle, number B58647 (1946-49) GWO & C, the chamber etching visible; also a .177” BSA Cadet Major air rifle, number CA 73207 (1949-55). GWO & basically GC (no finish remaining, traces of cylinder etching). (2) Any air weapon purchased by post or online which was manufactured after 1939 cannot be sent directly to the purchaser, but has to be sent to a nominated Registered Firearms Dealer.

Lot 283

A .177” BSA Cadet Major air rifle, number CA98594 (1949-55), fitted with sling swivels. GWO &C, retaining much original blued finish, chamber etching clear; and another, number CC 23289 (1955-57). GWO & basically GC (worn, no cylinder etching visible, the butt has been extended) (2) Any air weapon purchased by post or online which was manufactured after 1939 cannot be sent directly to the purchaser, but has to be sent to a nominated Registered Firearms Dealer.

Lot 574

ENGLISH SCHOOL, SNOWY LANDSCAPE, PASTEL, STOKESAY CASTLE, ETCHING AND THREE OTHERS, INDISTINCTLY SIGNED IN PENCIL, 12 X 18CM AND SMALLER (5)

Lot 293

* Dicksee (Herbert Thomas, 1830-1896). Memories, C. E. Clifford, 1892, uncoloured etching after Frank Dicksee, remarque below image of two staves of music, signed in pencil by both artist and engraver, 505 x 630 mm, framed and glazed (Qty: 1)

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