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Lot 780
A SMALL QUANTITY OF PAINTINGS AND PRINTS, to include two A. M. Bumstead landscape watercolours, approximate sizes 15cm x 24cm, a n oil on board painting depicting a mountainous landscape, a pen and ink wash depiction of Quonians Lane in Lichfield by Mike Cuttle, a Harriet Brigdale etching depicting elephants 17/100, a Christine Thouzeau etching 'L'Eevntail', an unsigned watercolour landscape, an etching of the inside of a church signed Linford, etc
Lot 764
SIX DECORATIVE PICTURES, comprising John Bampfield (1947) a coastal scene at sunset, signed bottom right, oil on board, approximate size 30cm x 91cm, Gordon E. Miles (1947) two aquatint etchings 'Storm-Rick' depicting hayricks in a field with storm clouds above, approximate plate size 40cm x 50cm and 'willow cluster, Stafford and Worcester canal' depicting trees reflected in water, approximate plate size 30cm x 30cm, both from an editions of 150, Tessa Beaver (1932-2018) aquatint etching 'Church at Santa Eulalia Del Rio, Ibiza', from an edition of 100, approximate size 39cm x 55cm including visible margins and two Hannah Cole lithograph prints 'Daisies' and 'Through the dune flowers', approximate sizes 33cm x 33cm
Lot 767
A SMALL QUANTITY OF PRINTS, to include a signed limited edition Henry Wilkinson dry point etching depicting two Spaniels, from an edition of 150, approximate size 27cm x 36cm including visible margins, five reproduction George Finch Mason horse racing prints, three photographs depicting point to point winning horses 1925-1929, map of Staffordshire published by Pigot & Co, assorted other prints etc
Lot 702
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include two early 20th century portraits of a male and female figures, unsigned oil on canvas, unsigned early 20th century oil on board landscape, William James Muller print 'Eel pots at Goring' signed and etched by Alfred Louis DeBaines, Henry Wilkinson etching depicting a spaniel chasing a duck, Dale Payson print 'Red Dish', Winslow Homer print 'Breezing up', Frederick Arthur Bridgman print 'Lawn Tennis Club 1891', together with other assorted paintings and prints etc, largest approximate size including frame 140cm x 108cm
Lot 100
▴ Edmund Blampied RBA RE (1886-1966)An elderly woman peeling potatoespen and ink and charcoal, signed 'Blampied' l.c.25 x 25cm;together with:'Deux Petit Verres'etching, signed 'E.Blampied' in pencil l.l., and numbered '39/100' l.r.plate 26 x 26cm (2)Provenance: With St Hellier Galleries, Jersey.Condition ReportFramed: 58 x 42.5cm and 55 x 51cm'An elderly woman peeling potatoes': some light spots of foxing starting to emerge. A small brown stain bottom left edge, please see images.'Deux Petit Verres': Time staining. The work has been framed with an acidic mount. Not viewed out of glazed frames.
Lot 159
▴ James Coignard (French, 1925-2008)Untitled etching and collage on handmade paper, signed 'J.Coignard' l.c., and numbered '15/15' l.l.75 x 56cmCondition ReportFramed: 110 x 95cmLight cockling, the work appears to be stuck down by the corners. The edges are deckled as would be expected of handmade paper. Not viewed out of glazed frame but presents well overall.
Lot 160
▴ James Coignard (French, 1925-2008)Untitled etching and collage on handmade paper, signed 'J.Coignard' l.r., and numbered '15/15' l.l.75 x 56cmCondition Reportoverall: 110 x 95cmLight cockling, the work appears to be stuck down by the corners. The edges are deckled as would be expected of handmade paper. Not viewed out of glazed frame but appears to be in good overall condition.
Lot 274
Five pictures: 1. TATTON WINTER (1855-1928) - 'Parc de Blossax', hand-coloured etching, signed lower right in pencil and guild stamps lower left margin. Museums Gallery publisher's label verso detailing title and medium. (Glazed ebonised frame 45 x 48 cm). 2. EILEEN GORMANSTON (1883-1964) - 'In the Glen of Aherlow', watercolour (22 x 28 cm). Watercolour Society of Ireland paper label verso detailing the artist as Vicountess Gormanston of Gormanston Castle, Co. Neath and price of £4. Later glazed frame (36.5 x 44.5 cm). 3. two papyri (the frames 18 x 44 cm and 35 x 42 cm) 4. a limited edition print, signed, titled and numbered 'Stow-on-the-Wold - 740 / 850' in pencil. (Frame 27 x 30 cm).
Lot 265
Three pieces: 1. a surrealist-style coloured lithographic print with gilt highlights, central vase-type motif flanked to the left by claret and gilt highlighted stylised wallpaper, smaller vase shapes to the right (40.5 x 53 cm); 2. abstract watercolour - swirling circles and bow-shaped 'slashes' against a vertical panelled back, initialled T. W. lower right (36.5 x 49 cm). Painted distressed frame. 3. coloured etching: birds on water study with a 'danger' sign before sandbanks and industrial-style buildings (27.5 x 42 cm).
Lot 275
Five pieces: 1. BERNARD CUNNINGHAM (d. 1918) - 'The Two Fours', gouache (34.5 X 22 cm, frame size 41 x 28.5 cm); 2. Paddle boat on Windermere, watercolour, monogrammed lower left (25 x 37 cm, frame size 37 x 48 cm); 3. After CHARLES HERBERT CLARK - Yachts heading out to sea, etching, signed Chas. H. Clark lower right and with Fine Art Trade Guild and M.N.D. blind stamp lower left (17.5 x 23.5 cm, frame size 30 x 40.5 cm); 4. Irish? oil on canvas board, initialled W.L. lower left. (24.5 x 34.5 cm, frame size 34 x 44 cm); 5 After NEVILE R. WILKINSON - 'Stella Maris', Medici Society print.
Lot 81
Turkey.- Acland (Sir Henry) The Plains of Troy, panorama of the setting for the Greek myth of the Trojan War, located in present-day Hisarlik, Turkey, etching and aquatint printed in sepia, by F.C. Lewis, sheet 315 x 2120 mm (12 1/4 x 83 1/2 in), dissected into five sections and mounted on linen, edged with green linen, off-setting, browning, surface dirt, folding and presented loose in burgundy half morocco, rebacked, gilt title to label on upper cover, worn, tall folio, Wyatt & Son, 1839⁂ This panorama originally accompanied the text of Acland's brief 48-page description of Troy: The Plains of Troy.
Lot 257
NO RESERVE Taplain (T., publisher) The tables turned, or the lie circumstantial, etching with full hand-colouring, on wove paper, 248 x 345 mm (9 3/4 x 13 1/2 in), affixed into mount, minor handling creases, unframed, [BM Satires 14664], 1824; together with a good group of 6 caricatures by William and Henry Heath, including Can't you be quiet?, [Not in BM], Where the carcase is, there will the eagles [altered to] birds of prey be gatherd together. Or symptons [sic] of term time, [BM 15432], A Hasty Stride, from Broom Hall- to West[minster] Hall, [BM 16349], Slane - when thieves fall out amongst themselves, [BM 16285], A Moving Scene on the Road to Slane, [BM 16140], and The r----l lover, or, the admiral on a lee shore, [BM 11844], etching, the first and last mentioned with hand-colouring, various sizes, all unframed, mainly early 19th century (7)
Lot 36
Color etching of a Surrealist abstraction with organic and geometric forms floating on a brown background. Below the plate on lower left: 2/2. Signature in pencil lower right. Sight size: 8.50"L x 18"H. Frame size: 12.25"L x 22.25"Hx 0.75"W. Issued: c. 1980Edition Number: 2 of 2 Condition: Age related wear.
Lot 250
German Third Reich bayonet and scabbard with post WWII added etching. German Third Reich WWII 84/98 Waffenamt stamped bayonet and scabbard, with post WWII added etching. There is evidence of previous serial numbers and inspection marks being removed prior to the engraving being added. Waffenamt stamps to the pommel and the tip of the scabbard. Buyer must be over the age of 18. Age verification ID will be required if this lot is to be posted out.40.5cm long
Lot 408
AFTER CHEN QUI CAO "Clear stream", study of fish, modern colour print, together with K BURTONSHAW "Incoming storm and open landscape", watercolour, signed and dated 1976 lower right, 36 cm x 52 cm, ANN MARCH "Lavender shadows", pastel, signed lower right, inscribed on label verso, ARTHUR SIMMONS "What's in the river?", oil on board, signed lower left, inscribed on label verso, DYNAH HARDYMENT "A vineyard in Provence", a study with buildings in background, oil on canvas, monogrammed lower right, inscribed on label verso, AFTER GERARD PIARDOM “Crans - L'eglise ombres et lumières, eau forte”, black and white etching, artist's proof, signed and dated 1976 lower right, a framed heightened photographic portrait on milk glass by Mowll & Morrison Liverpool 1896, signed and dated lower right and ERNEST HASSELDINE “Dante Square Lugano”, with cattle drawn wagon, watercolour, heightened with white, signed, titled and date 1926 lower right, etc. (2 boxes)
Lot 382
AFTER HENRY WILKINSON "Jack Russells chasing a rabbit", coloured engraving, limited edition No'd. 66/200, signed in pencil lower right, 27 cm x 31.5 cm, together with AFTER HENRY WILKINSON "Sussex Spaniels", coloured etching, limited edition No'd. 6/150, signed in pencil lower right, 28 cm x 32 cm and a collection of various other decorative pictures and prints (9)
Lot 241
§ JOAN MIRO (SPANISH 1893-1983) LA CAPTIVE - 1969 Color aquatint, etching and carborundum, H.C., aside from the edition of 50, signed and editioned in pencil, printed and published by Maeght, ParisDimensions:the sheet 94cm x 72cm (37in x 28.25in)Provenance:Provenance: St James's Art Books, London
Lot 230
§ SANDRA BLOW R.A. (BRITISH 1925-2006) QUARTET IN YELLOW - 2006 Etching and aquatint with collage, T/P, aside from an edition of 20, signed and editioned in pencil to marginDimensions:23cm x 27cm (9in x 10.75), unframedNote: A trailblazer of 1950s abstraction, British painter Sandra Blow provided an undisputed contribution to the development of post-modernist painting in post-war Britain. Her characteristically large scale, colourful collages were mostly produced using discarded non-art materials. Drawing attention due to this unusual usage of abstract mediums, notably sawdust, sackcloth and plaster, Blow’s unique manner grew her popularity swiftly within the art world. While travelling Europe her experimentation was encouraged by artists such as partner Alberto Burri, from who Blow adopted this idea of incorporating atypical materials, experimenting with the raw sensuality of such forms.Blow’s most influential paintings were produced during the latter half of the 20th century, where her practice took clear inspiration from time spent between Italy and Cornwall. Working in a process led and intuitive way, she became known as a pioneer of the use of dynamic perspective, a technique which grew in concurrent popularity with abstract expressionism. Coupling dynamic and geometric forms, her awareness of perspective gave the works a tactile, energetic feel. Using multi-dimensional materials in partnership with paint her artistic concerns stretched to the consideration of proportion and tension.
Lot 41
John Bluck, after Henry Salt - 'The Town of Abha in Abyssinia', etching with aquatint and hand-colouring, published by William Miller circa 1809, 46cm x 60cm, within a gilt frame, together with two lithographs by Thomas Shotter Boys, 'Hyde Park' and 'Piccadilly', and two further prints after George Morland.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 97
Théo Tobiasse - La Dame au Violoncelle, mixed media etching in colours, circa 1980, signed and editioned 59/75 in pencil, sheet size 66.5cm x 65cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 85
Matteo Gregorio de Rossi - 'Antiquum Amphiteatrum vna cum Triumphali Arco Flavium Maximi Romae errectum…' (View of the Colosseum and Arch of Constantine, Rome), 17th century etching with engraving on laid paper, 44cm x 69cm, within a gilt composition raked knull frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 57
Marino Marini - Miracolo, etching, signed circa 1969 and editioned 55/60 in pencil, sheet size 69.5cm x 50.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 54
Richard Hamilton - 'By the Waters of Miers', etching with aquatint circa 1972, signed, titled and editioned 51/75 in pencil, sheet size 85cm x 69cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 71
Daniel Havell, after Henry Salt - 'Pagodas at Trinchicunum' (Tirukalukundram, Tamil Nadu, India), etching with aquatint and hand-colouring, published by William Miller circa 1808, 48cm x 62.5cm, within a gilt frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 86
Giovanni Battista Piranesi - 'Sepolcro di Cecilia Metella' (Tomb of Cecilia Metella), 18th century etching with engraving on laid paper, 46.5cm x 65cm, within a gilt composition frame with floral corner crestings.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 89
Graham Clarke - 'Quercus Bererkus', 20th century etching with aquatint and hand-colouring on wove paper, signed, titled and editioned 92/250 in pencil, together with two other signed etchings by the same hand, 'Quite Cricket' and 'The Wooden O', and a signed lithograph by Yossel Bergner.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 43
Thomas Rowlandson - 'St. Georges, Hanover Sqr. Light Infantry, Shoulder Arms from Recover, 1st Motion', etching with aquatint and later hand-colouring, 29.5cm x 24cm, together with two similar etchings from the same series, all within Hogarth style frames.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 92
Charles George Lewis, after Thomas Slingsby - The York and Ainsty Hunt, engraving with etching and stipple, signed and inscribed 'artist's proof' in pencil by the engraver, with an additional inscription in ink by Mrs Slingsby, 59cm x 82cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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71174 item(s)/page