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Lot 4288
Rembrandt van Rijn, Harmensz.: (1606 Leiden - Amsterdam 1669). Jan Asselijn, Maler. Radierung auf feinem Bütten um 1647. Blgr. 18,1 x 16,9 cm. Auf Plattenkante geschn., am Unterrd. wie üblich unter Verlust des leeren Tablets. Unter Passep. mont. New Ho. 236 IV/V (v. VII). B. 237. W.-B. 237. Vorzügl. Abdruck des IV./V. Zustands. Lt. N.-U. RRR (= sehr selten). - Ob. re. Eck mit 2 fachmännisch restaurierten kl. Fehlst. - Jan Asselijn, painter. Etching on laid paper. Trimmed to platemark, at lower margin as usual with loss of the empty tray. Fitted under passep. Excellent impression of the IV/V state. - Upper right corner with 2 expertly restored small missing parts. D
Lot 4280
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Der Ringballspieler ("Der Golfspieler"). Radierung mit Plattenton auf cremefarbenem Bütten, 1654. Plgr. 9,5 x 14,4 cm, Blgr. 10,5 x 15,2 cm. Bartsch 125. New Hollstein 282 ii/ii. - Späterer Abdruck des zweiten Zustands (von zweien). - The Ringball Player ('The Golf Player') Etching, 1654. - A later impression of the second state (of two). R
Lot 4277
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Mann in Mantel und Pelzmütze an eine Bank gelehnt. Radierung mit Plattenton, um 1630. Plgr. 11,5 x 8 cm, Blgr. 11,7 x 8,3 cm. Mit schmalem Rändchen. New Hollstein 48 iii/iii.- Guter Abdruck von New Hollsteins letztem Zustand (von dreien). - Kleine Ausbesserung am rechten unteren Rand. - Leicht fleckig und gebräunt. - Man in a Coat and Fur Cap Leaning Against a Bank. Etching, circa 1630. - Well inked impression of New Hollstein's final state (of three). - Small margins and repair to right edge, minor spotting and browning. R
Lot 4010
Konvolut: von über 50 Landschaftsdarstellungen. Radierung. 17./18.Jhdt. Versch. Formate. Teilw. sign. u dat. â•”Darunter:â•— Philipp Hieronymus Brinckmann, Johann Wilhelm Becker, Franz Rechberger, Gottfried Stein, Giovan Frnacesco Grimaldi il Bolognese, Adrian Ludwig Richter, Johann Christian Klengel, Jean-Laques Le Veau, Johann Jakob Strüdt. - A collection of more than 50 landscape paintings. Etching. Various formats, partly signed and dated. R
Lot 3888
Hrdlicka, Alfred: (1928 Wien 2009). 3 Graphiken: zwei Lithographien und eine Radierung, jeweils handsigniert, eine Litho mit Stauchungen am u. Rand, Blattmaße bis 57 x 76 cm. Three prints: two lithographs and one etching, each signed by hand, one litho with compression at the lower margin, sheet size up to 57 x 76 cm. D
Lot 4274
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Jan Lutma, Goldschmied. Radierung u. Kaltnadel auf dickem cremefarbenem Bütten, 1656. Plgr. 20 x 15 cm, Blgr. 20,5 x 15,5 cm. Bartsch 276. Neuer Hollstein 293 v/v. - Späterer, kräftiger Abdruck. - Jan Lutma, Goldsmith. Etching and drypoint, 1656. - A later impression from the cut plate - New Hollstein's fifth state (of five). R
Lot 4272
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). La Négresse Couchée (Liegender Akt). Kaltnadelradierung und Kupferstich, 1658. Plgr. 8 x 15,8 cm, Blgr. 8,9 x 16,5 cm. Bartsch 205; New Hollstein 308 vi/vi. - Späterer Abdruck des letzten Zustands (von sechs). - Nude woman lying down. Etching with drypoint and engraving, 1658. - A later impression of the final state (of six). R
Lot 4271
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Eine ihre Füße in einem Bach badende Frau. Radierung und Kaltnadel auf dickem cremefarbenem Bütten, 1658. Plgr. 16 x 8 cm, Blgr. 16,6 x 19 cm. Mit schmalem Rändchen. Bartsch 200. New Hollstein 309 ii/ii. - Späterer Abdruck von New Hollsteins letztem Zustand (von zwei). - Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. - A later impression of New Hollstein's final state (of two). - Narrow margins. R
Lot 4276
Rembrandt, Harmensz van Rijn: (1606 Leiden - Amsterdam 1669). Der Schulmeister. Radierung auf Bütten. 1641. Plgr. 9,3 x 6,1 cm. Mit Rändchen. New Ho. 191 IV (von IV). B. 128. W.-B. 128. - Prachtvoller Abdruck des IV. Zustands (von IV) mit der endgültigen Überarbeitung. - Sehr gut erhalten. - The schoolmaster. Etching on laid with margins. Splendid impression of the IVth state (of IV) with the final revision. D
Lot 279
WILLIAM STRANG RA RP RE (SCOTTISH 1859 - 1921),CHRISTcharcoal on paper, signedimage size 34cm x 24.5cm, overall size 56cm x 41cm Mounted and unframed, along with the etching 'Christ', signed and inscribed '1st slate 4 proofs', unframed.Also along with a further sketch and etching, MORNING pencil sketch on paper, signedimage size 32cm x 24cm, overall size 56cm x 41cm Mounted and unframed, along with the etching 'Morning', signed and inscribed '1st slate, 7 proofs', also mounted and unframed (4).
Lot 50
* JAMES MCBEY (SCOTTISH 1883 - 1959),MINSMERE MARSHES watercolour on paper, signed, titled and dated 1913image size 22cm x 29cm, overall size 39cm x 54cm Mounted, framed and under glass.Provenance: Martin Hardie Collection, handwritten label versoComment: Minsmere is a nature reserve owned and managed by the Royal Society for the Protection of Birds (RSPB) at Minsmere, Suffolk. The marshes were reclaimed as farmland in the 19th century, but were re-flooded during World War II as a protection against possible invasion.Note: Painter and etcher, born at Foveran, Aberdeenshire, who began work in a bank. He attended evening classes at Gray’s Art School, Aberdeen, taught himself etching, built his own press and by 1906–7 was showing at RSA and Royal Glasgow Institute of the Fine Arts. In 1910 he left the bank, worked on the continent and held his first one-man show at Goupil Gallery in 1911 which was very successful. Having travelled in Morocco in 1912, during World War II McBey was appointed Official War Artist in Egypt. When the etching boom declined in the 1920s McBey, who had already painted some good portraits, including one of T E Lawrence of Arabia, diversified into oils, watercolours and drawings and established a market for his work among American collectors, having a highly acclaimed show at Knoedler Gallery, New York, in 1929. Early in the 1930s McBey returned to Europe and bought a second home in Tangier, where he lived with his artist wife Marguerite and died. Aberdeen Art Gallery holds a large collection of his work.
Lot 373
Knighton Hosking, British 1944-2019 - Untitled, 1991; oil on card, signed with initials and dated lower right 'KH 91', 30.1 x 73.3 cm: together with an untitled etching on paper by the same artist, signed, dated and numbered 'Knighton Hosking 82 4/9', 50.5 x 65.6 cm (unframed) (2) Please refer to department for condition report
Lot 384
NETHERLANDISH SCHOOL. A MALE SAINT, SAVAGE ANIMALS AT HIS SIDE, STANDING IN A STREAM IN A WOODLAND CLEARING. Pen and ink and grey wash, possibly 17th Century, 17.2 x 13cm.; with an etching, `Seated Woman` by Comte de Caylus (Anne Claude Philippe de Tubieres), after Parmigianino, c.1730, image 12.5 x 9.5cm. (2) Provenance: (Drawing) Sir Thomas Lawrence (Lugt 2445); (Etching) Sir John St Aubyn (Lugt 1534). * The drawing with old creases where formerly folded; the etching with tears at left edge, some wear, foxing. **BP 22.5% inc VAT + Lot Fee of £8
Lot 581
SIR MUIRHEAD BONE (1876-1953). A FOLIO OF SKETCHES AND BRIEF STUDIES. (d) Approximately 40 leaves, comprising Folkestone, Portsmouth, Mull, Provence, Venice and Torcello, Sweden, Algiers, Spain (Merida, Arevalo, Avila, Medina and Santiago,a gift to Gertrude in 1933); and a signed etching `Rhenish Evangelarium`, some very slight. * Generally satisfactory condition. **BP 22.5% inc VAT + Lot Fee of £8
Lot 592
STEPHEN BONE (1904-1958). FOUR ASSORTED PICTURES. (d) Comprising a horse auction, Canterbury, May 1st 1920, inscribed, watercolour and pencil, 21.5 x 12cm.; a coloured crayon drawing of children, entitled `Firework`, 18.5 x 22.5cm.; a civic building (town hall?), watercolour, 28 x 52.5cm.; and an etching of a donkey, 9.5 x 15cm. (4). * The first two in generally good condition; the `town hall` poor, damaged; the etching with some foxing. **BP 22.5% inc VAT + Lot Fee of £8
Lot 231
* Jukes (Francis). Canterbury, Jany. 31st. 1790, aquatint with contemporary hand-colouring, title and descriptive text below image, both repeated in French, slight creasing, 380 x 490 mm, mounted, together with Middiman (Samuel). West View of Oyster-Mouth castle and Village, F. Jukes, 1792, aquatint by and after Samuel Middiman with contemporary hand-colouring, 275 x 380 mm, mounted, with Bowyer (R.). Chepstow Castle, 1805, aquatint after P. De Loutherbourg with contemporary hand-colouring, 295 x 375 mm, mounted, plus Millar (George Henry, publisher). A General View of the City & Castle of Edinburgh, the Capital of Scotland, circa 1780, hand-coloured engraving, 210 x 310 mm, mounted, and Burton (J. B.). Whitby, circa 1920, uncoloured etching, signed and titled by the artist in pencil below the image, 275 x 195 mm, mountedQTY: (5)
Lot 240
* Stubbs (George Townley). Pumpkin, Messrs. Stubbs, Turf Gallery, Feby. 20th 1794, uncoloured mixed method etching after George Stubbs, finished proof with title in open letters, 400 x 495 mm, mounted, framed and glazedQTY: (1)NOTE:Christopher Lennox-Boyd, Rob Dixon & Tim Clayton. George Stubbs, The Complete Engraved Works, number 104, state 1.
Lot 420
Corinth (Lovis). Gesammelte Schriften, Berlin, Fritz Gurlitt, Verlag, 1920, eight original lithographs by Corinth, numerous text illustrations, some light scattered spotting (as often), original cloth-backed pictorial boards, a little rubbed and some marks to covers, together withSlevogt (Max, illustrator). Bilder aus Agypten von Johannes Guthmann, Aquarelle und Zeichnungen von Max Slevogt, Berlin, Verlag von Bruno Cassirer, 1925, original etching frontispiece by Slevogt, colour and monochrome plates and illustrations, original pictorial red cloth, lightly rubbed, 4to, plusGrisebach (Eduard). Der Neue Tanhauser, Stuttgart und Berlin: J.G. Cotta'sche, 1885, original etching frontispiece by Max Klinger, photogravure after Max Liebermann and decorated initials throughout, rough-trimmed, original gilt-decorated light brown cloth, 4to (good copy), and other mostly early 20th century German illustrated books, including: Heinrich von Kleist, Das Erdbeben in Chili, illustrated by Alois Kolb circa 1915, Reinhold Eichacker, Nächte der Venus illustrated by Franz von Bayros, 1924, Heinrich Heine, Italien, illustrated by Paul Scheurich, 1919, Hans W. Fischer, Das Tonende Herz, illustrated by Hans Meid, Frances Jammes, Der Hasenroman, 1916, Gottfried Keller, Die Drei Gerechten Kammacher, illustrated by Alfred Cossmann, 1922, Schippeliana, illustrated by Ottomar Starke, Georg Swarzenski, Europaische Amerika, illustrated by Maria Swarzenski, etc., mostly 4to and folio, various bindingsQTY: (37)
Lot 348
JAMES GILLRAY (BRITISH, 1757-1815) (2)The Hand-Writing Upon the Wallcoloured etchingpublished by Gillray London 1803image size 24 x 35cmwith a Gillray etching of Johnny Bull (verso)(unframed)together with another coloured etching by James Gillray, Substitutes for Bread or Right Honourables Saving the Loaves and Dividing the Fishes, published by Humphrey, London 1795, image size 22 x 34cm, with a Gillray etching 'Supplementary Militia Turning Out for Twenty Days Amusement' (verso), (unframed)(2)
Lot 487
AGNES HELEN URQUHART (BRITISH, 1883-1971) (2)Seafront and piersigned with initials and dated 'HU 1930' (lower right)pencil on paper20.5 x 30.5cmtogether with an etching of Alexandria from HMS Dover Castle, March 1916 by the same handARR(2)ProvenanceThe artist, thence by family descentFootnoteAgnes Helen Urquhart was the second wife of notable Aberdeen actuary and art collector Sir Thomas Jaffrey (1861-1953)
Lot 357
Salvator Rosa (Italian, 1615-1673)Alexander in the Studio of Apellesetching45.5 x 27cmProvenance: The Estate of Sir Jack and Lady Baer.Condition ReportFramed size: 62.5 x 42.5cmUnexamined out of the glazed frame, the sheet has been cut down and stuck to a larger piece, otherwise appears fine.
![William Lionel Wyllie [1851-1931]-St Paul's from Waterloo Bridge,:-etching, signed in pencil in the marginimage 22.5 x 35cm.](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/19710613-699c-4759-ba64-af1d00ca2e3d/468x382.jpg)
![* Frank Brangwyn [1867-1956]-Billingsgate Fish Porters, 1920:-etching, signed in pencil in the marginimage 27 x 35cm.* With t](https://cdn.globalauctionplatform.com/b153d2f4-47de-4af6-88c6-af1900baa21e/a0b396e8-feda-4541-931e-af1d00b42b35/468x382.jpg)
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71174 item(s)/page