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Lot 724
A black and white etching of a rural landscape signed bottom right Joseph Kirkpatrick, 11 x 14 cm approx, a further black and white etching of a lake scene signed Robert Houston, 12 x 15 cm approx and a 19th century profile portrait of a young boy in a garden setting, 17 x 13 cm approx in rosewood frame with gilt slip.
Lot 706
A collection of three black and white etchings of London subjects comprising a view of the Thames signed H P Evans, 20 x 43 cm approx, a view of Bankside Old Wharf, signed Jim Lovegrove, 13 x 34 cm approx and a sepia etching of a Thameside view including the Adam & Eve Tavern, signed bottom left Walter W Burgess, 20 x 32 cm approx, all framed.
Lot 900
Simon Koene/Wildlife 1 & 2/signed and dated 1989, each edition 1/75/a pair/etching and aquatints, 31cm x 23cm Condition Report: Artist's resale right may apply to this lot if the hammer price is equivalent of 1000 Euros or more. Please contact the office if you require further information about this.
Lot 86
NICHOLSON BEN: (1894-1982) British Painter. A.L.S., with his initials B N, to the verso of a picture postcard, the image depicting Nicholson's artwork The Master (1941), Brissago, 18th September 1968, to John Russell. Nicholson informs his correspondent, in part, 'That old etching affair… back here in tact & has gone off again to 5 W St. Suppose that is alright & that you will be there & not S. America.' Together with a signed and inscribed Christmas greetings card by Nicholson, the stiff white folding 8vo card featuring a colour image of The Adoration of the Child with St. John the Baptist. Signed ('Ben') in bold blue ink beneath a printed greeting, the artist further adding, 'PS What a magnificent Dagda you sent me! Bless you & thank you, B' in his hand. With light age wear, about VG, 2 John Russell (1919-2008) British Art Critic.
Lot 1199
Hedley Fitton, (20th century) ''Flower market, Florence''', etching; together with a collection of further etchings by the same artist including ''S.Zaccaria, Venice 1908'', ''Chateau Des Charts, Ghent'', ''Street in Tours'', ''Porch of St Magnus the Martyr, London Bridge'', ''Old Bridge, Sospel'', ''Sospel'', ''Beaufort Chantry, Winchester'', ''Cannongate Tolboth'', ''Pont St. Etienne Limoges'', ''House of Colombus, Genoa'', ''St. Bartholomew's, Smithfield, London''; and example by Albany Howarth (15
Lot 557
AFTER CHARLES FREDERICK TUNNICLIFFE "Ploughman with horse by haystack", black and white etching, signed in pencil lower right CONDITION REPORTS There are some areas of foxing and discolouration throughout but especially to the edges. There are also some spore like marks particularly to the bottom left hand corner of the image - unknown if this is just trapped under the glass or on the picture itself. Glass is in need of a good clean, frame has knocks and bumps etc conducive with age and use. General wear and tear throughout - see images for further details
Lot 661
AFTER CECIL ALDIN (1870-1935) "A portrait of a Sealyham", black and white etching, limited edition No'd. 43/150, signed in pencil lower right CONDITION REPORTS Has discolouration and a couple of small marks to the image itself. There are thunder bugs trapped beneath the frame and glass is in need of a clean both inside and out. Frame has some chips and knocks to the edges. Wear and tear conducive with age and use - see images for more details
Lot 558
AFTER CHARLES FREDERICK TUNNICLIFFE "Milking the cow", black and white etching, signed in pencil lower right CONDITION REPORTS There is staining and discolouration. The word 'handmade' is visible. assuming a watermark coming through the paper on the top border and there is a mark to the milkmaids' coat. Has general wear and tear conducive with age and use. The frame has knocks and bumps etc and glass is in need of a clean both inside and out - see images for further details
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78408 item(s)/page