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Lot 40

Anthony Gross (1905-1984) - Paysage du Lot etching with yellow wash, 1951, signed and titled in pencil, inscribed VII/LX, on wove paper, with margins, 250 x 345 mm (9 7/8 x 13 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 41

Anthony Gross (1905-1984) - Feuillages au Bord de L'eau etching, signed and titled in pencil, numbered 18/50, on wove paper, with margins, 250 x 375 mm (9 7/8 x 14 ¾ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 42

Anthony Gross (1905-1984) - Summit etching and engraving, 1957 , signed in pencil, numbered 19/200, on wove paper, with full margins, 353 x 443 mm (14 x 17 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 43

Anthony Gross (1905-1984) - Chiarava/Tumult etching, 1960, signed and titled in pencil, inscribed artists proof, on wove paper, with margins, 352 x 455 mm (13 7/8 x 17 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 44

Anthony Gross (1905-1984) - La Foule, Praire des Filtres etching , 1961, signed and titled in pencil, numbered 31/40, on wove paper, with margins, 150 x 300 mm (6 x 11 ¾ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 45

Anthony Gross (1905-1984) - A L'ombre d'un Noyer etching, 1969, signed and titled in pencil, numbered 2/75, on wove paper, with full margins, 287 x 345 mm (11 ¼ x 13 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 47

Anthony Gross (1905-1984) - Salisbury Cathedral etching, 1976, signed, titled and inscribed 'Homage to Constable' in pencil, on wove paper, with full margins, 270 x 344 (10 5/8 x 13 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 470

Colin Self (b.1941) - Out of Focus Object and Flowers No.1 (Provincial image) etching and aquatint printed in colours, 1968, signed, titled and dated in pencil, numbered 6/75, on wove paper, with margins, sheet 765 x 565 mm (13 1/8 x 22 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 471

Colin Self (b.1941) - Out Of Focus Object and Flowers No 3 (The 1940s) etching with aquatint printed in colours, 1968, signed and dated in pencil, inscribed B.A.T, from the edition of 75, on wove paper, with full margins, sheet 1010 x 700 mm (40 x 27 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 48

Anthony Gross (1905-1984) - Little Serignac Landscape etching, 1978 signed and titled in pencil, numbered 24/75, on wove paper, with full margins, 230 x 367 mm (9 x 14 ½ in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 481

David Tremlett (b.1945) - New Pastel Drawing/Idea for a Wall etching with aquatint printed in colours, 2007, signed and dated in pencil, numbered 2/25, on wove paper, with full margins, 1440 x 380 mm (56 3/4 x 15 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 53

Stanley William Hayter (1901-1988) - Jeu d'Eau (B&M. 208) engraving with soft-ground etching printed in colours, 1953, signed, dated and titled in pencil, numbered 90/200, printed by Atelier, published by L'Oeuvre Gravee, Zurich, on Lauriat paper, with margins, 397 x 328 mm (15 5/8 x 12 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 66

Henry Moore (1898-1986) - Mother and Child and Reclining Figures (C.377) etching and aquatint, 1974, a printer's proof aside from the edition of 145, printed by Atelier Lacourière et Frélaut, Paris, published by Editions Georges Visat, Paris, on wove paper, with full margins, 276 x 264 mm (10 7/8 x 10 3/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 68

Henry Moore (1898-1986) - Head of a Girl Section Line (C.602) lithographic crayon on transfer paper, signed and dated 80, with Head of a Girl Section Line (c.602), etching with aquatint, 1981, a proof aside from the edition of 50, printed by Michael Rand, London, published by the Raymond Spencer Company Ltd for the Henry Moore Foundation, Much Hadham, on wove paper, with full margins, sheet 208 x 153 mm (8 1/8 x6 in) & 197 x 150 mm (7 3/4 x 5 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 81

John Piper (1903-1992) - Sunflowers (L.420) etching and aquatint printed in colours, 1989, signed and inscribed A/P in pencil, an artist s proof aside from the edition of 70, printed by Kelpra Studio, published by National Art-Collections Fund, London, on Arches paper, with margins, 400 x 548 mm (15 3/4 x 21 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 88

Julian Trevelyan (1910-1988) - Richmond (T.226) etching with aquatint printed in colours, 1969, signed and titled in pencil, numbered 4/75, from the Thames Suite, printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, on wove paper, with full margins, sheet 790 x 580 mm (31 1/8 x 22 7/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 89

Julian Trevelyan (1910-1988) - Tower Bridge (T.228) etching with aquatint printed in colours, 1969, signed and titled in pencil, numbered 10/75, from the Thames Suite , printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, on wove paper paper, with full margins, sheet 585 x 765 mm (23 x 30 1/8 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 90

Julian Trevelyan (1910-1988) - Westminster (T.229) etching with aquatint printed in colours, 1969, signed, titled and inscribed Artists Proof in pencil, a proof aside from the edition of 75, from the Thames Suite, printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, on wove paper, with full margins, sheet 585 x 775 mm (23 x 30 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 91

Julian Trevelyan (1910-1988) - Windsor (T.230) etching with aquatint printed in colours, 1969, signed, titled and inscribed Artists Proof in pencil, a proof aside from the edition of 75, from the Thames Suite, printed by Geoffrey Beardsall and Dorothea Wight, published by London Graphics, on wove paper, with full margins, sheet 585 x 770 mm (23 x 30 1/4 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 92

Julian Trevelyan (1910-1988) - Islam (T.270) etching, 1973, signed and titled in pencil, numbered 41/52, printed by Studio Prints, published by Leslie Waddington, London, on T.H Saunders paper, with full margins, sheet 585 x 775 mm (23 x 30 1/2 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 94

James Abbott McNeill Whistler (1834-1903) - The Music Room (K.33) etching, 1859, on laid paper, with margins, 143 x 215mm (5 5/8 x 8 1/2 in)

Lot 98

Avigdor Arikha (1929-2010) - Samuel Beckett Seated etching, 1972, signed and inscribed LXIV/C in pencil, on wove paper, with margins, 209 x 105 mm (8 1/4 x 4 1/7 in) IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 526

HERBERT DICKSEE, FRAMED PENCIL SIGNED MONOCHROME ETCHING DEPICTING A TERRIER DOG, APPROXIMATELY 41cm x 59cm

Lot 322

KNIGHTON HAMMOND; watercolour depicting Grimaldi, a frontier between Italy and France, 59 x 44cm, after GEORGE VERNON STOKES; a limited edition hand coloured etching depicting a pair of shitzu, signed lower right, 31 x 25cm, a print depicting a ghost like ballet dancer, an oak framed print depicting two angelic children and a coloured print depicting a lady in costume (5).

Lot 332

UNATTRIBUTED; a hand painted ivory plaque, with figures of Oriental gentlemen playing polo in a painted and gilded frame, after Hiroshige Ando (1797-1858); a woodblock print, "Shono, one of the Tokado 53 Stations" and after Yu Yuen Hong; an etching on grass fibre paper of a fish, signed to the base, all three are framed and glazed (3).

Lot 403

EDWARD MILLINGTON SYNGE (1860-1913), Pincio, Rome, etching, monogrammed in the plate and signed in pencil, plate size 9" x 6 3/4", together with another similar, signed in pencil, 9 3/4" x 11 3/4", ebonised frames (2)

Lot 407

VALERIE THORNTON (1931-1991), Architectural Abstract, coloured etching, artist's proof, signed in pencil, image size 15 1/4" x 20 1/4", framed (subject to Artists Resale Right)

Lot 1756

Richard Dighton (1795-1880)PORTRAIT OF MR WILLIAM LOWE, FULL LENGTH, STANDING, IN PROFILE, IN AN INTERIORInscribed and dated 1844 verso, pencil and watercolour27 x 21.5cm;and a coloured etching after Richard Dighton of MR LOWE, 182331 x 23cm

Lot 499

Harry Becker, 1865-1928, etching, "Dinnertime", 17.5cm x 22cm

Lot 436

After Roger Hebbelink, Head and Shoulder Study of Mexican Child in Sombrero, etching, signed in pencil lower right, numbered 277/350. H.49cm W.39cm

Lot 484

HERBERT DICKSEE (1862 - 1942) Signed Original Etching Young child with lercher in front of the fire 19" x 23" (48cm x 58.5cm)

Lot 485

HERBERT DICKSEE (1862 - 1942) Signed Original Etching Flight into Egypt (Some warping to the paper) 17 1/2" X 27" (44.5cm x 68.5cm)

Lot 486

HERBERT DICKSEE (1862 - 1942) Signed Original Etching entitled "In sight at last" HD 1923 18 ¾" x 26" (47.6cm x 66cm)

Lot 487

Herbert Dicksee (1862 - 1942) Signed Original Etching entitled "Ready" HD 1928 14 ¾" x 22 ½" (37.4cm x 57.1cm)

Lot 488

DAVID G?? Signed Original Etching Dog portrait 6" x 5 ½" (15.2cm x 13.9cm) and F.H.S Signed Original Etching 'Alsatian portrait' 5" x 4 ¾" (12.7cm x 12cm)

Lot 511

HENRY RUSHBURY ORIGINAL ETCHING Ruined abbey signed in pencil 9" x 12" (22.8cm 30.4cm)

Lot 524

•FRANK MARTIN (1921 - 2005) ARTIST SIGNED LIMITED EDITION ETCHING Shoulder portrait of Vilma Banky (8/100) 14 1/2" x 10 1/2" (36.8cm x 26.7cm) supplied with a Certificate of Authenticity issued by Christie's Contemporary Art

Lot 83

ERIC PLATT etching - three farmers, signed and entitled 'Muck Rake Men', 12 x 9 cms

Lot 110

Norman Alfred Williams Lindsay 1879-1969 - The Anklet (c.1920) - Facsimile edition etching, LE 446/550 - 10.3 x 11.9cm

Lot 37

Norman Alfred Williams Lindsay 1879 - 1969 - Fortunes Fools - Ltd. Ed. Facsimile Etching: No. 288/550 - COA verso - 25 x 25cm

Lot 38

David Boyd 1924-2011 - Returning Home - Hand coloured etching, artist proof - Signed lower right - 20 x 24.5cm

Lot 50

Arthur Boyd 1920 - 1999 - Two Figures - Etching signed lower right - 35 x 45cm

Lot 56

Elyse Ashe Lord 1900 – 1971 (British) - i) Illusion - Hand coloured drypoint etching, 12/100 - Signed lower right, with edition number lower left - 26 x 26cm

Lot 68

Sir Frank Brangwyn 1867 – 1956 (British) - Barges and River Scene - Etching - Signed lower right - 37.5 x 30cm

Lot 8

Lionel Arthur Lindsay 1874 - 1961 - The Bakery, Ferry Lane - Dry point etching, numbered lower right 29/50 - Signed in plate and lower left; titled lower centre - 14.5 x 10.5cm (plate size)

Lot 271

Walter Richards, A Street scene, signed, etching, 40cm x 28cm and an engraving, (2).

Lot 11

Marcus Stone, ARA (1846-1921) GIRL IN A BROAD-BRIMMED HAT HOLDING A SMALL ANIMAL CAGE signed in pencil etching, published by The Fine Art Society, London, 1884 52 x 26.8cms; 20 1/2 x 10 1/2in. (plate size).

Lot 8

Thomas "Tom" Carr (1912-1977) "WATER!" - HUNTSMEN CROSSING A BROOK signed and inscribed in pencil colour etching and drypoint, numbered 20 from an edition limited to 75 impressions 25 x 35.4cms; 9 3/4 x 13 3/4in. (plate size).

Lot 98

George Edward Horton (1859-1950) "ON THE ROAD TO OVERSCHIE, HOLLAND" signed and inscribed with title pencil 22 x 15.3cms; 8 1/2 x 6in; together with an original etching "MILL IN HOLLAND" signed and inscribed in pencil 19 x 14.3; 7 1/2 x 5 5/8in. (2)

Lot 47

A Framed Coloured Etching, The Custom House.

Lot 61

A Framed Coloured Etching, Windsor Castle - East Terrace, The Queens Private Apartments.

Lot 77

A Framed Coloured Etching, Bath from the Beacon Hill.

Lot 1394

After Pierre Bonnard, etching, study of a nude in an interior, unsigned

Lot 1444

Ernest Herbert Whydale, signed etching, ' The Blacksmith ', 10ins x 7.5ins, framed, together with a quantity of various framed watercolours and prints

Lot 1540

Signed etching, portrait of a lady seated on a garden bench with a dog, indistinctly signed, gilt framed

Lot 1678

Edward Cherry, signed etching, street scene and a quantity of other unframed prints etc

Lot 1727

19th Century etching, figures in a town square by Beryl Robert, 5ins x 7ins, together with a framed glazed group of three engravings of Christ on the cross by J.A. Callot

Lot 20

A framed and glazed etching ' The Gamblers Wife ' by Sir J E Millias BA etched by Charles Waltner. Measures: 53cm x 26cm.

Lot 210

An oak framed etching of 'The Shambles', York, signed bottom right R. A. Riseley

Lot 126

ANDREW WATSON TURNBALL. Framed, etching on paper of two dogs, signed in pencil to margin.

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