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Lot 75
* Watercolour album. An album of approx. sixty watercolours and drawings compiled by Lady Watts, many dated c. 1914-25, largely works on uniform size pieces of paper, 17.5 x 12cm (7 x 4.75ins), and each neatly hinged into the album, artists include Charles William Wyllie (oil on paper, 10th August 1921), Tony Szirmai (1871-1968), Maurice Grun (1869-1947), Bernard Partridge (1861-1945), Edward Tennyson Reed (1860-1933), Ralph Peacock (1868-1946), David Murray (?), Tremayne Lark, Ernesta Stern, John B. Wilkinson, A. Nogas, Frank Morse-Rummel (woodcut), F. Guillaume (?), Arthur Alfred Burrington (1856-1925), B. G. Burt, Leo Browne (colour etching of South Beach, Staton Island, New York), Alfred G. Temple, Albany E. Howarth (etching of Venice), Leon Mundeleer (etching), Ann Style, Helen L. Cochrane, Mario Grixoni, Frederic Arthur Bridgman (1847-1928), a watercolour of Venetian fishing boats, initialled K. H. C. (?), approx. twenty of the drawings in a section at rear titled `Posthumous Works`, pen and ink drawings include works by Gustave Simoneau (1810-70), Leon Becker (1826-1909), Ann Simoneau, Ralph Hedley (1851-1913), Willem Geets (1838-1919), watercolours by Albert Dillens (1844-?), Henri Stackquet (1838-1906), and pencil drawings by Gustave Simoneau, Alice Stroobant, Emile Puttaert (1829-1901), Cesare Dell`Acqua (1821-1905), Willem Roelofs (1822-97), George Henry Boughton (1833-1905, two drawings), plus a few items of musical and literary interest including signed musical quotations by Georges Lauweryns, Leon Jehin, Louis Ganne and Agustin Rubio, many of the items (except `Posthumous Works`) with signatures or initials and presentation inscriptions to Lady Watts, contemp. plain dark blue crushed morocco with inner dentelles gilt, small 4to. Lady Elise Isabelle Watts was the daughter of Gustave Simoneau de San Omer of Brussels, who married in 1875 Sir Philip Watts (1846-1926), the naval architect. (1)
Lot 173
* Etching Plates. A collection of nineteen original English and Continental copper etching plates, 17th-late 19th century, including several Dutch etchings of bible scenes, emblems, etc., a small mezzotint copper plate portrait of a man in tunic, probably 18th c., two 19th c. etched plates after Poussin and Pynacker, seven late 19th c. (or early 20th c.) English landscapes, including two harbour scenes, all by the same hand, etc., various sizes (19)
Lot 176
* Hollar (Wenceslaus, 1607-1677). `A True Relation of Capt. Kempthorn`s Engagement, in the Mary-Rose, with seven Algier Men of War`, 1669, etching of a sea battle, with printed descriptive text in four columns below, plate size 25 x 41cm (9.75 x 16ins), sheet size 37 x 41cm (14.5 x 16ins), relaid with some restoration to central vertical crease and extremeties. Pennethorne ... (1)
Lot 179
* Rembrandt (Harmensz van Rijn, 1606-1669). The Angel Departing from the Family of Tobias, etching with drypoint, signed `Rembrandt 1641`, foxed, right-hand corners sl. wormed, 102 x 152mm (4 x 6ins), together with Nude Man Seated on the Ground with One Leg Extended, etching, signed `Rembrandt 1646`, foxed, 92 x 145mm (3.5 x 5.75ins), plus Christ and the Woman of Samaria, arched etching with drypoint, signed `Rembrandt 1658`, lightly foxed, 125 x 159mm (12.5 x 6.25ins), plus Landscape with a Square Tower, etching after Rembrandt, with image reversed, foxed, tear in upper margin, upper corners trimmed, 84 x 148mm (3.25 x 5.75ins), contained together in multiple aperture mount (4)
Lot 198
* Legrand (Louis, 1863-1951). Apr?s le tub, drypoint etching, signed with initials, numbered 37/50, with Gustave Pellet publisher`s circular ink stamp in red to lower right, sheet size 41 x 31.5cm (16 x 12.25ins), together with La Toilette, drypoint etching on japon, signed in the image only, sheet size 30.5 x 22.3cm (12 x 8.75ins), mounted, plus Nude washing by a tub, etching on Louis Legrand watermarked paper, numbered 21/30 in pencil, with Gustave Pellet publisher`s circular inkstamp in red to lower right corner, plate size 18 x 22.5cm (7 x 9ins), sheet size 44 x 28.5cm (17.25 x 11.25ins), mounted (3)
Lot 201
* Legrand (Louis, 1863-1951). Matinee, etching with drypoint, plate size 14.5 x 15cm (5.75 x 6ins), on Pellet et Legrand watermarked paper, signed in pencil, numbered 42/50, and with publisher`s small circular stamp to lower right corner, the full sheet, 44 x 30.5cm (17.25 x 12ins), mounted, together with La Toilette, etching with drypoint, signed in the image only, plate size 20 x 14cm (8 x 5.5ins), plus Gin, colour etching with drypoint, 1894, with signature to top left, a wiped proof, signed in pencil to lower margin, 13.5 x 28.6cm (5.25 x 11.25ins), some toning and surface flecking (3)
Lot 202
* Legrand (Louis, 1863-1951). Marchee aux Pommes, Des vertes et des blettes, etching with aquatint, second state (of five), plate size 17.2 x 11.7cm (6.75 x 4.4ins), the full sheet 47.5 x 31cm (18.75 x 12.25ins), together with the rare first state of the same print, sheet size 31 x 23.5cm (12.25 x 9.25ins), each with stamped L to lower right corner, plus Epaves de Famille, etching with drypoint, a proof on japan, with remarque, signed and dedicated to Felix Buhot in pencil, 22 x 15cm (8.75 x 6ins), with full margins (3)
Lot 205
* Nevinson (Christopher Richard Wynne, 1889-1946). The Connoisseur, or In The Studio, etching and drypoint, 1922, signed in pencil to lower margin, plate size 30.5 x 22.8cm (12 x 9ins), with margins, a very good impression, framed and glazed. Guichard 72. Provenance: From the collection of Kenneth Guichard, with his ownership stamp to verso. (1)
Lot 214
* Taylor (Charles William 1878-1960). Early Morning, Essex, etching, signed in ink in lower margin, 16 x 22cm (6.25 x 8.75ins), mounted, together with Thomas (Percy 1846-1922),London River Scene,etching with pencil signature in lower right margin, small ink mark in border, 10 x 14.5cm (4 x 5.75ins), mounted, with Burridge (Frederick Vango, 1869-1945),English Landscape,etching, signed in pencil in lower margin, 14 x 21cm (5.5 x 8.25ins), mounted, with two others similar (5)
Lot 216
* Whistler (James Abbott MacNeill, 1834-1903). Fulham, 1879 (Kennedy 182), etching, second state (of 2), published by the Fine Art Society in 1879 , trimmed to plate mark, plate size 13.2 x 20.2cm (5.25 x 8ins), together with another small etching, possibly by Whistler, but unrecorded by Kennedy, depicting some lightly sketched seated figures beside a river, with rowing boat nearby, and several windows of a building behind, plate size 8.2 x 12.3cm (3.25 x 4.8ins) with margins, plus other various etchings by Whistler, including a reprinted issue of The Little Putney, No. 1 (Kennedy 179), with some soiling and vertical crease across the image, six small-format etchings reprinted from original plates by the Folio Society, c. 1965 (3 copies of A Sketch on the Embankment, Kennedy 260, 2 copies of Boats, Dortrecht, Kennedy 244, & 1 copy of Little Dortrecht, Kennedy 243), and several other reproductive etchings after Whistler (14)
Lot 258
* Bawden (Richard, 1936-). `The Parlour`, colour etching, signed, titled and marked A/P to lower margin, plate size 41.3 x 59cm (16.25 x 23.25ins), framed and glazed. With autograph letter by the artist on two sheets of headed paper, dated July 1998, giving a detailed description and key illustration of the pictures and other items shown in this etching, together with gallery label of Sally Hunter Fine Art. (1)
Lot 304
* Belcher (George Frederick Arthur, 1875-1947). `Two old ladies`, pencil and wash drawing on paper, signed lower right, 30.5 x 23cm (12 x 9ins), framed and glazed, together with a soft-ground etching with aquatint by the same artist, signed in pencil, and inscribed, plate size 23 x 15cm (9 x 6ins), mounted and laid down on card. With pencil caption to the mount for the drawing: `1st Lady: I looked `er up & down & I say / Good morning Mrs Brown and I sez / 2nd Lady: And serve `er - well right`. (2)
Lot 143
*Jose Ramon Alejandro (Italian b. 1943) Abstract construction Signed numbered 45/50 and dedicated Pour Rudolf Nureyev avec mon amitie Etching unframed 63 x 45cm; 24¾ x 17¾in (sheet size) With a lithograph titled Du Cabinet de M. Le Brun after Bouchardon unframed (2) 1. Some light staining and creasing around the margins ink stain top right 2. quite a bit of marginal damage especially on the right hand margin partially trimmed and grubby.
Lot 156
Dame Elisabeth Frink, CH, DBE, RA (1930-1993). Anthony and Cleopatra, 1982. Colour etching. Signed lower right. Numbered A/P VII/XXV lower left. 75cm x 56cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Visit www.dnfa.com for condition reports.
Lot 163
Mike Wells (20th/21st century). Facade I, 1988. Colour etching with aquatint. Signed lower right. Inscribed lower centre. Numbered 19/200 lower left. 86cm x 60cm. Provenance: British Rail Property Board, Hamilton House, Appold Street, London. Some of the works illustrated in their booklet `The Art Portfolio: Art at work in the Property Board`. Please note this lot may be subject to Droit de Suite. Visit www.dnfa.com for condition reports.
Lot 425
* Piranesi (Giovanni Battista). Veduta dell"avanzo de Castello, c. 1780, double page uncoloured etching, 400 x 605 mm together with another three double page and six single page etchings of capitals, columns and architectural reliefs, very occ. marginal soiling. The etching is "signed" Piranesi Architetto, others are signed Cavalier Piranesi. The paper is laid and the watermark appears to indicate paper made in Rome in c.1762. Good dark impressions with no sign of re-working to the plates. (10)
Lot 783
Circle of Jean François Millet 1814-1875- "La Bouillie"; black chalk heightened with white on buff paper, bears signature, backboard (now detached) bears labels for The Leicester Galleries, London attached to the reverse, 36x26cm., (unframed). Provenance: Exhibited, item no 12, `Paintings, Drawings and Sculpture from the Collection of the Late Hugh Blaker`, The Leicester Galleries, London, March 1948. It is traditionally held that Millet made an etching based on this subject circa 1861. A photocopy of part of the original catalogue is available with this lot
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78391 item(s)/page