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Lot 1

WILLIAM LIONEL WYLLIE, RA (1851-1931) A FLEET OF BARGES BEATING TO WINDWARD Etching, signed in pencil 23.5 x 36.5cm. ++ Some foxing and slight light staining.

Lot 1

GERALD LESLIE BROCKHURST, RA (1890-1978) (MOTHER AND CHILD) Etching, signed in pencil 15 x 8.5cm. ++ Good.

Lot 1

GERALD LESLIE BROCKHURST, RA (1890-1978) THE FAN Etching, 1921, signed in pencil, unframed Plate 16.5 x 11cm. with 'An Old Corsican' by the same hand, signed, 16 x 11.5cm., unframed. (2) ++ The former with approx. 4cm. break in paper along the platemark at right edge, the latter good. Each the full sheet.

Lot 1

FRANCIS DODD, RA (1874-1949) PECKHAM Etching, 1914, signed in pencil, the full sheet, unframed 27.5 x 18.5cm. with an etching of Notre Dame, Paris, by F. G. Farrell, signed in pencil, 28 x 38.5cm. unframed. (2) ++ Each with a few soft creases in margins. Images good except for some slight bloom in the Dodd.

Lot 1

JOB NIXON (1891-1938) DEMOLITION OF DEVONSHIRE HOUSE, PICCADILLY Etching with drypoint, a rich impression, signed in pencil, inscribed with title by another hand, unframed, the full sheet 23.5 x 36.5cm. ++ A few spots of foxing in the margins, image good.

Lot 1

SOLOMON VAN ABBE (1883-1955) (CART HORSES) Etching with drypoint, a rich impression, signed in pencil, unframed 17 x 25cm.; with another of a horse resting in a stable by the same hand, signed and numbered 5/50, 17.5 x 25cm., unframed. (2)

Lot 1

EDWARD JULIUS DETMOLD (1883-1957) KITTIE Etching with drypoint, signed in pencil, the full sheet, unframed 22.5 x 30cm. ++ A few spots of foxing in margins and a few old creases at sheet edges.

Lot 1

STANLEY ROY BADMIN RWS (1906-1989) NEAR SEVENOAKS Etching, signed, inscribed with title and numbered 39/40 12.5 x 16cm.; with four etchings by W. P. ROBINS (Monkton, 1924, 29.5 x 45cm.); F. BURRIDGE (Harlech, 23.5 x 25.5cm.); P.J.WESTWOOD (Avignon, 13.5 x 29.5cm.); and O. HALL (Bridge in Spain, 17 x 25cm.), each signed. (5) ++ Badmin has light staining in margins at mount edge; others generally good.

Lot 1

K** F** BARKER (Fl. circa 1920-1940) OTTER-HUNTING: 'YOI OVER, OVER!' Etching with drypoint, signed and inscribed with title, the full sheet, unframed 24 x 30.5cm. ++ Image light stained where formerly mounted.

Lot 1

English School (19th century), Study of a Chinese village, hand coloured etching, 13 x 20 cm

Lot 1

Francis Seymour-Haden (1818-1910), Kenearth, South Wales, 1864, etching, signed in pencil within the margin lower right, inscribed with title and dated within the plate lower left, p. 11 x 15 cm

Lot 1

William Lionel Wyllie, (1851-1931), Naval steamships in a choppy sea, etching, signed in pencil within the margin lower left, p.10.5 x 32.5 cm

Lot 1

After William Samuel Howitt (1756-1822), Woodcock Shooting, hand coloured etching, signed within the plate and dated 1791 lower left, published by Laurie & Whittle, 53 Fleet Street, London, January 20th, 1803, p. 25.5 x 35 cm

Lot 1

George Frederick A. Belcher (1875-1947), Mrs Harris of Follop Yard, taken from life, etching and aquatint, signed in pencil within the margin lower right, signed and dated May 1918 within the plate lower right, p. 28.5 x 19.5 cm

Lot 1

Wilfred R.E. Fairclough (1907-1996), I Musici Cantori, Rehersal, Bergamo, etching, signed and dated 1975 in pencil lower right, p. 23.5 x 27.5 cm, unframed, The Butcher, etching, signed and dated 1966 in pencil lower right, p. 27.5 x 21 cm, unframed, and four other etchings by the same artist, each depicting musical or theatrical subjects, various sizes, all unframed

Lot 1

Sir William Russell Flint (1880-1969), Posada Kitchen, etching, signed lower right, p. 17 x 22.5 cm unframed

Lot 1

William Lee-Hankey (1869-1952), Study of an elderly lady seated within an interior, wearing peasant dress, etching, impressed mark 'WLH' lower centre left, p. 20 x 15 cm unframed and three other unframed etchings

Lot 1

S** R** Brightwell (early 20th century), The dansant, etching, signed within the margin lower right, inscribed with title lower left, 25 x 37.5 cm

Lot 1

Edward Ardizzone (1900-1979), Centaurs Hunting; Centaurs beside the sea, each etching, each inscribed with title, numbered 1/30 and signed lower right and left, each p.12 x 18cm each bears label verso, The Zwemmer Gallery, 26 Litchfield Street, Charing Cross Road, Nos. 3 and 4.

Lot 1

A selection of Etchings by the Etching Club, London, Joseph Cundall, 1865, folio, 12 etched plates, some spotting, mostly marginal, a few leaves loose, contemporary half red morocco gilt, extremities rubbed; together with Volumes I & III only of 'Westmoreland, Cumberland, Durham, and Northumberland, Illustrated (London, n.d.), D. Macline's 'Story of the Norman Conquest' (London, 1866), 'The South Kensington Museum examples of the Work of Art in the Museum and of the Decorations of the Building with Brief Descriptions, (London 1880), and J.B. Waring's, Volume II only, 'Masterpieces of Industrial Art and Sculpture at the International Exhibition', (London, 1862)

Lot 1

Clare Gibbons, Mrs Clare Burnett (b.1964) Two Cello Players, Signed by the artist lower right "Clare Gibbons", Etching, Bears label "Dear Jack, Happy 80th Birthday, lots of love, Clare, 20 August 1991", 15 x 12cm.

Lot 1

Marlborough Fine Art (publisher). Graham Sutherland's Sketchbook, De Tete Edition, limited edition no A1 of 50, with a signed etching with aquatint numbered 1 of 15, a facsimile sketchbook with box and original invoice for $346.50 dated 1974

Lot 1

Paulus Potter STUDY OF A DAPPLE GREY HORSE dry point etching, dated 1652, 15 x 23cm

Lot 1

Rowland Langmaid A VIEW OF THE THAMES WITH BOATS etching, signed in pencil 11 x 31cm

Lot 1

After Durer an etching by Sadeler VIRGIN AND CHILD AMONGST LANDSCAPE framed 33 x 24cm

Lot 1

Tom Carr 'HOUNDS, GENTLEMAN, PLEASE'. Hand-coloured etching, signed in pencil, inscribed and numbered 72/75, {25cm by 30.5cm}.

Lot 1

Rowland Langmaid A FISHING HARBOUR. Etching, signed in pencil, {16cm by 30cm}.

Lot 1

Attributed to Thomas Rowlandson A GENTLEMAN IN A RED COAT, FULL LENGTH. Pen and ink and watercolour; and a hand coloured Etching 'LE RETOUR DE PARIS' , published September 27 1819, {12cm by 15cm} (2).

Lot 1

Herbert Dicksee (1862-1942) "Onward" etching, signed with initials in the plate, signed in pencil, inscribed on label on reverse, 10" x 20"

Lot 1

W Jones. Ferry Boat House, Laugharne. Uncoloured etching, 4" x 6", and Three Other Uncoloured Prints. (4)

Lot 1

Dutch School. Canal scene. Coloured etching. Signed proof. 18" x 23".

Lot 1

G Vernon Stokes. "Setters". Coloured drypoint etching. Artists proof signed in pencil. 10" x 12".

Lot 1

After C T Cracklow and W M Craig View of The Pavilion and Steyne at Brighton with Promenade hand coloured etching with aquatint, by J Mitan and J C Stadler, published 1806 { 46 by 71cm (18 by 28in)}

Lot 1

James Gillray The Union Club hand coloured etching, published 1801 by H Humphrey, in bird's eye maple frame {29.5 by 43cm (12 by 17in)}

Lot 1

Stampa and Sons (Publishers) A Monumental Tribute of Respect to the Memory of Admiral Lord Nelson mezzotint and etching, hand coloured with gouache, inscribed 1806 { 25.5 by 34cm (10 by 14in)}; together with two others, similar, from the same series; and two glass prints relating to Lord Nelson (5)

Lot 1

Havard (Henry) La Hollande a Vol d'Oiseau, number 20 of 100 copies, 48 etching in two states by Maxime Lalanne, armorial bookplate and ink inscription on front endpaper a.e.g., original morocco, gilt, corners bruised, 4to, Paris, 1881.

Lot 1

Mackenzie (Sir George) The Antiquity of the Royal Line of Scotland, FIRST EDITION, some foxing & light browning, 3pp. advertisement at end, contemporary calf, rubbed, rebacked, [Wing M150], for Joseph Hindmarsh, 1686 ~ Statutes of the most Honourable Order of the Bath, first gathering detached, dust-stained, disbound, 1725 ~ [Chambers (Marcus S.)], "Exact Thinker". The Craft of thy Caduceus, FIRST EDITION, no. 603 of 1000 copies, illustrations, presentation inscription from the author, printed wrappers, 1918; and 6 others, miscellaneous, including an etching of a church on silk, v.s. (9).

Lot 1

A pair of Mettlach stoneware wall plaques, each decorated in the manner of a Rembrandt etching, depicting a Medieval scene in a grand hall with figures witnessing the crowning of a King, within formal floral borders, 40cm. diam., factory marks on back and numbered '1048'

Lot 1

T HAMILTON CRAWFORD, SIGNED IN PENCIL TO MARGIN, COLOURED ETCHING, figures before a cathedral, 13" x 9"

Lot 1

JOHN SELL COTMAN, BLACK AND WHITE ETCHING, 'Binham Priory', 13" x 9"

Lot 1

E J MAYBERY, SIGNED INPENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Norwich Cathedral', 8" x 5" and three others, (4)

Lot 1

A LEGROS, BLACK AND WHITE ETCHING, A punt by riverside, 6" x 10" and JOHNSTONE BAIRD, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, Continental cathedral, 15" x 5", (2)

Lot 1

HENRY JOHN YEEND KING, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, young shepherd boy with sheep in a landscape, 13" x 20", A/F

Lot 1

W D HARBER, BLACK AND WHITE DRYPOINT ETCHING, figures beside an indoor fountain, 6" x 9"

Lot 1

EDGER L PATTISON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'A Normandy Road', 5" x 6"

Lot 1

EDWARD J CHERRY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The houses of Parliament, 5" x 3" and K VERNON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Ancient House, Ipswich', 10" x 4", (2)

Lot 1

S C ROWLES, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Pool of London', 10" x 7"

Lot 1

PERCY ROBERTSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, The houses of Parliament from the Thames, 7" x 10"

Lot 1

PERCY ROBERTSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING 'The High Level and Swing Bridge, Newcastle on Tyne', 6" x 8"

Lot 1

MARTIN HARDIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The mouth of the Stour' and TWO 19TH CENTURY HAND COLOURED RACING PRINTS, various small sizes, (3)

Lot 1

TELL .LINDSAY, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'A bit of old Sydney', 4" x 5"

Lot 1

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Melrose Abbey', 8" x 12", mounted but unframed

Lot 1

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Brig o' Balgonnie, Aberdeenshire', 9" x 14", mounted but unframed

Lot 1

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'Scotland' (Urquhart Castle?), 10" x 12", mounted but unframed

Lot 1

LEONARD RUSSELL SQUIRRELL, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'The Frontier Bridge, Mentone', 4" x 4"

Lot 1

JAMES HAMILTON MACKENZIE, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'A destination upon Roast Pig', 5" x 3"

Lot 1

INDISTINCTLY SIGNED TO MARGIN, BLACK AND WHITE ETCHING, 'Horning Ferry', 6" x 9" and AIDAN KIRKPATRICK, SIGNED IN PENCIL TO MARGIN, LIMITED EDITION BLACK AND WHITE ETCHING, (33/100), published 1980 'Darby's Hard, Gorleston', 5" x 9", (2)

Lot 1

SIR HENRY GEORGE RUSHBURY, RA, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING, 'St Pauls 1941', 10" x 14"

Lot 1

SIR HENRY GEORGE RUSHBURY, RA, SIGNED IN PENCIL TO MARGIN, ETCHING, damaged tenement buildings, 8" x 5"

Lot 1

ALFRED CHARLES STANLEY ANDERSON, SIGNED IN PENCIL TO MARGIN, BLACK AND WHITE ETCHING 'Whitehall', 9" x 10"

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