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Lot 508
Robert Dighton (1752-1814) Etching of the auctioneer James Christie 'The Specious Orator Will your ladyship do me the honor to say £50-000', etching with hand-colouring, 1794. At the time this etching was published Christie's was located at 125 Pall Mall, next door to Schomberg house where Gainsborough lived. This image is the basis for the Christie's logo design..
Lot 632
Cecil Aldin, hunting print, signed in pencil, Lionel Edwards, The Warwickshire print, signed in pencil, Frank Paton , A Meeting of the Unemployed etching signed in pencil and Robin Furness, limited edition print, The Warwickshire - The kill on Harrow Hill-Long Compton, signed in pencil and numbered 179/250 (4).
![Frederick Austin [b.1901/02]Barge Girl on The Eliza,:-etching, signed and dated 1930 in pencilimage size 14 x 10.5cm.](https://cdn.globalauctionplatform.com/8cb55a35-59c8-405a-af14-aa5000faeaca/f82790e7-07bf-4e0c-a98a-aa6c00d572ec/468x382.jpg)
![Herbert Dicksee [1862-1942]- Stalking lions,:-etching, signed in pencil in the bottom marginimage size 34 x 55cm.](https://cdn.globalauctionplatform.com/8cb55a35-59c8-405a-af14-aa5000faeaca/e89633cd-5147-474b-aa47-aa6c00d57cb4/468x382.jpg)
Lot 319
William Lionel Wyllie (1851-1931) - 'Portsmouth Harbour', circa 1907, drypoint etching, pencil signed to lower left margin, 17 x 37.5 cm and 'Portsmouth', 1908, etching, pencil signed and inscribed 'To Mrs Strain' lower left, 9 x 33 cm to/w Harold Wyllie (1880-1973) - 'Medina River, Cowes, Isle of Wight', drypoint etching, pencil signed to lower left margin, 9 x 30 cm (3)The Portsmouth 1908 is in poor condition Some staining and discolouration to other two
Lot 654
* TIM MARA (IRISH 1948 - 1997), PLASTIC FUNNEL, MORTAR AND PESTLE screenprint, signed, titled, dated 1992 and numbered 46/50 in pencil 76cm x 57cm Framed and under glass. Note: Published as part of Six Artists: The 1992 Royal College of Art (London) Portfolio of (6) Prints as a limited edition of 50. The other artists selected for this portfolio were John Bellany RA, Sir Eduardo Paolozzi RA, Nana Shiomi RE, Dame Paula Rego RA and Sir Terry Frost RA. Tim Mara worked as an artist and as a teacher for 25 years teaching at NCAD Dublin, later becoming Head of Printmaking at the Royal Collage of Art, London. He was particularly noted for his use of screenprinting, etching and lithography and was awarded numerous pretigious awards and prizes. In 1978 he was commissioned to write the Thames and Hudson Manual of Screen Printing . Born in Dublin in 1948, Tim Mara moved with his family to England in 1953 where he continued to live and work. Mara's prints are included in collections at the Tate London, Victoria and Albert Museum, Irish Museum of Modern Art as well as many other galleries and private collections worldwide.
Lot 704
* CARLO ROSSI RSW RGI (SCOTTISH 1921 - 2010), STILL LIFE monotype, signed and dated '89 43cm x 53cm Mounted, framed and under glass. Label verso: Compass Gallery, 178 West Regent Street, Glasgow. Note: Monotyping produces a unique print, or monotype, made by drawing or painting on a smooth, non-absorbent surface. The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press. Monotypes can also be created by inking an entire surface and then, using brushes or rags, removing ink to create a subtractive image, e.g. creating lights from a field of opaque colour. The inks used may be oil based or water based. With oil based inks, the paper may be dry, in which case the image has more contrast, or the paper may be damp, in which case the image has a 10 percent greater range of tones. Carlo Rossi created an exceptional body of work using the monotype process and was an enthusiastic exponent of the medium.
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