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Lot 53

Sir Frank Brangwyn (1867-1956) The Pont Neuf Paris. Etching. Signed in pencil lower right. p. 55cm x 75cm

Lot 506

P Mottershead; watercolour, country cottages, signed and dated 1940, 23.5 x 34cm, also an etching "The Spires of Oxford" by K Vernon and a photolithograph "The Towers of Oxford", all framed and glazed (3).

Lot 864

Joseph Simpson, an etching, black and white, female figure wrapped in shawl and holding bouquet. 12 ins x 8 ins, signed in pencil "Love Joseph Simpson".

Lot 965

* After R. Herdman-Smith, an artists proof etching, Edinburgh Castle. 7 ins x 9.5 ins, signed, framed.

Lot 981

* George Vernon Stokes, a coloured etching, Otterhounds and Terrier. 9 ins x 11 ins, 26/75, signed.

Lot 992

* After Herbert Dicksee, an artist`s proof etching, "The Last Furrow". 10 ins x 22 ins, framed.

Lot 12

WINIFRED MARIE LOUISE AUSTEN (1876-1964) Etching, Ducks taking flight, signed in pencil, 9.5" x 7.5", framed.

Lot 14

ALEX FINBERG Etching, The Crown and Sceptre Pub and JANET SIMPSON, Etching, Street Market, both signed in pencil, (2), framed.

Lot 183

VICTOR VASARELY (1908-1997) Etching, Abstract study, unsigned, 10" x 7.5", together with an original framing backboard bearing a pencil signature.

Lot 189

ELYSE ASHE LORD (1900-1971) Hand coloured drypoint etching, 2 Chinese families, signed in pencil, trial proof, p 13.75" x 10.25", framed.

Lot 307

JOSEPH FLETCHER Etching, Minstrel, signed in pencil, p 8.75" x 11", framed.

Lot 26

Giovanni Battista Piranesi (Italian 1720-1778) Veduta del Palazzo della Sacra Consulta Etching, from the 1800 edition, Hind 22, unframed 41 x 61.5cm; 16 x 24in (plate size) ++Some foxing and staining

Lot 42

Rowland Langmaid (1897-1956) Channel Pilot Signed Etching 24 x 28cm; 9¾ x 11in With an etching of Tower Bridge by H. P. Evans (2) ++Both with some discolouration to margins, otherwise good

Lot 48

Axel Herman Haig (Swedish 1835-1921) A French Cathedral Signed in pencil, also signed with initials and dated 1893 on the plate Etching 39 x 26.5cm; 16¼ x 10½in (plate size) With an etching of a watermill by T. Butler Cato (2) ++Both good condition

Lot 49

English School c. 1915 Study of a French town with soldiers and wagons Signed indistinctly in pencil Etching, unframed 52 x 45.5cm; 20½ x 18in ++Trimmed close to plate mark on three sides,

Lot 54

After Thomas Miles Richardson Isola Bella Lake Maggiore; Old Tower Frankfurt Lithographs 23 x 38cm; 9 x 15in and similar With a lithograph of Geneva and an etching of an ice skater, both unframed (4) ++Various as viewed

Lot 55

William Walcot (1874-1943) The Library, St. Marks, Venice Signed Etching 12 x 17.75cm; 4¾ x 7in (plate size) ++Good condition

Lot 57

William Walcot (1874-1943) View of New York Signed Etching 25.5 x 15cm; 8½ x 5¾in (plate size) ++Paper slightly rippled, good condition

Lot 60

John Emms (1843-1912) The Honorable Ralph P. Neville, Master of the West Kent Hunt, November 1898 Signed Coloured etching 49 x 64cm; 19¼ x 25¼in ++Good condition

Lot 61

Augustus Edwin John (1878-1961) Self Portrait Signed Etching 12.75 x 10cm; 5 x 4in (plate size) ++One or two fox marks

Lot 62

William Lionel Wyllie (1851-1931) Battleships engaging on the coast Signed in pencil Etching 20.25 x 42cm; 8 x 16½in With an etching titled North Sea Patrol by Frank Harding (2) ++Paper slightly faded, good condition

Lot 63

Eileen Alice Soper (1905-1990) Patience Signed artist`s proof Etching 14 x 11cm; 5½ x 4¼in ++Good condition

Lot 64

Robert Sargent Austin (1895-1973) Summer flower bouquet Signed Etching 19 x 16cm; 7¼ x 6¼in ++Good condition

Lot 68

Frank Henry Mason (1876-1975) Cowes with the Royal Yacht Victoria at Anchor Signed Etching 24.75 x 50cm; 9¾ x 19¾in ++Feint yellow staining to the margins close to mount

Lot 69

‡ Norman Ackroyd (b.1938) Incidental Black Signed titled and inscribed: Artist`s proof (final state) Etching, unframed 53 x 50cm; 21 x 20in (plate size) With a framed lithograph by Derek Hyatt titled Sea Tower, 1957 (2) ++Various, as viewed

Lot 70

‡ Elizabeth Violet Blackadder (Scottish b.1931) Abstract still life Signed and numbered 1/20 Etching 60 x 81.5cm; 23½ x 32in ++Minor blemishes including a small dark spot in the centre, otherwise good condition

Lot 72

‡ Mark Francis (b.1962) Untitled Signed Etching 58 x 58cm; 22¾ x 22¾in Provenance: Contemporary Art Society Market 1996 ++Good condition

Lot 75

Alan Green (1932-2003) Still life of fruit on a table Signed, dated 56 and numbered 11/20 Etching 39 x 76cm; 15¼ x 30¼in ++Yellowing to the paper, especially the margins, otherwise good

Lot 80

‡ A. de Lytensia (French 20th Century) The Embrace Signed and numbered 16.350 Etching with aquatint 45cm diameter ++some small creases, otherwise good

Lot 220

D. G. (20th Century) View of Buckland Monachorum Signed with initials Watercolour 33 x 23cm; 13 x 9in With an etching by Fred Slocombe 1882 of figures and cows on a track (2) ++One or two blemishes, good condition

Lot 330

Alfred R Blundell, `Where there is Peace`, etching, pencil signed

Lot 335

Maud Earl, Otterhounds entering a stream, reproduction print, signed in pencil, together with Frank Willis, `Cattle in Marshes`, signed in pencil, etching, and J Brown Gibson, Cityscape across a river, print, signed in pencil

Lot 543

D. John Bellany, RA (British, b.1942), Woman with Lap Dog, etching, signed in pencil, numbered 16 from an edition of 75, 72 x 56cm (28.08 x 21.84in) (unframed)

Lot 549

Stanley William Hayter (British, 1902-1988), Rubis, 1967, signed lower right "S W Hayter `67" and numbered 73/150, etching, 52 x 48cm (20.28 x 18.72in)

Lot 570

David Bates (British, 1840-1921), Moel Siabod from Pont-y-Ceffyn, signed lower right "David Bates", watercolour, together with an etching of The Horse Guards, 26 x 35cm (10.14 x 13.65in) (2) Provenance: The Horner Galleries, The Cathedral Corner, 2 Church Street, Sheffield, Yorkshire

Lot 985

Wilfred Crawford Applebey (b.1889) - `Edinburgh Castle`, signed and inscribed in pencil, etching, 8" x 11.75"

Lot 990

John Marin (1870-1953 American) - `L`Opera - Paris`, signed and inscribed `To my friend Brau(?) Paris 1908` in pencil, etching, 9.5" x 11.75"

Lot 992

Sir David Muirhead Bone (1876-1953) - busy Venetian canal scene with gondoliers, signed in pencil, etching,12.75" x 9"

Lot 13

Frank Brangwyn - Figures outside a Baroque Building, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 17.5cm x 15cm.

Lot 14

Frank Brangwyn - `Jewish Train`, monochrome etching from `L`Ombre de la Croix`, signed and inscribed `1st State` in pencil, plate size approx 17.5cm x 13.5cm, together with another etching by Brangwyn, `Cockerel`.

Lot 15

Frank Brangwyn - `J`Eplix de Bets`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 17cm x 15cm, together with another etching by Brangwyn.

Lot 22

Frank Brangwyn - `Balcony in Street`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 8cm x 5cm, together with two further etchings by Brangwyn.

Lot 25

Frank Brangwyn - `Coffee Stall, Hammersmith`, monochrome etching, circa 1919, plate size approx 23.5cm x 29.5cm.

Lot 1457

William Lionel Wyllie (1851-1931) etching Children playing golf on the beach at St Andrews, signed in pencil 6.5 x 14.75in.

Lot 1529

William Charles Penn (1877-1968) unframed etching, Female nude on the seashore, signed and dated 1928, 6 x 9in.

Lot 16

Frank Brangwyn - `A Polish Cafe in Belz`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 17.5cm x 15cm.

Lot 17

Frank Brangwyn - `Man Reading`, monochrome etching from `L`Ombre de la Croix`, signed and inscribed `1st State` in pencil, plate size approx 16cm x 15cm, together with another etching by Brangwyn, `Man with Keys`.

Lot 18

Frank Brangwyn - `The Reading`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 17cm x 14cm, together with another etching by Brangwyn, `Synagogue Interior`.

Lot 19

Frank Brangwyn - `Jew carrying a Bag`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 8cm x 6cm, together with nine further etchings by Brangwyn.

Lot 20

Frank Brangwyn - `Scribe`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 9.5cm x 14.5cm, together with nine further etchings by Brangwyn.

Lot 21

Frank Brangwyn - `Buttressed Building`, monochrome etching from `L`Ombre de la Croix`, signed in pencil, plate size approx 14cm x 15cm, together with another etching by Brangwyn, `Cross with Shadow`.

Lot 23

Frank Brangwyn - `Cart`, monochrome etching for `L`Ombre de la Croix`, signed in pencil, plate size approx 2.5cm x 8cm, together with two further etchings by Brangwyn.

Lot 126

Herbert Dicksee - Study of a Leopard on the Branch of a Tree, monochrome etching, circa 1920, approx 45cm x 68cm, within an oak frame.

Lot 122

Geoffrey Watson (early 20th century) A Siskin IIIA bi-plane in flight, etching with drypoint, inscribed lower left, signed lower right, 25 x 34 cm (10 x 13 1/2 in)

Lot 124

John Hoyland RA (b. 1934) `Captive Circle, 1989`, etching and aquatint, signed and dated 89 lower right, numbered 29/65 lower left 64 x 50 cm (25 x 19 in) Provenance: Alan Cristea Gallery, London

Lot 9

William Lionel Wyllie (1851-1931) UNLOADING A LEAKY TIMBER SHIP signed in pencil; with inscription on a label verso drypoint and etching 23 x 35.4cms; 9in. x 14in.

Lot 325

An etching, continental street 16 x 12" etc

Lot 325A

An etching, Durham Cathedral 9 x 6.5" and an etching after Austen, Peter Pan statue 7 x 4"

Lot 814

An interesting hunting sword, evidently a conversion of a French cavalry officer’s sword c 1785, captured during the Napoleonic wars, broad, slightly curved shallow fullered blade 29½”, with a little original scroll etching towards the forte, the back of the blade removed and the edge saw backed for most of its length, gilt double shell and loop guard with knucklebow, the sidebars removed, cap shaped pommel, leather grip (most wire missing) inside of guard engraved with English owner’s initials “WH”, in its leather scabbard with long brass chape and leather locket; see Wagner “Cut and Thrust Weapons” p 311 and Blair “European and American Arms” p 103(b) for similar originals. Basically GC, the hilt retaining approx 15% original gilt (some wear overall, hilt a little misshapen and one loop broken)

Lot 416

AFTER LEWIS BAUMER "The Apple", study of a girl looking at an apple, black and white etching

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