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Lot 99
'Faithful Friends' - portrait of a Cocker Spaniel, drypoint etching signed in pencil by David Gee, titled on label verso, 'Neil', colour print after Cecil Aldin (British 1870-1935), titled on label verso, Sheepdog, early 20th century etching signed G.R. Marshall and dated 1912, and three pen and ink studies of dogs framed as one, unsigned, max 13cm x 16cm (4)
Lot 1503
Thomas Gainsborough (1727-1788) - Wooded landscape with country cart and figures, soft ground etching with aquatint, circa 1785, published by J & J Boydell of No.90 Cheapside & The Shakespeare Gallery, Pall Mall in 1797, with plate number 9 upper left corner (from a posthumously printed set of 12), 28 x 34.5cm. Condition report: Some creasing to paper, most noticeable upper right corner and lower right to margin. Margin appears complete, but some obscured by mount. Some light discolouration, fading and minor spotting all over. Appears un-restored. In later glazed frame.
Lot 128
An 1854 pattern Welsh Guards Officer's sword by Wilkinson Sword Co, the 80cm blade (tip missing) etched with a crowned GRVI cypher amongst foliage, the opposing side etched with a crowned Welsh Guards emblem and various battle honours, marked to the forte with Royal coat of arms by appointment to his late Majesty King George V, Wilkinson Sword Co Ltd London, numbered 67786 to the back edge, having a typical pierced steel hilt with wirebound fish skin grip and chequered back strap, housed in a leather covered steel scabbard with frog, 96cm.Condition report: Tip of blade missing, etching to blade generally good but with areas of wear, the hilt is in need of re-plating, some shrinking to the fish skin grip.
Lot 1102
•ELIZABETH VIOLET BLACKADDER DBE, RA, RSA, RSW, RGI (SCOTTISH B. 1931) FOUR TULIPS Etching with aquatint in colours, signed, inscribed with title and numbered 30/50, 44 x 70cm (17 1/4 x 27 1/2") (sheet) Glasgow Print Studio label verso Condition Report:The etching with aquatint is in good condition with no issues to report.
Lot 1138
•IAN FLEMING RSA, RSW (SCOTTISH 1906-1994) TREES ON A COUNTRY ROAD Etching, signed, 17.75 x 23cm (7 x 9") Condition Report: The paper has been stuck down and the margins appear to be markedly discoloured the image being less so. There is quite a large foxing mark located in the right half section, lower middle.
Lot 1183
WILLIAM LIONEL WYLLIE RA, RE, RBA, RI, NEA (BRITISH 1851-1931) A BUSY FISHING HARBOUR Drypoint etching, signed, 20 x 40.5cm (8 x 16") Condition Report: There are two or three very tiny foxing marks visible over the area of the sky and the outer margins at the edge of the mount show signs of light discolouration.
Lot 1184
•FRANK BRANGWYN RA, PRBA, RE, ROI, HRMS, HRSA, ARWS (BRITISH 1867-1956) AND YOSHIJIRO URUSHIBARA (JAPANESE 1889-1953) BRUGES BY NIGHT Woodcut in colours, signed, 38 x 49.5cm (15 x 19 1/2") FRANK BRANGWYN NIGHT GATHERING, PARIS Drypoint etching, signed, 23.5 x 29.5cm (9 1/4 x 11 1/2") (2) Condition Report: BRUGES BY NIGHT:. There is discolouration in the margins, a foxing mark below the signature and what appears to be an area of damage repair at the edge of the image located in the top right hand corner area. NIGHT GATHERING, PARIS:. Light foxing visible in top and bottom margins with a heavier mark in the top margin close to the right corner. tiny white fragments of a pigment located in proximity to the bottom left hand corner.
Lot 1188
REMBRANDT HARMENSZOON VAN RIJN (DUTCH 1606-1669) PORTRAIT OF JAN UYTENBOGAERT Etching and engraving, signed 'Rembrandt f.' in plate (top left), 22.5 x 18.6cm (8 4/5 x 7 5/16") Inscribed and signed poem by Hugo Grotius recto Condition Report: There is a lighter shaded area of what appears to be mould, approximately one centimetre square in area close to the left edge, lower middle. There are areas of light brown discolouration overall noticeable in the margins, running along the bottom of the image from the left to the right edge, top right at the margin edge, smaller areas generally over the surface of the margins, and the largest of which, located in the top left quarter section impinges over the plate signature and to a lesser degree the image. There is a small diagonal crease in the paper located at the top right corner.
Lot 347
After William Heysham Overend (British, 1851-1898)London BridgePrint Signed lower right16.5 x 25cmTogether with further prints, many depicting scenes of 19th century London life, one after M.W. Ridley, another of a Tuscan landscape after D. Brousse, a signed etching by Horst Rosemann of Rotherberg, and maps (qty)
Lot 407
PHILLPOTTS (Eden) The Girl and the Faun, illustrated by Frank Brangwyn, First edition, 1916, published by Cecil Palmer & Hayward, London, printed by the Morland Press, London, plastic dust jacket protecting the burnt orange cloth cover Together with CONGREVE (William) The Way of The World, an unexpurgated edition, including an original signed etching by A.R. Middleton Todd, 1928, Haymarket Press, London (2)
Lot 56
ANNE ASPINALL (b.1949). 'Riding a Tiger I' signed in pencil lower left, limited edition coloured etching with aquatint. 12/50, framed and glazed, 13 x 12 cm, together with PAUL HIPKISS. 'Hopton Castle Shropshire' signed in pencil lower right, limited edition coloured vinylcut on paper, 1/25, 30 x 14 cm
Lot 30
Estella Solomons HRHA (1882-1968)Portrait of the artist's sister Sophie reclining in the studioOil on canvas, 55 x 68cm (22 x 27)Provenance: The artist's family by descent.Estella Solomons attended the Royal Hibernian Academy schools under Walter Osborne, and entered the Metropolitan School of Art, where she was a pupil of William Orpen. In 1904 she spent a summer working in the mornings drawing at Colorossi's in Paris. In 1906 she visited the Rembrandt tercentenary exhibition in Amsterdam, which was a significant event for her. The chiaroscuro in her early portraits, and her interest in etching was adopted from the Dutch master, and like Rembrandt put emphasis on seeking the inner person. This portrait was possibly painted in her studios at Brunswick Street in the heart of the city, where she was ready at any moment to shelter republicans on the run, herself a member of Cumann na mBan, where she had become versed in signaling and prepared for administering first aid to any republicans that needed it. The list of those who sat for their portraits in her famous studio is a lengthy one, and includes Thomas Bodkin, Jack B Yeats, Padraic Colum and Seamus O' Kelly. Seamus O'Sullivan described her studio in The Rose and Bottle; “ ...The tall press, on which were printed those etchings of old Dublin, so prized by collectors: the curtain which veiled the 'throne'; the boxes, with their cushion covers, which made such pleasant seats about the fire on wintry days and nights....”In 1958, Seamus died, and life became quiet for Estella in her remaining ten years. Although she was crippled with arthritis, though half-bent her tall body now was, she received close friends such as Kathleen Goodfellow to 'The Grove' on Morehampton Road, where tea, sandwiches and freshly baked scones were served and discussions of art, poetry, literature and politics continued to be an important part of her life.
Lot 52
Frederick Brocas (1792-1847)'Howth Harbour and Ireland's Eye' and 'Portmarnock Strand from Howth'Watercolours, 30 x 43.5cm (11¾ x 17'') and 29 x 43cm (11½ x 17''). (2)Born about 1792, Samuel was the second son of Henry Brocas. He attended the Dublin Society’s School and was a multiple prize winner for flower painting, etching and figure drawing. Strickland notes that he practiced as a landscape painter in Dublin both in oil and watercolour and that his works “possess considerable merit”. He was a contributor to various Dublin exhibitions in 1804, 1809 and 1812 while he exhibited at the newly formed Royal Hibernian Academy from 1828 to 1847, the year of his death. His topographical views in the environs of Dublin are perhaps what he is best remembered for, with many of his drawings being engraved by his brother Henry Jnr.
Lot 134
William Lionel Wyllie, RA (British, 1851-1931) Seascape, Medway inscribed to the reverse in pencil "This is a drawing made by W L Wyllie RA near the mouth of the Medway / I was with him at the time" and indistinctly signed with initials watercolour on paper 26.50 x 45.50cm (10 x 18in) Provenance: Private collection, London Other Notes: Widely regarded as the leading British marine artist of his time, Wyllie excelled at watercolour painting - although he is much remembered for his mastery of the etching technique. Son of a genre painter and a singer, he grew up in London, but spent much time in Wimereux, a coastal village near Boulogne, France. It was there that he started making sketches and paintings of the French coast and local fisher-folk. Having settled down in London with his wife in 1879, he established his reputation as a marine painter - he had five solo shows at the Fine Art Society in 1883. A year later, he moved with his family to Gillingham House, near Chatham, but also rented a house in Rochester, Kent. Wyllie kept his boats on the foreshore of the Medway at the end of the garden and made frequent painting trips to Portsmouth, Northern France and Holland. It was at this time that he forged a good relationship with the Royal Navy at nearby Chatham. The present watercolour appears to be inscribed by one of Wyllie's friends who accompanied him on one such trip.
Lot 87
Attributed to Johann Franz Ermels (German, 1641-1693) View of a classical archway, possibly the Colosseum inscribed in ink "Ermels ... Viviano Roma" and numbered '6' to the reverse; pen and brown ink with grey wash, on laid paper with the Arms of Amsterdam watermark 28.50 x 19cm (11 x 7in) Other Notes: Johann Franz Ermels produced a series of nine etchings depicting Roman Ruins and Monuments between 1660 and 1693, (Hollstein 6-14). A drawing of a similar view by Ermels was sold by Christie's, Amsterdam, on 13th May 2015 (lot 278) as being a preparatory drawing for the etching 'View of the ruins of the Colosseum' (Hollstein 6), taken from the same direction. The British Museum holds two states of the etching and a complete set of the views.
Lot 3030
A George V 1828 pattern Scottish officers sword, fitted with the undress cross hilt. 83cm blade etched with thistles and crowned GRV cypher, owners name to ricasso in scrolling script J.Arthur MacKenny, .maker Fenton Brothers Ltd, Sheffield, correct pattern steel mounted leather scabbard with ball finial Condition Report: blade etching legible but a little soft , please refer to additional images
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71174 item(s)/page