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Lot 311

PETER HOWSON OBE, Johnie (1987), Etching, Signed and framed, 13 x 9.6 inches. NO RESERVE. Please see www.mctears.co.uk for larger high resolution images

Lot 503

Elizabeth Frink RA (1930-1993), `Chanctileer and the Fox`, Signed etching, edition 11/70, 25x30cm

Lot 594

J S Murray (20th century), St Monans, Fife, signed etching 21x41cm and, Tipping, Still life, watercolour (2)

Lot 607

Elyse Ashe Lord (1900-1971), Ko Ssu-Birds and Fruits, signed colour etching, Jane Spindler, Sheep drover (2)

Lot 674

Mary R.Henderson, Glasgow Cathedral, Etching, signed and titled in pencil 45x27cm

Lot 681

Dwight Case Sturges (1874-1940), `Bookworm` August Strindberg, signed etching, 23x15cm, Francis Newbury (1855-1946), The Old Bridge, Axminster, watercolour, 18x27.5cm, John Houston RSW, SSA (1930-2008), Night sky over Bass Rock, signed screenprint, 54/100, 24x35cm

Lot 736

A Rosa-Bonheur etching "Fighting Stallions" signed to margin 23" X 35" in a modern gilt frame

Lot 2572

Hans Figura, colour etching, alpine scene, signed in pencil, 37x 43cm

Lot 1

AFTER REMBRANDT VAN RIJN - "The Windmill" (B. 233), an old reverse etching, 5 1/2" x 8" (see illustration).

Lot 11

WILLEM DE BUYTENWEG (BUYTEWECH) - Two women going to market, their produce upon their heads, etching dated 1622, 6 1/2" x 11"; another similar attributed to the same hand both laid down; and three further engravings to include a stag hunt in the manner of Frans Snyders, all mounted but unframed (4) (see illustration).

Lot 13

HEINRICH ALDEGREVER (1502-1558) - Allegory of death transporting a naked woman on horseback from her partner, engraved with monogram and dated 1530, 5 1/2" x 4"; and one further etching engraved with monogram "HB" and dated 1615, 5 1/2" x 6 3/4", both mounted but unframed (2) (see illustration).

Lot 25

THOMAS ROWLANDSON - "Embarking from Brigthelmstone to Dieppe", etching, signed in the plate and dated 1787, hand coloured, 11" x 15"; another satirical etching "First day of term - No. 1 Blessings of Britain or a Flight of Lawyers - a darksome cloud of locusts swarming down". Milton", etching, hand coloured, published by Thomas Tegg of Cheapside, 9 1/2" x 13 1/2" and Cruickshank - "A fancy sketch to the memory of Shakespeare", etching, hand coloured, 7" x 9 1/2" (3).

Lot 31

ANTJE FRETWURST-COLBERG (b. 1940) - Untitled work with rock, bottle, sea shell and distant figure, etching, pencil signed and dated `79, numbered 185/200, 9 1/2" x 7 1/2".

Lot 32

LUIGI ROSSINI (1790-1857) - "Veduta di Pantheon Agrippa oggi Chiesa di S.Maria ad Martyres", etching printed "Roma 1820" in the plate, 18 1/4" x 25 1/2" (see illustration).

Lot 33

LUIGI ROSSINI (1790-1857) - "Colonna dell`Imperatore Foca nel Foro Romano", etching printed `Roma 1819` in the plate, 17 1/2" x 14 1/4" (see illustration).

Lot 44

SYDNEY W. CARLINE (1888-1929) - "Carfax", etching, pencil signed in the margin, 7" x 7 1/4" and other mixed prints or engravings pertaining to Oxford, Guildford, Polperro etc.; and a watercolour by Geoff Cook of St. Michael`s at the North Gate (10).

Lot 48

ANDREW AFFLECK (fl. EARLY 20TH CENTURY) - "Ca d`Oro, Venice", etching, pencil signed in the margin, 8" x 10".

Lot 51

WILLIAM DE LA MOTTE - "Sycamore", etching in sepia, 13" x 18"; and further prints and engravings to include "Conchology"; "National Coats of Arms"; and nine topographical views mounted but unframed (12).

Lot 56

WILLIAM GREEN (pubs) - "Derwent Water taken near Sprinkling Tarn", aquatint engraving, hand coloured, 4 1/2" x 6 1/2"; four further similar; two other Lake District engravings; and mixed prints and engravings to include portrait of James Harrington after Lely, etching by Jacques Callot; a French engraving "Vue de la Place Navone...."; two woodcuts indistinctly signed ?G Moyes McKay and Dorin Dent "Boys fishing", etching, pencil signed and numbered 4/20 in the margin, 6" x 7 1/2" (13).

Lot 60

J. W. King - Broad Street, etching, 10" x 14"; and J. Hill after A. Pugin "St. Aldates from Carfax", aquatint engraving, published for Ackerman`s History of Oxford, 10" x 8" (2).

Lot 65

AFTER REMBRANDT VAN RIJN - "The three trees" (B.212), etching, 7 1/2" x 10 3/4" (see illustration).

Lot 68

FREDERICK AUGUSTE LAGUILLERMIE AFTER JOHN EVERETT MILLAIS - "Clarissa" artist`s proof etching on vellum, published by Thomas McLean 1889, pencil signed in the margin, 21 1/2" x 13 1/2" (see illustration). The work depicts the artist`s daughter Sophie wearing period costume in the guise of Clarissa from the novel by Samuel Richardson.

Lot 73

A* SHARP SHOOTER - "Absolution for apostacy", hand coloured etching published by S.Ganns, 15 Southampton Street, Strand, 9" x 13"; seven further political caricatures to include H B sketches, James Sayers etc; and six unframed prints (14).

Lot 89

SIR DAVID MUIRHEAD BONE (1876-1953) - "The Apse, Leon Cathedral, Spain", etching, pencil signed in the margin, 14" x 9 1/2" (see illustration).

Lot 103

M* OLIVER RAE - "Tom Tower, Christ Church Oxford", etching, pencil signed and titled in the margin, 9" x 6" and five further by the same hand to include All Souls; St. Edmund Hall; Wadham College; Merton Tower; and High Street, Oxford (5).

Lot 532

GREEN, Lewis, H. `George Mackley Wood Engraver`, Gresham Books Ltd. 1981. Tog.with GRIGGS, F.L. `Modern Masters of Etching`, Intro. Malcolm C. Salaman, The Studio, 1926. Number 12. plts. tipped in. bds. worn. Plus ALLEN, William, `The Drawings of William Allen`, Privately printed 2001. sgd. cl. bd. Plus one other. 4

Lot 16

JAMES PRIDDEY. Signed in pencil coloured etching and aquatint on paper `Cley-Next-The-Sea, Norfolk` inscribed in pencil. 13.3/4" x 17.1/2".

Lot 164

GEORGE VERNON STOKES. (1873-1954). Signed in pencil limited edition coloured etching on paper 67/75 `Black Cocker`, see label verso. 9.1/4" x 11.1/2".

Lot 166

GEORGE VERNON STOKES. (1873-1954). Signed in pencil limited edition coloured etching on paper 20/75, study of pointers in a landscape. 9.1/2" x 11.1/2".

Lot 108

Buchner (Fritz). 125 Jahre Geschichte der Gutehoffnungshutte, 1935, single etching by Hermann Katelhon, three etchings by W. Cauer, two etchings by P. H. Schoedder, and three etchings by H. Prussmann, each signed in pencil, orig. full vellum gilt, with library label of the Bibliotecha Aeronautica Caproni Milan to foot of spine, with slipcase, lightly soiled, 4to. Presentation copy to Gianni Caproni, signed in ink by director Paul Reusch. A history of the celebrated G.H.H. Steelworks, generally regarded as the cradle of the Ruhr industry. (1)

Lot 180

* Icart (Louis, 1888-1950). `l`avion`, n.d., c. 1920, original etching, heightened with colour, showing a WWI period fighter aircraft and a semi-naked female representing the `Spirit of Aviation`, signed and titled in pencil by the artist, image size 19.5 x 15 ins (49 x 38cm) (1)

Lot 181

* Icart (Louis, 1888-1950). `The Spirit of France`, n.d., c. 1920, untitled hand-coloured etching showing a semi-naked female wrapped in a French flag, signed in pencil by the artist, image size 19 x 12 ins (48 x 30cm) (1)

Lot 522

After Fred Slocombe; etching of a rural pathway in wooded landscape, 50 x 32.5cm, also an etching of a Continental street scene, 49 x 28cm, both framed and glazed.

Lot 523

Sidney Tushingham (1884-1968); "The Morning Of The Fair", etching, signed in pencil, 28 x 32cm, framed and glazed.

Lot 45

After Paul César Helleu - Portrait of a Lady, monochrome etching, signed in pencil, approx 56.5cm x 34cm.

Lot 76

Gordon C. Arnold - `St Mary`s Redcliffe, Bristol`, monochrome etching, signed recto, titled label verso, approx 32cm x 21cm, together with another etching by the same hand.

Lot 131

After Paul Sandby - `Windsor Terrass looking Eastward`, late 18th Century sepia etching with aquatint, sheet size approx 44.5cm x 57cm, within a Hogarth style frame.

Lot 181

After Dighton - `Ireland in Scotland, or a Trip from Oxford to the Land of Cakes`, early 19th Century hand-coloured etching, approx 28cm x 20cm, within a gilt frame.

Lot 218

After Henry Rayner - `Whistler`s House, Chelsea` (Study of an Artist painting at an Easel in Cheyne Walk), 20th Century etching, signed and titled, together with another etching after Rayner and a collection of decorative prints.

Lot 1843

Isabel Bishop (1902-1988), Office Girl, etching, signed and inscribed in pencil, 20cm x 13cm.

Lot 1847

Salvador Dali (1904-1989) Le Bestiaire de la fontaine, etching, signed and numbered 74/250 59cm x 41cm.

Lot 1851

David Young Cameron (1865-1945), Wooded scene, etching, signed in pencil, 15.5cm x 12cm.

Lot 1889

After Salvador Dali, The pull of the tide, Colour etching, printed signature, numbered 35/295, with blindstamp, 40cm x 54cm.

Lot 2031

An etching of St Botholphs church Boston, after S L Scott, and a print of St Wulframs Grantham.

Lot 284

* Piranesi (Giovanni Battista). Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli, A Tribunale ornato di nicchie, pub. Veduta di Roma, [c.1778], etching on laid, good dark impression, slight dust soiling largely confined to margins, 440 x 575 mm, together with Piranesi (Francesco),Veduta interna del Panteon volgarmente detto la Rotonda, [c.1800 or later],etching on laid, 475 x 665 mm (2)

Lot 558

Browne (Alexander). Ars Pictoria; Or an Academy Trating of Drawing, Painting, Limning and Etching, 1st ed., 1669, engraved portrait frontispiece, 30 engraved plates (complete), mostly by Arnold de Jode, small library stamps on title and each plate, some light spotting and minor marginal tears, modern calf-backed boards, joints rubbed and scuffed, folio. Alexander Browne (d. 1706) was a miniature painter and auctioneer and one of the first publishers of mezzontints. Wing B5097. (1)

Lot 616

Wright (Thomas). The Life of William Blake, 2 vols., pub. Olney, Bucks., 1929, col. frontis. to each, num. b & w illusts., orig. cloth gilt in frayed and torn d.j.s, 4to, together with other miscellaneous art ref., including The Studio (`Masters of Etching` series) and Print Collectors Quarterly, etc., all ex-lib. copies with usual marks (6 cartons)

Lot 864

Adairene-Vose Congoon, French street scene, coloured etching, signed in pencil to margin, 37x28.5cm unframed

Lot 509

Alison Neville b.1945- "Santa Maria del Carmine"; etching printed in colours, signed, titled and numbered 83/100 in pencil, 76x54cm: together with one other similar etching in colours by the same hand titled "Notre Dame", signed, titled and numbered 31/100 in pencil: Russell Baker b.1958- "Sea VIII"; mixed technique screenprint with gold, signed, titled and numbered 72/350 in pencil: together with one other similar mixed technique print by the same hand, titled "Ariel II", signed, titled and inscribed `A/P` in pencil: Mary Rose Owell, late 20th century- Untitled; mixed technique print, signed and titled in pencil: together with three other prints by the same hand from the same suite, all similarly signed and inscribed in pencil: Jo Webster, late 20th century- "Omaji 16"; mixed technique print with gold, signed and titled in pencil: Lou Neaman, late 20th century- "Motion Series Cno.2"; monoprint in colours, signed and titled in pencil, (10) (may be subject to Droit de Suite)

Lot 525

* Anthony Benjamin 1931-2002- "Primrose Kite"; aquatint printed in colours, signed, titled, numbered 16/21 and dated 84 in pencil, 47x40cm: Sacharov, late 20th century- Untitled; etching with aquatint printed in colours, with embossing, signed and numbered 60/75 in pencil, 59x35cm: Seguin, late 20th century- Untitled; etching printed in colours, signed, numbered 13/50 and dated 85 in pencil, 39x29cm., (3) (may be subject to Droit de Suite)

Lot 536

Russell Baker b.1958- "Breakthrough"; mixed technique print on paper, of irregular form, signed and titled in pencil, 47x25cm: together with one other similar mixed technique print by the same hand titled `Transfer`, signed and titled in pencil: S Stewart Liberty, late 20th century- "Sunset, Sussex"; lithograph in colours, signed, titled, numbered 1/4 and dated 91: together with three other lithographs by the same and titled "Sunset Hills", "Four Olives", "Offa`s Dyke", all signed, numbered and dated: A Wilkinson, late 20th century- "Autumn Reflections, Giverny"; photo etching, signed, titled and numbered 22/90 in pencil: together with four other similar prints by the same hand titled "Through Willow Branches, Giverny", "The Willow Tree, Autumn, Giverny" and "Sunset After Rain, Giverny", all signed, titled and numbered in pencil: together with three other prints by different hands, titled variously "Explorer XXX", "Defender VII" and "Blue Sea", all signed and numbered, late 20th century, (13) (may be subject to Droit de Suite)

Lot 555

Tatton Winter 1855-1928- Figures gather for a summer picnic; dry point etching printed in colours, 43x43cm: together with two further similar etchings from the same or similar suite, signed within the plate, in matching frames, (3)

Lot 670

* Georges Duseigneur 1841-1906- Pierrot and elderly woman; etching on japon paper, 27x38cm: together with other 19/20th century lithographs and engravings to include examples by Nicolai Kulbin 1868-1917, Georg Leopold Hertel, mid 18th century engraving after Rembrandt and others, (unframed) (a lot) (A/F)

Lot 688

* After Louis Adolphe Hervier 1818-1879- "Bateau de Fêche" (no 26.T) etching printed with tone, anointed presumably by Beraldi and inscribed, ex Alfred Elias Collection, 12x16cm, together with twenty-nine various etchings in presumably varying states by and after the same hand, each anointed and inscribed, the loose sheet(s) hinge mounted and boxed, (30) (box/folio)

Lot 695

Richard Beer b.1928- "St Augustine"; etching with aquatint printed in colours, signed, titled and numbered 50/75 in pencil, 62x42cm (may be subject to Droit de Suite)

Lot 696

* Circle of Arthur John Trevor Briscoe RE 1873-1943- WWII Battleships in heavy seas, dry-point etching and aquatint, printed with tone, with full margins, good strong impression, with various defects, mainly to the edges of the sheet, 50x69cm

Lot 730

Luigi Rossini, Italian 1790-1857- "Veduta della Strada Antica fouri della Citta che scende al Tuscolo scoperta nel 1825..."; etching on laid, 42.5x59cm

Lot 475

Erlund Hudson, American b.1912- Ballerina in the wings; etching, signed in pencil, 17x13.5cm: American School, mid 20th century- Pinter, at the Cherry Lane Theatre; lithograph, 32.5x22cm: Wm Richardson, Castle Street, Leicester Fields, publ.- "Ed: Finch his Perambulations"; engraving, from a later edition, 13x15cm., (3)

Lot 483

Cyril Reason, British b.1931- Figures in an Italianate landscape; dry point etching printed with tone, signed and dated 53, 26x22cm: J Hepelthwaite act.1920- Calves in a barn; oil on panel, signed and dated 1920, (2) (may be subject to Droit de Suite)

Lot 583

Coloured etching, `A Gloomy Day taken on the Steyne at Brighton` after Dighton, pub. 1801, 10.5 x 8in., together with a coloured engraving, Hampton Court Palace, 9 x 17in.

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