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Rowland Langmaid, St Paul's from Bankside, drypoint etching, signed in pencil, plate 26cm x 20cm, framedVery good condition

CARLO VITALE. ITALIAN 1902-1996. Ponte Vecchio, Firenze. Signed, dated 1926, inscribed and numbered 18/56. Etching 16" x 19¼" plate size.

Herbert Thomas Dicksee (1862-1942) - Signed etching - 'Stealth', signed in pencil, published by Frost & Reed, Bristol, 49cm x 69cm, framed under glass

J HAMILTON MACKENZIE, OLD BARROW YARD, SALTMARKET etchingmounted, framed and under glass, along with anothersaltmarket 46cm x 36cm Qty: 2

Maria Helena Vieira da Silva (1908-1992)"André Malraux"Etching on paperSigned and numbered 2-100Accompanying the text "Malraux, celui qui vient. Entretiens entre André Malraux, Guy Suarès, Jose Bergamin" presented by Claude GlaymaSigned by the authors and numbered 2Ed. Stock, 100 copiesWith fabric-lined box21,7x17,8 cm (mancha/image)29,5x24 cm (papel/sheet)35x27,5x4 cm (caixa)

Julião Sarmento (1948-2021)"Febre (16)"Etching on paperSigned, dated 94/95 and numbered 76/9869,5x49,2 cm (mancha/image)80x60,5 cm (papel/sheet)Model for this engraving in the collection of the Modern Art Center, Calouste Gulbenkian Foundation.

Paula Rego (1935-2022)"Girl with goats feet II"Etching and aquatint on paperSigned and numbered 1/5019,5x14,5 cm (mancha/image)28,2x22,2 cm (folha/sheet)Included in the deluxe edition of the work "Paula Rego: The Complete Graphic Work", 2nd Ed.

Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text on the left sideSigned and dated 9951x36 cm (cartão dobrado/folded cardboard)This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.

Günther Förg (1952-2013)"Ground"Watercolored etching on folded cardboard, with text from Joseph Brodsky on the left sideSigned and dated 9951x36 cm (cartão dobrado/folded cardboard)This print was part of the "Groud" portfolio comprising 20 watercolored prints, each with text on the left, selected by Rudi Fuchs, in an edition of 30 copies.

Carborundum Etching titled Untitled (1). Signed bottom right numbered 65/90. Sight size 42"" x 32""Condition: Good.

Carminio I (Crimson I) is an abstract color etching by artist Janine Cox. Signature in pencil lower right: Cox. Title in lower center: Carminio I. Numbered on lower left: 250/250. Housed in a gilded wood frame with light cream matting. Sight size: 20""L x 16.25""H. Frame size: 29.25""L x 26.25""H x 1.25""W. Certificate of Authenticity included. Artist: Janine CoxIssued: 1994Edition Number: 250 of 250 Condition: Age related wear.

Etching titled From Encounter Suite (2). Signed bottom right numbered 18/50. Sight size 31"" x 24""Condition: Good.

Beautiful color etching by Abstract artist Janine Cox who composed a burnt red central square that expands in shimmering gold, deep purples and blue colored shapes and areas. Black ink cursive writings are visible in the central field and multiple tool marks are scattered throughout the composition. Signature in pencil lower right: Janine Cox. Title in lower center: Meridian II. Numbered on lower left: 210/250. Housed in a gilded wood frame with a white mat and gold tone border. Frame size: 34"L x 40"H x 1.50"W. Sight size: 20.25"L x 27"H. Certificate of Authenticity included. Artist: Janine Cox (20th century)Issued: c. 1995Edition Number: 210 of 250 Condition: Age related wear.

Carborundum Etching titled Untitled (2). Signed bottom right numbered 79/90. Sight size 42"" x 32""Condition: Good.

Etching titled From Encounter Suite (1). Signed bottom right numbered 11/50. Sight size 31"" x 24""Condition: Good.

Henry Moore (English, 1898-1986). Complete set of "Sketchbook 1928 The West Wind Relief" including: one etching and aquatint on Arches paper and one facsimile sketchbook with the accompanying catalog. Contained within the original green paper-covered portfolio. The sketchbook signed and numbered B 3/75 along the front page. The print signed along the lower right and numbered 3/75 along the lower left.(Case) height: 16 in x width: 13 in x depth: 1 3/4 in. (Print) height: 11 3/4 in x width: 15 in. />Condition: There are no major tears, losses, scratches, or restorations. There are some creases and handling marks on the featured print sleeve as well as some minor marks on the back of the sleeve.The sketchbook is lacking one page. There are minor instances of undulation to a few of the pages. There are no major losses to the sketchbook catalog. There are some minor stains and wear to the outer case.

Henry Moore (English, 1898-1986). Etching on paper print depicting a figural group. Pencil signed along the lower right; numbered 40/50 along the lower left.Sight; height: 5 3/4 in x width: 8 1/4 in. Framed; height: 12 3/4 in x width: 15 in. />Condition: No visible rips, losses, or restorations. There is matburn along the perimeter of the image. Light wear along the deckled edges. There are two pieces of tape from previous framing along the verso along the upper right and left corners (total of 4 pieces). There is tape residue along the entire upper edge along the verso. The artwork is hinged to the matboard with two pieces of clear tape along the verso. Pencil inscription ("G0778") along the verso. Some small spots of foxing along the verso that do not appear to affect the overall appearance of the recto. Framed under glass; light wear to the frame.

Edda Renouf (American, b. 1943). Set of eight etching and/or aquatints on Rives BFK paper titled "Clusters." Printed by Doris Simmelink, Crown Point Press, Oakland, California. Published by Parasol Press, Ltd., New York. From an edition of 25 with 10 artists proofs, July 1976. Each print pencil signed and dated along the lower right; numbered 5/25 along the lower left. Each print is additionally numbered 1-8 corresponding with the order of the portfolio. Together with the title page and held within a green cloth-bound portfolio.(Prints, each) height: 8 3/4 in x width: 8 3/4 in. (Portfolio) height: 9 3/4 in x width: 9 1/2 in. />Condition: There are no major tears, losses, or restorations. There are minute spots of foxing on several of the sheets. Each sheet has a small area with a rectangular accretion along the verso. Print eight has a small crease along the upper left corner. There is minor wear to the case including some scratches and areas of discoloration.

John Stuart Gibson (American, b. 1958). Etching and aquatint depicting a sphere with geometric triangle designs in orange and black. Pencil signed and numbered 1/95 along the lower right; editioned 10/30 along the lower left.Sight; height: 20 1/4 in x width: 15 1/4 in. Matted; height: 28 1/4 in x width: 23 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Ossip Zadkine (Russian/French, 1888-1967). Etching titled "L'homme chat" depicting a cubist figure from the book "Paroles Peintes I," ca. 1962-1970. Initialed in plate along the lower right; pencil signed along the lower right; numbered 19/50 along the lower left.Literature: Czwiklitzer No.41.Sight; height: 14 1/4 in x width: 10 in. Framed; height: 20 1/2 in x width: 15 3/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Jim Dine (American, b. 1935). Etching, drypoint, and power-tool abrasion with hand coloring titled "Two Dark Robes" depicting the eponymous subject, 1991. Signed, dated, and numbered 6/18 along the lower left of the left print.Unframed, each; height: 27 1/2 in x width: 19 in. Framed; height: 36 3/4 in x width: 48 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Rudy Pozzatti (American, 1925-2021). Etching on paper titled "Computer Person II" depicting a profile of a figure surrounded by machinery, 1975. Pencil signed and dated along the lower right; numbered 8/18 along the lower center; titled along the lower left.Sight; height: 11 1/2 in x width: 16 1/4 in. Framed; height: 20 1/2 in x width: 24 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Max Ernst (German, 1891-1976). Aquatint and etching from "Paroles Peintes (," depicting an abstract shape in black and subtle reds, 1962. Published by Lazar-Vernet, Paris; printed by Georges Visat, Paris. Pencil signed along the lower right; numbered 19/50 along the lower left.Literature: Leppien - Spies No. 85.Sight; height: 9 in x width: 6 3/4 in. Framed; height: 17 1/2 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Jacques Villon (French, 1875-1963). Etching depicting a self-portrait (or autoportrait) head in loose lines, 1955. Pencil signed along the lower right; numbered 26/30 along the lower left. Jacques Villon was Marcel Duchamp's brother.Sight; height: 9 3/4 in x width: 8 3/4 in. Framed; height: 16 1/2 in x width: 14 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Georges Rouault (French, 1871-1958). Aquatint and etching on paper titled "Guerre" from the series "Miserere," depicting two portraits, 1927. From an edition of 450. With a label from Ferdinand Roten Galleries along the verso.Sight; height: 25 1/2 in x width: 19 3/4 in. Framed; height: 32 1/2 in x width: 26 14 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Pierre Bonnard (French, 1867-1947). Etching on paper titled "Interior with a Cat" depicting a cat resting on a table surrounded by plants. Initialed along the lower center.Sight; height: 7 1/2 in x width: 5 1/4 in. Framed; height: 14 1/4 in x width: 11 1/2 in. />Condition: There are no visible creases, chips, tears, losses, or restorations. The sheet is toned. There are a few minute spots of foxing. Framed under glass; light wear to the frame; not inspected out of frame.

Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "The Strolling Musicians," depicting a group musicians and a dog playing their tunes for a group of individuals at a window. Second state printing, ca. 1635.Literature: Hollstein, 119/II; New Hollstein, 141/II.Sight; height: 5 1/2 in x width: 4 1/2 in. Framed; height: 9 1/4 in x width: 8 1/2 in. />Condition: The colors are bold and deep. There are no visible rips, losses, or restorations. There is a light undulation to the sheet. The sheet has been trimmed to within the impression of the plate. Some light wear along the extreme edges. The sheet is floated in the frame. Light wear to the frame; framed under glass; not inspected out of frame.

Adriaen van Ostade (Dutch, 1610-1685). Small etching titled "Laughing Peasant" depicting a jovial man in profile, 17th century. Likely a 8th or 9th state print.Literature: Godefroy 4.Sight; height: 2 3/4 in x width: 2 1/4 in. Framed; height: 4 1/4 in x width: 3 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Anders Zorn (Swedish, 1860-1920). Etching on paper titled "Dance at Gopsmor" depicting a fiddler playing a violin in a dark room with a suggestion of other figures presumably dancing on the left side, 1906. 2nd state of printing. Pencil signed along the lower right.References:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 306, plate 197.Loys Delteil, "Anders Zorn" (Le Peintre-Graveur Illustre, Paris, 1909), plate 192.Sight; height: 13 in x width: 8 1/4 in. Framed; height: 20 1/2 in x width: 15 1/2 in. />Condition: There are no visible tears, creases, or restorations. The sheet is toned. There are a few small spots of foxing. Undulation to the sheet throughout. The work is framed under a non-acidic mat that is surmounted by two further acidic mats. Framed under glass; light wear to the frame; not inspected out of frame.

Antoine Masson (French, 1636-1700) after David Teniers the Younger (Belgian, 1610-1690). Etching on laid paper after the Teniers painting "The Dinner with Ham (Ham Dinner)" depicting a crowded room at dinnertime, 1883. Signed in plate by Masson along the lower right. With an "MA" watermark. The Ham Dinner sold at Christie's in 2019, setting an auction record for Teniers at approximately $6 million. It was previously in the Rothschild collection. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. No tears, creases, losses, or restorations. Light wear to the deckled edges. The number "88" is written in pencil along the upper right. "Teniers The Dinner with Ham" is written in pencil along the verso in the upper left. Not framed.

Group of five Old Master etchings including:Johann Christoph Storer (German, d. 1671). Etching on laid paper depicting a scene from ancient Rome, ca.1651. Literature: Nagler 5.After Antonio Busca (Italian, 1625-1686). Etching on laid paper depicting a seated figure surrounded by attendants. Signed in the plate lower right "Antonius Busca Pinxit" and with a monogram along the lower left. Busca worked with Storer in the church of San Marco, Milan. Rare etching with only one example in the Rijksmuseum, AmsterdamAnthony van Dyck (Flemish, 1599-1641). Etching on paper titled "Adam van Noort" depicting a portrait, from "The Iconography," 17th century.Pierre-Alexandre Wille (French, 1748-1837) Engraving on laid paper titled "Portrait of an Elderly Woman." Inscribed verso: Geblaue; 2nd state; very rare proof, with collector's stamp. Literature: Lugt 1145.Jan De Visscher (Dutch, 1636-1692) after Nicolaes Berchem (Dutch, 1620-1683). Etching on laid paper titled "Shepherdess at Rest" depicting a sleeping woman surrounded by farm animals. With a 17th century foolscap watermark, signed in the plate.(Sheet) height ranges from 8 in to 12 in; width ranges from 7 in to 12 1/2 in. (Mat) height ranges from 10 in to 14 in; width ranges from 11 in to 16 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

Auguste Boulard Jr. (French, 1852-1927) after Etienne Pierre Theodore Rousseau (French, 1812-1867). Etching on laid paper after a Theodore Rousseau painting titled "Edge of the Woods of Monts Girard" depicting an idyllic landscape, 1883. Signed in plate by Boulard along the lower right. Crown watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet. Light wear along the edges. No major creases, tears, losses, or restorations. Pencil number 64 along the upper right corner.

Felix Bracquemond (French, 1833-1914) after Jean-Baptiste-Camille Corot (French, 1796-1875). Etching on laid paper after a Corot painting titled "The Nymph and the Tiger" depicting a reclining nude woman holding a dead bird out towards a leopard that is ridden by a cherubic child, 1883. Signed in plate by Delauney along the lower right. Corot signautre in plate along the lower left of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. There is a crease along the upper left corner. Some light handling marks along the edges. Light wear to the deckled edges. There is a pencil number 38 along the upper right corner. There is a small pencil arrow pointing to Corot's signature. Not framed.

Eugene-Andre Champollion (French, 1848-1901) after Maria Josep Maria Bernat Fortuny i Marsal "Mariano Fortuny" or "Maria Fortuny" (Spanish, 1838-1874). Etching on laid paper after a Fortuny artwork titled "Choosing the Model" depicting a group of men in a salon observing a nude female model, 1883. Signed in plate by Champollion along the lower right. Fortuny signature in plate along the lower right of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet throughout. There is light wear to the edges throughout. Pencil number 6 along the upper right corner. There is a minute spot of thinner paper (it does not appear to be a hole, but possibly is an area of skimming) along the upper left quadrant. Not framed.

Alfred-Alexandre Delauney (French, 1830-1894) after Constant Troyon (French, 1810-1865). Etching on laid paper after a 1853 Troyon painting titled "Cattle Pasture in the Touraine (Pasturage in the Touraine, near Chateau-La-valliere)" depicting cows and sheep under a cloud-filled sky, 1883. Signed in plate by Delauney along the lower right. With an "MA" watermark. The Troyon painting is in the collection of the Nelson-Atkins Museum of Art. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. There is a loss along the lower left edge. There is a minute crease along the lower right corner. Wear to the edges. There is a small tear along the upper left edge. The number "66" is written in pencil along the upper right. Not framed.

Claude Faivre (French, 19th c.) after Gerard ter Borch "Gerard Terburg" (Dutch, 1617-1681). Etching on laid paper after the ter Borch painting titled "Young Lady at her Toilet" depicting three figures in a bedroom with a small dog, 1883. Signed in plate by Faivre along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 17 3/4 in x width: 12 1/2 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. There is a light crease along the upper left corner. No tears, losses, or restorations. Light wear to the deckled edges. The number "86" is written in pencil along the upper right. Not framed.

Eugene Gaujean (French, 1850-1900) after Charles-Francois Daubigny (French, 1817-1878). Etching on laid paper after a 1843 Daubigny painting titled "Banks of the Oise" depicting an idyllic riverside landscape, 1883. Signed in plate by Gaujean along the lower right. Daubigny signature and date in plate along the lower right of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. There is a loss along the lower right edge. Wear to the edges. There is a small tear along the upper left edge. The number "68" is written in pencil along the upper right; "Banks of the Oise" is written in pencil along the lower right. Not framed.

Charles Louis Kratke (French, 1848-1921) after Etienne Pierre Theodore Rousseau (French, 1812-1867). Etching on laid paper after a Theodore Rousseau painting titled "Banks of the Oise" depicting an idyllic riverside landscape and a fisherman, 1883. Signed in plate by Kratke along the lower right. Th. Rousseau signature in plate along the lower right of the image. Crown watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: Light toning and light undulation to the sheet throughout. Some light wear along the edges. Light crease to the upper left corner. Pencil number 24 along the upper right. Spot of foxing to the upper right corner. Not framed.

Adolphe Lalauze (French, 1838-1906) after Jean-Louis-Ernest Meissonier (French, 1815-1891). Etching on laid paper after an 1869 Ernest Meissonier painting titled "Playing Bowls at Antibes" depicting an a group of figures playing a ball game outside city walls, 1883. Signed in plate by Lalauze along the lower right. Meissonier signature and date in plate along the lower right of the image. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet throughout. There is light wear along the edges. Pencil number 14 along the upper right corner. There is a minute hole along the lower right corner of the image; the hole is only noticeable upon close inspection or with a back light. Not framed.

Felix Augustin Milius (French, 1843-1894) after Willem van de Velde the Younger (Dutch, 1633-1707). Etching on laid paper after the van de Velde painting titled "Marine" depicting ship-filled seascape, 1883. Signed in plate by Milius along the lower right. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: The sheet is lightly toned and there is a light undulation to the sheet. No tears, creases, losses, or restorations. Some wear to the deckled edges. The number "88" is written in pencil along the upper right. "Marine Van de Velde" is written in pencil along the verso in the upper left. Not framed.

Pierre Salvy Fred. Teyssonnieres (French, 1834-1912) after Alexandre-Gabriel Decamps (French, 1803-1860). Etching on laid paper after an 1839 Decamps artwork titled "Samson Destroying the Philistines" depicting a biblical fight, 1883. Signed in plate by Teyssonnieres along the lower right of the image. Decamps signature and date in plate along the lower left of the image. With an "MA" watermark. The print is from Albert Wolff "Cent Chefs-d'Oeuvre: The Choice of French Private Galleries." Paris: Georges Petit and Ludovic Bashet, 1883. Distributed by Knoedler & Co., New York.Height: 12 1/2 in x width: 17 3/4 in. />Condition: There is light toning and undulation to the sheet throughout. There is light wear and handling marks along the edges. No major creases, tears, losses, or restorations. Pencil number 58 along the upper right. Not framed.

James McNeill Whistler (American, 1834-1903). Etching and drypoint depicting Battersea Bridge and Chelsea Church, 1879. Fifth state of five.(On the River) Sheet; height: 13 in x width: 9 1/2 in. Matted; height: 14 in x width: 11 in. (Watergate-Venice) Sheet; height: 9 1/2 in x width: 13 1/2 in. Matted; height: 11 in x width: 14 in. (Battersea Bridge) Sight; height: 5 3/4 in x width: 8 1/2 in. Matted; height: 10 3/4 in x width: 13 1/4 in. />Condition: There are no major tears, losses, or restorations. The sheet is toned, more so along the verso. There is matburn around the perimeter of the image. There are a few minute areas of foxing. There is a pencil inscription ("23-5") along the verso. Minor wear along the edges including a few small fleabite chips. It is mounted with three pieces of clear tape along the upper edge of the verso to an acidic matboard. Housed between an acidic top mat and a non-acidic back mat. Not framed.

Joseph Pennell (American, 1857-1926). Etching on laid paper titled "A Watergate - Venice" depicting a Venetian canal, 1883. With a partial crown and shield watermark. Signed and dated in plate along the left center.(On the River) Sheet; height: 13 in x width: 9 1/2 in. Matted; height: 14 in x width: 11 in. (Watergate-Venice) Sheet; height: 9 1/2 in x width: 13 1/2 in. Matted; height: 11 in x width: 14 in. (Battersea Bridge) Sight; height: 5 3/4 in x width: 8 1/2 in. Matted; height: 10 3/4 in x width: 13 1/4 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.

A framed and glazed coloured etching manor house by Frederick Louis Leve exhibited 1906 in Liverpool

A 19th century silhouette portrait miniature of a boy, with two portrait miniatures of the same woman with red ribbon, and an etching portrait miniature and a photograph of a naval officer, (5)

ADRIAEN VAN OSTADE (DUTCH 1610-1685) MOTHER AND TWO CHILDREN (BARTSCH, HOLLSTEIN, GODEFROY 14) Etching, 1675, on laid paper without watermark, from the fifth state of six, signed with initials in plate Dimensions:plate size 9cm x 7.1cm (3.5in x 2.75in), sheet size 10.2cm x 8.8cm (4in x 3.5in), unframed

Sir Eduardo Paolozzi CBE RA (1924-2005) Untitled, 1960 Etching on wove, published by Galleria Schwarz, Milan Signed and numbered 46/60 in pencil Sheet: 26 x 19.2 cm (unframed) (ARR)

AFTER LOUIS ICART (FRENCH 1888-1950)  FELICIA OU MES FREDAINES  Etching in colours, 20 x 15cm   Titled verso   Together with a similar by the same hand (2) Condition Report:Available upon request

CONTEMPORARY SCHOOL  ABSTRACT IN BLUE, PINK AND YELLOW  Etching in colours, signed lower right, 58 x 49cm  Together with a similar by the same hand and another (3) Condition Report:Available upon request

JOSEPH RUSSELL Barges on The Thames, signed, etching, 27 x 44cm and CHARLES WATSON Chelsea, etching, 1879, 18 x 28cm (2) Condition Report:Available upon request

WILLIAM LIONEL WYLLIE RA,RI,RE Beached cobles,signed, etching, 10 x 37cm and Tower Bridge, London, signed, 30 x 20cm (2) Condition Report:Available upon request

* Gillray (James). Fighting for the Dunghill - or - Jack Tar settling Buonaparte, H. Humphrey, Novr. 20th 1798, etching with aquatint on wove, contemporary hand-colouring, one small area of paper weakness, strengthened with later paper on verso, 260 x 360 mmQTY: (1)NOTE:BM Satires number 9268.From the Royal Museum Greenwich catalogue entry for the Edinburgh edition (PAD4792):This is the earliest of Gillray’s portrayals of Bonaparte as the symbolic personification of France. Here he is caricatured in a manner deriving from earlier 18th-century lampoons against the French, particularly by Hogarth, in being shown semi-naked and emaciated. Gillray also plays upon Bonaparte’s Corsican roots, notably in the Italian spelling of his name in the title. Seated atop a globe, he is being knocked down and has his nose bloodied by a stout British tar with the profile features of George III. It is a simple but effective piece of propaganda, casting France with the dark, benighted side of the globe, and Britain with the bringing of light. At the same time, the fusion of the King with Jack Tar is a brilliant means of suggesting a national unity between the upper and lower orders that was, at this time, far from being the case.

* Turner (Charles, 1773-1857). Tiger & Crocodile, London: James Daniell & Co. No. 6, Great Charlotte Street, Blackfriars Road, December 7th 1799, mezzotint with etching after James Northcote, printed in colours and finished by hand, occasional marginal closed tears, the margins strengthened and repaired on verso, slight staining, one small wormhole, 485 x 600 mmQTY: (1)NOTE:Alfred Whitman, Nineteenth Century Mezzotinters: Charles Turner (1907), 802. A rare image. The last copy to appear in an auction was at Christie's in 1993.

* Weiss (D.). A Tea Garden [and] St James's Park, circa 1860, pair of hand-coloured lithographs after George Morland, slight water staining, each approximately 375 x 440 mm, uniformly mounted, framed and glazed, together with Vernet (C.). Dogs Dancing, La Danse des Cheins, Paris, circa 1830, etching with contemporary hand-colouring, 410 x 610 mm, mounted, framed and glazed in an ornate French gilt gesso moulding, with Detaille (Eduard). [The Scots Guards in Hyde Park], 1880, hand-coloured photogravure, trimmed to the image, 430 x 565 mm, mounted, framed and glazedQTY: (4)NOTE:The first pair of items described are taken from the pair of stipple engravings with the same titles, by Francois Davide Soiron after George Morland which were published in 1805.

Victorian Royal Navy Flag Officer's Sword30 3/4 inch, single edged blade with sharpened back edge point.  Wide fuller.  Blade polished with traces of etching.  Gilt brass guard with Victorian crowned anchor cartouche.  Rear folding panel.  Gilt brass lion mask pommel and backstrap.  Shagreen grip with twist wire binding.  Contained in its leather scabbard with special pattern, gilt brass, oak leaf decorated mounts.   PAYMENT BY BANK TRANSFER ONLY

Rowland Hilder (British, 1905-1993) ‘A drifter at Whitby’ etching and dry point, signed in pencil beneath print, mounted and framedplate size 163 x 182mm, within mount 19 x 18.2cm, overall size 33.7 x 35.5cmCondition:

Graham Clarke (British, B.1941)'Badgers Oak', edition 63/100, etching and aquatint, signed in pencil lower left, mounted and framed plate size 340 x 260mm, framed size 48 x 56cmCondition:

Herbert Thomas Dicksee (1862-1942). Stealth - A Leopard (1914), etching, signed, 52cm x 72.5cm.

E. Robertson. Still life, with Toby Jug, watercolour, unframed and a number of works by the artist including pencil sketches and etchings, an etching after J.S.C. Simpson of Deal, an etching signed H. Tandfelt. (1 folder)

A.M. Portrait, coloured etching, initialled, 18cm x 13cm.